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Anyelo Montero Jun 2014
Si éste intento de poema tuviese un nombre, debería ser el tuyo, pero por cobardía dejaré el anonimato. Después de todo...Siempre fuimos fanáticos del misterio.

Habían pasado tantos días. Tantas horas, tantos inviernos. Inviernos fríos que quemaban como infiernos.
Incendios. Incendios de nieve, supongo.

Nos vimos ese día luego de tanto tiempo. Tanto deseo acumulado ya nos estaba haciendo daño. Ja... ni siquiera nos dimos un abrazo, saltamos directo a los besos. Tengo que decirte; mis latidos estaban muy acelerados.

Lancé mis dados. No me importó el presente o los presentes que en las ventanas estaban asomados.

Y me mirabas a los ojos, y en los tuyos veía que eres mi principal demonio carnal. Pero a la final, si Dios existe sabe que tú no quieres ser ningún ángel.

Nos besamos en ese banco como si nos quisiéramos chupar el alma... Querida, tus besos sabían más exquisitos de lo usual a causa de la ***** barata. Y me arrebatabas el aliento.Y tus senos me me observaban detrás de tu escote; o quizás yo los observaba a ellos, pero no nos importaba.

Estabas tan errática. Tan radical que me era difícil seguirte el paso.

Ibas lanzando ***** sobre el piso y dulces gemidos a mis oídos. No te mentiré, me sentía cohibido. Renuncié a mi actitud bohemia y despreocupada de vaquero y me sentí cohibido. Pero lo que me crecía en el pantalón era muy real como para haberlo fingido. Sabes lo difícil que se me hace ignorar mis animales instintos.

Y no queríamos despedirnos. De irracionalidad pasamos a tecnicismos. Al: "No te vayas, quédate un rato más. Te haré café para que la ***** te deje de afectar". Y después los besos eran besos de tiernos adolescentes que se profesan amor eterno. Amor eterno que nunca fue correcto al momento.

Es triste como acabo todo, ¿no, querida? Es triste que ahora me odies y me hayas sacado de tu vida. Pero si lees esto... por favor, recuérdame.

Recuérdame tan imperfecto como soy.
Recuérdame en tu escote; bajando mis manos por tu espalda y llegando a tus nalgas.
Recuérdame escuchando esa canción que es mi canción favorita, y que escuchas solo por esa razón.
Como sea que quieras, pero recuérdame.

Yo siempre te recuerdo. Porque fuiste, eres y serás la autodestrucción que aún necesito.
ConnectHook Apr 2020
Crabalocker fishwife, pornographic priestess
Boy, you’ve been a naughty girl, you let your knickers down
...
                           John Lennon

A carnal muse and fallen sprite
I’ll paint for you, in flattering light.
My model’s sensuality
Shall trump all dull reality;
Inspired by Womankind’s raw truth,
Life-drawing class heats up, uncouth.
Still, I am sure some stiff-necked *****
Shall smear my heartfelt lay as lewd.

Edenic exile sought by men,
Receive this tribute from my pen
And keyboard, played inexpertly
By one who knows you rapturously
As a muse of Aztec/Latin race
Prodigious in your works and grace:

Born Ruth Ayon, in God-Knows-Where,
She overwhelms in underwear—
And shedding that, turns good men bad,
Makes angels fall and gods go mad.
Los Angeles (and that’s the joke)
Is where this cherub went for broke
Cashing in her soul for action,
Soreness, ***** and tumefaction.

Laurie Vargas, mouth full of ***,
Spread for us now your Aztec ***
Your sultry contours hypnotize;
The laughter in your ******* eyes
Brings music from Tenochtitlán
And opens windows to Aztlán
You smile, unlike those other *****
Who merely grimace. Gringa butts
Are less audacious than your own . . .
Their charms are better left unknown.
Your cheeks in tan proportion shine
Embodying some rare truth divine.
(Through Poetry, I’ll make them mine.)

I must speak forth of what I found—
Though standing on unholy ground,
Here I behold your lively art . . .
Your unpierced flesh has lanced my heart.
Whereas most stars are tattooed, jaded
Your bright aspect shines, unfaded.
Clad in campesina thread
While moaning on your torrid bed,
Adorned in homespun broidered blouse
In some vaquero‘s rancho-house
Or naked as Mexica dawn,
Bespattered like a dewdropped lawn,
Spurting with some panting plumber
In an endless *****-summer,
You glow, like honey dipped in light
And undulating Latin night.
Your burning bush, much-trafficked place,
Recalls the Red Sea’s parted space
No less than your beatific face.

An unrepentant Magdalene,
You plunge into each graphic scene.
Madonna of the varied act
You swell, engorge, dilate, contract
And play the part with crazy wit
Suckling madly at your own ***.
The way you can accommodate
What barely seems to satiate
With pure abandon, leaves us awed,
As mesmerized, your name we laud,
(With one hand—harder to applaud !)

Will you survive to have regrets
When raw desire no longer gets
Your body hot with inner flame?
When *** has ceased to call your name?
I wonder if you’ve found such paths
Of flesh and pimping sociopaths
A route to riches, gain, and pleasure
Or mere sacking of your treasure.
At the end of your sweaty day,
Is there more than a harlot’s pay?

I wish you well—and hope in time,
When life has left you less sublime,
You’ll find your way to God through Christ
And learn of what was sacrificed
To free you from your sordid fame
Where sinners hail your glorious shame.
Laurie Vargas was born in 1983
in Los Angeles, California, as Ruth Ayon.
(Some sources indicate Guadalajara Mexico as her birthplace)

Visit her terrible glory:
https://www.youtube.com/watch?v=m6pyZ0rGfnM
¡Qué alegre y fresca la mañanita!
Me agarra el aire por la nariz:
los perros ladran, un chico grita
y una muchacha gorda y bonita,
junto a una piedra, muele maíz.
Un mozo trae por un sendero
sus herramientas y su morral:
otro con caites y sin sombrero
busca una vaca con su ternero
para ordeñarla junto al corral.
Sonriendo a veces a la muchacha,
que de la piedra pasa al fogón,
un sabanero de buena facha,
casi en cuclillas afila el hacha
sobre una orilla del mollejón.
Por las colinas la luz se pierde
bajo el cielo claro y sin fin;
ahí el ganado las hojas muerde,
y hay en los tallos del pasto verde,
escarabajos de oro y carmín.
Sonando un cuerno corvo y sonoro,
pasa un vaquero, y a plena luz
vienen las vacas y un blanco toro,
con unas manchas color de oro
por la barriga y en el testuz.
Y la patrona, bate que bate,
me regocija con la ilusión
de una gran taza de chocolate,
que ha de pasarme por el gaznate
con la tostada y el requesón.
The Dedpoet Feb 2016
Whether I'm out on Military Drive
With my Ruca cruising the street,
I can't stay alive
Without that special meat.

I'm talking bout early morn,
Looking for a place for some comida,
When you need that taco like food ****,
You need it in your Vida.

Yeah, you have buevo ranchero,
Or maybe some bean and cheese,
But I need me some vaquero
To fill my Mexican needs.

So make me a taco,
Make it chorizo and egg,
I'm just a typical vato,
Cmon, please don't make me beg!

And now you know about my favorite dish,
Eating Mexican is like a granted wish.
From the San Antonio series of poems for my city.
TW Smith Feb 2014
I was dead in the morning and gone by the evening.
The vultures feasted.
I laid for hours not knowing I was a ghost.
Haunted features.
Ghost town thrift stores and surf guitars,
These are my delights.
Black deserts and high mountains,
Vaquero of the night.
Sun tanned bones and what have you.
Deep in the heart of Texas.
A lonesome ghost in the South
With nothing but a peyote dream.
Ellie May 2014
You roll in like a vaquero to the Wild West:
water galloping the earth & black clouds

rippling: the foaming flank of a stallion.
Tip your hat & get to business: charge

the air with cactus-prickle shivers, slip
your Zeus fingers from holsters and lightning-

rod them to the sky. Rumble your spurs
& order me a sarsaparilla—lid-crack

carefully; an effervescent gale will brew.
Breathe slow at first: electric hum through bone-

white grass: bows as you ghost by—
clear your throat, lasso tight my attention

with guttural echoes pressed heavy on
my chest. Then rip open

the constellations with gunshot blows,
explode wide saloon doors & take

no prisoners. Oil-lacquer streets
& ride off blazing: leave the women

but take me, saddle-swing me high
in the catatonic static of a ghost town.

You’ll vanish like you came: I know
what they say about red skies

in morning. But I’m never awake
to watch you silhouette away.
Lauren R May 2016
Today, the Earth fell in reverse.

I watched a Western backwards, the blood seeping into the Vaquero's chest, his eyes roll forward, his challenger gripping his bleeding arm, the red spot on his jacket shrinking, putting his gun back into the holster. He climbed onto his anxious horse and rode backwards into the sunset, his intact body being washed over with shades of pink and orange.

I watched you trip in reverse, staring at nothing until you popped the shrooms out of your mouth, counted them and then shoved them back into your sweatshirt pocket. I listened to our phone call in reverse. I cried at first, you said something, shameful, then I reeled back, asked you what's the worst you've done, and you said you were okay. Ringing. Silence.

I watched myself in reverse. Laughing, looking at people I love, and all their wonderful dark circle shadowed eyes, messy hair, and dried tears. I watched myself stare at them from a distance, then I felt myself forget their names. I liked your tattoos and I liked your long blonde hair. I forgot about both of those things. I sat alone in my room, I cried, I took back everything I said. I shook off the sadness. I laughed again, fell into your [sober] arms, ran my fingers through your uncut hair. I forgot what your mothers name was, I forgot your favorite color, I forgot your bedtime. I forgot your name. I forgot I loved you.

I wanted to **** myself in reverse. I wanted to watch the bullet whip out of my skull, the bone fit together like puzzle pieces. The worm hole in my brain fills, my blood flows backwards.

My innocence is unfucked to me. My lips curl up. I am happy, I am smiling. My boyfriend takes his unscarred arms and wraps them around my waist. I watch his eyes frown upside down, he tells me he loves me.

I hit fast forward.
A quick thing I wrote on the bus
Prohibidos los silencios y los gritos unánimes
las minifaldas y los sindicatos
artigas y gardel
la oreja en radio habana
el pelo largo la condena corta
josé pedro varela y la vía láctea
la corrupción venial el pantalón vaquero
los perros vagos y los vagabundos
también los abogados defensores
que sobrevivan a sus defendidos
y los pocos fiscales con principio de angustia
prohibida sin perdón la ineficacia
todo ha de ser eficaz como un cepo
prohibida la lealtad y sobretodo la tristeza
esa que va de sol a sol
y claro la inquietante primavera
prohibidas las reuniones
de más de una persona
excepto las del lecho conyugal
siempre y cuando hayan sido
previa y debidamente autorizadas
prohibidos el murmullo de las tripas
el padrenuestro y la internacional
el bajo costo de la vida y la muerte
las palabritas y las palabrotas
los estruendos molestos el jilguero los zurdos
los anticonceptivos pero quién va a nacer.
Chuck Kean Jun 2022
Somebody’s Hero

   In today’s world, youth is robbed
To early of it’s innocence
The power of evil is intruding
And persuasive with it’s wickedness

Yes the world is getting colder
Our acts of kindness are fading
Giving way to darkness and gloom and in
The waters of our pureness evil is wading

But you can be somebody’s hero
There’s no need to prey on the weak
They struggle with their everyday
Their lives are already bleak

It’s easier to be good than you think
Don’t be the one throwing the trash down
Instead be the one doing the right thing
And pick it up from the ground

Be somebody’s hero, hold open a door
And don’t be afraid to share a smile
Take some time to give of yourself
And be with someone for awhile

You don’t have to be a Doctor or nurse
Or a soldier or a first responder
Just join in on the fight and kindness
Is a powerful way to conquer

You don’t need a cape and have
Some kind superhero power
To be the one to save someone
In their darkest hour

It’s really just the simple things
It’s not always the Knight or Vaquero
Riding in on a horse to save the day
To be Somebody’s Hero

Written By:Charles Kean
Copyright © 06/11/2022
All rights reserved

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