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4:21am
Tue
Aug 12

<*>

restless is the thinking brain,
rapid repeated beating
from an overheating sun
in a room of full-on dark,

difficult to weep,
harder to silent breathe,
one listens to his arrhythmic heart,
sending out messages incessantly & incomplete

every single sin ever committed
comes in with cheery face,
a greeting of, still here!
in this ,
our temporary final resting place

finish us off by completion,
makes us full of restitution,
by seeing to our undoing,
revolving, unending, the finally of sufficiently

those old curses
we can only face
by turning our faces away,
drop in, like best friends, come to sunrise visit

though dawn is yet eons of minutes far away,
though relief can never be fully attained,
though "though' is the first ****** word of excusal,
though betrayal is always next, the secondarily, refusal,

there is never a dot of period,
only a comma of pause, because,
there is no ending in completion
only in forgiving by your harshest critic,

yourself, yourself, our selving,
this unsolvable function of forgiveness upon this,
this, the two-days of Tuesday,
to day
two partings of one day ~ the night and the day

f:
In various contexts, "f" can represent several different things. Most commonly, it refers to the letter in the English alphabet, representing the voiceless labiodental fricative sound /f/. In mathematics, "f" often denotes a function, especially when used as f(x), which represents the output of a function for a given input x. Additionally, "f" can stand for force in physics or frequency in other scientific fields. It can also be a written abbreviation for various words starting with "f". Furthermore, in musical notation, "f" (or "forte") indicates a loud dynamic.
There is a thing I wanted so much--
a thing always denied.
The evil and the angelic made a pact

and placed this desire in my heart
like a ticket hidden in a boot
worn by someone desperate in a station.

I tell people this desire is over--
that I visit its grave on holy days
to leave woven weeds,

but there is no grave because it is not dead--
only paralyzed like an aster when there is no wind,
no sun, no moon, no garden.

There is someone coming up the stairs
to hurt my heart, and they are so lit with beauty,
such an ordinary marvel.

The hallway floor is wood, the light there yellow in autumn.
It is morning, but the birds are mute.
My heart stops, the visitor walks past, the world ends,

but no one notices. There is no fool like an old fool,
no desire that cannot exalt or destroy,
over and over, in silence, like Shiva in a recurring dream.
<>
"for the vanity of man is as porous as dust...and, in their supreme wisdom, because of this failing, the Gods have decreed, that mankind deserveth no more, no less than his designated allotment of being.
And such it shall be."
writ by
The Marshal Gebbie
June 2023
<>
rise up, rise up,
son up, sun up!
see for yourself a newly birthing day,
the early rays licking the unlocking of a grinning earth's face,
humbling humans and their perpetuity e~mo/notions of eternity.
how are the daily~we, to measure ourselves, versus our ancestry,
by whom shall we~be set forth as examples to our posterity
what tools we fools think, we possess, an etch~a~sketch,
to imprint of who we are,
what we were, and
who we might become, and
be  beauty becoming,
marking our time with ensigns of
words of integers in some giant network
authored, offered, up unashamedly

and even though the sun
does not always greet & meet
the discombobulated human riffraff
every diurnal,
daily identical,
when it shines,
it shines for us all
in an equality of glorious,
it shines upon us all in equality,
it, great equalizer, who restores and
replenishes our colored planets blue green,
a methodology of air, soil and water interactively,
for we are all chemicals, forever effervescent rebirthing

and so it goes.
our cells, are a
rare earth depository,
we plant ourselves
eternally, fed by
foodstuffs of
our ancestors cells,
their brewed ***** dust,
and thus each of us singly
is thus remembered, reconstructed
as are we, both, individually and collectively,
from dust we are, to dust we return, this matériel future prepped


postscript

We Hebrews have a knowingly foolish,
a most beauteous custom, gifted to us by
our forefather Jacob, who when espying a
solitary grave by the road, a nameless marker of
piled-on stones, marking an unknown person last remains,
added one more, add-on to ensure this nameless one yet remembered,
so we too do not pass by without adding a stone, a tiny pebble,
we encumbered, to solidify, perpetuate, renew, ever sustaining,
cannot pass by without adding another rock,
another pebble, that time will surely shift,
but as long we follow this custom,
spiting time's erosive nature and until today,
yet the same, for at a cemetery, every grave,
all marker, ego big, humbled small, topped,
festooned, with small stones, we top them
signaling that this, very spot here, here!
for now, until for ever
shall never
be forgot

<.
and so this peculiar, deteriorating canister places
one more smoothed handy beach pebble, upon
this, his unmarked resting spot
nml
<>
Monday morning
7:10am
an august, August dream day
specified as the 11th day of this
eighth month in one particular
calendric methodology
and as the
17th of Av 5785
in his ancestral calendar
sJews place stones on grave markers as a long-standing tradition symbolizing remembrance and respect for the deceased. It's a way to show that the person hasn't been forgotten and that someone has visited their final resting place. Unlike flowers, which are temporary, stones are seen as enduring, representing the everlasting nature of memory
Historical Roots:
The practice may have roots in ancient times when graves were marked with piles of stones
there is a delight unique
(which is mispronounced
by all, actually, u-nee-cue)
after thousands of poems
composed and disposed,
smack dab read, two- fab-you-lust-
fulfilling new(new (to HP), anyway)
poets who have left me
brighter but blue
with one option, two problems:

De doc he say, son you in a bad way,
wake to neon flashing ear to ear,
a l t e r n at i n g
smiles and grimaces,
face flashing
unceasingly
like a lonely
orange red Hotel sign
irritating the dark, all night long


two poets,
offering either hope or despair,
and I am bereft and bewildered,
by two new to me poet~scriveners,
with such distinctive and oppositioned
positional views of life expressed so well,
making my Pity #9, feeling prissy and yet prophetic,
as these two make want to cry/smile with every read
of theirs…and throw in the crying towel…wet with tears …
and the summer breezes, carries us leeward,
to the sheltering side of my island


READ THEM!
(see below)
''How wondrous it is to be read by someone
who appreciates this gift given,
A kiss, a tear, a poet's religion.
A friend made, words displayed, a song, a poem, hello, goodbye, or maybe Shalom
"
patty m
<>
look, it's not like I lack for inspiration.
138 butterscotch chips
already exist,
full poems, titles, couplets, bare naked (ladies) notions,
(men, women, children, asordid genders ageless-survivors)
all demanding rescue,
their cry of SOS, undeniable, but their
lamentations defied, asided, when miz patty m writes,
and oblivious to all else,
attention must be paid!
even when it is 2:55am
even on a Tuesday! (1)
<.>
to the meet, to the mess, to the beating heart that refuses to keep,
a doctor's orders of de minimus seven hours sleep,
when commissioned, when ordered without permission,
you drift into the sunroom, where the night outside
is holy dark, the silence raucous and overwhelming,
and utter inaudibly in his mind,
and piety and poet repeats:
"Yes Ma'am, Yes Ma'am, sir!
<.>
we write for no one in particular
for there is no one who is not particular,
all!
special, sharp edged, distinctive,


and there is no limit, yet,
to how many poems
can be created in a day,
except for the foolish delimiting, irritating
science of 24/7/365+1;
but mercy and insight is demanded,
when miz patty m
does not insist, but commands it
<.>
''A kiss, a tear, a poet's religion..."

indeed, in deed, in deep,
these the elementals of the one true religion,
perhaps the shortest excerpt that ever summarized
the humanist's
faith and the One Commandment,
that summons us & Grace to the table
where we compose and create,
not by fate tempted, but by a fate commanded,
by a faith so grounded & profound,
that every human
regardless of identity or language
each has in their possession, a heaven sent
something important to say,
which is why,

''A kiss, a tear, a poet's religion..."
is the largest tent ever constructed
after the Tower of Babel
where languages were created
(4)

a half hour has passed,
a period of absolute measured time,
that cannot be recreated, recsptured,
but like energy,
nor can it be destroyed,
for this
poem, this kiss, this tear,
marks the moment, the neuronic iconic synapse (2)
of our interactive minds believing and breathing
as one,
and even the atheist  among us
must to no one in particular
(well, maybe to the Angel Leonard)
must whisper most utterly,
hallelujah

'''''''''''''
poem dispatched
at 3:44 am EST,
from the
current latitude and longitude for where natty is,
approximately 41.05° North latitude and -72.33° West longitude.
(1)
In Judaism, Tuesday is considered a special day, often referred to as a "double blessing," due to its association with the creation story in Genesis. Specifically, on the third day of creation (which is Tuesday), the Torah states, "and God saw that it was good," twice. This double declaration is interpreted as a sign of Tuesday being a day of double blessings or auspiciousness.

the boy knows hiz bible
(2)
https://www.google.com/search?q=synapse&rlz=1C9BKJA_enUS1169US1169&hl=en-US&sourceid=chrome-mobile&ie=UTF-8
the cutest gap ever drawn of a kiss
(3)
nah, no note, just a parentheses and a Trinity
(4)
The Tower of Babel story, found in the Book of Genesis, is a biblical narrative used to explain the origin of different languages on Earth. According to the story, all humans initially spoke a single language. They decided to build a tower to reach the heavens, but God, seeing their arrogance, confused their language, causing them to speak different tongues and preventing them from completing the tower. This divine intervention is presented as the reason for the diversity of languages we see today
<>
"And then one day you came back home
You were a creature all in rapture
You had the key to your soul
And you did open that day you came back to the garden

The olden summer breeze was blowin' on your face
The light of God was shinin' on your countenance divine
And you were a violet colour as you
Sat beside your father and your mother in the garden

The summer breeze was blowin' on your face
Within your violet you treasure your summery words
And as the shiver from my neck down to my spine
Ignited me in daylight and nature in the garden"

In the Garden,
song by by Van Morrison
<>
This touches me deep in the chest cavity,
the palpitations of its internalizing echoing cavitations,
a warning, go slow, choose your words wise and
accrue, the mood,
for the ache of creating, hurts, fevers me

for I am but steps away from the garden,
and its violet hues infused with fresh sunrising golden hazes,
with kindly warmth, with warming kindnesses,
touches,
caresses my shoulders, begs me to stop crying,
overcome, for I am overcome, eyes dropping wetting droplets,
for find myself at the intersection,
interlocking crossroads
where perfect perfection
begins and must
meet its natural endings

thoughts of capture, retentions, preservations,
all impossibilities, challenges,
see me, begging itinerant
muses
in the neighborhood
to guide my hand, teach me newsome words,
mine feel so old, so unworthy of this moment,
hearing me solicit their
Treasure of Summery
Words
but they won't,
excusing themselves,
that this in particular human has exercised, exorcised,
all the tools in his ever diminishing capacity,
time insufficient to learn a new calculus of
addition

and bid me calm my heaving chest,
seize my tears, just add them to the brackish salted waters steps
awaiting away

live in this moment
live within this poem,
revisit it frequent,
weep no more,
your stilling heart weakened,
take fast what is given now,
and be contented,
your treasury chest is full,
overflowing with this summary of
summery



but I am not, cannot…

7:48:am
jul 22
Synesthesia is a neurological condition in which stimulation of one sense involuntarily triggers experiences in another sense. This means that people with synesthesia may see colors when they hear music, taste shapes when they read words, or feel textures when they smell certain scents. It is a rare and unique phenomenon that affects about 2-4% of the population. Synesthesia is not a disease or a mental disorder, and it does not interfere with daily life

would sell my soul
cheap very cheap
to have this kinetic
blessing

think of the life
of love’s illusions
you could sketch,
the intersection
of all the senses
in one glorious
syntax
speaking of the
synthesis
of perfection moments

to decorate ordinary existence
for others

to be a human filtering
kaleidoscope
this poet’s word~world enthralling,
mesmerizing

imagine a love poem
erupting,
the sound and the fury,
the volcanic coloring heat
upon your flushed cheeks,
the symphony of
tiny erupting pinpricks


when first you
kiss
the great love of
your life


For everyone to
understand,
persuasively share,
the exact ecstatic crystallization
of that single second as well as you…
2/23/25
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