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Jan 27 · 43
A Word
"No," he said quite softly, tender sorrow in his eyes.
"I always wanted you to grow up. But I never meant for you to stop being a child."
If I try to say "I'm sorry" one more time I just might wither into nothing.
Why are you so kind?
I'm starting and ending in all the wrong places, but You won't let go.
What does it mean that You're with me when I'm being stupid?
Does it still matter when everything is my fault? Or mostly my fault. Or partly my fault. But still I don't know how to stop.

Teach me a beautiful song.
I might not sound like it fits at first,
but I think you're swaying along
and it's like I've always known these words.

I wasn't made for the dust
I was raised from the dust
I was made for an "us" and a whisper.
The place where we meet
are secret retreat
is where I was born.

I don't know the way in or out, what is up or is down, but I know you--
I'm starting to know You.

What I know is sweet.
What I know is kind.
What I know is more than sufficient to kick down my doors every time.
What I know is wild.
What I know is sure.
What I know won't fail to answer like each of the answers before.
I know that you're more than
an abstract ideal.
I know that you know me.
I think that you're real.

Accept me. I trust You. Without You, I'll die.
I have You. I miss You. I'll tell all of the shadows You're mine and I am Yours.
Nov 2022 · 187
Taken
Hannah Christina Nov 2022
Where did he go, the wily one
who swings from branch-to-branch?
The one with the toes like curly thorns
and spider claws for hands?

How did he whisk you off, away
so far from home and land?
I wish I had heard what you tried to say
as he dragged you along on the sand.

Cry, love, please cry
in a voice I can hear
and I will come near--I will come near.

When did you start to change your mind
about our young family fair?
When did you start to look behind
and step through the weeds and the tares?

What did he whisper when the wood
enclosed around your steps?
What made you ready to answer back
and tilt your heavy head?

Call, love, please call
with your voice aloud
and you will be found--you will be found.

Cry, love, please cry
in a voice I can hear
and I will draw near--I will draw near.
Aug 2022 · 189
Coming Home
Hannah Christina Aug 2022
Coming home is seldom as-the-crow-flies;
It's not a beeline, darling, it's a dance.
Jul 2022 · 212
Crown Point
Hannah Christina Jul 2022
I thought the trail was over
just beyond the yellow gate.
But no.
The daisies drew me in and I soon found
that with a little ducking
and bending around,
I could continue on.

I thought I'd turn around for sure
in that first clearing at the top of the hill--
It seemed like such
a perfect stopping point--
so high!
but something in me still was hungry,
so I crossed the grass and found
a path that led me deeper in.

The conifer-lined walking trail
bade me sigh with aches and joys,
rewarding me
with simple pleasures, now and then--
a bunch of purple flowers
or a little pool of polliwogs.
It's rolling ridges continued on, the end always hidden behind
one more turn.

The forest, very kind to me,
has never truly let me see
anything to satisfy without a whispered mystery.
A promise, or a hope, at least,
a path so many wonders deep
coaxes, smiles, unfolds to me
and keeps me coming ever back.

Someday, when I'm transformed
I'll know
it's twists and turns are infinite
and wonders over and below I haven't half considered yet.
But now, where all seems closing in, I'll ever be surprised
each time it isn't over yet--each time I learn to rise.
Jul 2022 · 151
great job
Hannah Christina Jul 2022
"N
     o;"

she said, slowly,
the word dropping from her lips like the gentle uncorking
of a stopped-up bottle.

"No,
Maybe I won't do a great job.

I’ll do a
FINE job,
a
GOOD job,
a
~decent~ job,
an O-KAY JOB, an
ac
cep
table/ job.”

(First, she enunciated. Then, she spat.)

"Maybe--"
--she paused, for breath or consideration
as an overdue gleam
found it's way into her countenance--

"Maybe I'll do a MEDIOCRE
job. An AVERAGE job.
A /much-to-be-desired/ job.
Perhaps
I'll
do
a
SAD job, a SLOW job, a HACKNEYED job, a ~pathetic~ job!

MAYBE..."

...here, she paused again, as one should always do when giving a proclamation...

"...I'll do a BAD job.

And THAT'S O KAY."



Speech complete,
she sat--heaving--with her knees pulled into her chest.
After a good while
and a few kicked clumpfuls of grass,
she rose
and returned to her life,
doing just about as well
what she had done
before.
Jul 2022 · 104
Acoustics
Hannah Christina Jul 2022
Have you ever been somewhere
the acoustics just right
and your voice somehow warmed like a fresh cup of tea?
You hear yourself singing
notes tender and bright
and the atmosphere joins in your melody.

Not a scratch or a crack.

It's just like the sunlight of goldenest hours
or the dimly lit mirror that conceals and empowers--
all your flaws swept away a merciful haze,

backlit and glowing.

Have you ever loved someone
like a radiant ghost
or a bright constellation of beautiful things?
Head so high past the clouds
in the glittery host,
you could make out the song that you wrote them to sing.

A vapor delight.

How many
of your best portraits can back to taunt you? How many
of the feelings you loved
just were never true? Many see
only
exactly
precisely
we think that we need.

How many
portraits of others have you copied back from your memory,
and got it so wrong! How many
futures and pasts have you dreamt up for closeness and beckoning?
Many
never know anything more than a cold, quiet seed.

Come to earth,
sit in the dust and let it settle in.
You are earth. Dust, yes, and star-wind.
You are more than a shadow, a mist or a light,
and all of you's looked at in love and delight.
Do not love yourself, no, or anyone else as a ghost of what they should be!

Have you ever been somewhere
and it wasn't just right
but your heart somehow warmed like a fresh cup of tea?
You hear yourself singing
notes tender and bright
and another voice carries your melody.
This one comes from someone deep and I intend to set it to music so I'd really appreciate some critique! Thanks, love you all!
Jun 2022 · 298
On the surface
Hannah Christina Jun 2022
"I like... the idea of people,"
the woman replied, gazing at herself in the lamplit garden pool.
She idly flicked in a pebble.

"Flighty things, aren't they?"
Her reflection dissolved into ripples
as she turned,
swiftly,
and left.
Apr 2022 · 161
Turn around
Hannah Christina Apr 2022
I don't mean to keep you waiting
for forever and a half.
I just need to finish something
my to-do list
catch my breath.

Always moving, always squirming
I can barely hear you now.
Please stop drilling through my forehead.
Just in time I'll
turn around.

When the last leaf falls
and the twigs ice o'er and the buds come out
I'll turn around.

I'm not ready.
I'm not ready
and I don't know what I look like anymore.

When the last leaf falls
and the twigs ice o'er
and I hear you shout
I'll turn around.

Are you still there?
Still there waiting?
Do you still want me back somehow
I'll turn to stone
or ice
or fire
any second now!

You've been sitting at my elbow
and I feel you brush my back.
Now I'm looking. I've said nothing
and you look okay with that.

Grass grows thicker
petals glimmer
and the Earth accepts my feet.
Was that really
all you wanted
just to sit a while with me?
Jan 2022 · 197
Cave Art
Hannah Christina Jan 2022
Cave Art

The caves of Altamira, Spain
were painted, it is said
not by one or a collaborative few
pondering together the arrangement of forms into a composition,
but by strangers
wandering in and out,
each adding independently their own designs--
a hand or deer or buffalo--
their mark upon the world.

So, too, it was on the walls of the gas station bathroom.
The wandering strangers left their marks
not in pigments of red or yellow ochre
but with technology quite new—
sharpies, pocketknives, and written word.
They etched their works in jagged strokes upon the peeling paint.

Their subject matter mostly centered
incoherent curses
but one corner housed
a whole political debate.

They had no antelope nor spears
but still, a ghost of beastly hunts—
of chasing or of being chased—
perhaps is recognized.

Spacious though the canvas was,
it struggled to contain the thoughts
of its collaborators—
so much they had to say
that like the painters of Lascaux
they simply overlapped the strokes of others who had gone before,
interlocking cries into a web.

To a conservator’s dismay,
some of their words were silenced
by a mist of sapphire aerosol spray
but still, they can be read
by those who care to see.

An anthropologist who stops and looks quite carefully
can trace the lines below the paint
and read what lies beneath—
the testaments of artist souls and neolithic dreams.
Jan 2022 · 122
Convenience Store
Hannah Christina Jan 2022
Among the clutter
and the flies
and gadgets I can't recognize
the peanuts, cherry-slices, window scrapers
and the maps there lies
a jar of local honey,
glistening
neglected
and crystalized.
Jun 2021 · 123
Such a large world
Hannah Christina Jun 2021
We weren't meant to live in such a large world
where mailboxes aren't special
and we move so quickly
on the highways at night
that the streetlights we pass
could be the same ones all the way, moving with us
and we don't stop to notice which ones are dead.
Mar 2021 · 855
Spider
Hannah Christina Mar 2021
An itchy spider lives in me,
right underneath my second skin.

She's waited, tense, expectantly for something dangerous
to finally draw towards her its claws and scratch straight down her spine.

Her fangs have naught to bite upon, so I must feed her well enough
on nerves, dry skin, and fingernails and songs about a violent sea.

If she dies, I might turn to stone;
an itchy spider lives in me.
Mar 2021 · 900
Snow that Doesn't Stick
Hannah Christina Mar 2021
Snowflakes hum inside my head,
bumping to and fro.
Stinging sky meets soggy ground and nothing seems to stick.

Each flake is different, so I'm told--
each unknowable and cold, they vanish when you try to grasp them--
fleeting, fragile wisps.

I've spun no story strong enough
to stake my ship upon.
My tears dry up before they're spilled for little lasts for long.

Blankets white I find here not--
that, nor green-clad earth--
only harried solitude inside these biting mists.

Perhaps my blust'ring mind is not
leading me to tread my sought-for courses; I fear I've forgot them
yearning for the drifts.

But elsewhere 'neath the firmament, there are other skies.
There are other thoughts in other hearts apart from mine.

From over where the snow falls
and beneath the bedrock's roots
flames unflinching flicker still through height and depth and width.
Some of my poems come together in a few quiet minutes or an afternoon-- this one's been in the works for over a month and I'm still mulling it over.  I first conceived it when I was driving to a college visit and it started flurrying.

I'd like to hear some criticism regarding the sound.  It's got a specific meter and lots of assonance and consonance, with a few perfect rhymes.  I really liked developing the sounds, but I think it might be a little too sing-song in certain parts, especially since all of the lines are iambic.  I intentionally broke patterns in a few places to make it a little bit disorienting and frustrating while still pleasant, and I'm not sure if I've got the effect quite right.  How would you describe the sounds?  Did you notice them working with with or the themes?  Is it happy, playful, frustrating, satisfying?  (Did anyone pick up on "windy" sounds with all the effs and esses? I was quite proud of that)

Many thanks :-D
Dec 2020 · 305
Before the Final March
Hannah Christina Dec 2020
I gazed at her, the warrior woman,
standing on the hill
where crum'bling stones of castles made their home.
Her form against the solemn sky stood noble, tall and fierce;
tenacity bespake her ev'ry stride.

The clouds before her only served
to frame her fairer still;
through richly dark, they parted just enough
to filter drops of sunlight to where she stood like the moon;
an argent gleam shone in her mane and eyes.

I frowned at her from where I hunched,
longed for her iron will,
clawed my lackluster hair and tore my heart.
The flat grey fog above the hole where I shrank in the dust
had only heard my coward, cursing cries.

As we prepared to march again
I struggled up the hill
in hopes that I could find what grace she knew.
I didn't know she was still there, her back against a rock;
I caught her eye and realized

she had been crying too.
Edited 3/1/21, 3/2/24
Jul 2020 · 203
Flutter
Hannah Christina Jul 2020
blinking like a blade
of grass before a lake-storm
soft but not asleep
I'm working on a free verse poem that's giving me some trouble, so a short one is an enjoyable break.  Haikus are usually not my favorite to read.  They're a similar concept to 10w poems, but I find myself liking most 10w's better.  Maybe they're hard to do well, or maybe I just don't enjoy the form.  When they're "traditional" in content (about nature and stuff,) they're usually bland.  When they're more emotion based about feelings, there's not much space for imagery or creativity, so they can sound flat and self-indulgent (to me anyway).  So when I find a haiku that I actually like, I love it all the more.

Even though I dislike most of the haiku poems I read (at least compared to other forms) I really enjoy writing them.  Short sentences and specific guidelines are therapeutic, and they force you to be extra creative.  The traditional focus on sensations is calming.

What are your thoughts on forms?  I like to hear how different readers and writers experience things.

There's a balance between writing what you like to write, writing what you would like to read, and communicating in a way that will be effective for your readers.   Or maybe the things you think about are entirely different.  Either way, I'd love to hear about it.
Jun 2020 · 183
Image
Hannah Christina Jun 2020
I am stamped with an image I can not comprehend.
10 word
Jun 2020 · 319
Horeb
Hannah Christina Jun 2020
“A veil!” someone shouted.  I remember the cry.  Agreement surged from gasping elders and wide-eyed youths alike.  The first man to move snatched a scarf from his startled daughter and threw it at me to wrap over your head.  He couldn’t imagine touching you himself.

We had to find a veil to cover your shining face.  We couldn’t have the people blinded.  Radiation, of course, must be contained.  We didn’t have anyone infected.  It stuck to your forehead at first, your sweat thick like the dew the cold morning after a thunderstorm.  Wrinkles whiskered as your face strained into expressions few mortals have had.

That mountain was saturated in every form of electromagnetic radiation and energies unknown. It bludgeons the heart.  Melts the eyes.  The people could not bear the sight of anyone who had come so close to such a power.  I think their hearts need a good bludgeoning.

The wind streaked your hair for a micro-eternity.  It retained the swept-up form for nearly an hour, though no one could tell once you put on the veil.  Have you touched it to see if it is still cold?

Your fingers—what was on them?  Smoke, or earth?  Melted stone?  Incinerated atmosphere? Pure carbon, black as the abyss and under nearly enough pressure to crystalize into diamonds rarer than hope? When you grabbed my arm with those fingers, I nearly screamed.  You left black marks everywhere.

What does the veil cover now?  It's edges are no longer like the cracks beneath Heaven's doors.  What is it you wish to hide?  Isn’t it time for this mask to be cleft by a seraph's sword?
This is one of my favorite things I've ever written.  I hope it's enjoyable to read as it was to write.  I started scribbling down lines for an exercise in poetry class, modified it into an assignment, and edited it a whole bunch.  I'm finally getting around to posting it now, but I'm too afraid to actually read it again.  I don't want to start doubting it and I don't want to work on it any more.
May 2020 · 207
Imaginary Friends
Hannah Christina May 2020
Superheroes hiding their tortured inner lives behind primary colored-masks and hilarious one-liner comebacks.
Normal girls who were actually princesses, but didn’t act like other girls (or other princesses). Space wizards with stupid haircuts.

No one understood them, but I did.

I knew all their tragic backstories,
their hearts’ deepest desires,
the ways that they were, like, rejected by society and stuff.  
I gushed over their bonds of friendship that could never be broken, not by intergalactic politics, ancient feuds between magical species, or the infinite varieties of mind control.
I totally supported them when no one else could.

I reread the most heart-wrenching pages over and over again,
my fingers bubbling the plastic dust jackets and my toes clenching in my mismatched socks.
I couldn’t just wade in these worlds—I baptized myself into them, staying under the shallow water for hours without taking a breath.
I could never quite feel enough.  I squished my eyelids shut, trying to conjure up the tears that my heroes deserved.

Behind my wrinkled brow, they lived.
Danced.
Morphed themselves together into an ever-present consciousness, answering the questions I asked to no one.
I talked to it out loud some days, when I was especially alone.

Sometimes, I would see these friends out in public,
on a graphic tee in the hallway,
or a backpack in the classroom.
I would always greet them enthusiastically.
“I love your t-shirt!  Book four is the best!”
(With a warm, sweaty face way too much nervous laughter)
“That’s such a cool water bottle!  Which Avenger is your favorite?”
(Hands clutching hair, leg bouncing)
“I… like your sketchbook!”
(Hopeful smile, averted eyes)

And we would talk to each other (!)
About our shared interest and have a fun conversation (!)
For a few minutes.
I’d talk to them  the next time I saw them, too.
And every time we were in class together.
Then I hatched a daring plan.

My mom offered permission and a date,
my dad offered pizzas and the basement TV,
and I extended to my friends
an invitation.

No one came.
The assignment that sparked this one was "Poetry of Witness," which usually refers to reporting the lives of tortured political prisoners, victims of famine, refuges... things like that.  I've never lived through anything like that, but I've lived through middle school, which is pretty similar.

Joking aside, I'm glad that I wrote these experiences to share this reality, and to speak for all the kids who are still living the way I grew up.  Loneliness is an epidemic in this country (if not most of the developed world) and I really wanted to make the connection between obsessing over fiction and loneliness. Fiction can definitely help distract from the pain, and at best it can bring people together, but it's very easy for fictional narratives to take up such an important place in someone's heart that they stop trying to build their own life and develop relationships.

This is part of the story of me growing up, but it isn't the whole story.  I don't like dwelling on just the worse things in life (part of me LOVES this, but we're trying not to), but I ended the way I did because I wanted this to be a powerful cry of a hurting person.  The whole truth is much more complex.

There were plenty of people who (intentionally or unintentionally) rejected me as I was growing up, and that really effects my worldview to this day.  However, there were also people who accepted and encouraged me.  There were parties I planned where people did show up, just not the "popular" people who I thought were most important to please.  In fact, at times I was blind to those around me who felt more rejected than I was.  If I was less self-focused, I probably could have had better friendships.

But what can I say?  I was 13.
May 2020 · 218
Sacred Ground
Hannah Christina May 2020
“Will you barter for your garden?”
the familiar stranger taunted.

His haunting talk caught on a loose thread in my heart,
recalling time and battles fought.

Make no mistake about the fae.
I must admit I was afraid, for I have seen my adversary

tear out the grass’s screaming hair,
poison the soil with atmosphere arid,
strip the baby branches baren,
shave the landscape clear.

I need not obey him.  
I have in my hands a *****
and around this place an angry hedge.
He can not prevail unless I show him the way.

“No,” say I,
“No bartering in my garden today.”
An old one from the beginning of the semester that I've neglected to post here.
Apr 2020 · 375
Lightening Powers
Hannah Christina Apr 2020
When it flashes, I can't speak, except
   in      fra c tu
r   ed  gas p in
       g
(I should be able to withstand the shocks much better than I do)

The vibrations, the detachment lasts for several minute after
the power has been discharged and
I can't think.

Emergency situations call for
level-headed judgement,
but the jolting of the volts is difficult to disregard.

My heat resets itself somehow each time
even though the rhythm is interrupted
time and over again with every blast my power creates.

I want to pull within myself every time I use it,
embrace the sense of power, the sensation,
without reaching out.

Brain activity,
heart activity, muscle spasmatic ripples,
and I can't see past sporadic sparking up my face.

Victims, villains, friends of mine
and all your detailed instructions,
please survive in spite of me.

They say I'm strongest on the team
in strength, and that is hard to say.
I'll stay with you and fight but my mind
can't live on another day.
Poem-a-day Prompt 1: Your Superpower
I already missed the first day of National Poetry Month (whoops)
In light of the event, I'll write a daily poem with minimal editing and post them.  Expectations for quality are low.  Expectations for ideas and creativity are high.  Maybe after this month I'll return to a few of my favorites and develop them into more polished, "real" poems.
Feb 2020 · 205
Recess
Hannah Christina Feb 2020
The blue squares were safe.
The white squares were lava.
The cool kids huddled in their corners were irrelevant.

It didn't matter where I was going
or what I was exploring.
Maybe ancient pyramids,
perhaps a dinosaur dig.
Probably "the jungle," wherever that was.
I always changed my mind half-a-dozen times.
It didn't matter where I went
because I could handle every adventure
all by myself.

The benches were safe.
The wood chips were lava.
The crawl space under the rock wall was my escape pod.

My crew both was and wasn't imaginary.
If they had names, they had the names of real people.
Just versions of those people who were
around a little more often.

The loud days were safe.
The quiet was lava.
Then the quiet was safe,
and loudness was lava,
and then I never could tell what was safe anymore,
really.

But, oh, I'm so glad I found You again.

Your embrace is safe.
Your heart is lava,
and every day is a quiet adventure.
This is one of my favorite recent writings.  I would like it to be longer, but I couldn't think of any more stanzas that added anything, and I didn't want to drag it out for the sake of dragging it out.  Also, a longer poem calls for a really strong conclusion to keep from feeling anticlimactic.

In my first draft, the final few stanzas were pretty rushed and disconnected and overall not great.  I think they're better now but still don't feel quite confident with them.
Feb 2020 · 121
Come along, now.
Hannah Christina Feb 2020
I won't relent.

I know what happened last time, but I'm
stronger now.  Don't
give me that!

I am not alone
and I
will not
relent.
.

But I
am getting tired. So
tired.
Again.
And it's barely even Tuesday.

I'll be
fine, I'll
do it, I'll
keep going and it all will be
great
in the end.

All I have to do is just... jh!
if I could just...
   just...
      if-
-I;,
  I need to just...

...j-h
              ...-
    ...!

.



But no, I
won't
relent.
Feb 2020 · 238
Global Positioning System
Feb 2020 · 92
Storybook
Hannah Christina Feb 2020
i need to buy a spaceship and sail it far away
because a spaceship needs a crew and out in space you have to stay
if ur a space cowboy hmu
Feb 2020 · 283
Arrangement
Hannah Christina Feb 2020
Her manicured leaves and thirsty rainbow faces always deliver
but she envies the daisy in the sidewalk.
Personification all day long.

For me, putting on appearances has more to do with forced behavior than appearances themselves, which is the real contrast between the characters here.  I don't want to propagate "I'm not like other girls" kinds of thinking.
There's  nothing wrong with having conventional interests or appearance when you're genuine about it.
Feb 2020 · 207
Bumper Crop Branches
Hannah Christina Feb 2020
They're all doubled over in an aching belly laugh;
I can already smell the apple pie.
One of a bunch of two-liners I wrote for Poetry Class.
Feb 2020 · 230
Sentry
Hannah Christina Feb 2020
“Will you barter for your garden?”
the familiar stranger taunted.

His haunting talk caught on a loose thread in my heart,
recalling time and battles fought.

Make no mistake about the fae.
I must admit I was afraid, for I have seen my adversary

tear out the grass’s screaming hair,
poison the soil with atmosphere arid,
strip the baby branches barren,
shave the landscape clear.

I need not obey him.  
I have in my hands a *****
and around this place an angry hedge.
He can not prevail unless I show him the way.

“No,” say I,
“No bartering in my garden today.”
This one was for the poetry class I'm taking(!).
The assignment was to write a rhyming or metered poem.  I decided to use assonance focused around the letter "a" as much as possible.  This is not a way that I often use rhyme.  I really, really like it.  It stitches the words together without feeling to sing-song or structured.  If you scroll back to my stuff from a year or two ago, you'll see that I used a lot of line-end rhymes and lots of meter.  I don't like the way that kind of structure feels anymore, but I also don't like writing poems that ignore the use of sound.  This is a happy medium for me.
Jan 2020 · 60
marsh
Hannah Christina Jan 2020
squirming, swimming, still
bubbles beneath your footsteps
life in ev’ry inch
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