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Terry Collett Apr 2015
Hes gone. I heard the door go. Ingrid relaxes, her shoulders unwind, the nerves untense. Just wait; he may return. She waits, listens. He does that sometimes; returns and stands looking at me as if he cant decide about me. No sounds of him. Mum in the kitchen; pots and pans; water running, but not him. Ingrid stares behind her in case her father has sneaked in without her hearing him. No one. She bites her lower lip. That time shed thought hed gone and she turned and he was there and he walloped her one about the head saying she was looking at him evil eyed. She looks at the table; at her breakfast bowl and cereal. He would deny her even that some mornings. Been too naughty hed say and made Mum take it out and hed sit there eyeing her and if he thought she was making faces hed slap her leg. Hes gone. Relax. She begins to eat her cereal. Spoons it in slowly, just in case he comes in suddenly out of nowhere and whack and shed choke. Relax. Her mother in the kitchen washing up. Spoons in more cereal. She thinks of that time shed taken a biscuit from the jar and he said she was a thief and whacked her hard and made a big mark on her. Benny noticed. Benny knows. Her father hates Benny. Youre not to see that Benedict kid, her father said, if I see you with him youre for it. She sees him still. Were the same age, in the same class at school. Nine years old. She mouths in more cereal. Licks the spoon after. Looks at the photograph on the sideboard. Black and white. Five of them. Back then. Her father is at the back grim  as death, black suit and tie, white shirt. Mums next to him wide eyed and pale as death. That grey dress. Her big brother Tom at the front. Smiling. Gone now after that big argument with Dad last week. Sylvia my big sister sitting next to Tom. Gone last year with that Spiv. And me at the end glasses and buck teeth even then. A bang at the door. Whos that? Mumll go. Listens. Puts her spoon down. Bites her lip. Blinks. Maybe hes back forgot his keys. Blame me. Last time he did he blamed me. Said I hid them. Voices at the door. Not him then. She relaxes. Picks up the spoon. Eats a small mouthful. Nervous. Always am. Footsteps coming. Is it him? She puts down the spoon and stares at the doorway. Mum. Standing there a cigarette in her mouth; eyes ******* up against the smoke. That Benny boys here at the door. Benny? Here? Good job your fathers not here or thered be hell to pay, the mother says. What does he want? Says he wants to take you out. Ingrid looks at her bowl, fingers with the spoon. Can he come in a minute? Not good idea, what if your father returns unexpectedly? Just a few minutes while I eat my breakfast? The mother sighs. Have to be ****** quick in case your dad comes back for some reason. Then well both be for it. The mother goes out and disappears. Voices. The door closing. She hates the sound of the door closing. It usually means hes home. If hes singing or humming it means all is well, but if hes quiet and sullen then Im for it or sometimes Mum gets it first and me after. That sound. Door closing. She stares at the doorway. Benny appears smiling. His hair with the quiff; the hazel eyes. Coming out? He asks. Where are you going? He sits on the settee, looks around the room. Thought wed go to see a bit of art. Art? What paintings and that? He looks at the her. Yes, National Gallery. Costs nothing. She picks up her spoon and eats cereal, looking at him, listening for the door. How do we get there? Bus to Trafalgar Square. How much is the fare there? She asks. Not much for kids. He looks at the photograph on the sideboard. See your old man is as grim as ever. She licks the spoon for the last bits of cereal. She can hear her mother banging about in the kitchen. Will she tell Dad when he gets home? Hard to say. Well, are you coming? Benny asks, looking at the fireplace. You shouldnt have come here; my dad might have been here still. I saw the old ****** go, Benny says, watched him walk through the Square, Benny says with that grin of his. He might have come back, she says, putting down the spoon. Then what? Who knows? Benny says unconcerned. She gets up and walks towards him. He would have hurt me for you being here. He hurts you anyway. She feels uneasy. The bruise on her thigh is still there just under her dress. Ill ask Mum if I can go. He nods and smiles. If only she could smile like that. If only. Ill ask her. He looks at her go. She finds her mother sorting out washing for the copper. Can I go out with Benny? He still here? Ingrid nods. Yes. Where? See paintings. Where? National Gallery. Too far. Not far, Benny says, standing behind Ingrid at the door. Bus ride away. You shouldnt come here, the mother says. Not welcoming, Benny says. Not meant to be, the mother says. Ingrid bites her lip. Her stomach tightens. What shall I say? Will she tell? Her mother stare stares at her. On your head be it; I dont want to know. The mother turns away, sorts more washing. Got to go to toilet, Ingrid says. Ok, Benny says, Ill wait. Ingrid goes off to the toilet; locks the door. Benny stands by the door staring at the mother. Ingrid sits down. Her stomach churns. She listens for voices. Nothing. What if Dad comes back? She waits.  The bruise on her thigh is blue and black.
THE DAY BENNY CAME TO INGRID'S HOUSE IN 1950S LONDON.
Terry Collett May 2012
There’s a sadness to our being,
Lola thinks, now swaying to the
Movement of the train, studying
People nearby, their faces in the
Morning light, their gestures,
Their inner thoughts unknowable,
Carrying their grief, their broken
Dreams, their unfulfilled appetites.

She senses the muscles in her bottom
Tense and untense as the train sways,
Her thighs stiffening to give balance,
Her hands folded on her handbag,
Ladylike, as Mother taught, some
Time ago, among other more important
Things, how to behave, how not to behave,
What to say in public and what not.

The train stops at a station, people
Get off and some get on, different
Faces to study, others lost, possibly
To sight for life, passing ships in a dull
Night, gone now never to be known
By her, never to be dreamed of or missed
Or grieved over some future death.

The train moves on, she sways again,
Her body moving to the motion as others
Do, and watching them, the way they sway,
The dying embers in their eyes, their words
Not said, the thoughts coming and going
Inside each head, sadness or some private
Joy, not shared, least not yet, not with her.

Sit still and be quiet, Mother would say,
Children ought (she always said ought) to
Be observed not heard, and as she sways
Now, thinking of her mother and her mother’s
Words and ways, she feels she wants to shout
And jump about, to flout her mother’s rules and
Words and sayings and laws, but she just sits and
Stares, silently, thinks rebellion, but never dares.
LS Apr 2018
last night
i woke up
drenched in sweat
from a nightmare i was having
usually when this happens
i cry and shake
in the ungodly hours of the night
until my body can't anymore
but this time
i woke up
in my best friends arms
and my heart rate instantly got slower
i felt my body untense
and sink into the mattress
and if that isn't what happiness feels like
i don't know what it is anymore
katelyn if you're reading this, thank you.
Ackerrman Sep 2019
From the moment
You came to talk,
My hands perched upon my waist
And they refused to move,

The air became denser,
Stifled my breathing,
The universe narrowed.
Some moments swell in time.

Thoughts that lay on the ground
All jumped up at once,
Flew to the eye of the needle
And all tried at once to fit through.

Eyes flutter,
Looked to glitter
With the light dispersed,
Magic burst.

I can barely move.

My words are dumb!
They aren't clever,
Not chosen,
Words that constitute a conversation.

My chest,
Frozen in time.
I do my best
To untense.

The man of apathy!
Conscious of every second,
Every eye flicker,
My arms of cement.

I must blush!
She must know,
I try to hard to settle
And not show

That the flaking debris
Of my faded countenance
All rallies,
Pretends to be a person.

But it hasn't adopted
That mould in a long time.
The picture is fragmented
And it takes a lot to stay together...

Just so she won't see
The running colours
Inside of me.
I am sorry there isn't more.
Stupid crush
PK Wakefield May 2014
always
,if the like moon(smoothly as waters),
threads the onyx plate
of night:

            
               i will love you.



As the rain loves the dry air.

As the dry air loves the sea.


will love you even though
eaten by the glad mouth of death, i.

will love across
the stark span of nothing.

by untense memories
of my softest hands.

will caress the curving hull
of thy body's eyes, and muted soul.
Tyler Nov 2021
crippling thunder
light crackling shock
back and forth
tense to untense
afterward the brand
of the forsaken burns

— The End —