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 Jun 2015
Joshua Haines
I see how white light startles.
I snapped a pic and she spun in circles.
She wanted a photograph
to cover her mother's epitaph,
so she could have a laugh.

She smoked to get away -
but this isn't what'd she say,
exhaling, "All we are is carbon
and a lack of empathy."

We blended into hues of
microwave dinners
and church alters.
I used to tell her to go
just to halt her.

We prayed to get away -
but that's not what we'd say,
whispering, "Help us be more
than carbon and a lack of empathy."
 Jan 2015
Mikaila
Do you worry that I'll love you?
Sometimes I do.
But
I think that if I were to love you
I would love you the way I first learned to love:
Quietly, and with no demands.
I think if the worst were to happen
I wouldn't reach for you
Only tell you
That you are beautiful.
Perhaps
It has happened already.
I wonder if I fear it, sometimes.
But what I really fear
Is that you will fear it.
I wonder if you worry that I'll love you
And you are just too good
Too truly good
To do anything about it.
If you do worry,
You needn't:
If I were to love you
I would love you like you were made of glass-
Delicate, exquisite, and untouchable.
 Jan 2015
Mikaila
There is something beautiful about two sad people who agree to hurt each other.
Something comforting.
It is a comfort only very damaged people understand- the tacit agreement to cause pain, and to receive it.
Pleasure is for people who have what they want.
But for those of us who are starving, ours is best peppered with suffering.
Being with someone who understands that carries its own worth-
I don't want you to make me feel good.
I couldn't stand it if you did.
I don't want you to touch me gently, or ask if I'm alright, or stop to look into my eyes.
I am starving, and so are you: I want your teeth.
I want you to make me hurt. And I want to hurt you.
I want you to hurt me because I'm not him, and I want to hurt you because you're not her.
We want to see each other suffer because we are starving and we need to feel that someone else is.
Don't hold back. I want you to lower me because I'm too good for her.
Don't love me, don't caress me. Dig your nails in. Drip candlewax on my stomach.
One step down from torture is all I can stand in the way of human connection, when it isn't her.
Punish me for looking at her like a baleful puppy tonight, even as you waited in my room with your soft skin and your sharp teeth.
There is nothing you can do that will be too violent, too brutal, too sadistic.
I don't want to be loved right now.
I am too raw.
I want to be touched. I want to be ruined. Leave marks. Smear lipstick.
Lower me because I am
Too
****
Good for her.
Let this heart know on no uncertain terms that its needs don't matter.
Help me **** it. Help me pin my demons to the bed and make them writhe, and I will do the same for you.
Let's exorcise our loves tonight and banish them to hell.
Let's tell our skin that it is irrelevant.
Let's say "*******" to the things that bind us. I will cut your heart out for him.
I will kiss your scars, not to heal them but to remind you that when you put them there you fought for something, something we both fight for now.
Hurt me. Fight her. Do it for her.
Do it for her because I'm not good enough to hurt.
Do it for her because I'm TOO good to hurt.
Crush me.
You could boil me alive and it wouldn't make up for her, so at least leave me bruised.  
I will give you what you need, and you will give me what I need: not love, but contact.
Please,
Let my heart know on no uncertain terms that its needs
Don't
Matter.

There is something beautiful about two sad people who agree to hurt each other.
 Jan 2015
Connor C Blake
There are still bad days.

Days where it’s easy to forget that a world exists outside my bedroom.

Days where the moments in-between each breath feel like an unmapped ocean and no one’s really sure if there’s land on the other side.

Days where I’m not sure if there will be other days.

Days where the calendar smiles coldly and says, “yeah, you wish.”

Days where I’m not always able to keep the fire inside.

Days where I burn.
And get burned.

There are still bad days. And I’ve seen better days. But I’ve also seen days a hell of a lot worst.

So I’ll limp my way through the bad days with a bucket of water for my burning heart and an extra roll of duck tape for my tattered appendages

Because at least now there can be good days.

Days where I can look gravity in the face and stand up straight.

Days where I remember my name. Sometimes I even say it out loud.

Days where I can let the dust settle on the noose.

Days where I remember why I didn’t go quietly.

Days where I can see it.

Days where my eyes wander upwards and the sky almost looks like it did before it fell down on my head.

Days where I pick up the needle and find another part of myself to sew back on.

Days where I think about other days, and what they’ll be like when they get here.

Days that I love.
And am loved.

So yeah, I’ve seen better days, but I’m getting better in the face of the bad days.

Because I don’t lack the vision, it’s the method that I always seem to misplace.

But I think I’ll be able to hold onto it...
one of these days…
Hold on to that pain, kid. You're gonna need it.
 Oct 2014
Pea
Cat
Is it the music
or your voice that hurts the sky?
[I beg you, don't cry.]

It is her left eye,
opens wider in cloudy
nights. [It will not rain.]

It is never you,
you aren't an idea
nor 2 a.m. thought.
 Aug 2014
MoVitaLuna
the truth is no one ever taught me how to fix a flat tire or how to ask for help or what love was even good for in the first place

and the truth is that the cookie was good but the lemon icing wasn't and the truth is baking should be done without any kind of lemon at all

and the truth is i wish you'd hold me close enough that our skin fused together and i could burrow into your spine and learn all the things you won't teach me

and the truth is you were never good at making eye contact but i dare you to look at me long enough that i can trace the line that connects your iris to your pupil and count how many shades of black a person can produce

and the truth is i don't know if the grass has fingerprints but i know that yours are cigarette stained and no better at letting go than mine

and the truth is i am a dump site and you are an inhale and i am clockwork and you are a melody and i can't keep my teeth off your eloquence

and the truth is my feet are covered in acrylic paint from leaving smudged footprints in sparkly things

and the truth is i don't want you all to myself but you can pretend i'm yours when i'm engulfed in the ocean and making it hard for you to breathe

and the truth is i'm looking for a different kind of intimacy from you

and maybe it's just some teenage girl talking but the truth is that i want to drown with you. i want to burn with you. i want to scream with you so violently that the body that crushes my lungs crumbles and i become a balloon for real this time

and the truth is, if you hadn't called me beautiful, i would have mistaken last night for a paradise i don't believe in
this is ******
 Aug 2014
Joshua Haines
Mother, Father
I am six foot one and I can see over the trees
I can **** mountains and bury my bones in the soil
I am six foot one and I am just tall enough to see the truth
I can look over others but I can't look over myself
My shoulders bend like a bow, waiting to break
And I can feel it all. I can feel it all.

And to you,
May your temporary smile be a golden forever
And your heart existent with or without hope
Let your brain open doors your hands cannot touch
And your chest not collapse when the smoke is too much
To live and to love with you is the grandest adventure
And to cut myself on your edges, bleeds into itself
And to live in your heart, is the biggest place I've ever found
And to kiss you until my hands break and there is no sound

And to all of us,
We're a dark piece of trash
Ribs are a cage and holographic souls sing
Disenchanted by the human experience
We're pretentious and objectify everything

And to all of us,
We're all light, we're all eyes wondering wide
And we all shine bright, some of us cannot hide
May your hands slant, slowly slinging
towards the bells that are slowly ringing
and may you strike a chord in all of us.
May your existence be a temporary forever.
 Aug 2014
Mikaila
You tell me you're empty
And I know you want my sympathies
My acknowledgement of the problem
But all I can give you is the gawking gaze
Of a child on his first trip to the zoo
Leaving smudges on the snake tank as he tries to fathom
How something could be so alien and smooth and powerful.
You tell me you're empty
And all I can think is
That I have not a moment of my life to compare that to-
A day without suffering, without pain or danger,
Without that or joy so intense it tips right back over into treachery
I have no memory of any such day
To draw from for empathy.
I stand and stare at you
Empty you
And I know your sadness should be respected
And I know I shouldn't wonder so perversely
What it must feel like
Not to feel
But I can't help it
I feel like I'm standing on the other side of glass
Staring into the beady eyes of a boa constrictor
Wondering irresistibly
What its embrace must feel like for the mice it devours.
I know you are suffocating
But I
Am drowning
And I wonder
What empty feels like.
Title from Future Starts Slow by the Kills
 Aug 2014
Mikaila
Sometimes at night when I turn over and my hand slides along the small of your back
I can feel the changes beneath your skin.
Sitting next to you, I read you like braille
Like something you need to touch to feel the meaning of.
I know you are a storm beneath your skin.
Sometimes I feel lightning reach out
To the answering chaos in me.
Our suffering makes our togetherness
Electric.
Cataclysmic.
We could crumble mountains.
I don't know if you know your own wildness inside,
Wilderness.
I think inside you are vast and lonely, wonderful but vaguely sad,
The way the trees sound when a breeze sighs its way through them and makes them sway.

Sometimes I feel a coldness from you like a chilly night without a fire
The kind of cold that starlight and silence bring-
Not a hostile chill, like the sharp fingers of frost or ice,
But just a distant kind of... Containment.
A solitude, like the desire to curl into the rocks by the river and become one by touch.
A desire to be still.
It scares me. I don't know how to reach that part of you.

Sometimes I look at you and I see storm clouds and wildfires in your eyes,
I see the end of days, and earthquakes, and brutal hurricanes,
But I see them through glass, as if you've stepped inside a mirror and imprisoned your rambling hurt to keep the world safe-
I see it through the cracks in a briar wall that's sprung up suddenly and sharply, tangled and complex, a warning.
And although I don't want to be
I am warned.

I want to touch
But I am so very good with boundaries
So very
Sensitive.
I feel the changes in the air
The way a deer in the forest may shoot its head up at the scent of a hunter miles away, caught on an errant breeze.
You change what I breathe in and out,
You change my weight and my texture.
Sometimes from you I can close my eyes and feel what warm honey must feel like in essence-
If sunlight found purchase in the air.
I feel fields of wildflowers and slow, dreamy, balmy nights and days at the seashore with diamonds capping the waves.
Sometimes I feel from you the tickle of cut grass, and the smell of fresh rain, and what a butterfly's furry wings would feel like if stroking them wouldn't make them crumble like spun sugar.
Sometimes I feel from you the slow, deep pull that I remember from sitting at the bottom of that coral reef in St Thomas-
The heat of the day sinking in layers through the water to hold me suspended in graceful pressure-
Poised to be swallowed by something much more significant and much hungrier than me.
And sometimes there is simply cold, the way I said,
As if the wind has somehow changed and left me adrift, sails dead, in a sea that offers no sustenence and no explanations.
In those times of stillness I wait, breathless,
Cautious-
They always pass,
So far.

I sit beside you and hold my breath
Hold my hands.
I sit and look at the grass
At the sky
But I see you instead
Silent beside me,
An unknown, a mirror maze
All of a sudden sunlight
And all of a sudden shadows.

When you go dark and silent I want to start digging.
I want to sink to my knees and pull apart the earth,
Find its heart, hot and sticky and molten,
Burning with the secrets of a forever life in the belly of a fragile stone.
I want to claw it out and put your hands on it,
Watch it feed your soul and sear away that terrifying cold.
Light you up so that you will never curl up silent around a black glass starless hailstorm ever again.
I feel the dirt under my fingernails and how
Odd it is
That it is familiar, from scrabbling out of grave after grave,
Confused and reborn and shivering.
How odd that now I am tunneling towards what remade me so many times
To try to break the laws of nature and bring it to you
Before you ever have to sink towards it.

But I feel from you. And then I don't. And then I do.
And it wakes in me an unsettled longing more powerful than my history.

I feel from you the silence right after the last note of a symphony fades
Before the audience applauds
Before anyone has even taken a breath.
I feel that exquisite beauty
And the fear that it will shatter.
(The fear that is the knowledge that it will shatter.)
I feel all of this from you
For you and
I think it might be
Love.
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