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"windowframe" poems
lonely autumn nights blisters and calluses forming on my stiff cold hands *(pure cotton is forgiving of hasty tendencies or picky forms)* wrapped and wound tightly around my fingers every loop an attempt at controlling chaos *(thinking about how i'm not an outcast and i never was)* i'm the shoe in the pair that is slightly too tight on the one foot that's a bit larger than the other or the shirt that you keep wearing for years because it fits but you don't really like it i am the paint on your windowframe that's just fine except for the white flecks it left on the glass *(i've never been an outcast i've always been different?)* i don't like to say i'm different because we're all different i was just different enough to be a slight nuisance or distraction **i apologize too much for what's not my fault and too little for what i should take ownership of** *(something about my personality maybe just misplaced anxiety dictates that all things must be stacked and aligned perfectly.)*
0
Sep 24, 2016
Sep 24, 2016 at 1:09 AM UTC
tight cotton night
Marijuana is tempting me we all have our moments (and) you're going to hell hands twitch spasmodically on the windowframe belly white fire from below You make me sweat and fidget and pace hair shining ravenlike at dawn God kills all our children while America revels in buisiness suits the poor man beaten down Listened to your tired song 30 hours straight but felt no comfort in the melody smoked 10,000 cigarettes waiting for the Christian Apocalypse
0
Feb 23, 2010
Feb 23, 2010 at 5:09 PM UTC
Reflections
When you’re asleep I sit in the light, studying your movements When you’re asleep a sit in the dark, syncing my breathing with yours When you’re asleep I lie next to you, drinking your mumbles, the sounds your stomach make, the smacking of your lips When you’re asleep I lie awake There is something so very special about the perk in the curl of your eyelashes the lifts and dimples of your cheeks and the way your lips part like blossoming flowers in the spring flush with pale pink color that I draw my lips closer to touch My worries dissolve like the flutter of your eyes as you leave our world together and travel off to your own maybe I can visit you there, but it doesn’t truly matter I’ve elected to stay behind with the other half of you. And it stays so very charming, when its fingers—your fingers wrap themselves around mine when my hands reach for yours. Why is there something so securing, so beautiful, and so safe about being in a tide alongside someone who’s unconscious? you’re hardly any good here, asleep, unaware of burdens round us you can’t even fight the spider now crawling down the windowframe you’ll never even know he was there, had I not been here with you I’ll take care of it, darling, and you’ll never have to know When you’re out and I’m still here I can rise, protect both of us. Come on little spider, oh please do not be afraid of me and this fateful kleenex tissue Home fort is safe again. My focus is back onto you. And your lips. And your nose. Is it even possible to admire someone this much? A hair is poking out of it. Maybe two even. And yet you’re perfect. Every trait of yours a detail on an exquisite piece of art. And god no it’s not your looks. It’s your heart, really: the one part of you that travels to both worlds. By day it stays mine, loving me back as I try to hide my own translating my affections into non-misheard obsessions keeping me safe. And painting my world beautiful. But at night it follows you, off to lands of magic and adventure Painting your world full of color and light, even as you lie in the dark Such a functionally simple ***** And yet somehow I’m alive in it. This ending wasn’t meant to make sense.
0
Dec 1, 2012
Dec 1, 2012 at 5:11 PM UTC
When you’re asleep
When you’re asleep I sit in the light, studying your movements When you’re asleep a sit in the dark, syncing my breathing with yours When you’re asleep I lie next to you, drinking your mumbles, the sounds your stomach make, the smacking of your lips When you’re asleep I lie awake There is something so very special about the perk in the curl of your eyelashes the lifts and dimples of your cheeks and the way your lips part like blossoming flowers in the spring flush with pale pink color that I draw my lips closer to touch My worries dissolve like the flutter of your eyes as you leave our world together and travel off to your own maybe I can visit you there, but it doesn’t truly matter I’ve elected to stay behind with the other half of you. And it stays so very charming, when its fingers—your fingers wrap themselves around mine when my hands reach for yours. Why is there something so securing, so beautiful, and so safe about being in a tide alongside someone who’s unconscious? you’re hardly any good here, asleep, unaware of burdens round us you can’t even fight the spider now crawling down the windowframe you’ll never even know he was there, had I not been here with you I’ll take care of it, darling, and you’ll never have to know When you’re out and I’m still here I can rise, protect both of us. Come on little spider, oh please do not be afraid of me and this fateful kleenex tissue Home fort is safe again. My focus is back onto you. And your lips. And your nose. Is it even possible to admire someone this much? A hair is poking out of it. Maybe two even. And yet you’re perfect. Every trait of yours a detail on an exquisite piece of art. And god no it’s not your looks. It’s your heart, really: the one part of you that travels to both worlds. By day it stays mine, loving me back as I try to hide my own translating my affections into non-misheard obsessions keeping me safe. And painting my world beautiful. But at night it follows you, off to lands of magic and adventure Painting your world full of color and light, even as you lie in the dark Such a functionally simple ***** And yet somehow I’m alive in it. This ending wasn’t meant to make sense.
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37
This sunlight can be like a lamp through trees when it feels like the sun has followed me across a field finding me with the trees and the horses and small animals smelling the grass And I can wear your friends coat and it will keep me smiling through the cold eat cereal dry from the box sitting on a fallen tree fill the ghastly centre of me to find it's more like a strange warmth These clouds can be like some distant lands And i can be afraid of the mud and the sand and the twigs because i love them and i can be afraid of your hand because it can lead me to the rest of you I can be alone on the pavement on the concrete road and call it a mood and i know what that means with the houses bending around me corners on roads waiting Only one place will be like this where the moon falls into the sea I'll feel my heart beating on the stones see the words sitting in between us and people who never found me This music can be like the rain sometimes and it can be like the shelter And I will find us a fallen stairway You will find us a hole in the ground We can find a space to be in Along a path I can touch everything and let it go and i will feel how it feels like leaves and words I'll fall into spirals like leaving my body fall on the ground in the sky roll in the dirt cry and cry and cry or smile I will climb the ladder of this silo with the mud from your boots on my hands and we can see the fields together when your smell is still quite new to me the air will smell like rivers this day and the world will look like pale light and you can bring me biscuits on the swing while i wait for you to see your family and it won't be normal once I thought i could taste the world sometimes it will happen again probably
0
Sep 1, 2015
Sep 1, 2015 at 7:40 PM UTC
windowframe
This sunlight can be like a lamp through trees when it feels like the sun has followed me across a field finding me with the trees and the horses and small animals smelling the grass And I can wear your friends coat and it will keep me smiling through the cold eat cereal dry from the box sitting on a fallen tree fill the ghastly centre of me to find it's more like a strange warmth These clouds can be like some distant lands And i can be afraid of the mud and the sand and the twigs because i love them and i can be afraid of your hand because it can lead me to the rest of you I can be alone on the pavement on the concrete road and call it a mood and i know what that means with the houses bending around me corners on roads waiting Only one place will be like this where the moon falls into the sea I'll feel my heart beating on the stones see the words sitting in between us and people who never found me This music can be like the rain sometimes and it can be like the shelter And I will find us a fallen stairway You will find us a hole in the ground We can find a space to be in Along a path I can touch everything and let it go and i will feel how it feels like leaves and words I'll fall into spirals like leaving my body fall on the ground in the sky roll in the dirt cry and cry and cry or smile I will climb the ladder of this silo with the mud from your boots on my hands and we can see the fields together when your smell is still quite new to me the air will smell like rivers this day and the world will look like pale light and you can bring me biscuits on the swing while i wait for you to see your family and it won't be normal once I thought i could taste the world sometimes it will happen again probably
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53
Light danced across the hardwood floor of her irises, reflecting deep rays of brown, fire-painted oak wood into the absorbing glass of his sea-foam green, windowframe eyes. A now forgotten word was mellifluously sung; curtains leaden with longing were reluctantly drawn. The luminous sun then ceased to hang canvases of oak and sea on their abstractive walls, diverging instead to displays murals of perspective into the windowpanes of distant eyes. Then, like black and white keys being poignantly pressed by the fluency of fingertips, the edges of their eloquent lips began to touch
0
Feb 7, 2014
Feb 7, 2014 at 5:33 AM UTC
Scenes from the First, Last Kiss.