Submit your work, meet writers and drop the ads. Become a member
 
Ashley Feb 2015
"it's nasty," she says,
the words dripping
dancing acidic ballerinas
tumbling from her lips
pirouetting between
decayed yellowed molars
and exhaled
like tasty, toxic, treacherous
nicotine.

nasty? how?

nasty like the way it tastes
when you roll my flaws
around like a toothpick
and pick me apart like a corpse
on the side of the road?

nasty like shoe polish medicine
slipping down your esophagus
just to ease the guilt for a night,
dragging you away to a restless
rem cycle where your troubles
melt away?

nasty like your childhood and the
scars on your shrunken skin,
like the memories that smell distinctly
of top shelf gin;
like the echoes of the places
you used to haunt, the denial of
what happened there hollowed out
and gaunt?

nasty like denying yourself freedom
in the most euphoric way
because you never learned how to ask,
command, what would please you
if only you had stayed?

nasty like the marriage
you stay in every day,
a dead end since you met,
fated to be a prison cell to whom
you're confined?

or nasty like the way
you can't look at yourself
in the mirror
without finding something that
you wish you could change?
Ashley Feb 2015
every other line, underlined;
a life preserver sewn together with words,
ink circling my wrists like it could
anchor me here in existence, even if
it's nothing short of a distracting illusion.
in them, i saw my own struggle resurrect
itself, still a burden from my past
haunting me relentlessly since i was
thirteen.

isn't that a terrifying thing?
that kids of this generation
swallow pills like candy, cut wrists
like ribbons, drink liquor like
sweet-and-sour medicine? they give us
a bad reputation for hyperbole and
self-diagnosis, like the things we see
in ourselves are any less valid,
like the science and drugs they "cure" us
with have any meaning when our
mental mortality is broken and sick.

they say it's for attention, but
breaking news: it isn't.

why would you want to fake this
disease? it's a miserable, dead end cave
that collapses around you daily and suffocates,
squeezing until your insides are a barren wasteland, until
time ceases meaning anything and the clock ticks, ticks,
ticks, until we feel
the ticks of time teetering towering above
our heads, and we wait for the minute hand
to come slicing down like a
guillotine.

i remember that summer night vividly,
in muted colors and looming black screens
three a.m., weighed down by
self-loathing, wishing for an escape route.
they don't tell you about it; there's something
taboo about the slithering double s slipping
through your lips.
but every year, people succumb to this battle
they can't win, because they're so unaware,
frighteningly ill-prepared.

it's twisted how "i have a headache"
can be an acceptable reason to stop
trying for a day, but yet
"i can't get up today
i can't get up at all everything is
pointless and my body won't obey won't
perform basic survival functions and i
haven't eaten haven't slept right in days
i don't care why should i care
i don't care i don't care i don't
why do i keep going on like this like
a dead man walking like nothing
is wrong like this smile isn't badly mixed
plaster like it isn't chipping away
cracking breaking the ice around me
drowning me in the never ending black hole"
isn't quite good enough.

i never knew it affected anyone besides
adults. adults never realized
we kids could get totaled, too,
that we could be hopeless and
hollowed out, walking infinitely
in darkness and dissolving each
second. so yes,
when i found quentin, i wanted
to change his end. i wanted
to make things better, because i remember
finally finding a name for the churning beast
in me and crying with relief, no longer
alone or empty, even if the feeling was the fleeting
shooting star in a the vast dark cosmos.
i want to save him from the violent end
because i have to, because i owe
every kid like me an ear to listen, an
understanding smile, and some battle tips
from someone with invisible scars.
i'm healed, now, but quentin and so many
others have already lost, and
god forbid we lose another
to the parasite in our brains.
in his words, i hope someone
can find a steel lifeline,
and that they learn to let go
of tricky ticking time.
A personal poem inspired by Quentin Compson of "The Sound and The Fury" by William Faulkner.
Ashley Feb 2015
we're two beings
lost in outer space
missing pieces
never on the same page
floating further away
it's a sight to see
the moon girl
and the sun boy
constantly receding
flying away effortlessly
not even gravity
as a solid chain link
Just a scribble, some role I cast myself in. Needless to say, I'm not trying this one again.
Ashley Feb 2015
words shriek in my head
creep out from beneath my bed
bouncing, bouncing
opaque veins, violent blue
bark that cracks, centuries new
drowning, drowning
you soul is trapped; restrained
my fingers cannot quite grasp
save me, save me,
the water stings, slaps, unclean
and we monotonously grieve
empty, empty
walk a line, thick not fine
cast a whisper to the gallows
sing, sing
walk alone missing patches of skin
pretending something remains
help, help
eye level, shuttered blows
sagging shoulders and echoed cusps
follow, follow
sink and bob and ebb and flow
i follow the River i follow the Sun
go, go
  Jan 2015 Ashley
Hailey P
There's two hearts
On the floor.
One mine,
Both yours.
  Jan 2015 Ashley
Missy Beminio
do you think you have it?
cause I want to hide from you
living in defense
don't try to steal from me

the panic in your voice says
you think you lost it
never mind that
It was never yours to begin with

come into my space
show me what you've done
maybe it's too far gone
I think I feel undone

with the breeze, it crosses by
touched my skin
and touched my thigh
pierced my soul
you caught my eye

sharper grip against the grain
don't live in this vein
never mind the fear
you'll find it all in here
Next page