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  Dec 2014 Ashley
Natalie
do not date a girl
who writes.
she will internalize
everything,
carve poems
into your eyelashes
instead of
kissing them,

she will analyze you,
calculate age
from the rings
your coffee cup
leaves
instead of refilling it.

she will memorize
the way your
lips curl around steam,
but not that you
take it
two sugars,
no cream.

she will read your
palm instead of
holding it
against her chest.

she will not
blink
when you leave,
because she is
already
romanticizing it.
Ashley Nov 2014
i don't recognize you anymore
it's like starting into
blank spaces,
your words are hostage
between your frozen pages
a story left in the middle of the action,
your timing is drowsy, undeserving of
reactions.

when i walked outside
one fine summer day
the waves of sunshine
left me in such disarray
that i had to gasp for a lifeline,
claw for my breath,
and as i cleansed myself,
somewhere behind me you stood -
i left.

i don't miss you anymore
not much
days go by where i don't think
not about your laugh, your sea urchin
touch
and ****, it feels good, not to worry
and fret,
over a boy i once loved, whose poison
i thought i'd never forget

how lovely it is, to stand alone
no longer waiting for calls that won't come
i don't quiver with fear, nor do i
ooze regret
how free i am, at last -
i am home.
This evolved quite nicely considering the state of mind I was in when I started it.
  Nov 2014 Ashley
unwritten
she was a poet,
and he was her pen.
in him,
she always found words to write,
songs to sing,
thoughts to think.

he'd smile,
and kiss her softly,
and say,
"write me a poem."

and she would.
she'd put poe,
and whitman,
and shakespeare to shame,
and she'd write a poem that made his eyes water.

she'd compare him
to a rose with no thorns,
a book with no end,
a world with no poverty --
the things we all wish for,
but can never attain.

//

he asked her one day,
"what am i?"
and so she picked up her pen,
and began the usual:
you are the shining sun after a hurricane,
with rays that open the eyes of the blind.

but he stopped her after those two lines,
and said that this time,
he didn't want any metaphors,
or similes,
or analogies.
he wanted the truth.

and so on that night,
as he slept,
the poet picked up her pen,
and she wrote.

she wrote,
then thought better of it,
then started over again,
and this cycle continued well into the early hours of the morning,
until suddenly,
she wrote, frantic,
if i can't love you for what you really are,
have i ever really loved you at all?


this, too,
she thought better of,
condemning it to the trash.

the next morning the poet was gone,
her final work a mere two words:

i'm sorry.

(a.m.)
this is more of a story than a poem but i like how it came out so leave thoughts & comments please
Ashley Oct 2014
vampiric intentions
collapse my insides
hollowed chest
sunken eyes
lips cracked like eggshells
tears threatening to fall
the best season is autumn
yet it's the worst time of all
life begins anew
regrets come freshly packaged
illusions are shattered, too
memories pump through me
leaving traces i can't forget
broken hearts and shattered bones
earthquakes rip through this broken home
glimpses of agile fingers
and voluminous lips
of bruised pink down
whisper poisonous
trecharous melodies
that haunt my every dream
the ghosts of my life
follow me during this seasonal time
spectors of the past, of a simpler life
echoes of bedtime stories
too fearful to repeat
autumn is a shuttered closet,
locked and bitter,
a tale of caution for the weak.
Halloween and chilly days are rotting my insides, and yet I love it. I can't keep my mind on anything today, so... this is the result.
  Oct 2014 Ashley
Alexandra Emmalie
You are not real
anymore,
you are not mine
forever;

instead, you are
disintegrating
as I strip apart the memories
and shake out
the sadness -
not a real
sadness, but an emptiness
I may never understand

so I'll write until I do,
or until I've erased
the last traces of you
I do hope these memories expire in time.
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