Trafalgar in springtime;
     more people than you're used to.
Trafalgar in flickering sunlight;
     more warmth than you're used to.
Trafalgar in the afternoon;
     heavy clouds and weightless pigeon wings.
Dusty hands and feet;
     torn-open knees and holey socks.
Rumpled collar and hair;
     torn to pieces in a mess of watercoloured pages.
Trafalgar in springtime;
     forget the winter, leave it in the ground.

The breath of the hesitant sun
     is cool against the nape of your neck.
Crimson red café fronts flutter in the breeze.
Your feet are bruised on cobblestones,
     your soles worn down.
The gentle murmur of the foreign students,
     the rhythm of the Hindu philosophers,
the hot smell of cinnamon thick in your head.

So then is this how it feels
     at the end of the world?
Everyone is nothing, we are nothing,
     nothing in the ground.
Is this how it feels
     to watch the statues of Rome crumble and
buckle at the knees?
Everything is nothing, it is nothing,
     nothing on the funeral pile.
Is this how it feels
     to have armageddon abandon you,
leave you screaming on cracked cathedral floors?
I am nothing, I am nowhere,
     nothing underground.

Tie me in knots
     and drag your nails through my flesh.
Tear me open
     until orchids bloom from every laceration.
Take everything you want;
     only I ask that you put me back together again,
and trim the flowers back below my skin.

God knows I love her;
     even when my eyes are glassy and I will not see her.
I love her,
     if there's such a thing as crying in bed for days wishing you could be with her, somewhere else, that's love.
I love her,
     when there's everybody else and I cannot see her.
I love her,
     if there's such a thing as forgetting your commitments down to the last second and your heart swells with the sin you almost did, remembering her,
that's love.

Cradling snowy doves in your soft palms;
     fluttering wings and fluttering smiles.
Tip-toeing shorelines, wet grass on riverbanks;
     sun-kissed shoulders and Apollo's eyes.
Flushed skin in the shade of Pelion,
     fig juice in your cold gold hair.

Fingertips tracing
     each of your ribs;
tapping out a word, perhaps,
     a tune from Chopin's early days.