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 Jan 2016
Cecil Miller
The pollywog swims
To the edge of the basin;
Soon it shall have legs.

A bass leaps from pond,
But is not amphibian,
It lives in water.

The worm feeds on green
Foliage sprouting  from soil,
Unaware of flight.

A drop of dew clings
On the underside of a
Leaf splayed like a hand.

A burgundy beam
Of sun burns the soldier ants;
The queen does not grieve.

Feet disturb some twigs;
The crackling sound rapports
All throughout the woods.

Silence gives a heed
To the bird which gathers
Brown straw for its nest.

The lilting song of
A loon rises through the murk;
A sliver of moon glows.
This is a haiku. I hope you enjoy it. Take from it what you will.
 Jan 2016
Evelyn Halstead
(Apologies to T.S. Eliot)*

I
The scorching noonday settles down,
The scent of Coppertone on naked backs.
At the beach.
The lukewarm beer and paper sacks
Of gritty snacks
Packed early when the day began
Are now declined by sunburnt throngs
Who toss the refuse toward the can
But miss,
Delighting eager gulls that plunge
Headlong
To dive in screeching glee for treats
Not caring that the eats
Are full of grunge.
They feast in bliss
On rye and Swiss.  
Soon, hungry, blistered bathers stiffly stand
Now mindful of the quantity of sand
Inside their shorts and thongs.

And then the stiff walk to the pier
To find a shower and cold beer.
 Jan 2016
Evelyn Halstead
I gave you a blue stone
You said it was green
It was special to me
You laid it aside
Now I miss the stone
But you have forgotten about it.

I brought you a jar of peppers
Some special mustard
Imported ham
You had already eaten dinner
A week later, the ham was spoiled
You never opened the peppers and mustard.

I brought you a handful of straw,
Buttercream-colored like a baby's hair
Soft, spun from past loves and hope,
Wine pressed in my heart by my own hands.

You gave me a room, unfurnished,
A garden, dead and brown,
A well, neglected and brackish.
 Jan 2016
Robert Burns
ON SEEING ONE ON A LADY’S BONNET AT CHURCH

Ha! whare ye gaun, ye crowlin ferlie!
Your impudence protects you sairly:
I canna say but ye strunt rarely
Owre gauze and lace;
Tho’ faith, I fear ye dine but sparely
On sic a place.

Ye ugly, creepin, blastit wonner,
Detested, shunned by saunt an’ sinner,
How daur ye set your fit upon her,
Sae fine a lady!
*** somewhere else and seek your dinner,
On some poor body.

Swith, in some beggar’s haffet squattle;
There ye may creep, and sprawl, and sprattle
Wi’ ither kindred, jumpin cattle,
In shoals and nations;
Whare horn or bane ne’er daur unsettle
Your thick plantations.

Now haud ye there, ye’re out o’ sight,
Below the fatt’rels, snug an’ tight;
Na faith ye yet! ye’ll no be right
Till ye’ve got on it,
The vera tapmost, towering height
O’ Miss’s bonnet.

My sooth! right bauld ye set your nose out,
As plump an’ grey as onie grozet:
O for some rank, mercurial rozet,
Or fell, red smeddum,
I’d gie ye sic a hearty dose o’t,
*** dress your droddum!

I *** na been surprised to spy
You on an auld wife’s flainen toy;
Or aiblins some bit duddie boy,
On’s wyliecoat;
But Miss’s fine Lunardi!—fie!
How daur ye do’t?

O Jenny, dinna toss your head,
An’ set your beauties a’ abread!
Ye little ken what cursed speed
The blastie’s makin!
Thae winks and finger-ends, I dread,
Are notice takin!

O, *** some Power the giftie gie us
To see oursels as others see us!
It *** frae monie a blunder free us
An’ foolish notion:
What airs in dress an’ gait *** lea’e us,
And ev’n Devotion!
 Jan 2016
Seán Mac Falls
Ruddy and worn,
Dusted by turf and salt,
Sun rose cheeked and blue
Clouded eye spurt in a gait
Ended by mute journeys and toil.
He breaks the long day with a shove
As the old pocked door is waiting to be
Opened.  At the crowning stand of the bar
He orders his Craic, some froth of tar, his black
Medicinal and when the tales of tall pints grow, sinking,
Live, flickering light slows and smoulders, shoulders with moist
Embers of smoke trailing by with an impromptu céilí and all is brilliant,
Blind, awful and right, cast in the sprite, spirited dance of the verbal swirlings.
"Craic", or "crack", is a term for news, gossip, fun, entertainment, and enjoyable conversation, particularly prominent in Ireland.  It is often used with the definite article – the craic. The word has an unusual history; the English crack was borrowed into Irish as craic in the mid-20th century and the Irish spelling was then reborrowed into English.  Under either spelling, the term has great cultural currency and significance in Ireland.

In modern usage, a céilidh or ceilidh ( pronounced: kay-lee ) is a traditional Gaelic social gathering, which usually involves playing Gaelic folk music and dancing. It originated in Ireland and Scotland, but is now common throughout the Irish and Scottish diasporas. In Irish it is spelt céilí.
.
 Jan 2016
r
Two fishing poles, a feather,
a leather jacket with holes
on both elbows, forty-four
dollars and change in
an envelope, some dope,
a pair of worn out cowboy boots,
a clay flute shaped like a bird
that can't whistle a tune worth a lick,
an unused bus ticket, a picture
of two kids laughing pretending
to fly; an eyelash in my eye.
In memory of a brother.
 Jan 2016
irinia
there are places where no mind
can reach
as far as the gate of winds

I'm counting hours, counting stars
burdened with the exhaustion of difference

see the hand write of time in my silent steps
black wholes in between my thoughts

I can smile, I am in the present tense of home

there are no attributes
in the centre
no spin into the crucifixion of the day

only the tenderness
of the sinking sun
 Jan 2016
Sjr1000
The Garden Buddha
sits
between
the
Rosemary, Dahlia and Boronia
fragrances in the breeze

Welcoming Accepting
the sun, the rain,
the star lite night sky
fierce frozen mornings
the snow when it comes,
the spiders, the slugs, the mosquitoes, the flies

Garden Buddha
quarter smile
whether or not
I sit beside him,
Unattached to all he sees
a study in the 7 Dharmas.

The Garden Buddha
being is all he knows.

While I worry
about this and that
fearful thoughts in the days and nights
all attached
to
love and loss,
fears and triumphs
births and debts,
what people think
will poems trend
whether there is food on the table
whether work will extend
whether or not I am part of the latest fashion trend.

The Garden Buddha
doesn't care or not care
about any of those things
his eyes
never waver
they always look inside out
outside in.

The Garden Buddha
stone of course
his smile
never goes away.

In the end, though,
nature will always have the last say
I can accept it
or not
Be filled with longing
suffering or accepting

life on life's terms

The Garden Buddha
will be here
long after
my last
dying day.
Not a practicing Buddhist, but have always had a fascination with attachment, longing and acceptance.
 Jan 2016
r
Oh, come on you black-eyed
***** Night. Spite me
with sleep. Strike me, like
a cottonmouth. Sing me
your dark song, like a footfall 
in my hallway, like a night watch-
man dropping his lantern,
a last turn of the fan, a whisper
of a mystery, a kiss with wisteria
and moonshine on your breath.
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