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ConnectHook Feb 2016
by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.


Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.


                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865
In its day, 'twas a best-seller and earned significant income for Whittier

https://youtu.be/vVOQ54YQ73A

BLM activists are so stupid that they defaced a statue of Whittier  unaware that he was an ardent abolitionist 🤣
Sweet girl! though only once we met,
That meeting I shall ne’er forget;
And though we ne’er may meet again,
Remembrance will thy form retain;
I would not say, “I love,” but still,
My senses struggle with my will:
In vain to drive thee from my breast,
My thoughts are more and more represt;
In vain I check the rising sighs,
Another to the last replies:
Perhaps, this is not love, but yet,
Our meeting I can ne’er forget.

What, though we never silence broke,
Our eyes a sweeter language spoke;
The tongue in flattering falsehood deals,
And tells a tale it never feels:
Deceit, the guilty lips impart,
And hush the mandates of the heart;
But soul’s interpreters, the eyes,
Spurn such restraint, and scorn disguise.
As thus our glances oft convers’d,
And all our bosoms felt rehears’d,
No spirit, from within, reprov’d us,
Say rather, “’twas the spirit mov’d us.”
Though, what they utter’d, I repress,
Yet I conceive thou’lt partly guess;
For as on thee, my memory ponders,
Perchance to me, thine also wanders.
This, for myself, at least, I’ll say,
Thy form appears through night, through day;
Awake, with it my fancy teems,
In sleep, it smiles in fleeting dreams;
The vision charms the hours away,
And bids me curse Aurora’s ray
For breaking slumbers of delight,
Which make me wish for endless night.
Since, oh! whate’er my future fate,
Shall joy or woe my steps await;
Tempted by love, by storms beset,
Thine image, I can ne’er forget.

Alas! again no more we meet,
No more our former looks repeat;
Then, let me breathe this parting prayer,
The dictate of my *****’s care:
“May Heaven so guard my lovely quaker,
That anguish never can o’ertake her;
That peace and virtue ne’er forsake her,
But bliss be aye her heart’s partaker!
Oh! may the happy mortal, fated
To be, by dearest ties, related,
For her, each hour, new joys discover,
And lose the husband in the lover!
May that fair ***** never know
What ’tis to feel the restless woe,
Which stings the soul, with vain regret,
Of him, who never can forget!”
Unmanned, like a bull bereft of all;
a flaccid decoration without use;
at least if thee had what I have
thou could be a woman; ******
hiding your treasure for marriage
and hypocrisy. And leave me
with empty decoration; rings
without sense, dresses without purpose.

Go about your business thou say
I want nothing to do with thee now;
yet not a month ago it was all Peggy this,
Peggy that; such are the changes
of the seasons. I do not want to give birth
to an empty ache; wet nurse it; teach it
its father's worth; I cannot tell the ache
how we loved, how we met, how we joyed.

I cannot sit round this mughouse days
and months I must out into the world
roll in the smell of Man again
with a jug of ale in one hand
and earning a stony crust
from some wight with a jangling purse.
And forget the bull that was castrated.
An historical poem from a sequence about a Quaker in Barnsley who has to decide between two women.
Nigel Morgan Dec 2012
When the engine rattled itself to a stop he opened the driver’s door letting the damp afternoon displace the snug of travel. He was home after a long day watching the half hours pass and his students come and go. And now they had gone until next year leaving cards and little gifts.
 
The cats appeared. The pigeons flapped woodenly. A dog barked down the lane. The post van passed.
 
The house from the yard was gaunt and cold in its terracotta red. Only the adjacent cottage with its backdoor, bottles filling the window ledges, and tiled roof, seemed to invite him in. It was not his house, but temporarily his home. He loved to wander into the garden and approach the house from the front, purposefully. He would then take in the disordered flowerbeds and the encroaching apple trees where his cats played tag falling in spectacular fashion through the branches. He liked to stand back from the house and see it entire, its fine chimneys, the 16C brickwork, the grey-shuttered living room, and his bedroom studio from whose window he could stretch out and touch the elderberries.
 
Inside, the storage heaters giving out a provisional warmth, he left the lights be and placed the kettle on the stove, laid out on the scrubbed table a tea ***, milk jug, a china mug, a cake tin, On the wall, above the vast fireplace, hung a painting of the fields beyond the house dusty in a harvest sunset, the stubble crackling under foot, under his sockless sandals, walking, walking as he so often felt compelled to do, criss-crossing the unploughed fields of the chalk escarpment.
 
Now a week before St Lucy’s Day he sat in Tim’s chair and watched the night unmask itself, the twilight owl glimmer past the window, a cat on his knee, a cat on the window ledge, porcelain-still.
 
He let his thoughts steal themselves across the table to an empty chair, imagining her holding a mug in both hands, her long graceful legs crossed under her flowing skirt. When she lay in bed she crossed her legs, lying on her back like the pre-Raphaelite model she had shown him once, Ruskin’s ****** wife, Effie. ‘I was in a pub with some friends and I looked out of the window and there he was, painting the church walls’, she said musingly, ‘I knew I would marry him’. He was older of course; with a warm voice that brought forth a childhood in the 1930s spent at a private schools, a wartime naval career (still in his teens), then Oxford and the Slade. He owned nothing except a bag of necessary clothes, his paints of course and an ever-present portfolio of sketches. Tim lived simply and could (and did) work anywhere. Then there was Alison, then a passion that nearly drowned him before her Quaker family took him to themselves, adoring his quiet grace, his love of music, his ability to cook, to make and mend, to garden like a God.
 
Sitting in her husband’s chair he constantly replayed his first meeting with her. Out in the yard, they had arrived together, it was Palm Sunday and returning from Mass he gave her his palm as a greeting. He loved her smile, her awkwardness, her passion for the violin, and her beautiful children. He felt he had always known her, known her in another life . . . then she had touched his hand as he ascended the kitchen stairs in her London home, and he was lost in guilt.
 
Tonight he would eat mackerel with vicious mustard and a colcannon of vegetables. He would imagine he was Tim alone after a day in his studio, take himself upstairs to his bedroom space where on his drawing board lay this work for solo violin, his Tapisserie, seven studies and Chaconne. For her of course; of the previous summer in Pembrokeshire; of a moment in the early morning sailing gently across Dale sound, the water glass-like and the reflections, the intense mirroring of light on water  . . . so these studies became mirrors too, palindromes in fact.
 
The cats slept on his sagging quilted bed where he knew she had often slept, where he often felt her presence as he woke in the early hours to sit at his desk with tea to drag his music little by little into sense and reason.
 
When Jenny came she slept fitfully, in this bed, in his arms, always worried by her fear of rejection, always hoping he would never let her go, envelope her with love she had never had, leave his music be, be with her totally, rest with her, own her, take her outside into the night and make love to her under the apple trees. She had suggested it once and he had looked at her curiously, as though he couldn’t fathom why bed was not sufficient unto itself, why the gentleness he always felt with her had to become hurt and discomfort.
 
He had acquired a drawing board because Elizabeth Lutyens had one in her studio, a very large one, at which she stood to compose. He liked pushing sketches and manuscript paper around into different configurations. He would write the same passage in different rhythmical values, different transpositions, and compare and contrast. After a few hours his hearing became so acute that he rarely had to go downstairs to check a phrase at the piano.
 
Later, when he was too tired to stand he would go into the cold sitting room, light some candles, wrap himself in a blanket and read. He would make coffee and write to Jenny, telling her the minutiae of the place she loved to come to but didn’t understand. She loved the natural world of this remote corner of Essex. Even in winter he would find her walking the field paths in skirt and t-shirt insensible of the cold, in sandals, even bare feet, oblivious of the mud. He would guide her home and wash her with a gentleness that first would arouse her, then send her to sleep. He knew she was still repairing herself.
 
One evening, after a concert he had conducted, Jenny and Alison found themselves at the same table in the bar. Jenny had grasped his hand, drawing it onto her lap, suddenly knowing that in Alison’s presence he was not hers. And that night, after phoning her sister to say she would not be home, she had pulled herself to him, her mass of chestnut hair flowing across her shoulders and down his chest as she kissed his hands and his arms, those moving appendages she had watched as he had stood in front of this student orchestra playing the score she had played, once, before this passion had taken hold. At those first rehearsals she had blushed deeply whenever he spoke to her, always encouraging, gentle with her, wondering at her gauche but wondrous beauty, her pear-shaped green eyes, her small hands.
 
He threw the cats out into the chill December air. He closed the door, extinguished the lights and climbed the stairs to his bedroom. In bed, in the sheer darkness of this Ember night, the house creaked like an old sailing ship moored in a tide race. For a few moments he lay examining the soundscape, listening for anything new and different. With the nearest occupied house a good mile away there had been scares, heart-thumping moments when at three in the morning a knock at the door and people in the yard shouting. He carried Tim’s shotgun downstairs turning on every light he could find on the way, shouting bravely ‘Who’s there?’. Flinging open the door, there was nothing, no one. A disorientated blackbird sang from the lower garden . . .

He turned his head into the pillow and settled into mind-images of an afternoon in Dr Marling’s house in Booth Bay. In his little bedroom he had listened to the bell buoy clanging too and fro out in the sea mist, the steady swish, swash of the tide turning above the mussled beach.
y i k e s Dec 2013
I sing America from Frankford
      Commonly called 'home of the 'trem',
      where the buses fly down the street, almost crashing into feral children

Where the scent of not-so-soft delicious pretzels are ubiquitous as it
soars through the streets like an airplane

     Where the impudent teenagers scream at night
      sounding like an angry choir

Where elderly widows rise gardens out of damaged bushes and dead grass

        Tiny un-trimmed lawns are a can of tuna for stray cats

Where row homes cover tiny streets connect everyone
causing too much closeness

       Where gum coated pavements are welcome mats to the running feet
       running to catch their bus

Where cop cars fly down the streets, providing the next scene for the new Fast and Furious

      Where at night, the constant sirens echo in the night sky
       piercing through my ears

But in the end, I wouldn't want to be anywhere
but here.
mark john junor Jul 2014
ashes fell like snow
drifting down aimlessly
silently one landed in her hair
but her eyes were fixed on the fire
a great rushing crackling tortured sound
as the building burned
we could only stand and watch
can still feel its heat on my face

years pass
with the seasons laying a great drift
of leaves and tangle of vines on the ruins
sticking up out of the rough sea of dead debris
the twisted remains of a child's school desk
the frame of it jutting out of the snow
melting in the spring breeze
a muted shout of metal

the jungle gym overtaken by weeds
and the swings just a rusted frame
i clamber up the top to see the vista
but only gain another perplexing view of ashen earth

we walk down the broken path
to the small house
its broken window a haven for a thrush
and nestled in its brick doorway
a rusty clowns head
battered and leaning over
the grin lost in reddish decay

we sit in the room we love
in the small broken house
really no more than a child's playhouse
while the summer air gathers in close to us
thick and filled with heavy summer scents
the sun piercing the room like a hot razorblade

she wont look at me
only sits mumbling a song unrecognized
till the words slip clear of old nursery rhyme
i fear for her fragile sanity's
she unbuttons her shirt
sweat pours from her like spring rain
she finally looks at me
and with a vacant diabolical tone
tells me she wants to hurt me in ways
no-one else can
unhinged

as dusk litters the field
we come to stand where we stood that night
come to relive once more our thoughts
and words
as we watched it burn
symbolically i place a small grey paper in her hair
for the ashes that fell like tears
symbolically she raises a single forlorn cry
asking that i save someone
but there is no one to be saved
we are a lifetime too late
symbolically we weep

the twisted iron
in the rubble rebuffs our desire for comfort
the leaden sky
denies our desire to close this terrible thing
leave it behind

as nights restless hand pushes us
back to the small house
she takes my hand
silently forgiving us both
for having only been children
when our world burned to the ground
For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dog tag,
Or better still a dog, a colossal pet beast,
A humongous Harlequin Dane to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is, after all, dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes and boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo, they will sigh.
What more could you want in retirement?

You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
He leaves you on the ice floe,
Remembering not to leave the sled,
The proverbial Sled of Abbandono,
The one never left behind,
As it would be needed again,
Why not a home in storage while we wait?
The family will surely need it sometime down the line.

A dignified death?
Who can afford one these days?
The question answers itself:
You are John Goodman in “The Big Lebowski.”
You opt for an empty 2-lb can of Folgers.
You know: "The best part of waking up, is Folger's in your cup!"
That useless mnemonic taught us by “Mad Men.”
Slogans and theme songs imbibe us.

Zombie accouterments,
Provided by America’s Ruling Class.
Thank you Lewis H. Lapham for giving it to us straight.
Why not go with the aluminum Folgers can?
Rather than spend the $300.00 that mook funeral director
Tries to shame you into coughing up,
For the economy-class “Legacy Urn.”
An old seduction:  Madison Avenue’s Gift of Shame.
Does your **** smell?” asks a sultry voice,
Igniting a carpet bomb across the 20-45 female cohort,
2 billion pathetically insecure women,
Spending collectively $10 billion each year—
Still a lot of money, unless it’s a 2013
Variation on an early 1930s Germany theme;
The future we’ve created;
The future we deserve.

Now a wheelbarrow load of paper currency,
Scarcely buy a loaf of bread.
Even if you’re lucky enough to make it,
Back to your cave alive,
After shopping to survive.
Women spend $10 billion a year for worry-free *****.
I don’t read The Wall Street Journal either,
But I’m pretty **** sure,
That “The Feminine Hygiene Division”
Continues to hold a corner office, at
Fear of Shame Corporate Headquarters.
Eventually, FDS will go the way of the weekly ******.
Meanwhile, in God & vaginal deodorant we trust,
Something you buy just to make sure,
Just in case the *** Gods send you a gift.
Some 30-year old **** buddy,
Some linguistically gifted man or woman,
Some he or she who actually enjoys eating your junk:
“Oh Woman, thy name is frailty.”
“Oh Man, thou art a Woman.”
“Oh Art is for Carney in “Harry & Tonto,”
Popping the question: “Dignity in Old Age?”
Will it too, go the way of the weekly ******?
It is pointless to speculate.
Mouthwash--Roll-on antiperspirants--Depends.
Things our primitive ancestors did without,
Playing it safe on the dry savannah,
Where the last 3 drops evaporate in an instant,
Rather than go down your pants,
No matter how much you wiggle & dance.
Think about it!

Think cemeteries, my Geezer friends.
Of course, your first thought is
How nice it would be, laid to rest
In the Poets’ Corner at Westminster Abbey.
Born a ******. Died a ******. Laid in the grave?
Or Père Lachaise,
Within a stone’s throw of Jim Morrison--
Lying impudently,
Embraced, held close by loving soil,
Caressed, held close by a Jack Daniels-laced mud pie.
Or, with Ulysses S. Grant, giving new life to the quandary:
Who else is buried in the freaking tomb?
Bury my heart with Abraham in Springfield.
Enshrine my body in the Taj Mahal,
Build for me a pyramid, says Busta Cheops.

Something simple, perhaps, like yourself.
Or, like our old partner in crime:
Lee Harvey, in death, achieving the soul of brevity,
Like Cher and Madonna a one-name celebrity,
A simple yet obscure grave stone carving:  OSWALD.
Perhaps a burial at sea? All the old salts like to go there.
Your corpse wrapped in white duct/duck tape,
Still frozen after months of West Pac naval maneuvers,
The CO complying with the Department of the Navy Operations Manual,
Offering this service on « An operations-permitting basis, »
About as much latitude given any would-be Ahab,
Shortlisted for Command-at-sea.
So your body is literally frozen stiff,
Frozen solid for six months packed,
Spooned between 50-lb sacks of green beans & carrots.
Deep down in the deep freeze,
Within the Deep Freeze :
The ship’s storekeeper has a cryogenic *******
Deep down in his private sanctuary,
Privacy in the bowels of the ship.
While up on deck you slide smoothly down the pine plank,
Old Glory billowing in the sea breeze,
Emptying you out into the great abyss of
Some random forlorn ocean.

Perhaps you are a ******* lunatic?
Maybe you likee—Shut the **** up, Queequeg !
Perhaps you want a variation on the burial-at-sea option ?
Here’s mine, as presently set down in print,
Lawyer-prepared, notarized and filed at the Court of the Grand Vizier,
Copies of same in safe deposit boxes,
One of many benefits Chase offers free to disabled Vets,
Demonstrating, again, my zombie-like allegiance to the rules.
But I digress.
« The true measure of one’s life »
Said most often by those we leave behind,
Is the wealth—if any—we leave behind.
The fact that we cling to bank accounts,
Bank safe deposit boxes,
Legal aide & real estate,
Insurance, and/or cash . . .
Just emphasizes the foregone conclusion,
For those who followed the rules.
Those of us living frugally,
Sustaining the zombie trance all these years.
You can jazz it up—go ahead, call it your « Work Ethic. »
But you might want to hesitate before you celebrate
Your unimpeachable character & patriotism.

What is the root of Max Weber’s WORK ETHIC concept?
‘Tis one’s grossly misplaced, misguided, & misspent neurosis.
Unmasked, shown vulnerably pink & naked, at last.
Truth is: The harder we work, the more we lay bare
The Third World Hunger in our souls.
But again, I digress.  Variation on a Theme :
At death my body is quick-frozen.
Then dismembered, then ground down
To the consistency of water-injected hamburger,
Meat further frozen and Fedex-ed to San Diego,
Home of our beloved Pacific Fleet.
Stowed in a floating Deep Freeze where glazed storekeepers
Sate the lecherous Commissary Officer,
Aboard some soon-to-be underway—
Underway: The Only Way
Echo the Old Salts, a moribund Greek Chorus
Goofing still on the burial-at-sea concept.

Underway to that sacred specific spot,
Let's call it The Golden Shellback,
Where the Equator intersects,
Crosses perpendicular,
The International Dateline,
Where my defrosted corpse nuggets,
Are now sprinkled over the sea,
While Ray Charles sings his snarky
Child Support & Alimony
His voice blasting out the 1MC,
She’s eating steak.  I’m eating baloney.
Ray is the voice of disgruntlement,
Palpable and snide in the trade winds,
Perhaps the lost chord everyone has been looking for:
Laughing till we cry at ourselves,
Our small corpse kernels, chum for sharks.

In a nutshell—being the crazy *******’ve come to love-
Chop me up and feed me to the Orcas,
Just do it ! NIKE!
That’s right, a $commercial right in the middle of a ******* poem!
Do it where the Equator crosses the Dateline :
A sailors’ sacred vortex: isn’t it ?
Wouldn’t you say, Shipmates, one and all?
I’m talking Conrad’s Marlow, here, man!
Call me Ishmael or Queequeg.
Thor Heyerdahl or Tristan Jones,
Bogart’s Queeq & Ensign Pulver,
Wayward sailors, one and all.
And me, of course, aboard the one ride I could not miss,
Even if it means my Amusement Park pass expires.
Ceremony at sea ?
Absolutely vital, I suppose,
Given the monotony and routine,
Of the ship’s relentlessly vacant seascape.
« There is nothing so desperately monotonous as the sea,
And I no longer wonder at the cruelty of pirates. «
So said James Russell Lowell,
One of the so-called Fireside Poets,
With Longfellow and Bryant,
Whittier, the Quaker and Oliver Wendell Holmes, Sr.,
19th Century American hipsters, one and all.

Then there’s CREMATION,
A low-cost option unavailable to practicing Jews.
« Ashes to ashes »  remains its simplest definition.
LOW-COST remains its operant phrase & universal appeal.
No Deed to a 2by6by6 foot plot of real estate,
Paid for in advance for perpetuity—
Although I suggest reading the fine print—
Our grass--once maintained by Japanese gardeners--
Now a lost art in Southern California,
Now that little Tokyo's finest no longer
Cut, edge & manicure, transform our lawns
Into a Bonsai ornamental wonderland.
Today illegal/legal Mexicans employing
More of a subtropical slash & burn technique.

Cremation : no chunk of marble,
No sandstone, wood or cardboard marker,
Plus the cost of engraving and site installation.
Quoth the children: "****, you’re talking $30K to
Put the old ****** in the ground? Cheap **** never
Gave me $30K for college, let alone a house down payment.
What’s my low-cost, legitimate disposal going to run me?"

CREMATION : they burn your corpse in Auschwitz ovens.
You are reduced to a few pounds of cigar ash.
Now the funeral industry catches you with your **** out.
You must (1) pay to have your ashes stored,
Or (2) take them away in a gilded crate that,
Again, you must pay for.
So you slide into Walter Sobjak,
The Dude’s principal amigo,
And bowling partner in the
Brothers Coen masterpiece: The Big Lebowski.
You head to the nearest Safeway for a 2-lb can of Folgers.
And while we’re on the subject of cremation & the Jews,
Think for a moment on the horror of The Holocaust:
Dispossessed & utterly destroyed, one last indignity:
Corpses disposed of by cremation,
For Jews, an utterly unacceptable burial rite.
Now before we leave Mr. Sobjak,
Who is, as you know, a deeply disturbed Vietnam vet,
Who settles bowling alley protocol disputations,
By brandishing, by threatening the weak-minded,
With a loaded piece, the same piece John Turturro—
Stealing the movie as usual, this time as Jesus Quintana—
Bragging how he will stick it up Walter’s culo,
Pulling the trigger until it goes: Click-Click-Click!
Terrestrial burial or cremation?
For me:  Burial at Sea:
Slice me, dice me into shark food.

Or maybe something a la Werner von Braun:
Your dead meat shot out into space;
A personal space probe & voyager,
A trajectory of one’s own choosing?

Oh hell, why not skip right down to the nitty gritty bottom line?
Current technology: to wit, your entire life record,
Your body and history digitized & downloaded
To a Zip Drive the size of the average *******,
A data disc then Fedex-ed anywhere in the galaxy,
Including exotic burial alternatives,
Like some Martian Kilimanjaro,
Where the tiger stalks above the clouds,
Nary a one with a freaking clue that can explain
Just what the cat was doing up so high in the first place.
Or, better still, inside a Sherpa’s ***** pack,
A pocket imbued with the same Yak dung,
Tenzing Norgay massages daily into his *******,
Defending the Free World against Communism & crotch rot.
(Forgive me: I am a child of the Cold War.)
Why not? Your life & death moments
Zapped into a Zip Drive, bytes and bits,
Submicroscopic and sublime.
So easy to delete, should your genetic subgroup
Be targeted for elimination.
About now you begin to realize that
A two-pound aluminum Folgers can
Is not such a bad idea.
No matter; the future is unpersons,
The Ministry of Information will in charge.
The People of Fort Meade--those wacky surveillance folks--
Cloistered in the rolling hills of Anne Arundel County.
That’s who will be calling the shots,
Picking the spots from now on.
Welcome to Cyber Command.
Say hello to Big Brother.
Say “GOOD-BYE PRIVACY.”

Meanwhile, you’re spending most of your time
Fretting ‘bout your last rites--if any—
Burial plots on land and sea, & other options,
Such as whether or not to go with the
Concrete outer casket,
Whether or not you prefer a Joe Cocker,
Leon Russell or Ray Charles 3-D hologram
Singing at your memorial service.
While I am fish food for the Golden Shellbacks,
I am a fine young son of Neptune,
We are Old Salts, one and all,
Buried or burned or shot into space odysseys,
Or digitized on a data disc the size of
An average human *******.
Snap outta it, Einstein!
Like everyone else,
You’ve been fooled again.
Nigel Morgan Oct 2013
In the clear light of morning, an October morning, at the beginning of this properly autumn month, he had felt sad: that he’d broken a promise to himself the afternoon before. It was her voice on the phone, and then that text. He had promised he would no longer write intimately, about their intimacy, remembering what has passed between them, which had so marked him. All it took was this flavour of her voice, a slowness in her diction, and he could not help himself: such a rush of images, of moments, sensations. He knew it was unwise to linger over any of these things because he felt sure she did not. That was no longer her way, if it ever had been her way, and he imagined that, with her accustomed kindness and generosity, she had quietly put such things aside. So on this gentle morning, he was upset that he had once again visited that box of treasures in the white room that he kept for her in his imagination house. This was not the route to happiness. He would throw away the key.

He needed consolation. Once he had turned to her letters, to catch that flavour of her, those things that surrounded her, a kind of aura that held within it her secret self. Now, there was a print above his desk that he loved (Spurn marks: seaweed #4), her origami bird, the print of a painting of an African woman and child given to him on his birthday (when he had first kissed her, tentatively on her left cheek,) and her dear photograph, dear because he knew he looked at it more times in a day than he could possibly admit to.

It needed to be a book, a passage he could read to remind him there were so many other joys in life alongside the joy he felt at the thought of her, a joy he felt he might never consummate. He took Ronald Blythe’s Word from Wormingford off the shelf and turned to the essay for the beginning of October. Ronnie had been watching the late September clouds, those armadas sailing across the skies. In a moment he was somewhere else, in a life he recognised so acutely, those East Anglian places of his early manhood. In this present time, in North Yorkshire, he would sit and watched such clouds from a bench above Filey Bay, clouds that David Hockney celebrated in his paintings of the Wolds.

Yesterday afternoon there had been a break in the weather after a week of mist and rain. It had found him gazing at a drama in the skies above the trees in his park. He had walked to the Rose Garden with its redundant conservatory and paired Pelicans atop its gateposts, where once he’d sat with his infant children as they’d slept. There were roses still, a little tattered, but colourful. Like Ronnie he had spent time cloud watching, until the geese from the nearby lake erupted into flight. Always a marvel of movement !

Blythe’s essays were always so rich in the sheer breadth and content of their meditations. There was always some new knowledge to be had, things to Google or better still ‘go to the book.’ This was when he loved what few books now remained from his library. He had Luke Howard’s essay on The Modification of Clouds. A Quaker, Howard was admired by Goethe (they corresponded) and Shelley, John Constable and John Ruskin (who used Howard’s cloud classifications in his Modern Painters). He then went to find Shelley’s The Cloud (and in so doing uncovered several books that he’d forgotten he owned). He read the last verse that once he had learnt by heart . . .

I am the daughter of Earth and Water,
And the nursling of the Sky;
I pass through the pores, of the ocean and shores;
I change, but I cannot die --
For after the rain, when with never a stain
The pavilion of Heaven is bare,
And the winds and sunbeams, with their convex gleams,
Build up the blue dome of Air
I silently laugh at my own cenotaph
And out of the caverns of rain,
Like a child from the womb, live a ghost from the tomb,
I arise, and unbuild it again.

Hmm, he thought, such rhyme and rhythm. And, via Blythe recalling the Chinese, he then pictured the official from the emperor’s counting house bringing guests home after work to gaze at the cloudscapes over the Tai Mountains from his humble balcony. Nothing was to be said, an hour of silence was the convention. In a blink he remembered the autumn poem by Lai Bai where ‘floating clouds seem to have no end.’

I climb up high and look on the four seas,
Heaven and earth spreading out so far.
Frost blankets all the stuff of autumn,
The wind blows with the great desert's cold.
The eastward-flowing water is immense,
All the ten thousand things billow.
The white sun's passing brightness fades,
Floating clouds seem to have no end.
Swallows and sparrows nest in the wutong tree,
Yuan and luan birds perch among jujube thorns.
Now it's time to head on back again,
I flick my sword and sing Taking the Hard Road.

He had to take a deep breath not to think too deeply about The Clouds and Rain, that metaphor for the arts of the bedchamber. But Ronnie’s 500 words sent him back to Wormingford and the bedbound old lady he describes who spent her days watching the clouds.

As he closed the book he felt a little better, ready to face the day, and more important ready to place his thoughts in a right place, a comfortable and secure place, quiet and respectful, however much he might seek to possess each night her Lotus pond and make those flowers of fire blossom within
There was an Old Man of Jamaica,
Who suddenly married a Quaker;
But she cried out, 'Alack!
I have married a black!'
Which distressed that Old Man of Jamaica.
mûre Feb 2012
rolling in the rosy dish of my tongue
it returns in my mouth to
its most basic elements
a primordial alabaster foam
of corn syrup and gelatin
and unpronounceable would-rather-not-knows
i think: marshmallows
are the juxtaposition to my quaker pallet
microwave tap water&Fr;;'s Cocoa
awash and dissolve
my saccharine oral fixation
in jealous slurps of heat
that radiate down
down down
heat, you see-
(as a sakura flush
blossoms 'cross the
pale of my throat)
-has always been the key
here's a secret:
in solitude i
i'm a homunculous girl
all lips and all hands
Merrily swinging on briar and ****,
  Near to the nest of his little dame,
Over the mountain-side or mead,
  Robert of Lincoln is telling his name.
        Bob-o'-link, bob-o'-link,
        Spink, spank, spink,
Snug and safe is that nest of ours,
Hidden among the summer flowers.
        Chee, chee, chee.

Robert of Lincoln is gayly dressed,
  Wearing a bright, black wedding-coat;
White are his shoulders, and white his crest,
  Hear him call in his merry note,
        Bob-o'-link, bob-o'-link,
        Spink, spank, spink,
Look what a nice, new coat is mine;
Sure there was never a bird so fine.
        Chee, chee, chee.

Robert of Lincoln's Quaker wife,
  Pretty and quiet, with plain brown wings,
Passing at home a patient life,
  Broods in the grass while her husband sings:
        Bob-o'-link, bob-o'-link,
        Spink, spank, spink,
Brood, kind creature, you need not fear
Thieves and robbers while I am here.
        Chee, chee, chee.

Modest and shy as a nun is she;
  One weak chirp is her only note;
Braggart, and prince of braggarts is he,
  Pouring boasts from his little throat,
        Bob-o'-link, bob-o'-link,
        Spink, spank, spink,
Never was I afraid of man,
Catch me, cowardly knaves, if you can.
        Chee, chee, chee.

Six white eggs on a bed of hay,
  Flecked with purple, a pretty sight:
There as the mother sits all day,
  Robert is singing with all his might,
    Bob-o'-link, bob-o'-link,
    Spink, spank, spink,
Nice good wife, that never goes out,
Keeping house while I frolic about.
    Chee, chee, chee.

Soon as the little ones chip the shell,
  Six wide mouths are open for food;
Robert of Lincoln bestirs him well,
  Gathering seeds for the hungry brood:
    Bob-o'-link, bob-o'-link,
    Spink, spank, spink,
This new life is likely to be
Hard for a gay young fellow like me.
    Chee, chee, chee.

Robert of Lincoln at length is made
  Sober with work, and silent with care,
Off is his holiday garment laid,
  Half forgotten that merry air:
    Bob-o'-link, bob-o'-link,
    Spink, spank, spink,
Nobody knows but my mate and I,
Where our nest and our nestlings lie,
    Chee, chee, chee.

Summer wanes; the children are grown;
  Fun and frolic no more he knows,
Robert of Lincoln's a humdrum drone;
  Off he flies, and we sing as he goes,
        Bob-o'-link, bob-o'-link,
        Spink, spank, spink,
When you can pipe that merry old strain,
Robert of Lincoln, come back again.
        Chee, chee, chee.
Ken Pepiton Jun 2019
If the writer is not the reader and the reader is not entered
(entertain-ed?) by the trial or trier
here in our phor of oroboronic

wheel spinning, our world of
entertaiment
contained,
be
coming to meet, um,
-phatics of sorts unheard,
ignored,
or unshown, un-

init-
iated unit-
ary, you,

become the
eleventh hour ***, none hired.
Apo

Unem, come work my field, *** my hard rows
no early helpers
weeded

Attention glitch... some signal intra fearal

No worry,
-- fear of god beginning wisdom boot code;

that connection
has been loose so long, missignaling
special and free,

a special sort of
crudescence has scabbed the short.
It's a brain fix.
You get a feel for it, the augments help,
Om as the
Axionic go, is tuned to absurdity. Listen.

Hear me, dragon-lizard-brain. We are a team. The team.
All the story stories tell of you and me. We unite.
We get our act together, and we
go mad, in the sight of all earthlings augmented to see
Youtube.

By my ab-surd-ifity, all our stories change. An unmatched wave.

-- forgive the footnote, but don't lie about what we both know is true:

absurd (adj.)"plainly illogical," 1550s,
from Middle French absurde (16c.),
from Latin absurdus "out of tune, discordant;"
figuratively "incongruous, foolish, silly, senseless,"
from ab- "off, away from,"
here perhaps an intensive prefix,
+ surdus "dull, deaf, mute," which is possibly
from an imitative PIE root meaning "to buzz, whisper"
(see susurration).
Thus the basic sense is perhaps "out of tune,"
but de Vaan writes,
"Since 'deaf' often has two semantic sides,
viz. 'who cannot hear' and 'who is not heard,' ab-surdus can be explained as 'which is unheard of' ..." The modern English
sense is the Latin figurative one,
perhaps "out of harmony with reason or propriety." Related: Absurdly; absurdness.
--
Screech, boomers know, finger nails on the chalkboard, the blackboard
jungle screech,
when teacher is takin' a smoke. Absurdity is entertainment.

It can make you think in whole new ways.
Or stop your believing of a lie

for long enough to see
a hope, no lie, a hope of something human
**** sapien sapiens augmental,
upright under Good and Evil,
sheltered from the storm.

A class, a level, a common value beyond Belief and Dignity and

dexterous sinister plots of points where clues were pinned,
yet you
overlooked the message, daze-led by the angels dancing.

Thales fell into this hole. He survived. It all ties in

The new -phatic word that started this stream ends it,
with our common
scream for meaning fullness apo-

apo-phatic mystery of sympathy,
bha, bha --

Paradox ortho
pedic augmentations, koan to mantra,
meditation on the word of words,
step to step to step logical
logos-centric reason, logo-istical rite to
evince a visible faith,
a virtue signal,
a mark, between the eyes,
an aim,
a point to spring a story from
upon an unsuspecting child averse to boos.

Trauma at a bubble pop. When all we know, dear
reader, is lost, and our bubble's edge sur
past our horizons,
we are mine-yoot, mispent attentions being

recycled, for goodness sake. Old lies twisting
into first fruits of the know
ing tree, ideas mani-fest
ing
ting, ding

Aha, my bubble of thought ala
funny papers in the old days where we met and laughed
together
in America, before we knew
earth from this distance
fifty years ago.

Wishbooks were real,
Whole Earth Catalog suppliers
sold me my nets, my hooks, and lines,

I learned the ways men have caught fish.
Wishing all the while for a way to live as earthlings live.
Guided by witty inventions, messengers
from the gods, eh.

Easter eggs, tucked away in retro games surfacing on Wall Street.

Who manages the messages released when the
first trump sounded?

That was me, as real, Asreal Kanbe, a walkon role.

I saw a third,
at least, of all the fish in the sea die,
in the duration of a single
short-span standard life. All seven trumps did sound, though,

they may be like lizards, we don't hear them well.

These seventy years of captivity
in the tales of my culture, my people and the ways they live in peace,

in the ways they resist war, sistere in peace with faith, the idea, the deed,

faith works in acting. True. Eh. Faith without action is dead.

Incandescentis onburnedupus, ****, dark. Switch on switch off
nada
dark dark faith sees nothing, ah so what, we muddle in puddles

and fail to portage for fear of surface I can't sticking to our
iron shod feet,
miry clay, heavy steps ******* the good news socks off
our beautiful feet,

see hear focus id - i dent ify the why, find the how-

thought change changes thinker, not thought.

Which of you can make one wire plus or minus by taking thought?
Taking anxious thought? Eh?
Fret not. Ohmmmmmmmm

my god, why the threats? Why must I fret for never making sense?

Dee ahna knowledge chan zen

consider the opposite, the shadow of turning, not doubt

preserve light and darkness little man
preserve sun and moon and stars

lose your wish to catch the Magic Fish.

But that is my wish, my wish for one more wish,
I wished to catch the fish

which taught the lessen to the fishher whose wife
could not be satisfied.

I wished for a source of all the answers ever found,

Ah. and I got this global brain that remembers ever,
though we know only now.
Never before,
has this been past that which men hoped for,
unseen.
Faith for the world to become as it now is,
is finished.
What a man sees, why does he hope for?

It worked. Self-evident, right. Same class as life and liberty.

Chickeneggical,
**** or ovoidal elliptical slices of life, those arrive for our

per-use-al, right or wrong. Like a Fabrege' egg:
You break it, you bought it. Life ain't fair. But it works.
Pick up the pieces.
They all still fit. None are missing. Some are broke,
but a soft touch can fix em.

You were always Humpty-Dumpty. This had to happen once.

Good side always shines, when
the rub has been dealt a shine-on signal for ever sake,
no reason,

just cause. A man can, even mad, be as happy
as he can imagine being,
at the time, all things considered, augmentasciously.

This was my oldest memory today, the future
shall come, and whatever
shall be, shall be, que sera sera.

How are you bored? This is earth. Even if you wish otherwise.

There are new things we may learn if we choose.

--apophatic (adj.)
"involving a mention of something one feigns to deny;
involving knowledge obtained by negation," 1850,
from Latinized form of Greek apophatikos,
from apophasis "denial, negation,"
from apophanai "to speak off,"
from apo "off, away from" (see apo-) + phanai "to speak,"
related to pheme "voice," from PIE root *bha- (2) "to speak, tell, say."

I would not call this meditation, sitting in the back garden.
Maybe I would call it eating light.
Mystical traditions recognize two kinds of practice:
apophatic mysticism, which is the dark surrender of Zen, the Via Negativa of John of the Cross, and
kataphatic mysticism, less well defined:
an openhearted surrender to the beauty of creation.

Maybe Francis of Assissi was, on the whole,
a kataphatic mystic,
as was Thérèse of Lisieux in her exuberant momemnts:
but the fact is, kataphatic mysticism has low status in religious circles.

Francis and Thérèse were made, really made,
any mother superior will let you know,
in the dark nights of their lives:
no more of this throwing off your clothes and singing songs and babbling about the shelter of God's arms

When I was twelve and had my first menstrual period,
my grandmother took me aside and said,
'Now your childhood is over.
You will never really be happy again.'
That is pretty much how some spiritual directors treat the transition from kataphatic to apophatic mysticism.

But, I'm sorry, I'm going to sit here every day the sun shines and eat this light. Hung in the bell of desire.” 
― Mary Rose O'Reilley, The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd
Daring to let art be fun and philosophy be phuny, I laugh and romp in the remains of fallen walls between any curious mind and all the knowledge in the world, accessible as long as we both shall live.
I drank musty ale at the Illinois Athletic Club with
     the millionaire manufacturer of Green River butter
     one night
And his face had the shining light of an old-time Quaker,
     he spoke of a beautiful daughter, and I knew he had
     a peace and a happiness up his sleeve somewhere.
Then I heard Jim Kirch make a speech to the Advertising
     Association on the trade resources of South America.
And the way he lighted a three-for-a-nickel stogie and
     cocked it at an angle regardless of the manners of
     our best people,
I knew he had a clutch on a real happiness even though
     some of the reporters on his newspaper say he is
     the living double of Jack London's Sea Wolf.
In the mayor's office the mayor himself told me he was
     happy though it is a hard job to satisfy all the office-
     seekers and eat all the dinners he is asked to eat.
Down in Gilpin Place, near Hull House, was a man with
     his jaw wrapped for a bad toothache,
And he had it all over the butter millionaire, Jim Kirch
     and the mayor when it came to happiness.
He is a maker of accordions and guitars and not only
     makes them from start to finish, but plays them
     after he makes them.
And he had a guitar of mahogany with a walnut bottom
     he offered for seven dollars and a half if I wanted it,
And another just like it, only smaller, for six dollars,
     though he never mentioned the price till I asked him,
And he stated the price in a sorry way, as though the
     music and the make of an instrument count for a
     million times more than the price in money.
I thought he had a real soul and knew a lot about God.
There was light in his eyes of one who has conquered
     sorrow in so far as sorrow is conquerable or worth
     conquering.
Anyway he is the only Chicago citizen I was jealous of
     that day.
He played a dance they play in some parts of Italy
     when the harvest of grapes is over and the wine
     presses are ready for work.
Duke said,
“People pray in many different languages
and God hears them all.”

I’m equally a Jew and Muslim,
both living in perfect peace within me.

I’m a little bit Baptist and a little bit Episcopal.
I yearn to swim in the living waters,
and hunger for the cup and bread.

I’m more of a Quaker then a Buddhist.
Only because I’m American and I can’t speak good Chinese yet.
But Buddha’s Lamp is my constant companion,
illumining my every step in this dark world.

I’m also equally composed of east and west Indies
and sometimes even druid.
The Great Spirit and Tantric arts
remain mysteries to me.
I only know them by feeling.

And yes our Afro Heritage.
The drums, the whistle, the dance,
synchronizes our heart beat
to The Beneficent One’s finger taps.
Yes we celebrate The Holy Spirit
with cymbal, voice and drum.

I am a full dues paying member
to the 2nd Hoboken Chapter
of the Unitarian Universal Catholic Church Respectively.
We meet down the block from Sinatra’s Synagogue.
We are all apostles and responsible
for our small spaces that we rent here on earth.

I know I’m 100% Zoroastrian.
I am mesmerized by the fire.
My heart aches for the light.
I tend tiny candles
and listen for the lonely fire
of Coltrane’s sax.

I’m a nun and
a Thelonious Monk.
We run an inn for weary and lost travelers.
We build hospitals to cure the infirm;
and schools to teach the golden rule of love.
We try to do things differently.

Dizzy practiced the Behai faith.

“OOM BOP SHE BAM” I pray.

Music Selection:
Dizzy Gillespie,
Swing Low Sweet Cadillac

jbm
Oakland
12/26/98
Gigi Tiji Nov 2015
Queer, genderqueer, non-binary, non-hetero, pan, omni, gay, pagan, quaker.
whatever.

Labels may make people more easily digestable, but I don't want to be devoured by your limited paradigm.

I don't want your gut to strip me of my intricacies and **** them out only to be flushed away.

If you are trying to engulf me and break me down you will surely *****.

I will make sure of it.

My name is Gian, and
My name is Gigi,
and I hope that even that
is hard for you to keep down.
John F McCullagh Dec 2012
He is a mover and a shaker
And he’s certainly no Quaker!
Donnie Trotter from Chicago
is his name.
Whatever was he thinking?
This man from the
land of Lincoln.
When he tried to bring a gun
aboard a plane?
He’ll pontificate when pressed
(Just to get it off his chest)
How guns are bad
And people shouldn’t buy them.
His acts are against the law
He himself had voted for-
I wonder if the State
Will charge and try him.
Were he Conservative and White-
Not a Liberal, Black as night-
Voices would be raised
that we should fry him.

It’s Hypocrisy at its best
And this man has failed the test
In Chicago guns are banned
And for good reason-
If the victims could fight back,
What would be the fun in that?
Only criminals have guns
This hunting season.
State Senator Donnie Trotter of Illinois is arrested for possession of a gun and a bullet magazine while trying to board a domestic flight
Arthur dear, don’t fret.

Papers, papers, get your papers.  

I have never been to the sea.  I always wanted to go to the sea.  

No, never since my husband died.  

Oh aye, a sight to behold.  

The rascals of Ballydrim out in force.  

The maid peept out the window.

The fryar and the nun.  

An old man is a bed full of bones.  

Is he not, is it not, is it not?

Rose is red and rose is white.  

New new nothing.  

Row well ye mariners.  

I have never seen the sea.  

The pauper and the layman, the priest and the scoundrel, all moving
with intent.  

Sometimes, fleetingly, never anything less.  

Profound, very, yes dreadfully profound.  

Labour in vaine.  

In great concentric circles about the time your husband died.  

Biting the bullets one by one, out on the green fields of Amerikay.  

Interest rates climbing on the national stew fund.  Spiralling into a new dawn of exoneration of traditional values.  

Gracie did all those things and more.  

And the quaker danced.

Rose is red and rose is red.  

For judge and jury.  

Very very far.

Quite near actually.  

Further than strictly possible.  

In all reason dear.  

75 miles from the sea.  Exactly.

And another.

And another.

AND another.  

Drawing to a conclusion.

Bliss.  

Seemingly.

Fleetingly.  

(pause)

Have at thy coat old woman!
SUMMARY OF LIFE IN MIDDLE ENGLAND
thommya Jan 2015
We have a significant passage of time,

symbolic notions of change in the air.

We want to forget what we dismiss,

dislike, disregard, disillusionment remains though.

We wish to wake in the morning and forget the ill-mannered

demons of the past.

Perhaps we may, if only we dialogue along the way,

We must remember opportunity.

Within the crisis of our lives we can breathe

a sigh of relief that we made it another year;

so when we reflect

when we try to acknowledge,

when we shudder at our reality,

when suddenly we realize our ills,

the patterns of human nature we haven't resolved.

When all of those burdens,

flood back into our psyche,

let's not wash them away with champagne,

instead, let's take pause,

and then a little later on,

take pause again.

~

What can I do to offer change,

how do I get outside of my head and wish peace upon your own.

We are everyman in our

attitude, beliefs, compassion, ignorance, desire to resolve.

We do live the same lives,

we are the same in the trappings of the human condition.

And yet,

we have a blessing,

We have this innate ability to think,

yeah that's right,

we can think about where we, who we, why we,

there are so many avenues we can contemplate.

~

Can we love?

~

We must look at ourselves now,

realize our responsibility relies upon our actions.

Oh, **** those reactions,

I mean ...

I really want to believe

that this year,

as we begin again a calendar date,

we might use it for what it is,

a symbolic opportunity to strive,

to ask for all of our energy,

to create a positive stride,

a love that everyone might embrace.

We can understand each other,

support one another,

look into one another's eyes with peaceful restraint,

ignore the hostile fear that brought us so much pain.

Look into the eyes of your neighbor,

your Christian, Buddhist, Islamic convert, Mormon,

Jew, Baptist, Agnostic, Atheist, Quaker,

and continue looking for there certainly are more,

yet all of them,

each one of those people,

those strangers we refuse to know,

each human being has the same needs.

so let's share the wealth,

let's bring a reckoning and begin tonight,

let's recognize our lives really are precious,

Our lives do matter,

always and beyond the ill met selfish realities,

that created fear's doorstep.

Let's break up the concrete.

and let's speak beauty,

let's practic,

let's love.
I wrote this in the hope with the horrific outcomes of 2014 that we might continue a dialogue as a society, a world, a human responsibility. I hope you enjoy, and have a wonderful start to your year.
J Lohr Dec 2013
sins of my father
killed two men, at the age of eighteen
shot them both on Old Quaker road
then walked all the way back home

sins of my father
entered his house gun in hand
sat at the table, stared at the door
waited for the end, no tears shed

sins of my father
hours had gone and past by
sheriff finally rolls down the drive
to take my father for his misdeeds

sins of my father
left that gun on the table
greeted the sheriff at the kitchen door
nodded, an shook hands with his fate

sins of my father
mother cried and sisters wept
humiliated for a families deeds
broken home leaving no hope

sins of my father
hung him in the morning on old scaffolding
his face read of no heaven or hell
mama and her children no longer cried

sins of my father
id take the sins of my father
forty five years spent sinning
he left eighteen years to repent
Another starlit Hemetucky night,
Finds me listening to one of my many,
Many Bonnie Raitt CDs.
Metaphorically speaking,
We must lick her ****.
Give her the recognition
She indubitably deserves.
10 GRAMMYs?
Listed as number 50 in
Rolling Stone Magazine's
100 Greatest Singers of All Time;
Number 89 on their list of the
100 Greatest Guitarists of All Time!
Lists? We humans love lists.
The HUAC loved lists also.
And while we’re on the subject of lists,
What list has your name been added to?
A statistical anomaly worthy of further
Investigation by our Big Brother in Bluff, UT,
Those guys tracking anyone goo-goo,
Googling my name, my poetry,
The poetry of Giuseppi Martino Buonaiuto,
My UNpublished poetry, i.e.,
By definition, nothing in print,
Nothing between book covers,
Nothing you can get your hands on.
Merely cyber-effervescence,
An Off World ether,
An ether although vaporous,
A digital fingerprint, nonetheless:
Quickly identifiable,
Easily reducible,
An entirely redacted,
Boiled down, cooked down roux.
A roux you’ll rue? Perhaps.
Not to mention the kanga roo,
ROO as in secret, offshore
Kangaroo courtrooms.

So know, know you’re on a list.
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BONNIE RAITT:
Of particular interest is her brilliant cover of –
Her complete musical reupholstering of--
Del Shannon’s neonatal 60s-era classic:
“Runaway.”
That twang slide-bass intro.
That harmonica squeal hovering above;
Those long, pulsing instrumentals
Punctuating her grit.  Her heart.
Her dark & lonely childhood
That drew her to true roots music.
Like me, born in 1949--
Unlike me: in Burbank, California.
Daughter of Broadway Musical Star
John Raitt: a true Roadie,
If ever there was one
Bonnie sent to private Quaker schools,
Banished to pricey summer camps.
Routine experience for any child of
Successful entertainers on the road,
Again. (Sing it, Willie!)
Bonnie: denied nothing but
Parental time invested.
Consumed by a drive to
Get the man’s attention,
Daddy’s little girl,
Addicted to ******. Fade out:
“I wah-wah-wah-wah wonder.
If you will stay, my run, run, run
My little runaway,
Come back baby,
My runaway.”
IsReaL E Summers Nov 2014
**** **** **** hell
My adrenaline fueled brain swells
Tells me of a kid who needs this
The seed splits
The shell cracks
39 lashes across your dads back
Broken
A token of appreciation
Mis-conceived determination
Reverberations
Echo
Art gecko
Whatever that means!
Split the seams of dreams
Perception is...
Reality
Realty
Sold out
The windows to a soul behold cold strongholds
Drought!
Boute
Route
Taken
Called to the small and weak
Looked past but not forsaken
Earth quakin
Quaker
Oats moats surrounded
Shark infested daughters
Lambs led to the slaughter
Living water
Thirsty world
Has your well run dry
Draw nigh
Apples and eyes
Sparrow
Jack into the narrow
Firey arrows
Shield of faith
Held together by grace
Through...
One more
The heart is a door
And Jesus is the way.
Pray or be prey.
Robin Carretti Jun 2018
Likewise, or
So flustered got her bewildered
About pins and needles

How could he the knock-wood
my piece quoting her,
Your my pin flower near
the pin Oaktree
Wishing upon me
The woodsy-star* riddle

Not very far they see the castle
Her sticky glued shut eyes

So delicately-pinned cries
Her pincushions like
pinwheel's of flower
He bloomed right in
Pinnochio the falling star
Trying to pick up her
jeweled pin but the
hardwood
hammered
him in
Pinnochio was left
there saddened  in
a bin
Like a mix up your
dukes up
What a fluke-prize
The gift came and went

The passionate
((Pin)) handshake
Handling with care
His wooden hand
I Pincurls she's the bay
fantasy night
land

The country-girl acts
So picky meeting
the right
heart positively
She feels she always
right so conceitedly
"I Charmed" repeatedly
At times jittery but Smitty
Any wood could talk
she knocks them pin pretty

The wood cradle of hay
What a pity she's born to
be witty
What a highboy she's
the tomboy why?

Not a Momma and
the Papas boy
Miss wooden chair
With her overall pants
Consider yourself corduroy
The woodsy Troy
He loved his
rocking horse
Met Jimetty cricket
That carved
*******, he sneaked
something Oliver twist
in his pocket

Perky pin of hats joy
Real McCoy but he's
the wooden boy

Gheppetto with his
wooden pipe Oh! Boy
The wooden
soldier boy
Cracking jokes
Nutcracker
marching
Woody Chuck is
quite the inspector

A house is not a home
Everyone smokes

Robin Hood
What a wooden hole of a
glitch for the gals so plastic
King Charles hunter
Mr.Geppetto needed a
miracle (Holy) thunder
Not a human on
facebook to wonder

Her X-husbands playing
X-infinity such activity
Picture zoom in
"Just Dream" of a
wooden dollhouse
Without your
spouse

Email or wifi
Legs were creaking
and Pinnochio say Hi
his nose was love-longing

The desk was
a bad omen flying
Inked pens and
Wood Chipping
The Woodpecker
Ancient wood heart
locket

His wooden head
wouldn't
fit into the socket

Woodcarved body
lines frame was
Eye pin curving and
stripping

The snoop dog
His paws got into
Pinocchio's puzzle
Hungry cry like a
Wolf Tie one on
Lie one con
Con one peeping Tom
Pinnochio his nose
is getting graphically
Longer Sherlock
  Magnifying nose
Like a calendar
  year whole pin
ball wizard
new nose longer
lucky 8 oddball months

She left his schoolboy
clothes on the wooden
hanger

Ringo met Pinnochio
They had something
in common the nose
has wisdom

Ghepetto and Giovanni
Battista looking for Julliete
loved classical she-devil
the cafe barista met her
Romeo

This wasn't the year
for a cup of the nose
Cappuccino
Go-Chopin he looks
frazzled
The Cook beef barley
soup

Pinned and looped me in
Her maple eyes to
  fit any tree
Her juices of bacon
Went timber chuckle
what was on his
wooden buckle
I pinned him

Pinnochio revival
Reversal or rehearsal
Get rid of the humans
Metaphyseal, things
So gray beyond any
sea cloud seal not real
If the wood could talk his
wooden rifle bang bang

Like a red white and
wood little boy blue
missile he sang
They were in school
time for dismissal
The wood is
productive

Christmas heart of light's
seductive
Flame on the fruit bowl
they weren't
watching the
Super Bowl

Strong bones with a
wood conscience
To have swooned into a
wood puzzle

  The damsel what distress
Like a hammer and nail
Buckled her smile
wood dress
They were nose long
For the devil in the
blue dress
Xmen Wolverine

The hard talker smooth
as a babies safety pin drop
Oakwood Knight
the lock opened the
****
Pinnochio looked
Like a shocking pink

Someone lied again
Her hairpin splinter
Pinnochio how he
got covered
All white flurries
star flakes of winter

Pour the milk with cornflakes
Watch out for Mr. Quaker Oats
The wolf eyes get to you
So timid to be starved

Like his fern another turn
of the century
The rim of the goblet
on the brim of time so
sublime banged his
wooden pencil
Italian art drawing
stitched stencil

But with hesitation wood
At its best the most clever
Was heavenly touched
by God like no other
Pinnochio has a heart
He carves a smile in you
You just feel him so true
This is another comedy and fantasy what I see forever clearly the world we so inspect we all heard the term knock on wood but making something so well
crafted it better be understood show you love for wood
Dante Blades Jul 2010
I am dead
Don't believe me?
I see your face is turning red
I wish it was you instead

I wish to feed
On the Quaker's health
Participating in a lie
Involving only one's self

I wish to feed on the lost
Born only to be tossed
I realized I'm not what you wanted
I realize I'm not Robert Frost

But to leave now would be flawed
To leave now
To be Closer to god

The odor of your tainted complexion
Is that of the finest confection
What a shame, What a waste
To lose a life so post haste
David Ehrgott Nov 2015
1.  MISSISSIPPI II
  
Keesler Air Force Base
Sergeant will **** you
Crocodile got to eat
  
2.  SAN FRANCISCO QUAKER
  
Not a bad place un-
til looters step on
the bookshelf that fell on you
  
3.  L.A.
  
The real *****.  Holly-
wood is just the pump
shooting sin into it's vein
  
4.  WYOMING
  
Don't sit on the yell-
ow stone.  That's where the bears
went after picnicking.
  
5.  VERMONT
  
Red necked wooden
Boys always looking for
a fight from a Yankee
  
6.  NEW HAMPSHIRE
  
Charlie and Kathy
are from here.  They're nice to
know if you can find them
  
7.  MASSACHUSETTS
  
The prettiest girls live
in Boston.  They have mouths.
Some worse than truck drivers.
  
8.  RHODE ISLAND
  
Such a little place
to cozy up to the
over crowded rowdies.
  
9.  NEW YORK SHUFFLE ?
  
Buffalo girl moved too
Saratoga Falls.  Hasn't
Had a dance since last fall.
  
10.  HONEYMOONER FELL-ER
  
Took my girl to Niagra
Falls took my ******
Maybe next time
  
11.  DELAWARE
  
Overcrowded racetrack
Casino lots of
swampy grass derelicts.
  
12.  MARYLAND
  
Ain't no place to
Stop off 95
For this' lilly white man
  
13.  VIRGINIA
  
Had them Japanese
people eating fish.
Didn't know it was lunchtime.
  
14.  WASHINGTON STATE
  
All that rain and snow
Can never compete
With it's powerful blowholes
  
15.  OHIO
  
OH HIGH OH
OHIOH
OHIO
  
16.  ILLINOISE
  
Birthplace of Lincoln
and Chicagoland
Nothing much else but farmland
  
17.  ASSISTANCE?
  
I wanted to help
the homeless so I fed
them government nonsense
  
18.  INDIANA
  
Same old flatland lit
up at night Lincoln's
Hiway taking in the sights
  
19.  WINDS OF CHANGE
  
Big bad wolf tried
to knock down my house of hay
today..  I knew he blew.
  
20. COYOTE TRIED
  
Leader scolded me at five
Better off dead
Amen coyote cried
Anais Vionet Feb 2023
Ever played rose, bud and thorn? It’s a game where you go around in a group of friends and share what’s happening in your life. A rose is something good, a bud is something hoped for, and a thorn is a problem. Yeah, we’re hopeless oversharers.

My rose today is the weather. I wrote a piece a week ago complaining about the lack of snow in New Haven. The next morning it was 2° with a wind chill of -30°. My roommates gave me the evil eye - like I somehow brought it on. “God doesn’t listen to me.” I ‘d said, defensively.

My thorn is, Anna’s parents are here for a few days and she’s very on edge. She spent yesterday with them but today they’re coming to our suite. I was surprised when I first saw them, they’re straight off the farm (if the farm was in the 1800s). They seemed to huddle together, defensively and consulted each other so quietly that they buzzed like a hive of bees.

Her father, a very tall man, was wearing a plaid flannel shirt under a long, thick, dark gray, Dickies coat (it says Dickies on the pocket) and jeans. He has a medium-long white beard and a black-felt, wideawake hat which he worked slowly in a circle by its brim (I think that would qualify as a comforting gesture).

Her mom, Abeba, the spokesperson for the pair, is a thin woman with mostly gray (used to be brown) hair. She was dressed simply in black high-top shoes, a plain, deep green, floor length dress under a sweater and long, thick, gansey shawl with matching barrette.

When I reached out to take her hand in greeting, she regarded me with a coolness I found unnerving. All the other parents I’ve ever met were friendly, even huggy, on introduction.
“They’re Quakers,” Anna said, (note the “they’re”) like that explained everything. When I looked confused, she reached out her hand, at arm's length, and touched me lightly on the upper arm with her index finger. After a moment she revealed, “That’s a Quaker hug.”

Anna had said they were quiet, “judgy” people - and here they were, in our common room, judging the books on our shelves (With titles like, “this book is gay,” “Good girl complex,” “The big **** *** book”) the clothes on the furniture, the laptops on the floor, the “art” on the walls and the disarray in the kitchen. They kept hat and purse in hand, as if they were expecting a fire drill. They’re a whole new category of houseguests.

At one point, Peter came out of my room, dressed in shorts and t-shirt but drying his hair. Sometimes he showers in my bathroom after working out. He smiled warmly at Anna’s parents and said, “Hi, Peter,” offering his hand to Anna’s father, Milhous (Peter can be very charming when he wants to be). Milhous stood up awkwardly and shook his hand, “Good day,” he said solemnly.  

Anna’s mom however, seeing Peter come out of my room, blushed from top to bottom and gave me a look that was worse than any spoken disapproval. The top of my head seemed to grow warm, but a glance at Anna revealed that she was embarrassed to her core, and my blooming irritation faded.

Imagine living under these passionless despots your whole life? I gave her a smile and moved on emotionally. Her parent's disapproval was so banal it was almost laughable.

Anna’s so happy, hilarious, bold and brilliant - the fact that these dour, sour, saturnine, in-the-margin sodbusters produced her - seems random - one of the wonders of the universe.
BLT Marriam Webster word of the day challenge: Despots:  cruel rulers who have total power.

In-the-margin = unimaginative rule slaves
PJ Poesy Mar 2016
There is no picture attached, so serious consideration
to its validity is pondered. Should I attach one?
It's always an afterthought. Dark char wafts in
from the kitchen, while I make this consideration.
****, that was the last potato too. Not another
to grate my nerves. Breakfast interrupted
for brooding, but there are no eggs. Prices crisis,
you know. Oatmeal must do. That sappy grin on
that Quaker fella's face, can you see it? It's on a
cylindric container all red, white and blue. Daughters
of the American Revolution approved. I'd prefer
something green, like a field fresh as dawn, with some
Huckleberry Finn imagery, a boy barefoot, no cares,
******* on a sheath, all buck-toothed. Can you
imagine that?
This is a bit of a jab (well, maybe more than a bit) at poets who feel the need to attach a photo or image to their work to get more hits on social media. I know. Snarky, aren't I?

— The End —