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judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
Cyril Blythe Sep 2012
I followed him down the trail until we got to the mouth of the mines. The life and energy of the surrounding maples and birches seemed to come to a still and then die as we walked closer, closer. The air was cold and dark and damp and smelt of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a slimy smile as I stepped out of the sun. It was still inside. The canary chirped.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” He rolled his eyes.
“Spare me.” He trotted off around the corner to the left, whistling.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. In my blinding anger I lost track of his lantern. I stopped, my heartbeat picked up, and I tried to remind myself of what I did in Peru.
I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Somewhere in front of me the canary chirped.

When I first got the job in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack said. He handed me the manila case envelope. “He’s lived in rural Vermont his entire life. Apparently his family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When the accident happened the whole town basically shut down. There were no canaries in the mines the day the gas killed the miners. His mother died in a fire of some sort shortly after. The town blamed the Delvos family and ran them into the woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He ships them to other mining towns across the country now. We want to run a piece about the inhumanity of breeding animals to die so humans won’t.” I stood in silence in front of his deep mahogany desk, suddenly aware of the lack of make-up on my face. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”

“Do you understand the darkness now, Ms. Rivers? Your prestigious masters degrees don’t mean **** down here.” Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me. He relit the oily lantern and turned his back without another word. I reluctantly followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” and hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western themed whiskey bar, and a few greasy spoon restaurants interspersed in-between. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good nights sleep and defeat this towns fear of John Delvos tomorrow.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag and pulled out my Turkish Golds and Macaw-beak yellow BIC. I stepped out onto the dirt in front of my door and lit up. I looked up and the stars stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except it’s sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of night. The father into the darkness the more dizzying the stars dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off.
“I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Waters, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Waters, are you new to town?”
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
The stars tiptoed in their tiny circles above in the silence. Then, they disappeared with a spark as Ian lit up his wooden pipe. It was a light colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the stars dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Waters. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the cold dust beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed, “See that yellow notch?” Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how thankful I am to find out where to find this elusive Mr. Delvos and his canaries.”
“You don’t have to,” he knocked the ash out of his pipe against the tree, “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The stars dance was manic above me as I walked back to my room and shut the door.

The canary chirped and Delvos stopped.
“This is a good place to break out fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We left for the mines as the stars were fading in the vermillion Vermont sky this morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Waters.” Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I hurriedly stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased, “You’ve got steel in you, Ms. Rivers, I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with flickering yellow brushes and songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so of course I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the birds little coops were as well, Dad finally talked. The only thing he could say was ‘Canaries are not the same as a Phoenix, John. Not the same at all.”
The canary chirped, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines, but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?” He spun around, startled, and walked up to me a little too fast.
“Why are you here? Who are you?”
“My name is Lila Waters, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the CEO’s for the magazine and he...”
“Those are my rules, Ms. Waters.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Waters. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the little, yellow canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up and the memory of his green and brown wooded homestead fled from my memory as the mine again consumed my consciousness. Dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.
The canary chirped.
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelt of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The Canary was flitting its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminating the surrounding gloom. All was completely still and even my own vapor seemed to fall out of my mouth and simply die. The canary was dancing a frantic jig, now, similar to the mating dance of the Great Frigate Bird I shot in the Amazon jungle. As I watched the canary and listened to its small wings beat against the cold metal cage I begin to feel dizzy. The bird’s cries had transformed into a scream colder than fire and somehow more fierce.
The ability to fly is what always made me jealous of birds as a child, but as my temple throbbed and the canary danced I realized I was amiss. Screaming, yellow feathers whipped and the entire inside of the cage was instantaneously filled. It was beautiful until the very end. Dizzying, really.
Defeated, the canary sank to the floor, one beaten wing hanging out of the iron bars at a most unnatural angle. Its claws were opening and closing, grasping the tainted cave air, or, perhaps, trying to push it away. Delvos unclipped the cage and sat it on the floor in the space between us, lantern still held swaying above his head. The bird was aflame now, the silent red blood absorbing into the apologetic, yellow feathers. Orange, a living fire. I pulled out my camera as I sat on the ground beside the cage. I took a few shots, the camera’s clicks louder than the feeble chirps sounding out of the canary’s tattered, yellow beak. My head was spinning. Its coal-black eyes reflected the lantern’s flame above. I could see its tiny, red tongue in the bottom of its mouth.
Opening.
Closing.
Opening, wider, too wide, then,
Silence.


I felt dizzy. I remember feeling the darkness surround me; it felt warm.

“I vaguely remember Delvos helping me to my feet, but leaving the mine was a complete haze.” I told the panel back in D.C., “It wasn’t until we had crossed the stream on the way back to the cabin that I began to feel myself again. Even then, I felt like I was living a dream. When we got back to the cabin the sight of the lively yellow canaries in their coops made me cry. Delvos brought me a bottle of water and told me I needed to hit the trail because the sun set early in the winter, so I le
Cyril Blythe Nov 2012
I followed Delvos down the trail until we could see the mouth of the mine. The life and energy of the surrounding birches and sentential pines came to a still and then died as we left the trees shelter behind and walked closer, closer. The air was cold and dark and damp and smelled of mold and moths. Delvos stepped into the darkness anyways.
“Well, girl, you coming or aren’t you?”
I could see his yellowed tobacco teeth form into a smile as I stepped out of the sun. It was still inside. The canary chirped in its cage.
“This tunnel is just the mouth to over two hundred others exactly like it. Stay close. Last thing I need this month is National Geographic on my *** for losing one of their puppet girls.”
“Delvos, ****. I have two masters degrees.” I pulled my mousey hair up into a tight ponytail. “I’ve experienced far more fatal feats than following a canary in a cave.”
He rolled his eyes. “Spare me.” He trotted off around the corner to the left, whistling some Louis Armstrong song.
“I survived alone in the jungles of Bolivia alone for two months chasing an Azara’s Spinetail. I climbed the tallest mountain in Nepal shooting Satyr Tragopans along the cliff faces. In Peru I…” Suddenly I felt the weight of the darkness. I lost track of his lantern completely. I stopped, my heartbeat picked up, and I tried to remind myself of what I had done in Peru. The mine was quiet and cold. I wiped my clammy, calloused hands on my trail pants and took a depth breath.

In through the nose. Out through the mouth. This is nothing. I followed a Diurnal Peruvian Pygmy-Owl across the gravel tops of the Andes Mountains, no light but the Southern Cross and waning moon above. I am not scared of darkness. I am not scared of darkness.
I stopped to listen. Behind me I could hear the wind cooing at the mouth of the mine.
Taunting? No. Reminding me to go forward. Into the darkness.
I shifted my Nikon camera off my shoulder and raised the viewfinder to my eyes, sliding the lens cap into my vest pocket. This routine motion, by now, had become as fluid as walking. I stared readily through the dark black square until I saw reflections from the little red light on top that blinked, telling me the flash was charged. I snapped my finger down and white light filled the void in front of me. Then heavy dark returned. I blinked my eyes attempting to rid the memories of the flash etched, red, onto my retina. I clicked my short fingernails through buttons until the photo I took filled the camera screen. I learned early on that having short fingernails meant more precise control with the camera buttons. I zoomed in on the picture and scrolled to get my bearings of exactly what lay ahead in the narrow mine passageway. As I scrolled to the right I saw Delvos’ boot poking around the tunnel that forked to the left.
Gottcha.
I packed up the camera, licked my drying lips, and stepped confidently into the darkness.

When I first got the assignment in Vermont I couldn’t have been more frustrated. Mining canaries? Never had I ever ‘chased’ a more mundane bird. Nonetheless, when Jack Reynolds sends you on a shoot you don’t say no, so I packed up my camera bag and hoped on the next plane out of Washington.
“His name is John Delvos.” Jack had said as he handed me the manila case envelope. He smiled, “You’re leaving on Tuesday.”
“Yes sir.”
“Don’t look so smug, Lila. This may not be the most exotic bird you’ve shot but the humanity of this piece has the potential to be a cover story. Get the shots, write the story.”
I opened the envelope and read the assignment details in the comfort of my old pajamas back at my apartment later that night.
John Delvos has lived in rural Vermont his entire life. His family bred the canaries for the miners of the Sheldon Quarry since the early twenties. When “the accident” happened the whole town shut down and the mines never reopened. . There were no canaries in the mines the day the gas killed the miners. The town blamed the Delvos family and ran them into the woods. His mother died in a fire of some sort shortly before Delvos and his father retreated into the Vermont woods. His father built a cabin and once his father died, Delvos continued to breed the birds. He currently ships them to other mining towns across the country. The question of the inhumanity of breeding canaries for the sole purpose of dying in the mines so humans don’t has always been controversial. Find out Delvos’ story and opinions on the matter. Good luck, Lila.
I sighed, accepting my dull assignment and slipped into an apathetic sleep.


After stumbling through the passageway while keeping one hand on the wall to the left, I found the tunnel the picture had revealed Delvos to be luring in. Delvos reappeared behind the crack of his match in a side tunnel not twenty yards in front of me
“Do you understand the darkness now, Ms. Rivers?” He relit the oily lantern and picked back up the canary cage. “Your prestigious masters degrees don’t mean **** down here.”. He turned his back without another word. I followed deeper into the damp darkness.
“Why were there no canaries in the mine on, you know, that day?” The shadows of the lantern flickered against the iron canary cage chained on his hip and the yellow bird hopped inside.
“I was nine, Ms. Rivers. I didn’t understand much at the time.” We turned right into the next tunnel and our shoes crunched on jagged stones. All the stones were black.
“But surely you understand now?”
The canary chirped.

When I first got to Sheldon and began asking about the location of the Delvos’ cabin you would have thought I was asking where the first gate to hell was located. Mothers would smile and say, “Sorry, Miss, I can’t say,” then hurriedly flock their children in the opposite direction. After two hours of polite refusals I gave up. I spent the rest of the first day photographing the town square. It was quaint; old stone barbershops surrounded by oaks and black squirrels, a western-themed whiskey bar, and a few greasy spoon restaurants. I booked a room in the Walking Horse Motel for Wednesday night, determined to get a good night’s sleep and defeat this town’s fear of John Delvos the following day.
My room was a tiny one bed square with no TV. Surprise, surprise. At least I had my camera and computer to entertain myself. I reached into the side of my camera bag, pulled out my Turkish Golds and Macaw-beak yellow BIC, and stepped out onto the dirt in front of my motel door and lit up. The stars above stole all the oxygen surrounding me. They were dancing and smiling above me and I forgot Delvos, Jack, and all of Sheldon except its sky. Puffing away, I stepped farther and farther from my door and deeper into the darkness of Vermont night. The father into the darkness the more dizzying the star’s dancing became.
“Ma’am? Everything okay?”
Startled, I dropped my cigarette on the ground and the ember fell off. “I’m sorry, sir. I was just, um, the stars…” I snuffed out the orange glow in the dirt with my boot and extended my hand, “Lila Rivers, and you are?”
“Ian Benet. I haven’t seen you around here before, Ms. Rivers. Are you new to town?” He traced his fingers over a thick, graying mustache as he stared at me.
“I’m here for work. I’m a bird photographer and journalist for National Geographic. I’m looking for John Delvos but I’m starting to think he’s going to be harder to track than a Magpie Robin.”
Ian smiled awkwardly, shivered, then began to fumble with his thick jacket’s zipper. I looked up at the night sky and watched the stars as they tiptoed their tiny circles in the pregnant silence. Then, they dimmed in the flick of a spark as Ian lit up his wooden pipe. It was a light-colored wood, stained with rich brown tobacco and ash. He passed me his matches, smiling.
“So, Delvos, eh?” He puffed out a cloud of leather smelling smoke toward the stars. “What do you want with that old *******? Don’t tell me National Geographic is interested in the Delvos canaries.”
I lit up another stick and took a drag. “Shocking, right?”
“Actually, it’s about time their story is told.” Benet walked to the wooden bench to our left and patted the seat beside him. I walked over. “The Delvos canaries saved hundreds of Sheldonian lives over the years. But the day a crew went into the mines without one, my father came out of the ground as cold as when we put him back into it in his coffin.”
I sat in silence, unsure what to say. “Mr. Benet, I’m so sorry…”
“Please, just Ian. My father was the last Mr. Benet.”
We sat on the wooden bench, heat leaving our bodies to warm the dead wood beneath our legs. I shivered; the star’s dance suddenly colder and more violent.
“Delvos canaries are martyrs, Ms. Rivers. This whole town indebted to those tiny yellow birds, but nobody cares to remember that anymore.”
“Can you tell me where I can find Mr. Delvos and his, erm, martyrs?” The ember of my second cigarette was close to my pinching fingertips.
“Follow me.” Ian stood up and walked to the edge of the woods in front of us. We crunched the dead pine needles beneath our feet, making me aware of how silent it was. Ian stopped at a large elm and pointed. “See that yellow notch?” he asked. Sure enough, there was a notch cut and dyed yellow at his finger’s end. “If you follow true north from this tree into the woods you’ll find this notch about every fifty yards or so. Follow the yellow and it’ll spit you out onto the Delvos property.”
“Thank you, Ian. I really can’t begin to tell you how grateful I am.
“You don’t have to.” He knocked the ash out of his pipe against the tree. “Just do those birds justice in your article. Remember, martyrs. Tell old Delvos Ian Benet sends his regards.” He turned and walked back to the motel and I stood and watched in silence. It was then I realized I hadn’t heard a single bird since I got to Sheldon. The star’s dance was manic above me as I walked back to my room and shut the door.

The canary’s wings and Delvos stopped. “This is a good place to break our fast. Sit.”
I sat obediently, squirming around until the rocks formed a more comfortable nest around my bony hips. We had left for the mines as the stars were fading in the vermillion Vermont sky that morning and had been walking for what seemed like an eternity. I was definitely ready to eat. He handed me a gallon Ziploc bag from his backpack filled with raisins, nuts, various dried fruits, and a stiff piece of bread. I attacked the food like a raven.
“I was the reason no canaries entered the mines that day, Ms. Rivers.”
Delvos broke a piece of his bread off and wrapped it around a dried piece of apricot, or maybe apple. I was suddenly aware of my every motion and swallowed, loudly. I crinkled into my Ziploc and crunched on the pecans I dug out, waiting.
“Aren’t you going to ask why?”
“I’m not a parrot, Mr. Delvos, I don’t answer expectedly on command. You’ll tell me if you want.” I stuffed a fistful of dried pears into my mouth.
Delvos chuckled and my nerves eased. “You’ve got steel in you, Ms. Rivers. I’ll give you that much.”
I nodded and continued cramming pears in my mouth.
“I was only nine. The canaries were my pets, all of them. I hated when Dad would send them into the mines to die for men I couldn’t give two ***** about. It was my birthday and I asked for an afternoon of freedom with my pets and Dad obliged. I was in the aviary with pocketfuls of sunflower-seeds. Whenever I threw a handful into the air above me, the air came to life with wings slashing yellow brushes and cawing songs of joy. It was the happiest I have ever been, wholly surrounded and protected by my friends. Around twelve thirty that afternoon the Sheriff pulled up, lights ablaze. The blue and red lights stilled my yellow sky to green again and that’s when I heard the shouting. He cuffed my Dad on the hood of the car and Mom was crying and pushing her fists into the sheriff’s chest. I didn’t understand at all. The Sheriff ended up putting Mom in the car too and they all left me in the aviary. I sat there until around four that afternoon before they sent anyone to come get me.”
Delvos took a small bite of his bread and chewed a moment. “No matter how many handfuls of seeds I threw in the air after that, the birds wouldn’t stir. They wouldn’t even sing. I think they knew what was happening.”
I was at a loss for words so and I blurted, “I didn’t see an aviary at your house…”
Delvos laughed. “Someone burnt down the house I was raised in the next week while we were sleeping. Mom died that night. The whole dark was burning with screams and my yellow canaries were orange and hot against the black sky. That’s the only night I’ve seen black canaries and the only night I’ve heard them scream.”
I swallowed some mixed nuts and they rubbed against my dry throat.
“They never caught the person. A week later Dad took the remainder of the birds and we marched into the woods. We worked for months clearing the land and rebuilding our lives. We spent most of the time in silence, except for the canary cries. When the house was finally built and the bird’s little coops were as well, Dad finally talked. The only thing he could say was “Canaries are not the same as a Phoenix, John. Not the same at all.”
We sat in silence and I found myself watching the canary flit about in its cage, still only visible by the lanterns flame. Not fully yellow, I realized, here in the mines but not fully orange either.

When I first walked onto John Delvos’ property on Thursday morning he was scattering feed into the bird coops in the front of his cabin. Everything was made of wood and still wet with the morning’s dew.
“Mr. Delvos?”
He spun around, startled, and walked up to me a little too fast. “Why are you here? Who are you?”
“My name is Lila Rivers, sir, I am a photographer and journalist for National Geographic Magazine and we are going to run an article on your canaries.”
“Not interested.”
“Please, sir, can I ask you just a few quick questions as take a couple pictures of your, erm, martyrs?”
His eyes narrowed and he walked up to me, studying my face with an intense, glowering gaze. He spit a mouthful of dip onto the ground without breaking eye contact. I shifted my camera bag’s weight to the other shoulder.
“Who told you to call them that?”
“I met Ian Benet last night, he told me how important your birds are to this community, sir. He sends his regards.”
Delvos laughed and motioned for me to follow as he turned his back. “You can take pictures but I have to approve which ones you publish. That’s my rule.”
“Sir, it’s really not up to me, you see, my boss, Jack Reynolds, is one of the editors for the magazine and he...”
“Those are my rules, Ms. Rivers.” He turned and picked back up the bucket of seed and began to walk back to the birds. “You want to interview me then we do it in the mine. Be back here at four thirty in the morning.”
“Sir…?”
“Get some sleep, Ms. Rivers. You’ll want to be rested for the mine.” He turned, walked up his wooden stairs, and closed the door to his cabin.
I was left alone in the woods and spent the next hour snapping pictures of the canaries in their cages. I took a couple pictures of his house and the surrounding trees, packed up my camera and trekked back to my motel.

“You finished yet?” Delvos stood up. The mine was dark, quiet, and stagnant. I closed the Ziploc and stuffed the bag, mainly filled with the raisins I had sifted through, into my pocket.
Delvos grunted and the canary flapped in its cage as he stood again and, swinging the lantern, rounded another corner. The path we were on began to take a noticeable ***** downward and the moisture on the walls and air multiplied.  
The lantern flickered against the moist, black stones, sleek and piled in the corners we past. The path stopped ahead at a wall of solid black and brown Earth.
The canary chirped twice.
It smelled of clay and mildew and Delvos said, “Go on, touch it.”
I reached my hand out, camera uselessly hanging like a bat over my shoulder. The rock was cold and hard. It felt dead.
The canary was fluttering its wings in the cage now, chirping every few seconds.
“This is the last tunnel they were digging when the gas under our feet broke free from hell and killed those men.”
Delvos hoisted the lantern above our heads, illuminatin
If Daedalus built us a labyrinth

Of chambers with beds, and smells of mint,

I’d never try to leave or escape,

I’d stay with you, it be our fate.

-

Your enticing scented perfume,

Catches my nostrils as I gaze at you,

You glance back, seductive and robed,

Your shoulders revealed, the rest unknown,

Until a slight twitch adorns the floor,

With the garb you wore before,

Your lingerie lingers there now,

Across your backside and ***** endowed,

Your back is still there turned to me,

Morals become my enemy.

-

I walk slowly, creep behind,

I take your hips and you take mine,

I feel your nails dig in my sides,

Pain is not to be belied,

Turned around now, look at me,

In my eyes, what do you see?

Feel my hand gently stroke

That precious cheek of yours to stoke,

The fire that internally burns,

Inside ourselves, the passion churns,

My hand softly grasps your throat,

Your pupils widen, you are smote,

A short gasp, an inhale of breath,

I adore seeing your heaving chest,

Surprised, aroused, you grab my hair,

We break something beside us,

I don’t care, we don’t care.

-

Your *** in my hands, your legs wrapped around,

I put you on a table, throw you down,

You smile and bite your lip and look up,

Joyous repetitions of “****, oh ****”,

You bite my collar bone and shoulder,

I think “Oh, how I love to explore her”,

Pandora’s Box knows nothing of this,

I feel, as I hold down your hands with clenched fists.

-

To the chamber that promises silken sheets,

You and I alone, who needs “discreet”?

Sensual moans from my Aphrodite,

You call me Ares, and quiver slightly,

We've now become quite volatile,

You feel no need to hide your guile,

You bury my face a midst your chest,

Smiling lightly, pointing to your crest,

I serve you well,

As far as listening can tell,

You happily return the favor,

This moment in my mind, I’ll savor,

A fallen angel is angel nonetheless,

You look up and I must confess,

The sight of it, so great to behold,

That I stand you up, and around, and fold

You across the bedside chair,

Alas, the pleasure doth find you there.

I am yours and you are mine,

Behind our door records no time.

-

When I bend to receive a kiss,

Ah, the touch of your perfect lips,

Your taste, it’s addictive to say the least,

I cannot stop, your tongue can’t cease,

Then you recoil and I silently beg,

You then submit, and tighten your legs,

I kiss your neck, hear a deep breath in my ear,

You have the power of my mind to steer,

Your hands and nails find my back,

And then, in ecstasy, you attack.

What must be hours go by and then,

I feel from inside, your body tightens,

We are both together this moment,

There is a small flood after the levee’s exploded,

You lean back, dragging nails, and scream,

Heavy exhales as if we were breathing steam,

You lay atop, beautiful and breathless,

After all, we are quite reckless,

Feeding on our insatiability,

We lay here kissing awaiting re-ability,

We are lost in each other’s flesh,

And mind, and heart, and we both have fetched

A longing lust that took command,

Without daring reprimand.

-

This is Adam and Eve’s paradise,

Without The Apple, it will suffice,

This night feels as if it will never end,

We take each other again and again.
judy smith Nov 2016
Whether in Montreal, where she was born and raised, or in Delhi, where her award-winning brasserie sits, the stylish chef’s love for gastronomy has always run deep. She came to India to chase her passion about eight years ago, after leaving behind an engineering career and having trained at the esteemed ITHQ (Institut de tourisme et d’hôtellerie du Québec). In 2014, she introduced unusual combinations like oysters with charred onion petals, tamarind puree, and rose vinegar when she became the first Indian chef to be invited to host a solo dinner at the James Beard House in New York City. Also presented there was her very own coffee-table book called Eating Stories, packed with charming visuals, tales and recipes.

In pursuit of narratives

“I am studying Ayurveda so, at the moment, I’m inspired by the knowledge and intuition which comes with that, but otherwise I completely live for stories. Those of the people around me — of spices, design forms, music, traditions, history and anything else I feel connected to.”

Culinary muse

“I truly believe that nature is perfect, so I feel privileged to use the ingredients that it provides, while adding my own hues, aromas and combinations…it feels like I get to play endlessly every day.”

After-work indulgence

“My favourite places to eat at are Cafe Lota and Carnatic Cafe in Delhi, and Betony and Brindle Room in NYC.”

Dream dish

“This salad I created called ‘secret garden’. It’s so beautiful to look at and has such a unique spectrum of flavours…all while using only the freshest, most natural produce to create something completely magical.”

Reception blooper

“Most people make the mistake of over-complicating the menu; having too much diversity and quantity. Wastefulness isn’t a good way to start a life together.”

A third-generation entrepreneur from a highly distinguished culinary family, she runs a thriving studio in Khar where state-of-the-art cooking stations and dining tables allow her to conduct a variety of workshops and sessions. Her grandfather is remembered as the man who migrated from Africa to London to found the brand that brought curry to the people of the UK — Patak’s. She took over as brand ambassador, having trained at Leiths School of Food and Wine and taught at one of Jamie Oliver’s schools in London. What’s more, Pathak is also the author of Secrets From My Indian Family Kitchen, a cookbook comprising 120 Indian recipes, published last year in the UK.

Most successful experiment

“When I was writing recipes for my cookbook, I had to test some more than once to ensure they were perfect and foolproof. One of my favourites was my slow-cooked tamarind-glazed pork. I must have trialled this recipe at least six times before publishing it, and after many tweaks I have got it to be truly sensational. It’s perfectly balanced with sweet and sour both.”

Future fantasy

“As strange as it sounds, I’d love to cater my own wedding. You want all your favourite recipes and you want to share this with your guests. I could hire a caterer to create my ideal menu, but I’d much prefer to finalise and finish all the dishes myself so that I’m supremely happy with the flavours I’m serving to my loved ones.”

Fresh elegance

“I’m in love with microgreens for entertaining and events…although not a new trend, they still carry the delicate wow factor and are wonderfully subtle when used well. I’m not into using foams and gels and much prefer to use ingredients that are fuss-free.”

This advertising professional first tested her one-of-a-kind amalgams at The Lil Flea, a popular local market in BKC, Mumbai. Her Indian fusion hot dogs, named Amar (vegetarian), Akbar (chicken) and Anthony (pork), sold out quickly and were a hit. Today, these ‘desi dogs’ are the signature at the affable home-chef-turned-businesswoman’s cafe-***-diner in Bandra, alongside juicy burgers, a fantastic indigenous crème brûlée, and an exciting range of drinks and Sikkim-sourced teas.

Loving the journey

“The best part of the job is the people I meet; the joy I get to see on their faces as they take the first bite. The fact that this is across all ages and social or cultural backgrounds makes it even better. Also, I can indulge a whim — whether it is about the menu or what I can do for a guest — without having to ask anyone. On the flip side, I have no one to blame but myself if the decision goes wrong. And, of course, I can’t apply for leave!”

Go-to comfort meal

“A well-made Bengali khichri or a good light meat curry with super-soft chapattis.”

What’s ‘happening’

“This is a very exciting time in food and entertaining — the traditional and ultra-modern are moving forward together. Farm-to-fork is very big; food is also more cross-cultural, and there is a huge effort to make your guest feel special. Plus, ‘Instagram friendly’ has become key…if it’s not on Instagram, it never happened! But essentially, a party works when everyone is comfortable and happy.”

A word to brides

“Let others plan your menu. You relax and look gorgeous!”

This Le Cordon Bleu graduate really knows her way around aromas that warm the heart. On returning to Mumbai from London, she began to experiment with making small-batch ice creams for family and friends. Now she churns out those ‘cheeky’ creations from a tiny kitchen in Bandra, where customers must ring a bell to get a taste of dark chocolate with Italian truffle oil, salted caramel, milk chocolate and bacon and her signature (a must-try) — blue cheese and honey.

The extra mile

“I’ll never forget the time I created three massive croquembouche towers (choux buns filled with assorted flavours of pastry cream, held together with caramel) for a wedding, and had to deliver them to Thane!”

Menu vision

“For a wedding, I would want to serve something light and fresh to start with, like seared scallops with fresh oysters and uni (sea urchin). For mains, I would serve something hearty and warm — roast duck and foie gras in a red wine jus. Dessert would be individual mini croquembouche!”

Having been raised by big-time foodie parents, the strongest motivation for their decision to take to this path came from their mother, who had two much-loved restaurants of her own while the sisters were growing up — Vandana in Mahim and Bandra Fest on Carter Road. Following the success of the first MeSoHappi in Khar, Mumbai, the duo known for wholesome cooking opened another outlet of the quirky gastro-bar adjoining The Captain’s Table — one of the city’s favourite seafood haunts — in Bandra Kurla Complex.

Chef’s own

AA: “We were the pioneers of the South African bunny chow in Mumbai and, even now, it remains one of my all-time favourites.”

On wedding catering

PA: “The most memorable for me will always be Aarathi’s high-tea bridal shower. I planned a floral-themed sundowner at our home in Cumballa Hill; curtains of jasmine, rose-and-wisteria lanterns and marigold scallops engulfed the space. We served exotic teas, alcoholic popsicles of sangria and mojito, and dishes like seafood pani puri shots and Greek spanakopita with beetroot dip, while each table had bite-sized desserts like mango and butter cream tarts and rose panna cotta.”Read more at:http://www.marieaustralia.com/formal-dresses-2016 | www.marieaustralia.com/red-carpet-celebrity-dresses
Danny Valdez Apr 2012
My Mom needed something from the store
So I told her I’d walk up there for her and get it.
We were barely getting by
The two of us.
She was living on a disability check
And I was in between jobs
Again
So these little walks to the store were all I had.
I got her some Epsom salts and was walking back
Had just walked past the hardware store
When a small, sleek, black, BMW pulled up next to me.
To my surprise it was a chick
A big titted redhead with pink sunglasses.
There was something in her eyes
When she peeked below the sunglasses
I saw something in them
that frightened me
A voice inside was screaming at me
Just keep walking
Just keep walking
But like a fool
I ignored it
And bent over the passenger seat
In the convertible that smelled new.
“How big is your ****?”
The lady asked
Her chest just heaving and jiggling
With every breath she took
And every word she spoke.
“What?”
“I said….how big is your ****?”
“Ha ha!”
I took a look around
Expecting to see a hidden camera
Or a film crew in a van across the street.
There was no one
No witnesses.
I leaned back down
“7 inches? Maybe 8? I don’t know lady, I haven’t measured my **** since the 11th grade!”
The redhead took off the sunglasses completely and looked me up and down
Those bright green eyes scanning me
From my worn out Converse to my greasy pompadour on my head.
It seemed like an eternity
I got uncomfortable.
Just standing there
Squirming
While the redheaded fox
Kept inspecting me.
“Okay. Get in. Hurry up.”
I wasn’t even thinking
Just reacting to it all.
I’d always dreamed of this
When I was walking down that
Same old ******* street
The only street that I ever saw
Dreaming of
A beautiful woman in a sports car.
And now here she was.
Here we were
Driving down the street
The breeze blowing in our hair
She made an immediate right turn
Onto a suburban side street.
She parked in front of a house that was up for sale.
Again she took off the sunglasses.
“Let me see it.”
She said, staring at my crotch.
“Whoa, whoa, lady. What’s this all about?”
“My husband and I…..we have certain…..tastes. Things we like, things we enjoy. He’s an older guy, so he likes to watch young guys **** me. I mean, just really give it to me good, make me scream. And of course after your services have been….rendered….you’ll be paid two-thousand dollars. Now do you think you can do that?”
“Uh……I—I think so.”
“Well, I need you to know so. And if you were bullshitting me, if that **** isn’t at least 7 inches, you can get out of the car right ******* now.”
“No it is, it is.”
“Well...”
“Well...you gotta start my engine first—“
Before I could finish my cheesy line
She was in the passenger seat
Climbing on top of me.
“Rip it open” She said looking down.
I did as I was told
And ripped the front of her blouse open
The buttons flying in all directions
Bouncing off the windows and rolling on the dashboard.
Her two, round, fake, **** sprang out of the top
Hitting me in the face
As she rubbed them up and down
And all around.
She kissed me sloppily
And then started in with that biting *******.
She met my lip so hard
It drew blood
acting purely on reflex
I grabbed her by the arms very hard
And pulled her back from me
Staring at her with those crazy, intense, eyes
That I sometimes got when startled.
“Oh…..” She said looking down, at the ******* in my Levi’s.
“Alright. You wanna see the house?” She asked.
I let go of her arms and she rolled off of me,
hopping into the driver’s seat and starting the car up.

She drove all the way to the edge of the city
Where the Red Mountains in the east
Meets the long winding road out of town
And into the desert.
It was a large ranch style mansion
Decorated with cowboy themed ****.
The redhead parked the sports car in
A massive garage
Filled with dozen of rare and expensive automobiles .
She told me to leave my plastic grocery bag of Epsom salts
In the car
She said I could get it later, when we were done.
I followed her to an elevator at the back of the garage.
We took it all the way down to the very bottom.
Stepping out of the elevator
I found myself in a large expansive grey room.
The floors were concrete
But they were shiny and slick
Reminded me of the floor in the meat department
At the job I had just lost.
The room had a few beds in it
Some custom built sets were erected all over the room
An office, a jail cell, a medieval dungeon, a medical examination room,
There were a lot these little sets built all over
In the back of the room
The corners
Were pitch black and covered in darkness.
I wondered what they had over there.
“So what do we do?” I asked, fidgeting in my pants
thumbing my switchblade stiletto in my right front pocket.
“We have to wait for my husband to come down. I just texted him.”
“Oh okay.”
“You should take your clothes off and put this on.”
The redhead said, taking a hospital gown from a hanger
Next to the medical examination set.
“….put that on and I’m gonna go get into character.”
She said, walking behind a white privacy screen
The old kind, like they used to have in doctor’s offices.
I undressed myself and got into the hospital gown.
I can’t say what it was exactly
But I still had that real nervous feeling
I couldn’t ignore it
So for some reason
I hid my switchblade on me.
Put it in the waistband of my underwear.
And that made me feel a little bit safer
This whole thing was beyond belief
I was never this lucky
Something was rotten in Denmark
I could feel it in my bones.
But there was no backing out now
I was riding this all the way
No choice.
I took a seat on the medical examination table
The thin paper crunching loudly beneath my ***
They had it down to the finest detail.
Even the little slots with the Highlights magazines.
I watched the black & white clock on the wall
And it took them 28 minutes to finally come out
The two of them together.
The tall, beautiful, redhead and the rich old man.
But they matched in an odd way
His face was nearly the same color as her hair.
A red faced, big nosed, drinker,
I’ve seen that face a thousand times
Ain’t no mistakin’ it.
He had white hair all spiked up
Like how young people have it
And he wore nothing but gold
All over himself.
Gold necklace, full fists of rings, bracelets,
I couldn’t ******* believe it
I tried my best not to laugh
I was snorting to myself
The ******* had a Mercedes medallion around his neck
Like Flavor Flav or something, it was that flamboyant.
But the guy was like 70 years old
None of it made any ******* sense.
The florescent lighting above
it did this thing where
his eyes were so sunken in
that it created these two black shadows
where his eyes should’ve been
just pitch black
endlessly hollow and empty
with a red face.
Satan himself, covered in gold and diamonds.

“What’s up?” He said, extending his well tanned, leathery claw.
“Hey.”
“Alright, so let’s not waste any time. Let’s get down to business? Huh?”
“Yeah, sure.” I said.
“**** yeah! Let’s ****! You wanna **** him baby?”
”Why do you think I got him? Hell, I almost ****** him on the way home.”
“Did you now?” He said, looking over at me with this look
I couldn’t tell if it was pleasure or rage.
“Alright, alright then.”
The chick started to walk up the three little steps
Of the examination table
Her feet were pale as snow and her toes
Shiny and red like a the paint job on a brand new Cadillac in 1956
I remember that.
She climbed on top of me
Started kissing me and
Rubbing my ****
Under the examination gown.
From the corner of my eye
I saw the husband moving over to the camera
Which was setup a few feet away
Looked to be hi-def ****.
She bit my lip again
Really ******* hard
Pulled a big chunk of skin off
“*******!” I yelled.
“What?” The husband shouted back.
“He hates it when I bite him!” The redhead shouted with a smile
blood on her lips, from mine.
“Well, don’t take any **** son! If she does that again, you just give her a good smack!”
“What?”
“Yeah, don’t be timid boy! This ain’t ******’ Sunday school! We’re ******’, here!”
She did it again
And I wasn’t even thinking of what that old coot was yelling about
I just hit her on principle.
A good open handed smack across the cheek.
“There ya ******’ go! That’s what I’m talkin’ about.”
The old man threw his hands in the air
And started doing this little dance it was the weirdest ****
I had ever seen.
The redhead grabbed my face with her hands
Taking my eyes off the old man
Who was now singing some song
And shuffling around the floor.
She looked right into my eyes
Those mint colored eyes
She whispered to me
But I read her lips
“I’m sorry.”
And she pulled me in and kissed me
Put my hands to her *******
And proceeded to kiss me
Like a long lost love
Not some guy off the street.
And that’s the last thing I remember.
Besides the ***** of the needle in my neck.
Just her red hair hanging in my face
The florescent light shining through.
When I came to
I was standing upright
But I was strapped to a table
My arms
My legs
My head
Every part of me strapped down
Tight.
I wasn’t going anywhere
This was that bad feeling I got when she looked at me.
This was where it ended. Right now.
They were both standing there
Staring at me
Smiling with drinks in their hands
The cameras rolling
They had multiple cameras setup
Some 80’s techno playing from an iPod dock.
“What? What are you gonna do?” I slurred, it was hard to talk.
“I know, I’m sorry. Okay, look. We both agree that you probably are owed an explanation, I mean….these being your last moments and all…”
The redhead interrupted, looking at me, like she had before
There was love in her eyes
“Honey…remember what I said? About how there are things that we like and things that we enjoy? I’m sorry, but this is what we like.”
“*****?” I managed to choke out,
just the sound of the words chilled my ******* blood.
“Yeah. Hey…son, let me tell ya…we’re actually saving you a whole lot of heartache and disappointment. You weren’t gonna go anywhere, you weren’t going to accomplish anything. You’d work the same **** jobs, bouncing from one to the other, until you finally died of either ***** or drugs.”
“It’s for the best, sweetie.” The redhead said.
And I’d love to tell you that
They left the room for a few minutes
And I was able to free my hand
Taking the switchblade
From my underwear
Cutting myself free
Killing them both
And cleaning out their safe’s cash and diamonds.
But this was no movie.
Well not the kind with a happy ending anyway.
That’s when she walked over to the table
And grabbed the knife.
The song on the iPod changed
And I instantly recognized it.
It was the song.
I never could explain why
But as a boy
This song would come on the radio
This 80’s electro song
And it always scared the **** out of me
Turned my stomach
I never knew why
But now it all made sense.
That song would be the last thing I ever heard.
With the cameras rolling
The redhead gave me one more kiss.
I closed my eyes and pretended.
I pretended that she was a girl that loved me
That she was kissing me goodnight
Sending me off with a smile.
I just kept my eyes closed
Squeezing them tight
And I didn’t even feel the knife
When she slit my throat right there
In that slick, shiny, grey basement.
It didn’t hurt
I didn’t feel any pain.
Just warmth.
The blood flowing down the front of my neck and chest
pure warmth sliding down me
And I started to get light headed
Everything getting dark
Very quickly.
I could hear my heartbeat
In sync with a high-pitched ringing in my ears.
The last thing I saw
Was the redhead standing there
Luckily the husband had his head behind the camera
So I didn’t have his scary face as the last thing I ever saw.
No
It was the redhead
And those mint green eyes.
They never found my body.
The couple put me through a wood chipper
And fed my scraps to their dogs
After slicing off my biceps for dinner that night.
They went on doing this for years
Picking up guys and girls from the streets
who were down on their luck
And wouldn’t be high profile missing persons.
They acquired hundreds of DVD’s
Selling these ***** films
To their elite and powerful
Friends in high places.
But they justified it all.
Surely I wouldn’t be missed.
I didn’t have a mother
Like they had a mother
I didn’t laugh and love
Like they did
I was expendable
Disposable
Use once and discard.
The rich eating the poor
Blood meal for their insatiable & gruesome appetites.
It’s okay though.
I’m not mad or anything now.
It’s just blackness
A dreamless sleep
I don’t even know how I’m telling you this
But the worst part
The thing I still think about the most
Is my mother.
And what she must of thought
When her only son
Went to the store for her
Epsom salts
And just never came back.
Amber Dec 2013
I never thought I'd have to see her like this so soon. So young. So cold.
I should have listened to her. I should have talked to her more. Seen her more. She always asked me why I seemed so distant from her, I always got frustrated and denied it.

Now she's the distant one.

We would argue often. About communication. Our feelings. Her feelings. She had a very hard life. A violent alcoholic father. She grew up untainted by her surroundings, but scarred. Chronic Anxiety and Depression. She would cry often, and get mad and angry for sometimes no reason. She said she didn't know why it happened; it just did, and that I couldn't understand. That made me angry. Even though she was right; I really couldn't.

I haven't had an easy life in the past few years, but it doesn't compare to hers. I didn't know what is was like to be as depressed as she was. To be as anxious as she was. She would always check up on me, because she always worried about me. I myself, just took it and never did it for her.

What a mistake.

I remember my 17th birthday. She was more excited than I was, and couldn't wait for me to finally see what she had done for me. She was adorable when she talked about it. I spent the day with her and she made me a homemade card themed my favorite video game, and a Key Lime pie from scratch. I love Key Lime pie.
How I wish we could make it together, one last time.

A couple days after my birthday, a package she ordered came and she was ecstatic for me to finally have it. They were custom made genuine dog tags. They had my information on one tag, and a personalized message from her on the other. Her message read, "KNOWING YOU HAS MADE ALL THE DIFFERENCE, AND LOVING YOU HAS MADE MY WORLD." I wear them everywhere, even to today.

But when her birthday came around, I didn't get her anything. Not even a card. She was really upset, and I felt guilty when she mentioned it, so I never did get her anything; I felt it was too late.

Whenever she was happy, she shined brighter than the sun. She smiled and laughed and was goofy. She would make up little songs about how much she loved me, and she would do anything for me. Now, I can only imagine how she felt when I left for the night, not doing anything for her.
I knew she had problems even before she met me. I knew she was chronically sad. I knew she had always been a rock, but had slowly started to erode and needed someone.

Why was I so selfish!?

I notice her mother is crying. Hysterically. They were so close. Her mom was so nice, always inviting me over and cooking for me even when they didn't have much food. Now, she looks like an empty husk of what she used to be. Crumpled on the floor, covered in her own tears, mourning the loss of her world.

My world.

Her younger brother sits with their dad, hugging and crying on each other, as well as the rest of her family. You can almost smell the saltiness in the air from all of the tears.

I've cried as much as I can. When I heard the news, I was in shock. I didn't want to believe she was gone. But eventually I screamed, bawled and raged at my loss. She was the only thing that mattered to me.

Now I stand here, silent and empty. My mind is numb, and all I can do is stare at her. Eyes closed, chest still, but still so beautiful. I had to battle with myself to even come and deal with seeing her like this. I finally move my stiff hand towards her curly hair and stroke it, and slowly move my hand to her shoulder. I imagine her opening her eyes and smiling at me with one of her beaming smiles. But I know it won't happen, and that's when the tears come.

I'll never see her smile, feel her lips against mine, hug her small body again. I can never hear her sweet voice again, telling me, "I love you" with a glow in her eyes.

Why didn't I show her how much she meant to me? Why couldn't I swallow my pride and be a little more caring and thoughtful for her the way she never failed to be for me? Why? I'm sobbing now. I collapse to my knees and rest my hand over hers. She's freezing. I rub her hands instinctively as if it will warm them up, but it doesn't.
I just want her to wake up. I feel as if it's my fault she's in eternal silence now. Apart of the world beyond, when I want her so desperately to be back here with me. I don't want her to leave me. I feel as if I can't live without her, she was the only one I'd ever truly loved, but in the end I failed her. I wanted to spend the rest of my life with her, I should have shown her more instead of using only my words!

I slowly stand up still covered in my tears, and stare at her sleeping body. I watch as one drips down onto her expressionless face. I use my thumb to gently wipe my tear away, just as I used to wipe hers. Now all I can do is think about what could have been, what I could have done, and what will never be.

"I'll miss you." I whisper through my sore choked throat, and kiss her cold forehead.

"I love you."
This is a very touchy short story for me. I did write it myself. I'm not sure exactly what to say about it, other than it's fiction and in the POF of a grieving boyfriend.
I once caught a gaze that you deemed to spare me,
Your eyes were Andromeda, your hands adored me,
I believe you fell for my sardonic wit and charm,
And knowing my heart would do you no harm.
I was lead to your chamber and then,
It was as if I'd entered Heaven.
-
I smelled the rain from outside your window,
The petrichor and your graceful perfume,
Drunk with lust I stepped forward,
Hoping you were ready to be adored.
You stopped me and sat me down
On a cushion, then kissed my crown,
Then you backpaced with a viscious smile,
And danced for me and all the while,
I couldn't resist you, I didn't try,
If I layed you down, I wouldnt let you just lie.
-
Twisting to your intoxicating tune,
I couldn't but stare and watch you move,
Piece by piece, you shed your coverings,
And second by second, plucked at my heartstrings.
You stalked forward, my heartrythm cracked,
Sitting in my lap now, hands on my back,
It was so vivid, so real, so adorabley twisted,
The creatures in us, to feel, to visit.
-
Your scented bodice enticed me still,
Your lips were parted, nostrils flared as well,
Your eyebrows were arched and quite intrigued,
Your eyes showed me everything you wanted to see.
Avast, alas, a glimpse of the past
You move my hands to your chest and as
I grasp gently your hands go down,
They reach for what you need endowed,
Your fingers then trace the ink marks on my chest,
And then lay on my left side to feel beating breast,
Eyes, they're alive, they cast aside,
You then embark upon a wild ride,
My shirt you lift, my belt undone,
You bite my neck for the sake of fun,
I caress your ribs, your perfect skin,
I am the epitome of sin.
-
You turn around and tease me now,
Back arched and leaned against my chest, and how
You move so delicately and with all vehemence,
I want to know your passionate violence.
-
"To bed then my dear",
I hear you say,
"My darling, it would then make my day",
Your hand on my chest, mine around your neck,
You mount atop and in all bedecked,
In sulfurous longing, and hiding a biting lip,
You take me for a sensuous trip.
Arise, dear goddess, I know not this love,
It's new to me and all above,
Every ****** a moan,
And silence from  I,
I try so hard to please,
I love your breath and rolling eyes.
Faster rotations and deeper depths,
And then you seek to give punishment,
To a crawl you stop, slow and so shallow,
You are the siren that shall be hallowed,
Intensity and pleasurable frustrations,
But with a coy smile you spare me lustful aggrevations,
You return so slowly to increased mach,
In ecstasy, my thoughts all to you flock,
Nothing appeals like the words you speak,
Amidst a room so vastly bleak,
In my ear you gently ******,
The thoughts become real with no protest,
My, oh my, the night goes by,
And time lost is gained with you and I,
Never and forever hold no ground here,
I make you quake, I want to hear,
Hear the longings within yourself,
As I unleash all of your hells,
Faster and harder it comes to fruition,
Taking eachother until submission.
Nat Lipstadt Aug 2013
The Seven - The Mashup


In memory of my mother who passed away recently, I wrote, or intended to write seven (only six were actually done) new poems themed about her, her passing and some perspective on life and death.  All were read and I am deeply appreciative.  I have consolidated them all here, in order, though not necessarily the order in which they were written. But the order does matter, as it reflects the change in my mood with each passing day.   Perhaps I will write the seventh someday, but not now, not soon.

Thank you all so much for incredibly kind words of sympathy. I am not a dweller, so I set myself a goal to complete this vow, this task, in a week to correspond to the seven days of mourning the immediate family observes after the burial (the shiva, shiva meaning 7).  For seven days, the bereaved family "sits shiva," sitting on low, uncomfortable stools and the comforters come to share their grief, praise the deceased, from mourning till late at night


#1 Shiva

I am confused - what day is it?
Windows tell day or night, a necessary but a condition insufficient.
The days have no distinguishing marks, a video stuck on
Repeat - a single track of recollected tales, prayers add a mild seasoning.

Though brief is this week of pre-sentencing hearings,
If one cannot dice the time into portions,
Then, there can be no pardon,
No early release date, from Phase One.

Rinse grief. Repeat. Seven cycles.
Apply stain-stick at the intersection of
Bloodied hurts and dimming memories,
Strangers secreting, spilling on you secrets unwanted.

This play, saw it many decades ago,
Before there was poetry, children.
A young man of twenty one,
Very afraid, silently, of the newest unknown,
His father, cancer won.

I hated it then. Now experienced, I hate it more.
This semi-catharsis, a tapestry tale wove of faded pasts
Twisting an heirloom blade into an old wound,
the original cast, a new revival, playwright, regrettably, deceased...

First time at bat, hid in a small room, away from this tradition.
Beating my head against a wall privately,
That being my preferred manner of mourning,
Not this Broadway show, twice a day, seven days.

Rituals well intentioned, a time tested method,
nonetheless, jail time for me, a/k/a, the boy, the brother.
Familiarity comforts some. Me? A prison uniform.
I write my own poems, I am not a Borg collective.

Cast as Son, my obligations specific, aged.
My Hamlet doublet, cut/torn, messaging my somber status,
The cuts deepest, invisible, but all see this child
Drowning in eye pools that continuously self-replenish.

I'll do the time, this show the longest running ever,
Did forty years as son-shadow of a father-man,
Tacked another concurrent sentence for his woman,
End Date: Indeterminate...

The low stools will reappear, seven days for me,
Yet my job as poet not fully done, until this be read!
Leave 'em laughing o'er this Official Release from the obligatory,
Read, sit but once, read this poem, this script, this story, and be freed.

#2 Hover^

My Children:

Ancestral homes oft possess,
a unique scent, product of an atomizer, a memorizer

Musty time, the odor of
faded and shadow,
hollow, yet hallowed.

Somewhere along the road,
a residence transforms from home to
shrine-storage unit-hospital room-tomb-records depository.

Dust, expired perfumes,
the sweet odor of crumbling, yellowing books, disinfectant,
stale medicine chests, years of furniture polish, sabbath candles.

It is my smell -
the parfumerie of my history, a customized blend,
a commissioned work in 1964, entitled, more accurately, emitted,
"Her-Story."

Photographs, memories, and paper scraps
my very own Preservation Hall Jazz Band.
Yet the most potent firing pin for historical retrieval,
the molecules of scent.

Soon all will be dismantled, discarded,
just plain dis'ed.

Confused and disenchanted,
my departure orderly but, in a disordered fashion.
unable to seed one last kiss upon your forehead,
nonetheless, surreptitiously enter your neurons
though my entity, away, across the miles-wide Hudson River.

For three days, I will hover invisible,
implanting myself once more,
slapping your mucous membranes,
transversing this pathway, an additive to your cells, nuclei,
where my markers always reside.

Adding one more ingredient to your inner vision,
strengthening the formless structure, my altered state.
This odor, keep close, fresh, no becoming musty too, my scent,
the last of your senses knowing me, a true keepsake.

Hold me close and hold me fast.
This one last magic spell I cast.
This one last magic smell I set fast.
You cannot hold it, but it will cradle you.
You cannot see or touch it, but when contact comes,
You will see me, hold me, as in the days of your youth,
When you loved me best,
And I, you.

^According to the Talmud, the soul hovers over the body for three days after death.  The human soul is somewhat lost and confused between death and before burial, and it stays in the general vicinity of the body, until the body is interred.


#3 Orphan

The funeral will commence at 11:30 am.
Gives me one last review time before the
Final Exam.

Panicked, I discover a whole new chapter
for which I am wholly unprepared,
though its inevitable presence was
assuredly knowable long in advance.

Orphan

It doesn't fit, occur, imagery is of a young child to
soon abandoned, not a late-in-life curmudgeonly poet-boy,
who has been multi-times reincarnated.

I add this title to my list
of proper ways to address me,
titles earned by dint of hard work,
or just unlucky luck.

This new status, orphanhood,
bequeaths no special privileges,
other than, a semi-official
societal permission slip
to feel bereft, lost, and compose poetry.

Know a real orphan, from early, early on,
has never recovered and
never will for it is just impossible.
Just impossible.

So whom am I to make light of
my undesired, unrequested new degree?

I accept it and to my surprise,
It hurts.

# 4 Judgement Day

After you put in some time on this planet,
You kinda know what the world thinks
About you, your rep, what they don't say to your face,

Sure, thingies, time and incidence and circumstance
Can sometimes cause makeovers external,
But each of us know the quality of ourselves,
Self-certification, you can out your internal self,
Better than anybody else.

So I inquire of myself, about myself,
what will you be remembered for, if at all?

Why do I ask, today, now?
Do we not ask ourselves this
On the low down, subconsciously everyday?

Is this a poem?
Most assuredly...
And a trial.
You, the judge the jury and the prosecutor,
The defender, if u can, if u will.

For seven days my mother was adjudged,
Family, friends, hers, her children's,
Almost an 80 years of live, in color, HD, looking back video,
Tales told, memories dug up, old photos explicated,
Who what when where of the details of one women's voyages,
Creations.

I cannot, I will not, do the details here.
Suffice, acts of kindness, faith in people,
Feminist in a strange land, a chance taker,
Gifts of memories, streaming of adoration,
Many strangers are witnesses to me,
This trial a runaway train.

I am outed.  There will be no such verdict for me.
I am outed.  There will be no trial needed, just a
Summary judgement delivered.

Out yourself.
What will you be remembered for, if at all?


#5 Summer Girls In Their Summer Clothes

Oh yes!

The streets of Manhattan, jewel dusted,
Summer girls in their  summer clothes,
Bedeck the streets and make men say, Thank You!
To their creator.

Little black dresses, previously immortalized^,
Seasoning and sauces, halter tops and jeans cutoff,
Give thanks for the tanks, revel in the revelations,
For God created man and women in his/her teasingly bare image.

Yo! Dude!  This is number 5 in the series,
Of sad and somber, re dad and mother, ***?
Have you lost perspective, not read the directive,
You're in mourning, time to be introspective,
Not dis-respective!

My mother was a beautiful women.
Till the day she died.
Yes, physically beautiful at 98.

She, was a poem.
For her exterior was suffused, burnished,
By the spirit residing within her body

I ask myself, why not judge a book by its cover?
Her cover was exquisite, but what gave her a glow,
A radiance, was her modesty, her love of humanity.

What's under our cover?

^ Nat Lipstadt · May 30
The Little Black Dress (and its magic prowess!)

*#6 & 7 Live like you're dying

Perhaps you know the lyric, the song?

Live like your dying.
Dying caught my ear, my eye, can't imagine why.
Con-Textual emendation, Natalino style.

Live like your writing.

Yes, that makes sense...
Embrace with passion each new session
Charge every second stanza with ruminating rhythms,
Cut the wires to the air traffic control sensory tower, go solo,
Pulse each word, beat all into a plowshare, even the anger,
Even the hate, dressed to ****, in words, forgivable...

Grant the mundane, the insane, even the pain of tragedy,
You refuse so hardily to glorify, grant it and
Record it all - a moment,
A royal audience with all
Your writing parts.

No fancy footing, keep it simple.
No jesters in rain puddles,
Let images of clouds of sand
Born and perish  in other's eyes and sighs, let verbal games bedevil other
Wooden puppet princes drinking fairy ales.

Huh?

Write clean and clear,
Let the sheerest wonderment of a new combination,
Be the titillation of the tongue's alliteration,
No head scratching at oblique verbal gestation,
Let words clear speak, each letter a speck,
That gives and grants clarification, sensational.

You, afternoon quenching Coronas, white T shirts,
Sun glazes and later, a summer eve's Sancerre,
Wave gazing on the reality of rusted beach chairs,
Babies sandy naked, washed in waves of Chardonnay,
The traffic-filled word-way highways and bay ways,
Exiting at the Poet's Nook, for exegesis & retrieval.

Write of:
Body shakes and juices, skin-staining tongues,
Taking her, afternoon, unexpectedly, her noises your derring-do!
Broken tear ducts, the Off switch, so busted, write about
Real stuff.

Write not in fear of dying
Angels delivering bad news in vacuum tubes,
Write joyous, psalms of loving life,
Live like your writing,
Write like your living,
So you may die well.
judy smith Sep 2016
Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
Elijah Bowen Apr 2019
Here in America,
we improvise morgues
as needed.
in the cafeterias
or by the lockers,
near the ticket booths,
and at the altars.
We divvy up the dead.
Tally them
and report the number
like an answer.
13, 20, 49, 58, 6
Every death count
a timely national shock.
Almost as if  
our well-televised  
monthly tragedy
was ever anything less
than a game of roulette.
anything less than a matter of time
and time and time again.
Covering them each
with our bed sheets,
we try and stifle it.
Do our best to
staunch the the sights,
the noises,
(“just like chairs falling”)
the names
that keep bleeding out
onto our thoughts  
and tongues,
Far too much and
too often
not to choke on.

Here in America,
we’ve learned that  
horror is level-headed.
It is debatable.  
It is pangless.
It seeps, deep to the core,
perverting with a silent smile.
the steady, feverish dread
weaving itself into the mundane.
the “god help us”  
annulled by the
“respectfully disagreed”
the nightmare that lies  
always just underneath,
and just out of mind,
Until it insinuates itself
Again and again...

Here, in America
We line the bodies,
death slumped, and  
bled out on the pavement.
We arrange them-
Side by side.
Most are missing things-
a hat, a piece of face.
one shoe, a dulled pencil
(fill in C)
phones
buzzing on the ground
lit up with unread messages
(“Please call me”)
They are missing-
an upcoming  
7th birthday party,
(Star Wars themed)
They are missing-
their vacations.
their first dates.
their college applications.
job interviews.
kids.
fiancées.
Lined up lifeless,  
they are missing
far too many things  
to gather.
AmberLynne Jul 2015
I show the world my flowers,
daisies flowing from my fingertips,
smiling with the brightness of tulips,
and leaving a trail of poppy footprints
with each step I take.

I present this spring-themed Monet masterpiece,
careful to conceal the chaotic overcrowding
pushing, building pressure beneath the surface.
This rootbound torture belies the floral illusion,
and if you peer closely at the pretty pastels,
you'll see they're nothing more than
brush strokes and broken hopes.
6.5.2015
I was dreamin' last night real well,
of kush that seemed quite swell.
Sadly, when my eyes did open,
my dream was then broken,
because my herb was not the smell.

The smell was poo.
I **** myself.
I need an adult.
Red or Dark eyes? 
Vampire, is it time to say goodbye
He stopped kissing her
Her heart broken, with love. 
 
Gold or pale leaves?
Vampire, where is their destiny?
He turned off the light
and left them with darkness
and she escaped from
twin towers last night.
 
Are they **** or ethology creatures?
Vampire, who could interpret the sound of his voice?
Early last summer, they met at a mask party.
 
Vampire found his true love after a Brahms themed concert, 
Vampire never intended to make a crime.
Vampire didn’t know what he had until he lost it.

The dusk arises to heal his wounds,
with the blood of another.
Vampire, opened his eyes, light came through heaven
Thank you for the fragile and painful love that you give. Muttered the vampire under his breath.

Vampire, took her to all the places that she never knew.
 
Farewell,Vampire
He came and she found what she wanted

Will she remember that she was there in his debt?
those days were a little bit daunting the days she’d rather forget...
 
Farewell, Vampire
He changed her life for the better 
And now he knows it’s better to be brave than be scared
Farewell,Vampire,
to a little painful but fragile love.

Farewell, Vampire
He knew he had no choice.
But will he ever have one?
By: Angel.XJ
Revised 14/08/2019
Ryan P Kinney Dec 2015
The following is a very powerful dream I had the night of May 15th, 2009. I don’t often have dreams because my vivid imagination means I daydream a lot. I am seeking interpretations from anyone. Can you help me discover what it means…?

I am sitting in an auditorium. I am with my father, mother and brother, Shawn. The presenters are giving away tickets, one to a Cavs game, another to Cedar Point. I chose Cedar Point.
Instantly the environment changes. I am attending a huge social event party in a large multi-level office building. I am attending with 3 nameless, faceless friends. The party features 7 themed rooms. The first was an entry way similar to the one at my middle school. The second was a cross between the Cleveland Zoo (indoor parts) and an Indian bazaar market. There were tanks with lizards, salamanders, sharks, and sting rays. All had a price sticker on them. The third was a parlor with computers. I never discovered the other 4 rooms.
At this party, I knew Lisa was attending. I also knew she had a magical crystal that split her into 2 people. However, due to the 7 rooms she was accidentally split into 7. Each of the 7 Lisa’s was a different color (clothing), each representing a different personality characteristic.
The first Lisa I ran into was the black one in the entry way. When she saw me, she exclaimed, “Oh, ****!” and ran. It was shortly after that that I realized that she and the white one were evil. They were trying to **** me. I killed the white one. I do not remember how or why. Next I started running from the black one. I was sure that it had already killed my friends and I was next. She chased me into the parlor where I confronted her. When I turned around I realized this “Black Lisa” had turned into me. I killed it by slamming its head into a laptop screen.
I ran from the parlor into a stairwell. Here I encountered the red, purple, and yellow Lisa’s. These, I was sure were the good ones. I wanted to protect these 3 Lisa’s from the other 2 (colors unknown), that I was sure were trying to hurt us. I paid most attention to the red one. It was then, that my friends returned, coming down the hall with one slung over the shoulders of the other two. All three were alive and well.
Then I woke up…



Ryan’s Interpretation

The Dark Muse Dream

The following is a very powerful dream I had the night of May 15th, 2009. I don’t often have dreams because my vivid imagination means I daydream a lot. I am seeking interpretations from anyone. Can you help me discover what it means…?

I am sitting in an auditorium. The womb or an early family home.
I am with my father, mother and brother, Shawn. This scenario represents the beginning, my childhood and early family life before Lisa.  It also portrays quiet desperation.
The presenters are giving away tickets, one to a Cavs game, another to Cedar Point. Cedar Point is circumstantial.  I was going there later that month.
I chose Cedar Point.  The choice represents the choices I had to make in my life to go from child to man.
Instantly the environment changes. The 360 my life took after I met Lisa.
I am attending a huge social event party in a large multi-level office building.  Suddenly I had a social life and friends.  I was no longer an unknown and alone.  She brought me out of my shell.  The multi level building represents the complexity of my life with Lisa.
I am attending with 3 nameless, faceless friends. The party features 7 themed rooms. The first was an entry way similar to the one at my middle school. This was the familiar.
The second was a cross between the Cleveland Zoo (indoor parts) and an Indian bazaar market. This was the bizarre, strange, and new.  These first two rooms represented the outside world.
There were tanks with lizards, salamanders, sharks, and sting rays.   These creatures represent the untouchable, i.e. slimy.
All had a price sticker on them. They are for sale.  Nothing is sacred.
The third was a parlor with computers. The parlor represents my sanctuary, calming, and relaxing.  Yet the computer was one of many causes of my divorce.  To Lisa, me on the computer meant neglect.  The parlor also represented home with Lisa, hidden from the rest of the world.  This is where all the fighting and problems occurred.
I never discovered the other 4 rooms.  
At this party, I knew Lisa was attending. I also knew she had a magical crystal that split her into 2 people. Lisa was 2 completely different people.
However, due to the 7 rooms she was accidentally split into 7.  This represents the 7 deadly sins.
Each of the 7 Lisa’s was a different color (clothing), each representing a different personality characteristic. In my world, color represents emotion.
The first Lisa I ran into was the black one in the entry way. When she saw me, she exclaimed, “Oh, ****!” and ran. She is scared of me or ashamed.
It was shortly after that that I realized that she and the white one were evil.  White means my hidden anger towards Lisa while black is my guilt.
They were trying to **** me. Both my anger and guilt are killing me from the inside out.
I killed the white one. I do not remember how or why. Next I started running from the black one. I was sure that it had already killed my friends and I was next. The “Lisas” or more accurately, me destroyed all I had left (my friends).
She chased me into the parlor where I confronted her. When I turned around I realized this “Black Lisa” had turned into me. I was really running from and angry at myself.
I killed it by slamming its head into a laptop screen.  The act of slamming the head represents the violence I am guilty of and fear I am capable of.  Breaking the computer destroyed that which destroyed my happiness.
I ran from the parlor into a stairwell. The stairwell represents the path to my new life.
Here I encountered the red, purple, and yellow Lisa’s.   The good parts of Lisa I wanted to protect.
These, I was sure were the good ones. I wanted to protect these 3 Lisa’s from the other 2 (colors unknown), that I was sure were trying to hurt us.  I have an apprehension something else out there will hurt me again.
I paid most attention to the red one. Red means love.
It was then, that my friends returned, coming down the hall with one slung over the shoulders of the other two. Slung over the shoulders means a shoulder to lean on.
All three were alive and well. They were there, surprisingly, when I thought I was alone.
Then I woke up…
Poetic T Oct 2019
He was the child with the magnifying glass that lingered
in the exhalation of the heavens. Always holding it on
those of weaker statue than himself. Insects were his
starting point, as they were barbecued under the influence
of what was focused between light and glass and what
lived became inanimate just a blackened smear that he
smothered words into the dirt
        
                           I'LL BURN THE WORLD,

His parents saw this and in jest laughed it off as the
Immaturity of a child's frustration. That all was but a
a boy finding his place within the many echoes of manhood.
A child was maturing, and they assumed that he was not
ready for the collision of what was in-between the moments
of childhood and adulthood.

One cold and sodden night where the only things that were dry.
Were submerged in the cover of roofs and foliage.
But even the penetrating raindrops gathered in haste to soak
the earth beneath the leaves protection. All drowned within
nights flourish of immersed air. Where it felt that breath was only
in-between the flurry of h20's deluge.

Within the house, within the rooms crept a silence.
            It wasn't alone, for it wept unseen streams between the  
crisp white borderlines,  were doused in clear liquids,
Draping the curtains in non received  heavy remorse,
the only things that were burdensome were the drapes as the weight of the liquid pulled at the seams holding them aloft.

Remorse was neither felt or given. just a feeling of accomplishment.  
Felt it in the moments that succeeded between this
gathering of dead lights as a flame was lit.
But not a whisper was echoed this flame was lifeless
in the eyes of its beneficiary.
But it lept upon the walls like a ballerina, gentle,
and dancing within the confides of its given dance.

He stood in the hallway the flashback was unexpected,
but he still stood there gazing and the beauty of something
given with such frailty that a breath could extinguish
its potential. His parents had no idea, they were slumbering
within the confines of blankets that entombed the warmth.
Clasping hand even in sleep love was a subconscious yearning.
The thing with these old houses some had decretive metal over
the wind bars in beauty crafted to keep things out.


But this was his plan, what cant get in cant get out.
He'd gone in there room and stole the key.
He took a last glance, and said,
             "I Love You
,Before sealing them within. The flames were silent like
a stalker watching waiting, till the inevitable conclusion.

As things started to burn more passionately, caressing every
thing it was touching. So the smoke started to thicken like
A heavy smog it got into places the fire had not reached.
Moans could be heard, then screams at the realisation of
what was happening. He Could hear them, he could see them.
For even though a teenager he was intuitively cunning,
tinkering with everything and anything.

And small cameras were dotted around the house,
looking listening to everything that was seen and spoken.
It had come to fruition due to one such thing he had heard
being discussed by his parents.

"I saw him in the woods,

                 "Doing what darling?

"He didn't see me but the neighbours cat,
                                  "you know soot,

"What did he do, nothing bad!

                "He tied it up,
"Then threw what I thought was water on it,
                  I thought it was nasty but then!!!  

"Then what, your scaring me,

"He lit a cigarette, I didn't even know he smoked,
  "Then he discarded the match,

       "
The cat, oh my god the cat,

"
But he recorded its screams, he recorded it dying,

"
I couldn't move I was so angry, so humiliated,
        "
I wanted to throttle him there and then,

"
But ill phone the police tomorrow,
                  "He's not right, who would do that,

How dare they think that I can just be fobbed off,
         discarded.

                                             I was making music,
the screams were a delicate symphony,
            acoustics that's couldn't be reproduced.
It had to be from the source.

That laid, the plans for what now enveloped that house,
recording every noise, every scream. But what he needed
was for them to burn, to release the music he needed to
hear to complete his work. And they like parents gave it
there all, he had goose bumps as he heard there terror.
his eyes welled up, not in regret but the beauty that his
parent last words were given to him, so personal was this
moment that he'd never forget it.
                                                        
                                                                ­          "Thank Mum & Dad,

After this he released a mix tape, that could be only
conceived from an artist, in the womb of excellence.
That's the reviews he had, it brought shudders to your
heart and mind. It was if your humanity was crying out to it.

As so forth and more were sewn in the adulation of his work.

Now he needed to make more music, but he needed more
screams to make his next piece two were not enough..

So he wandered the night, dressed in unclean wear
so not to be confused with who, or what he was..
He hung around the homeless parts of town,
plastic sheeting for roofs.. and combustible bedding.
It was as if he'd planned himself. but he had to be smart.
for this was if ill planned he would have a needle in his
arm within the year. But he took his time tiny cameras
recording visually and sound.

He had gathered the combustible elements needed to
make this a orchestra of his needing, not a duet like before.
He didn't down play his past offering, but this would make
an album of despair and monument to the flame.

It had been raining, but only lightly as he needed some
dampness in the air on there sheets cardboard mattresses.
So not to raise suspicion on the dampness of there homes.

As they moved away from the embers of barrel fires,
yes he'd thought about that. Not every home was a
crematorium a cardboard and plastic coffin of there
choosing. He waited clasping his hands together breathing
on them as it was cold night. He liked to watch, a voguer
of sort, but his wasn't the fantasy of death it was to hear the
music that was about to be sung with smoke filled lungs.

He'd set up a unique but rudimentary way to light the fire,
a small gas hob with liquid within. it needed to be a certain
temperature ignite, he had tried it before in a field out west.
Deserted he'd made a mock up of this humble place.
And he wasn't mistaken it was fascinating, the flame spread
like the wind enveloping everything but, it was a dull for even
though the flames wept of everything, its tears turning all to
ash..

It was silent, deafening, he cried for a while, there should never
be censorship of the flame, for what is a log fire without the cracking of its inner self being consumed. This was just smoke
and regret. But he now looked down at the camp, his watch
counting down the precious moments.
                                                             He whispered.
                                              

                                                  "Thankyou,
­
And then like a super nova the darkness was ingulfed in
the aurora of flame, gliding over the ground as if a stream
of conscious reckoning. Those near by the civilians that were
                        across the street were transfixed.
As screams embellished the flames, this was my orchestra
of light and noise. Those across the street were either screaming
or videoing the scene.
I looked at them and wondered where there humanity
had gone to, as to film this moment rather than to rush in
and save the few that they could.

I watched as the engines came, extinguishing my masterpiece
choosing the night was always preferable to the day as flames
dance better when there is less light to contaminate there beauty.

My music, I had become quite the remixer, of vocal and rhythmic
sounds.
                               Within a week I had mad nine new songs.

I named them each as deserved, making them in memory of
those who perished that dreadful night.
            It was well received, a few thought it was a haunting
melody of humanity's struggle, while a few thought it was
over ambitious, and lacked the passion of my first piece.

All together it went down well, and the adulation of the
flame was kept, to honour that which gives as much as
takes the breath of life away.
A year had past and the door rang, it was an officer.

                 "Could you come to the station please,

Had I become the victim of my own success, had someone
broke down the acoustics of my music and realised what
they were?? So many thoughts went through the calm
exterior of my persona. But inside the flame dimmed,
had I lit the last candle. I was taken in to a room,
and questioned evasive not to the point but gathering
speed to the answer, where were you on the
                                                             ­       30th April 2019.

Alabi's were a fantastic thing to plan ahead, I had laced
my date with sleeping tablets to leave her in perpetual
slumber. And got back before she awoke, we made love
we were the flame and the wick.. and our sweat was the wax dripping from our form. The next week I dumped her.

They asked if I recognised a picture, blurry and ill framed
but I could make out the figure was me. No sir I don't why.
This person of interest is wearing your jacket, your logo!
I smiled and was truthful to a degree.
                                                             Planning is everything.

I threw maybe fifty into the crowd when I did a concert
in the city, when we drove past some homeless persons.
We donated what was left to them, do you realise how
cold these streets are, who am I to steal warmth away.
I don't wear my own merchandise what do you think I
am egotistical, no I wanted to help those who I could
have been if not for my music. I lost my parents I know
what its like to be alone.

I think the show went well, as I was released before
reporters even got a sniff. But I knew that my time
was a wick trying to keep the flame lit but dying out
anyway. I had made preparations for this time.

I had brought a club only for gigs, cheesy as hell but
had that 80's disco vibe the entire floor was light up.
But I had brought  the ingredients for thermite,
amazing what you learn in school and the internet.
But I never used mine different libraries in different
cities so not raise suspicion. I  invited the music critics
and others which I had personally disproved of.
its was going to be free drinks and themed 80's night.

Who can not want free drinks, well I wasn't going to be
disappointed 90% came, how lucky the few.
Phones were confiscated, no video, but more
importantly no phone calls to the outside world.
I told them at the end of the night that I was realising
a new song, they were like vultures to flesh.
As the night progressed some wanted to leave,
but we offered them the VIP section also lit flooring.

Now was the time, I had put heating elements under the floor
to ignite the thermite. A supernova of heat even though brief
would ignite the choir of harmony needed. I asked them,
                                                           ­ "Are you ready,

And then silence, I put on my welding glasses,
                                                        ­         I wasn't stupid.
Never look into the heart of the flame unless you want
to be blinded by its beauty.
I pressed a button and it was magnificent, it was like a tide of sunlight, they tried to scramble but all exits were locked.
It was like the wizard of Oz, and the witch I'm meltinggggg..
But this wasn't a fairy tale.. The adulation I had for these
chosen few. What excitement the others had missed.

I'd made my booth flame and smoke proof, I had my own
walkway but I knew that this was the last time I could pay
homage to the flame. As the screams died down.
The wicks smouldered and the floor looked more like a battle
field of  WWII. I began I knew I didn't have a lot of time.
But this was just a single I'd already got the backing music
ready. And as I worked away, I could hear the banging on
the reinforced doors. They gave me a breather to get my
work fulfilled.

I heard the doors start to give way but no matter
I'd only needed this time to tweak the music.
Given I'd started this over an hour ago, it was good
on my part for this not to be broadcast till I saw fit.
As the police burst through, gazing at the flaming
effigies that lied before them, some threw up, gross..

While others saw me smiling I pressed the button and
my new song was word wide.. its was called the critics
tried to burn me down. The response was gratifying.
Likes reached the hundreds of thousands in mere minutes.
Well it was only three minutes twenty five seconds long.
As they shoot at the booth I wiggled my finger at them.
I do like to plan ahead but dam was that loud against the
glass. Got to be said some had wicked aim, made me flinch
a few times.

But alas all things come to an end, I uploaded my videos
of what I had done. I was proud of my contribution to
my legacy and empowering others with my music.
As I looked down at the puddle, I tap danced in it for
a moment and then lit the lighter, I looked a them
and once again waved, I was like a funeral pyre.
A crematorium of silence and then I was gone.
                                                I didn't scream,
I was in her embrace and had done her proud.
judy smith Sep 2016
WHEN Kylie Minogue began the process of tracking down 25 years of costumes and memorabilia for an exhibition on her (literally) glittering stage career, she had one crucial call to make.

“There were a few items the parentals were minding,” laughs Minogue. “I, too, do the same thing as everyone else: ‘Mum, Dad, can you just hold onto a few things for me?’ It’s just lucky they weren’t turfed out from under their watchful eye.”

Kylie On Stage is the singer’s latest collaboration with her beloved hometown’s Arts Centre Melbourne. She’s previously donated a swarm of outfits to the venue, going all the way back to the overalls she wore as tomboy mechanic Charlene on Neighbours.

This new — and free — exhibition rounds up outfits starting from her first-ever live performances on 1989’s Disco in Dream tour. Still aged just 21 and dismissed by some as a soap star who fluked a singing career, Minogue found herself playing to 38,000 fans in Tokyo, where her early hits “I Should Be So Lucky”, “The Loco-motion”, “Got To Be Certain” and “Hand On Your Heart” had made her a superstar.

“From memory, I was overexcited and didn’t really know what I was doing. I just ran back and forth across the stage,” says Minogue of her debut tour.

Disco in Dream also premiered what would become a Kylie fashion staple: hotpants. “Those ones were more like micro shorts, not quite hotpants, but they started it,” she admits. “There were also quite a few bicycle pants being worn around that time, too, I’m afraid.”

That first tour stands out for one other reason: Minogue officially started dating INXS’s Michael Hutchence at some point during the Asian leg.

“I had met Michael previously in Australia, but he was living in Hong Kong [at the time] and I met him again there. The tour went on to Japan and he definitely came to visit me in Japan.”

Fast-forward from Minogue’s very first tour to her most recent, 2015’s Kiss Me Once, and the singer performed a cover of INXS’s “Need You Tonight”. She remembers first hearing the song as a teenager. “I don’t think I really knew what **** was back then,” notes Minogue. “But that’s a **** song.”

Before the Kiss Me Once tour kicked off, the Minogue/Hutchence romance had been documented in the hit TV mini-series Never Tear Us Apart: The Untold Story Of INXS. Minogue said then it felt like Michael was her “archangel” during the tour — “I feel like he’s with me.”

Her “Need You Tonight” costume was also deliberately chosen to reflect what Minogue used to wear when she was dating the rockstar. “It was a black PVC trench coat and hat,” she says. “I loved that. It just made so much sense for the connection to Michael. I literally used to wear that exact same kind of thing, except it was leather, not PVC.”

By 1990, Minogue’s confidence had grown, something she’s partially attributed to Hutchence’s influence. Before her first Australian solo tour, she performed a secret club show billed as The Singing Budgies — reclaiming the derisive nickname the media had bestowed on her. It would be the first time her success silenced those who saw her as an easy target. Next year marks her 30th anniversary in pop; longevity that hasn’t happened by accident.

Minogue’s career accelerated so quickly that by 1991 she was on her fourth album in as many years and outgrowing her producers, Stock Aitken Waterman, who wanted to freeze-frame her in a safe, clean-cut image.

On 1991’s Let’s Get To It tour of the UK, Minogue welcomed onboard her first major fashion designer — John Galliano. He dressed her in fishnets, G-strings and corsets; the British press said she was trying too hard and imitating Madonna at her most sexed-up.

“Of course those comparisons were made, and rightly so. Madonna was a big influence on me,” says Minogue. “She helped create the template of what a pop show is, or what we came to know it as, by dividing it up into segments. And if you’re going to have any costume changes, that’s inevitable.

“I was finding my way. I don’t think we got it right in some ways, but if I look back over my career, sometimes it’s the mistakes that make all the difference. They allow you to really look at where you’re going. I’m fond of all those things now. There was a time when I wasn’t.

“Now I look back at the pictures of the fishnets and G-strings I was wearing ... Maybe the audience members absolutely loved it, maybe they were going through the journey with me of growing up and discovering yourself and your sexuality and where you fit in the world.”

As the ’90s progressed, Minogue started experimenting with the outer limits of being a pop star, working with everyone from uber-cool dance producers to indie rocker Nick Cave.

Her 1998 Intimate And Live tour cemented her place as the one thing nobody had ever predicted: a regular, global touring act. Released the year prior, her Impossible Princess album had garnered a credibility she’d never before enjoyed. But more credibility equalled fewer record sales.

The tour was cautiously placed in theatres, rather than arenas. Yet word-of-mouth led to more dates being added — she wound up playing seven nights in both Melbourne and Sydney, and tacking on a UK leg. All received rave reviews.

The production was low-key and DIY: Minogue and longtime friend and stylist William Baker were hands-on backstage bedazzling the costumes themselves. The tour’s camp, Vegas-style showgirl — complete with corset and headdress — soon became a signature Kylie look, but it was also one they stumbled across.

“I remember the exact moment: the male dancers had pink, fringed chaps and wings — we’d really gone for it. I was singing [ABBA’s] “Dancing Queen”. I did a little prance across the stage and the audience went wild. I thought, ‘What is happening?’ That definitely started something.”

Then came the “Spinning Around” hotpants. Minogue couldn’t wear the same gold pair from the music video during her 2001 On A Night Like This tour — they were too fragile — but another pair offered solid back-up.

“That was peak hotpant period,” says Minogue. “Hotpants for days.”

After the robotic-themed Fever 2002 tour (featuring a “Kyborg” look by Dolce & Gabbana), 2005’s Showgirl tour was Minogue’s long-overdue greatest hits celebration.

Following a massive UK and European run, her planned Australian victory lap was derailed by her breast-cancer diagnosis that May. Remarkably, by November 2006, Minogue was back onstage in Sydney for the rebooted Showgirl: The Homecoming tour.

“I look at that now and I’m honestly taken aback,” she admits. “It was so fast — months and months of those 18 months were in treatment.”

Minogue now reveals her health issues meant she had to adjust some of the Showgirl outfits: “I was concerned about the weight of the corset and being able to support it. I was quite insecure about my body, which had changed. For a few years after that I really felt like I wasn’t in my own body — with the medication I was on, there was this other layer.

“We had to make a number of adjustments,” she adds. “I had different shoes to feel more sturdy ... It was pretty soon to be back onstage. But I think it was good for me.”

The singer’s gruelling performances involved dancing and singing in corsets, as well as ultra-high heels and headdresses that weighed several kilos.

“A proper corset, like the Showgirl tour one, is like a shoe,” she explains. “It’s very stiff when you first put it on. By the end of the tour it was way more comfortable. The fact it made it quite hard to breathe didn’t seem to bother anyone except for me. But it was absolutely worth it. I felt grand in it.

“It took a while to learn how to walk in the blue Showgirl dress,” she continues. “I had cuts on my arms from the stars that were sticking out on pieces of wire. You’re so limited in what you can do. You can’t bend your head to find your way down the stairs.

“Whether it was the Showgirl costume or the hotpants, or the big silver dress from the Aphrodite tour [in 2011] that was just ginormous, they all present their own challenges of how you’re going to move and how you’re going to do the choreography. There are times the costume can do that [figuring out] for me; other times I really have to wrestle with it to do what I need to do.

“But you’re not meant to know about that,” she adds, “that’s an internal struggle.”

Minogue has spent much of 2016 happily off the radar, enjoying the company of fiancé Joshua Sasse, 28. She gets “gooey” talking about her future husband, whom she met last year when she was cast opposite him in the TV musical-comedy series Galavant. He proposed to Minogue last Christmas.

Just like the “secret Greek wedding” that was rumoured but never happened, reports of summer nuptials in Melbourne are also off the mark.

“I hate to let everyone down, but no,” she says. “People’s enthusiasm is lovely, we appreciate that, but there are no wedding plans as yet. I’m just enjoying feeling girly and being engaged.”

Minogue will be in Queensland next month filming the movie Flammable Children. The comedy, set in 1975, features her former Neighbours co-star Guy Pearce and is written and directed by Stephan Elliott (The Adventures Of Priscilla: Queen Of The Desert ).

“It’s Aussie-tastic,” laughs Minogue. And she is also planning a sneaky visit to check out her own exhibition when she’s back in Melbourne.

“I’ll probably try to move things around the exhibition,” she says. “And they’ll probably tell me off: ‘Who’s that child playing with the costumes?’”Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-2016
softcomponent Jun 2014
Up as early as the dawn, clouds sifting leftward westward shimmer and drip-- half like empty crystal void, half like deep-ocean Mariana's Trench with happy-little-pockmarks all up-in-between.

What in the Heroes am I doing up so early on a Thursday morning? Not sleeping. Downloading new video games via Pirate Bay. Watching old-analog-rendition documentaries from History Channel circa early 2000's-- one doc in particular about U.S. government tests on unwilling (and largely unknowing) civilian populations. I as the orifice and experiencier of the world at large, all at ONCE THRU THE EYEZ and at TWICE THRU THE BRAINIAL CRANIAL and out thru the thoughts and words and cramped headspace full of starships, *******, eloquent and twisting sunrise dimensionals...

The Internet? It'll make you the universe as-if you weren't the universe already!
Straight through the blood and sweat and 'it's-too-earlies-for-this.' You wanted a bit of laughter, and that's exactly what you got.

Though it time-lapses across my faulty-flick'ring eyelids, I can tell past the Buddha-Bottle-Buddha-Themed-Beer sitting empty on the windowsill amidst a wild collection of coffee cups and power converters that the Sun sees the Capital Letters that were written out line-for-line in Times New Roman across my RNA-DNA slow-Saganite Cosmic Poetry by God the Author.

Eyelids are heavy and yet inverted and living-- real and concerned with loving the affair of life rather than the marriage! Life as an unofficial longevity-but-not-forever kinda thing.. like young love, old love, marriage, too, when you really get down to it.. just confused little souls feeling pulled to one another in the proverbial Dark Under the Sunlight and Illuminated by Aurora Borealis Forever-Daytime-Forever-Nighttime-Forever.. Syrian rebels waking up on a Monday morning to the sound of gunfire and ALLAHU AKBAR's in distance.. creeps, yea, a television Evangelist preaching God is Love and God Treats His Children Like Children (discipline the soul, yes? discipline the soul!) (**** the widow and ask her why you did it)

All the preaching homelessers who think they've found God in the same dark alleyway they found their snot-drenched headaches every casted winter night-- neglected by the Government, always remembered by the God-- Lucifer (Government, Passivity, Watchful Indifference), and God (A Few Dollars Here and There, A Shamanic Vision at Franciscan Ascetic Extremity) aaaahhhh all bungled-up and waiting for a Savior when the Savior is themselves or the debt they owe to Royal Life Ltd. and we wait like the rest of them, they angry over my no-dollars-to-spare ("look, I make rent, I grab groceries, I pay debt. In all likelihood, you have more money than I do right now. I'd love to help you out if our poverty's weren't so close to kissing") all such rudeness in one respect and yet delinquently honest.. how I can admire the travelling Hippie Bands reckless abandon and yet never forget to fear Abandon..

and all the preaching Home-Leasers.. the strangeness' clad in glass and patchwork straight-black perm-pressed leadership stench and pastel markers smeared across the sidewalk.. ".. if you take away your consideration of the company's weak future bond equity, there are three different ways we could tackle this project.." busy-ness-man.. snarky and corrected with a Job To Do. But Who Am I?

A Job To Do. A Job To Do Do Do Do.

NOT so much A Job Well Done (Never Quite A Job Well Done) (serendipity has a crease-and-fold collective opinion of our concrete jungles and military juntas.. "'I can't even watch the game tonight.. Brasilia is the capital of Brazil?' 'Sao Paulo, you drunk buffoon.''No, Brasilia!' 'Sao Paulo!'")
stupors, collect-calls, drag-queens, militant armies and school shooters in bullet-proof vests all the best, all the best.. what I wanted was a reason to crease my forehead all adult-like and say to the kid, "I really think you'd do a lot better in computer networking.. check the job statistics! international openings are through the ROOF.." and she sighs at the weight of every crush-ed dream coalescing into filmy-slime-froth at top of inadequately-heated Cream of Mushroom Soup.. what silty salty ****.. all the parochial worldviews of the 20th century being swallowed in the Liberal Boom and Bust, Boom and Bust, Boom and Big ***** ***** ***** Bloated ***** (click the link and see your fantasies pass Disney's red-light and hit **** ******* with a vintage glass bottle of ol' Coca Cola Noir)..

After a sleepless neverend night, I stayed up and bored on the black leather couch with my roommates cat waltzing in-an-out-an-in-an-out still confused at his relatively recent move to our war-zone clone of a home.. poor ******* of a cat, names Tonic.. has a bred sister named Gin.. drink a cup of joseph trying to finish illegal-pirate of newest Splinter Cell (sadly o'sad it demands too much on the vide-ah card and lags all creative and bleepy) all the steam from my ****-preground coffee in'ah French press doves upward to the window and the clouds sifting leftward westward shimmer and drip.. I contemplate concerta to stay perked-out and take a shower, pop just that, XL release concerta.. not sleeping makes it strangest experience, uncomfortable at first.. pressures in lower jaw, electric tightness at tips of front teeth as I talk myself down on the 6 to Royal Oak Exchange via Downtown all freaky-vibed anxieties about my blurring vision and perhaps eternal cross-eyes I avoid looking at reflections *** they father me out of my bedroom, warm sanity.. warm seance dance-arounds-a'naked-and-praise.. I feel okay now, though. Better than okay, I feel elated and awake as if I slept a solid 9-some hours and Alex to left writing stories of horse-drawn labor with Petter on Skype telling tales of his not-so-gladness to be home in Norway for another 3-weeks.

A group of hearty-look hardly-look investors in stock business pajamas march past in strange rabble on way, perhaps, to next coffee joint down road. The unfamiliar block next to window I sit near seems as mysterious in existence as Diagon Alley.. where in the fuckssakes is it, exactly? I once ventured to find out and came across library courtyard I tagged as future-reading locale. The hungry sun above was at snowblind potential and eating away at my lack of protected retinas. I've stopped worrying about protection as it all dis-integrates equally careful.

And it's our covert motives that give us reason to shame-- unrealistic to be ashamed, but ashamed you'll be anyway for disliking the guy or avoiding the girl and slithering into a fetal position to deflect the ***-flack from Moral Mike. You escape yourself successfully, and douse the city in gasoline machines for another 15 years 'til our fossil fuels shivvy dribble flop fade into literal thin air.. bubye.. the sun is getting brighter with every passing minute, it's all summery out and I'm inside typelocking myself to a circumferenced earth at the tip of my bleeding fingers. I'm just waiting for apostrophe, and realize that, some day, I will be a fuel source too (you're welcome, Succeeding Race).

and all races are inevitably lost. This is not the cynics drawl.

it is optimism.
Danny Valdez Mar 2012
We really couldn't afford it
but I got the tickets anyways.
We hadn't been out of the apartment
for months
didn't have money to go do anything
ever.
Louis C.K. was our favorite comedian
so I figured it'd be worth it
even if we had to live off
grilled cheese for the next week
it'd be worth it.
To be able to forget everything
the bills, the jobs, the ******* stress,
to escape that
even for just a couple of hours
and laugh our ***** off
would do us a world of good.
So I kept it a secret
wanting to surprise my lady
and give her a thrill.
Told her we were going to
downtown Phoenix
to get a drink and do the Charleston
at a 1920's themed bar.
On the freeway
just after sundown, we were headed to the theater
guided by the GPS on her phone.
We both were having full blown
panic attacks
the cars & trucks whizzing past us
at over 80 mph, bumper to bumper traffic
and we missed our exit.
The GPS re-directed us
and we pulled off at the next exit.
"See we need to get out more.I haven't been around this many people & cars in so long...ugh. It feels like we're gonna get in a wreck."
But I knew we weren't. I felt nothing inside. No butterflies.
"Alright, the GPS says to make a left turn, up here, at Adams..."
I said, navigating her through the old & dark
downtown Phoenix streets.
"A left here?" She asked.
"Yeah, that's what the GPS says."
"Okay."
Just when she went to turn
I saw the one-way street sign
that and the truck coming right at us.
"****! No, no, don't! This is a one-way street!" I yelled.
She ****** the wheel back to the right and we continued straight ahead.
"*******! Why didn't you tell me to turn down a one-way street?!"
"Hey it wasn't me. That's just what the GPS said!"
The machine kept talking, "Up at....Jefferson...make a....left...turn."
But it was another one-way street
that machine didn't know what the **** it was talking about.
I shut it off and threw it to the floor.
"Why'd you do that?"
"That ******* is gonna get us killed. We're only a block away now, I can get us the rest of the way there....alright, just pull up here and park it.
We parked on a deserted, dark, lonely street
in front of an old school house from the 1920's.
The two of us got out and walked the block to the theater.
As we approached the front, with the big sign that spelled out,
'Louis C.K.' in big, digital, yellow letters.
My lady started asking questions.
"Wait, so what are we doing? Just getting a drink and going home? I don't think I can drink, if I gotta drive home on that hectic freeway. Ugh. Is it too much to ask, to just have fun? Just for one night..."
"No darlin', it's not. That's why I got the tickets."
I said, standing under the marquee, a big ****-eating grin plastered on my face.
For a moment
it didn't quite register with her.
"Wha-what? Seriously?! Are you ******* with me? You better not be joking."
She said, unsure if I was joking, like I usually was.
"No honey. It's no joke. I mean, they're just balcony/nose bleed seats--"
With people walking & rushing all around us
she pulled me in close
smiling up at me
with that million-dollar smile.
She kissed me, like in the movies, pulling me in tight, grabbing my ***,
our tongues **** their little dance in our mouths.
"Baby, you really know how to make a gal feel special. First, roses this morning and now you surprise me with tickets to Louis? I love you, so ******* much, Danny."
Inside we sat with the other poor folks
packs of middle-aged couples
groups of teenage boys
and geeks in Star Wars t-shirts.
It was a great sight.
Strangers striking up conversations
with one another
all laughing and smiling
talking about their favorite Louis C.K. bits.
Finally
the comedian took the stage
after a roaring, packed house, standing ovation
everyone quieted down respectfully.
And for the next two hours
we didn't have any
bills
rent
electricity payments
jobs
*******.
Just laughs to be had.
And it was so great
like gospel
everything we thought in our heads
everything the two of us talked about at home
everything that made us crazy with anger
he was up there
talking about it all
reaffirming what we already knew to be true.
Dumb parents that didn't discipline their kids properly
how when you try to delete your Facebook, it sends numerous pop-ups
trying to get you to log back in
and stay connected.
That night the comedian
was able to help us forget our troubles
and laugh at the *******
society continues to eat up.
Comedians, poets, musicians,
these artists should really be called
therapists
because those two hours of sitting & laughing
did so much for us.
By the time we walked back to the car
on that deserted, dark, lonely street
we felt better.
A weight had been lifted
we could breath a little easier.
Standing by the car, I put my hands on the waist of her dress
and pulled her close to me.
"So were you surprised? Did I show you a good time honey?"
"Danny that was the sweetest thing anyone has ever done for me. Thank you for making it a surprise. You really got me."
And we kissed.
In front of that old school house
with it's huge white pillars
and a yellow light overhead.
A cold wind blew.
"I'm glad you had a good time darlin'. Now let's get in the car and get outta here...before we end up like Bruce Wayne's parents."
We really couldn't afford it
but it was okay.
The rent could wait another week.
Infamous one Feb 2013
Walk in the door
Notice all the sports themed wall
The barber shop full of gossip
Waiting your turn
The barbers says next
Sit in the chair
tell the barber how do the hair style
He covers you
Snips and trims
Razor cuts and high fades
Shows you the work with a mirror
Pay your fee leave a tip
Dusts you off sends you on the ways
Come back haircut can fix you any day
Kelsey Erin Jan 2014
you are
friday night dinners and
red lip stained coffee cups
and family photos and skilled
sarcasm and twelve trips to
disney and your love for
avocados and adventure. you
are sunday morning bike rides
and hand written letters and
power outages with candlit ghost
stories and week long sleepovers and
summer dresses and worn out boots
and accident prone vacations and
themed birthday parties and forgetfulness
and gerbera daisies and singing too loudly
and too off key and GOOD mistakes and
better memories
you are constellations and sea glass and colliding galaxies
and sometimes the calander turns
like a lottery and once in a blue moon
you can find a girl with fractured
sapphires in her irises and a heart too
big for her ribcage and a spine as strong
as a lightning bolt
so thank you january twenty sixth,
for michele.
tomsout001 Mar 2013
"Decision Points" is already atop Amazon's bestseller list. Number two is "Diary of a Wimpy Kid: The Ugly Truth," by Jeff Kinney. If you think we're going to mine that for cheap humor, you're wrong - anyone with pre-teen children knows that Mr.  So many "self-help" books preach, ramble, and simply leave us with a sense of having wasted our time. For men, books of similar titles are simply read as penance for having failed to mow the www.facebook.com toms shoes outlet lawn before the game was over and the rain came. Often they are simply dog-eared to give our partners the impression that we are indeed trying.

To figure out how many things you can plug into an outlet before it will catch fire, first we need to get to the heart of how electricity works. At any given moment, the average American house has 120 volts of electricity flowing though it. Somewhere in your house, you'll find a wall-mounted box, toms outlet store containing either circuit breakers or fuses (found in older homes)..

A bespoke suit is an absolute must. Bespoke, of course means made for you specifically and that means that you have to say exactly what you want the tailor to make. If it an existing style then it is in fact a custom suit. We may view in a big way as well. Let get an insight into behaviour of Georgia in foreign affairs (Georgia is a country in the Caucasus region of Eurasia. Situated at the juncture of Western Asia and Eastern Europe, it is bounded to the west by the Black Sea, to the north by Russia ?note of translator).

The Beggar does not think like an ordinary man. The point is in absolutely other scheme of thinking that differs from mind of decent people. Resemblance between common worker and the Beggar is outward only, in other words it is biological, because both of them are human beings.

By the early 1970s INTERCO's apparel and general merchandise subsidiaries were generating approximately 56 percent of sales and 47 percent of profit. The apparel manufacturing group consisted of 11 apparel companies, with 62 manufacturing plants and 13 distribution centers. The general retail merchandising group operated 856--owned or leased--retail locations in 29 states.

Every fashionable guy knows how to pull off a suit in casual situations. Those post-work cocktails and early evening jaunts to the mall are child's play if you have a navy suit to throw on. The color that's just a wee bit lighter than black helps keep the suit itself from looking too sombre and businesslike..

"We are very excited to introduce Disney Store to outlet customers, who are extremely brand-conscious and passionate about shopping," said Mario Ciampi, president of Disney Store. "Our outlet stores will offer a magical, Disney-themed (babyandyUSA-March-11) retail environment complementary to our mall-based Disney Stores. Given the power of the Disney brand and The Children's Place experience in this channel, we believe the outlet venue will be an effective way to grow the business.".

Or you can choose for the like tweed, corduroy, or houndstooth. And now, Toms even makes wet-weather ready botas, which have a fleece collar and lining and a treated coating to protect her feet from the winter weather. Whatever her style or the weather conditions in which she lives, you will be able to find her something from Toms..  2013-03-15.
Kate Browning May 2013
Our brains run on the
Same frequency, a precise
Pitch. Subconsciously stumbling
Into a cranium-themed cohabitation.

With Bics in hand
We catch inconsistent and
Rapid glimpses of a
Contemporary "real" world.

Shape-shifting from one
Ideology to the next.
Using time as a distraction; it's
Human nature to pause for countdowns.

They're all painted over. Oceans and
Gulfs covering lava and intrapersonal
Insides. Scrape it all off and you'll find that
Without all of the adhesives they bruise

Easier.
judy smith Sep 2016
Taos Pueblo fashion designer Patricia Michaels returns to New York City for “Style Fashion Week NYC”on September 10th to present her latest 30 piece collection at aspecial RSVP eventat Hammerstein Ballroom, 311 West 34th St, Midtown Manhattan.

Michaels was a finalist on season 11 of the Lifetime reality TV show, “Project Runway”, and “Project Runway All-Stars”, gaining thousands of admirers as the media world followed her success along with an excited and proud Indian country.

Michaels will present her trademark PM Waterlily line and her latest collection for Spring/Summer 2017. Known for her use of Native-themed fabrics, hand painted or hand dyed, cut and fabricated at her Taos, New Mexico studio, Michaels says she is inspired by nature walks at Taos Pueblo among the trees, wildflowers and water plants, and “seeds” are important symbols of her designs and concepts.

The following description is from the website, speaking of the “Modern Native” who inspires and wears her designs. “Patricia Michaels...will have a few pieces for colder climates as her woman travels to regions where during the summer the climates tend to be cold. She is a world traveler so one may made need that special look to freshen her palette.”

Those living in or near the New York area that are interested in attending can visit toEventbrite to RSVP for the September 10 event. Seating is limited.

We wish Patricia Michaels and PM Waterlily success in New York City and beyond.

According to their site, Style Fashion Week, producer of globally recognized fashion events, provides top designers a world class platform to showcase their collections. Each year Style Fashion Week presents the season's must see shows, unforgettable performances and exclusive installations. Our expansive Style Marketplace immerses guests in fashion as well as art and design. Guests directly engage with brands throughout the week.Read more at:http://www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/backless-formal-dresses
Phylicia Dawn Jul 2011
Should my anticipation run and hide when the air so cold runs dry. My mind is a wonder in this ponder your hand feeds me. Some reason my heart says you're not a least bit overwhelmed, as I set myself up, but this I can't help to rely on free will and dwell. As I relate to the sun spots that reflect the conscious of hell we rebel, I sit back, trying to relax, staring through the tinted lens for time to pass. I reveal through the condensation, the eye of the drafty wind.

My mind wonders as I see the inevitable piercing reason for life bleed through the trees, quickly catch my eye. My heart races mystically to the beat of epilepsy as the hours surpass behind this sun glass. As I get to thinking, you remind me of the constellations breading, metaphorically speaking. The halo is gorgeous as your amber glows the Tuesday moon, bringing in a Wednesday revenge. I listen for a perfect circle to a perfect gratitude of the lust we all share in a wanted haunting spiraling into a Fibonacci themed sea.

Your strawberry kiss gathers a thesaurus of mood swings. It's heart carries a stone the size of the moon. Pity from far but a sight to see as the circle of life surrounds the familiar meaning of how much you mean to me. Only somehow, I find myself feeling like a LCD movie scene, Incomplete and all alone or like a childhood never ending story of love. Boring and make believe.

Some days I can't remember, some days I would like to forget. Like when lovers split into million's of pieces, we deal with it. I pirate about as my mates call me out as I blacken into fading out. A cool breeze to cold chill spinal tap heart attack buried deep in my bones like a diamond in the ruff, protected damaged goods. Keep me in mind, my fractal eye, frame this sight, picture it twice, what you see is what you find. (needs work)

Finding myself blind I'm reminded all the time, I'm bloodshot dry trying not to show you why the need to express my feelings. My reasons why are believed lies. With just one look, no second guess. You'll see my regret. You'll see me die a little in sight. The half heart you shared the day I felt it would matter, I felt I would care...

I would reside my life just to keep you near of a grateful insight. Standing in line waiting to see you see my side. I found my peace in between the daisies and the trees. You had fit the dream of being complete embraced me, to let it be. Hesitation aside I would rewind my life just to keep you close by, but the patterns we can't hide from this manifested tide. A rush of love a loss of touch. We reach for the sky but the stars just keep pushing high as we keep stretching our time here, it's all we have, is space.
I think too much...
judy smith Apr 2015
After months of preparation — sketching and making patterns, finding and fitting models, cutting and sewing fabrics, arranging makeup and accessories — Cornell University senior Ellen Pyne this weekend will send her fairy-tale themed “Crimson” line down the Cornell Fashion Collective (CFC) runway in a matter of minutes.

Anticipating their moment to shine, Pyne and 35 other student designers have been laboring since last fall to perfect their creations for the 31st CFC runway show, Saturday, April 11, 8 p.m., in Barton Hall. For first-year designers, the event allows them to present a single look on the big stage, whereas seniors like Pyne plan a full collection, hoping it will launch their fashion careers.

“I eat, sleep, go to class and sew,” said Pyne, whose showstopper is a seamless Snow White-inspired dress made entirely out of hand-felted wool. “The collection is a statement of my artistic aesthetic and the culmination of everything I’ve learned over the past four years.”

Working just as diligently are show planners, led by senior CFC president Megan Rodrigues, who are remaking the cavernous Barton Hall field house to host a night of glamour. Since shortly after the curtain closed on last spring’s show, Rodrigues and the CFC executive board have been organizing ticket sales and a heap of other details, including a new runway design will give the expected 2,500 guests a better view of the Cornell student models on the catwalk.

“Through this process, I’ve learned a great deal about leadership, learning to delegate and being able to inspire others to a common goal,” said Rodrigues, who hopes to work in event planning after graduation. “Mostly, I’m excited to see the growth of each designer leading up to the show.”

Designers come largely from the fashion design major in the College of Human Ecology, but students from the College of Engineering and the College of Arts and Sciences will also contribute pieces. A multidisciplinary team will present “Irradiance,” a wearable technology collection that uses sensors and luminescent panels to detect and respond to audio—glowing and dimming in sync with surrounding music. Lead designer and junior Eric Beaudette said that team, which includes Lina Sanchez Botero and Neal Reynolds, doctoral students in fiber science and physics, respectively, hopes to inspire a vision for smart clothing of the future.

In the sesquicentennial spirit, the show will also include a nod to the past. Recalling campus styles dating back to 1865, Denise Green, assistant professor of fiber science and apparel design, will air a short video about an exhibit, “150 Years of Cornell Student Fashion,” currently on display in the Human Ecology Building.

Inspired by art and culture she observed studying abroad in Paris last fall, junior Linnea Fong will present “Infatuated,” luxury evening wear she described as taking on “individual obsession with physical perfection and how that manifests in the fashion industry.” Just days before the show, she’s still modifying parts of her collection, noting that “you just have to figure out how to make your ideas come to life, which is the fun part.”

Concluding the show will be a line by senior Blake Uretsky, recipient of a 2015 Geoffrey Beene National Scholarship from the YMA Fashion Scholarship Fund. Her “Crested Butte” collection of women’s outerwear, a modern twist on vintage 1950s ski clothing, includes “distinctly wearable, yet visually exciting pieces,” she said. Presenting 10 looks, Uretsky’s line incorporates classic silhouettes and wool, corduroy and denim fabrics embellished with laser cuts and other modern techniques.

“Ultimately, I want to design clothes that people love and have a desire to wear,” Uretsky said. “The show will be such a wonderful experience with my family, friends and the Cornell community all supporting my work.”Read more here:marieaustralia.com | www.marieaustralia.com/cocktail-dresses
Tim Knight Feb 2014
World traveller.
Suit wearer.
Likes The Shawshank Redemption.

He's off to a singles party
somewhere in Doncaster,
it’s Christmas themed
and fancy dress
though it’s
planned for October the 23rd
during Christmas's only rest.

And I know that in Donny
you find love where you can,
and I know he spent hours
revising his master plan fancy dress idea,
but a raw turkey outfit, coloured
like **** semolina once bought
for a Jamie recipe that didn’t quite work,
won’t cut it on the dance floor.
FROM, coffeeshoppoems.com
Nicole Apr 2018
It's late April
The weather is more like fall though
Melting snow and dry foliage
Autumn reminds me of you

We celebrated Halloween together
Pumpkin farms and feeding goats
Themed parties that didn't go right
Streaming tears in your basement
And I knew exactly how to help you

Video games on cold nights in our onesies
You singing to me
Echoing across the practice room walls
Our song
It meant so much to you and I felt it too

Something changed when I fell in love
With someone else
I still loved you too though
You thought I had commitment issues
Maybe I do
Maybe I don't
I don't want to go there now

I still remember the good times we had
It hurts to think about them now
But whenever I'm in town
I hold my breathe because I'm scared to see you
I'm scared to look closer at our relationship
I panic when it smells like October
Because it reminds me of you
Of us
And I'm too scared to think about how that makes me feel
takin the load down the dirt road,
thinkin about the reggae girl me once loved,
boy did i like the way she rubbed,
i notice me rasta themed pants had a little bump,
me third leg was feelin a little stiff,
i decided to light me a little splif,
me started to rub thee bumb in me pant,
no way i was bout to stop, no way, no chance,
i feel a sensation, me son is Croatian,
me lost control of me rig and next ting ya kno,
me in the ditch wit at sticky hand,
me **** leg cost me 1900.00 annually in
insurance. me learned dat me dont
have much indurance. da lesson to be
learned is if your feeling an itch on ya
**** leg, pullover because if ya dont
you be broke as a reggae boy lost at sea
Kimmy-Nichole Jul 2011
so this just in.
last night, after a grueling  day of nanny-ing, I went to  the davis consignment store and broused around   finding some numerous  cute tops and shorts as well as purchasing 2 new books to add to my reading collection ( i just finished the time travelers wife.)
so than  around 4pm  I  was heading to B st  where I   was meeting with my future roomate, who by the was amazingly nice and pretty and has a boyfriend and turns 21 in september. Im so excited to leave parkside apts - living in north davis is such a drag. Central Davis here I come  ( Ill be living   5 minutes to  UC davis, an amazing arbotreum, pools, the davis Arc and frat  row and party city. This is going to be the best thing  that has happened to me.)
So after that  I went back to my  apt  and as giddly as ever, called my mom to  tell her my amazing roomate  news.   ( mY moms finally really proud of me. I am working 2 full time jobs as a nanny  from 8:30 am  to 2:30 pm than my night nanny job  4:30 pm to 5:30 am except on wed thur fridays.)
so it being my night off, i   figured why not go out.  so my apartment neighbor whom i met at the gym friend jesse who is 29, studied as a foreign exchange student in finland for a year, gotten a dui, is a davis townie, went to a  college called will-am-eit  and was in a fraternity out there. he is fun to go out with and bar hop in downtown with; the last time i was  out with jesse, i went to a bar called sophias than later on met up with my ex crush who is this charming dbag from winters named chad and got fun drunk. Well in aims for that spirit again we started off  by drinking and laughing at my apt . we decided to go lay out by the hot tub  and drank beer  being sillly kids. we decided to hit up downtown davis for this bar called the grad. It was beach themed  country line dancing night. Yeah , being alone because  your friend is off showing off his line dancing with precision kinda moves and meeting line dancing babes in bikinis ...awkward for sure. so amungst bying my own 2 beers which were hand picked by my big  and sure of himself bartender, which eventually  led to my  very  interesting night of drunken madness. It kicked off on as previously mentioned on the way to the grad which lead to me leaving with this older woman in a cab to another bar that was supposed to be more enertaining.  I ended up forgetting my id at the grad, my phone was dead and to top it all off  i didnt know anyone s number at the top of my head.  i decided to take matters in to my own feet and chose to hoof it back to my apt on f street. god, what a long and stupering night that was.  when i finally made it, out of exhaustion and drunkness , i  collided onto my neighbors couch still in    last nights outfit. karla  woke me up at 7 :30 and i showered  feeling super ****** and groggy , i couldnt eat or drink. I had work at 8:30. not feeling so hot, i was slowly getting through the day. the kids and i all layed on and under blankets and stuffed animals, and i told stories. it was really cute and relaxing. i love those kids.prior to that i threw up. after that it was time to drop off timothy at therapy, than abigail and abraham at speech therapy. I threw up in the bathroom, and on the sideof the minivan in front of ruth and timothy. ugh.    
so  than after i talked to my neighbor  slash ex boyfriend patrick about getting in connection with a a herb that helps me feel better by increasing my appittie and helping me sleep. he provided wth that special  herb. while sitting and smoking, i felt the spark that we used to have. i confessed to sleeping with a guy i met in newport two weeks ago on the fourth of july when i went back home. patrick told me he has hooked up with this slutty townie girl, and i wish them both std free happyness.

here i am typing away , getting sleepier and sleepier. Tonight will be a  early night indeed. i love my new spirit and i love who i am. i love where i am going. i will not exceed more alcohol than my tiny light weight body can handle.. Well it feels good to write. i know i must get back on that writing more often. until next time,
-Kimmy
Brian O'Connor Oct 2013
I always feel
Like a sheep
On friday night
3 beers deep

When I was young
I always thought
When I'm an adult
I'll have my shot

To do the things
I always dreamed
Like classy ******
Star Wars themed

And ice cream breakfasts
All the time
With rock star friends
And no bedtime

And punching sharks
With the president
And drinking coke
In my own tent

But instead of living
The ultimate dream
I'm drinking with friends
Being way too mainstream
judy smith Jun 2016
I’m never quite sure which activity I prefer at a fashion show - spending time backstage or watching the actual show.

Watching a beautiful show is a wonderful, sometimes even uplifting experience but being where all the action is, being able to get up close and personal with all the looks and different pieces, it really does get my adrenaline juices flowing.

At Paris Men’s Fashion Week, I was invited backstage by Mac Cosmetics to two brilliant and colourful shows - Kenzo and Paul Smith.

At Kenzo, both women and men collections were presented, the men’s was the standard spring/summer 2017 collection whilst the women’s was the pre-collection.

The general feel of both collections was a 90s throwback nightlife experience with lots of colourful, eclectic designs. The vibe really did hark back to those 90s clubbing days - the same style of clothes one wore out partying with their friends back then.

Think windbreakers, hoodies, biker jackets, baggy pants and visible male underwear pieces all mixed in with some super bright details. The palette as a general theme was bright but not overly bright - it was a mix of bright blues and greens mixed in with greys and whites and acid yellow but then there were bright details.

There were, for instance, glittery bright pink platform boots and matching little bags which were definite eye catchers. Eye motifs have become an iconic symbol of Kenzo and in fact eyes were once again worked into these pieces - a long-lashed version.

The makeup look for the men by Mac Cosmetics was kept clean and **** but with some shine used to exemplify the out-all-night partying vibe.

The women’s look was an ultra bright look with one look based around bright green and the other bright cyan blue. Again, the party-all-night vibe was present here too.

At Paul Smith, true to his nature, bright colours reigned supreme in his collection which felt like a harmony of retro and bohemian inspirations. Clubbing was a source of inspiration here too but this time the 1960s decade.

Candy stripe shirts, sportswear-themed bright tops and bright striped socks and shoes were all there. This was mixed perfectly with some more conservative, tailored suits.

Backstage, the happy mood was infectious with models dancing along to Bob Marley and the entire team carrying a big smile on their faces as they prepared for the show.

The makeup team again by Mac Cosmetics had an energetic and happy team whose main focus was on getting the male models catwalk and camera ready but without the makeup being in any way obvious.

As one of the makeup artists mentioned, it takes skill to make makeup appear invisible. There was also quite a range of different skin tones present across the different models although curly hair seemed to have been quite a priority during the model selection process.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/cocktail-dresses
bobby burns Oct 2014
long before light graced
beyond my sealed lids,
a gray lady sat sewing
squares, "for foundation."

her accent was like the
magenta strips with
which she bordered:
a boy needs foundation,
boundaries to teach him
his boundlessness, dirt
in which to sink his feet.

and unlike my foundational
quilt, linked so firmly to the earth,
she faded
first to rose, and then
to silver pink before
                                   dissipating
into dusted petal wither.

i'll meet her on the next go around.

my sixteenth was bitter-themed
and my parents gave me
a mexican blanket,
colored like mother,
aqueous aquamarine
and patterned like father,
those angular and triangular
movements;
woven just like theirs,
to give me rest and
haven on the roads
of my inevitable adventures.

and when i am eighteen
the women of my family
will meet with needles
and spools, and wool
to click-clack and chit-chat
over my adulthood -

and when it is done,
i will behold azure
like the heavens
entangled with warm tones
and spun prayers
to cocoon
in the chill of
carolina's coast

— The End —