Brightest of the Spring blossoms
That in front of my window fill
These days with cascades of rosettes
On leaves like satin silk
And if I had within my strength
I would polish each and every one
So a mirror might be cast
Reflecting the noon day sun.
My Rose Red and Snow White
Bear out friendship's time
Sharing together what weather's blow
From raindrops to icey winds
And as April does appear
You once more turn to green
I look forward to the new shoots
Awaiting to be seen.


Love Mary x

Last night, I couldn’t sleep because
the dark and the blankets felt like guilt
and I couldn’t live as myself anymore.
I woke up in the morning anyway
and took a boat into the fog and found myself
on the island, walking across a cliff top into cloud -
walking into the unseeable, feeling alive.

-

So here I am on the island,
the fog – the symbol for that murky future –
is rolling in across the hills, across the cliff top
in one straight barrier.

I feel alive as I face the fog
and I stomp right through it.
One day, I tell myself,
I’m going to make it.
One day, things will be
different.
I just can’t see it yet.

I smile in the fog. I love the fog.

It clears and there’s the monument
that I’ve seen so many times before.

There’s the familiar at the end of the tunnel
it would seem
and I'm going to make it.

-

Let’s not get ahead of ourselves here though.
It’s always going to be easier to face the symbol
as the I in the poem than as the I in the real,
facing the actual.

-

Back in the now, the fog has gone
and everything is blue and green.
I’m sitting on a bench below the monument,
remembering how a poet once walked here
and I really do feel alive today.

I stay on the bench in the blue and green,
quoting other people’s poetry to myself:

See, I’m sad because I’m sad. It’s psychic, it’s chemical.
I should hug my sadness like an eyeless doll
or just go back to sleep.
And I know there are promises I really ought to keep,
and miles to go before I get that sleep,
but aren’t the woods so lovely dark and deep?
And they are, but when it comes right down to it,
and the fog fails and the light rolls in
and I’m trapped in my overturned body
with fears that I may cease to be,
before I’ve had chance to write or love,
I must go to the shore of the wide world and stand alone and think –
and let there be no moaning there, when I look out to sea.
Let it just be sunset and evening star and one clear call for me.

-

I’m still sat on the bench, enjoying the sun
and suddenly I think

one day i’ll bring my girlfriend here
she’ll probably know of more exciting places
but i’ll bring her to the island
and we’ll sit by the monument
looking at this very same view

I find myself thinking in the future tense and it’s strange because
I don’t have any hope for beyond the now.
I’m still thinking I’ll probably be dead
and yet out of nowhere,
here’s the shift into a different tense
and the view of the end of the island
where it looks like it should plummet straight down
into the sea, but it doesn’t.

There’s more island beyond the end.

I sit on the bench, shocked at myself,
but I keep trying to believe that one day it will be different
and one day I will come here again,
with my girlfriend, whoever she maybe,
if she may be, maybe, please?

-

I come down from the cliffs and go to the shore,
to walk alone and think.

The sea casts gold and silver on the sand,
the sunlight gives puddles lilac halos
and I think maybe, just maybe.
Maybe, just maybe,
because today I feel alive.

-

The beach is a beautiful blue winter.
Winter, being the time of death,
blue being the colour of the endless sky and sea,
the colour of sadness and the colour of calm.
Beautiful, there because it is beautiful
and to nuance it further

The sea has left traces of itself
on the beach and I concentrate on those.
I look at the smaller elements
and try to forget the wide ocean.

The cliffs are crumbling and eroding.
The beach is rocky and ragged.
They are symbols for my own erosion
and my own weakness against the sea.

-

The beach is also real
and I walk on the sand,
feeling separate from everything,
feeling the possibility of everything,
feeling that maybe, just maybe.

I feel like something could go right
in this beautiful blue winter.

-

But this is also a liminal moment and while
I feel at home in the liminal      in the space inbetween,
you cannot build your home there.
The future needs a more solid base
and the liminal will eventually rip you apart.

-

I feel like a child here, but not quite.
I feel like an overgrown child
or a child in a too big body
or a child who knows too much about this world,
or an adult, who still feels inadequate.

I balance across stones, I jump puddles.
I don’t care anymore.
I’ll be the child or the adult.
I’ll be the I.

-

There is hope here, hope in feeling alive,
in curling my hand and imagining someone
will one day hold it.

For now, I walk across the sand and
look at the cliffs, the gold,
the lilac, the blue, the shipwreck,
the deposits of the ocean
and I write them down
into the notes on my phone
so I can turn them into poetry later.

I want to capture these precise scenes,
these precise feelings of being so alive
for the first time in forever,
of seeing the end of the beach and thinking,
maybe, maybe, some part of this will turn out okay.

-

The problem is,
I want it, this future, this something else,
and I think maybe it’s possible,
but I’m not sure I can get back on the boat
and carry this belief home safely.

Here on the island,
sipping at the brimming nostalgia,
breathing the blue winter,
living on the shore,
camping in the liminal,
it is all maybe, just maybe,
but maybe is a fragile word
and could easily get lost in the ocean.

-

I’m so caught between
wanting to end it all and wanting to survive it
and maybe it’s just the liminal moments
that make me want to live.

I pick maybe up off the shore
and tuck it into the pocket.

I have no idea if it will survive the journey back
but maybe, just maybe, it will.