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Hannah Christina Feb 2020
i need to buy a spaceship and sail it far away
because a spaceship needs a crew and out in space you have to stay
if ur a space cowboy hmu
Hannah Christina Feb 2020
Her manicured leaves and thirsty rainbow faces always deliver
but she envies the daisy in the sidewalk.
Personification all day long.

For me, putting on appearances has more to do with forced behavior than appearances themselves, which is the real contrast between the characters here.  I don't want to propagate "I'm not like other girls" kinds of thinking.
There's  nothing wrong with having conventional interests or appearance when you're genuine about it.
Hannah Christina Feb 2020
They're all doubled over in an aching belly laugh;
I can already smell the apple pie.
One of a bunch of two-liners I wrote for Poetry Class.
Hannah Christina Feb 2020
“Will you barter for your garden?”
the familiar stranger taunted.

His haunting talk caught on a loose thread in my heart,
recalling time and battles fought.

Make no mistake about the fae.
I must admit I was afraid, for I have seen my adversary

tear out the grass’s screaming hair,
poison the soil with atmosphere arid,
strip the baby branches barren,
shave the landscape clear.

I need not obey him.  
I have in my hands a *****
and around this place an angry hedge.
He can not prevail unless I show him the way.

“No,” say I,
“No bartering in my garden today.”
This one was for the poetry class I'm taking(!).
The assignment was to write a rhyming or metered poem.  I decided to use assonance focused around the letter "a" as much as possible.  This is not a way that I often use rhyme.  I really, really like it.  It stitches the words together without feeling to sing-song or structured.  If you scroll back to my stuff from a year or two ago, you'll see that I used a lot of line-end rhymes and lots of meter.  I don't like the way that kind of structure feels anymore, but I also don't like writing poems that ignore the use of sound.  This is a happy medium for me.
Hannah Christina Feb 2020
That
honey, that
starstuff, that
liquefied sunshine
has it's Source in her very core.

Molten gold.

It seeps from her fingertips slowly, near
imperceptibly,
one full drop every quarter hour.

It splatters sometimes when she
claps her hands or
taps her fingers, and if she stays still too long it
pools on the cold ground below.

It leaves a sticky-honey-orange-sunshine mess
and doesn't apologize for it.
A little loneliness    
that is all I want  
But the world is an old TV
it can't be turned off    
pictures fuzzing  
sounds humming    
emotions being tossed about    
Just now I was hit by  
a huge yellow ball of anxiety    
followed by a yell:  
"Come on, throw it back! Be a part!"  
But I didn't want to be a part  
so I did nothing but let it go...  
A little loneliness    
That is all I need    
before I jump into the next moment
conflicts between outside and inside. Sometimes I hope the outer life is a TV set and there is a button to shut it off.
Hannah Christina Nov 2019
My heart is heavy.
A little bit heavy.
Not like lead
or rocks
or ice.

It is one too many blankets, starting to sweat;
overthink socks, starting to itch;
cold caramels refusing to soften. It is

one too many blankets and
just a little bit comforting.
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