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452

The Malay—took the Pearl—
Not—I—the Earl—
I—feared the Sea—too much
Unsanctified—to touch—

Praying that I might be
Worthy—the Destiny—
The Swarthy fellow swam—
And bore my Jewel—Home—

Home to the Hut! What lot
Had I—the Jewel—got—
Borne on a Dusky Breasty—
I had not deemed a Vest
Of Amber—fit—

The ***** never knew
I—wooed it—too—
To gain, or be undone—
Alike to Him—One—
Berne Aramaic Element

From Bethlehem the messages of the fields of Moab are felt, after the death of Eimelech and sons Mahlon and Quelion, Naomi remaining alone, Alone in the middle of the ears. Lepidoptera would begin to fly in all the lands of Judah after this distressing event. From the far reaches of the fields in the hot afternoons, Ruth could be seen in the fields and in the Hera united tightly with Naomi, where each one fence after fence will go the other in the name of Jehovah. Ruth deliberately gathers the grain and ears with the sheaves, between the reapers and the swollen sheaves, to provide sustenance for a whole past life of famine brought by Naomi's lamentations. Then Ruth after gleaning the grasses, thanked Boaz by looking into his eye fixedly, being able to see in him, how to lift the hay and run it to the world of the midwives to feed the newborn children, that way everyone will eat and be satisfied with the pottage until they are very satisfied.

From this land of ears of corn, will arrive the celebrations of Shavuot and of good grace for the stay of the Hexagonal Birthright in Gethsemane. The actors and landowners of these lands are making a great contribution to this phylogeny (with the consolidation of the Aramaic language in the garden).

Ruth appears saying: “Look well all the field, we are all in it, we have water and enough heat from the Shemash ignition, to grow the ears of wheat, and here is the refuge of Jehovah who gives us his protection, making us an equal part of his children to sustain us. I feel great pride in being deferential to Naomi; she will help me with the ears that will migrate to Gethsemane, with the transcendent visit of the Apostle Saint John. The bumblebees, bees and wasps will be satisfied; they will provide the nutrient food to those who will have to make the communications in the garden. "Blessed is the food that it gives you by harvesting, preserving and lavishing it"

A great axiom of archaeological heritages begins to be evidenced in this agriculture of transmission from the field to the expression of the cognitive and emotional areas that represent the oropharyngolaryngeal endocranial molds of sheep that become inert with crops and insects. Here the beloved rhetoric of insects will intervene with personal wings from the basic prop of their emotions, attracting signals from the fields and their images described by the flocks of insects that migrated from this Ruth book passage, to be able to retransmit them with the phonetic signals that go beyond the spike, which is rather a settlement or a Kibbutz, current to mold or settle archaic civilizations under an idiomatic link, which will address the phylogeny as cephalization of invertebrate animals with those of the benefits of support of adhesion between so much science and simply the invocation of Jehovah bringing us food languages with nuances of religious joy.


Phylogeny in Gethsemane: **** erectus crossed multiple evidences of pro-adaptive evolution beings, - Neanderthal / **** sapiens. The children of Israel wrote parables, epistles, verses, stories and books ..., their vocal and phonetic tract spoke of storms and environmental factors between heaven and earth, of the "Great noise outside of us, but little silence in us." The elementary thing is the larynx that only has to pronounce the image that denounces a concept, evokes the minimum sounds in different positions of its instrumentalized mega sound. Talking about how language varies according to history, and the civic-environmental environment instructing us in its threshold and descent, by detaching itself by the air effusions of language at the laryngeal level. It authoritatively collects the intervals of vocalization and relationship with agriculture in all its dimensions, descending through its internal walls, but rising through our parietal emotions outside of itself.


Of the little air that the world has left, to continue digesting temporarily, it has to let the air flow, which is possessed of mechanically inert particles, and unsanctified prophecies with corollaries of miracles.  Inherence that has made the super existence of those who still do not perish by the hand of a monarchical mandate. Thus the mute swallows air in asphyxiating and polluted halves, while others redistribute them for those who need to sit at the table to pick up the Bread and share it with others. "Here the echo of my Christian body resounds." That in Aramaic, it will signify much more than the language in its blood, grapheme and phonemes or stylistics, it is the shock of vibrating beyond the deep ground, reverberating with the grace of its divine enunciation”. Joshua, swallows spikes and olive leaves simultaneously arranging us in his arms, as his children, a sheep in his arms giving us milk-hydro milk from the sustenance of his creative verb.  "A strict fact of preserving the Aramaic and not misleading them by turning the pages in history." The Aramaic must be incorporated for the times that Joshua after more than two thousand years He is still here walking from one place to another, to tell us that He is still here, only suggestive of your walk plagiarizing with your larynx the sound of his expression DE shepherding. The sheep is a mammal ..., more mammal than man, since its statement always reflects in the bases of its skull, for the rest of its offspring as a biblical language, under all the rainbows of the cherubs, together with the children surrounding them in identical intention. **** habilis - **** Sanctus, in a process that has a Christ base and peripheral anatomical capacity for language in the wandering of the sternum to confuse them with each other, not altering the structural or functional complexity. From the potential of the Lepidoptera and winged insects, the phenotype will arise that will relate and relativist the mechanics of the Aramaic or the Aramaic method, of not misplacing the tongue because it is divine, as well as divine and laryngeal torque of those who have Aramaic blood and body, since his mechanized mystique is to devour the smallest words with the maximums in a whole range of sounds of the field speaking of: "Come to my field here the spikes and insects will speak more than the mechanical potential of your Voice."

They continue through the field Ruth forming phonemes in small verses, which go hand in hand with the words and those that refer to them; They are settlements of those who do not speak only suggest the presence of Jeheová without being present, but if after being with his stomach satisfied, parodying the activities of the field with his poetry made reality in a poetic-hydric whole and of the transgenerationality of the ancient peoples who no longer speak .., "They only express their wisdom with agro-phrases of wheat ears and olives in all their songs."

After Walking through narrow cobbled streets, now they are full of character with the Bedouin fumaroles, it is like walking through a heart hungry for alkaloids and lipids; to tour its synagogues evoking an outstanding barrage of pilgrimages without knowing how much more they will have to accompany our steps. Jerusalem, the walls that protect it, are witnesses to many battles that have been fought "in the name of God." As well as the soil that speaks for itself. Without a doubt, the Mount of Olives can be seen from Jerusalem beautifully, but not in the same way the other way around. The trees, whose fruits contribute positively to the economy of the region, in addition to symbolizing strength, security, prosperity, give hope in the journey of history with the same thing that never tires of the same. The orchard or garden of Gethsemane, a name that refers to the olive presses that are used to extract and process the oil. According to the Gospels, the Lord came to Gethsemane with his disciples to spend some time in prayer. But, as the environment in Jerusalem was one of insecurity and high tension, due to the celebration of the Jewish Passover festival in a context of political and military occupation of the Roman Empire, Jesus, very saddened, began to feel anguish ... asserting himself from the branches each once felt an olive near his fingers.

Etréstles says: "All the physical, emotional and spiritual forces of Jesus, here are smelled digging into the organic tissue, experiences that go beyond the intellect ..., it is the own and unequivocal admissibility of military feet walking on the ground after their meditation and recollection. From today, when the lights in the shadows will fill the limits of the garden with ecology, the giant camels will have to graze when the atmospheres have to make the tribune grow grass on his evangelizing poetics, to have it for tomorrow in the dawn meditation. All the pros and cons will have to be lost with the guests prayers that will inhabit the spaces that human reason does not have to intervene”.

Meditation with the Cherubim, the hexagonal primogeniture and insects penetrating the divisions of time that the cessation of a breath is obtained and being able to offer with the imagination the inclemency of having everything just beginning. That is prayer; it begins cyclically and then returns to the beginning, without leaving us comforted to finish what does not enclose the lapse circle of the meditative circumambulation.

Apostle Saint John said: More than pain and worry, after praying, he regained his strength and courage to face life, with its troubles and betrayals, with courage, dignity and hope. But more than this atavistic-anthropological complex, it is the salvific integrity that the verb saves the verb, through the vibrational prayer of the sound and perception of the words, and more with the Aramaic sound that is narrowing like the streets of Jerusalem, to distinguish biases of praising essence in the elements of noise, almost to the harmonic limit of a sound perfecting in a psalm or parable, which emerges from its oropharyngeal movement, leaving without expiation the abrupt change towards Hebrew thought and doctrine, together with the external sound emancipating the perfect cacophony of its vibratory inner howl, beyond the ritual that satisfies our needs by having a Father. He sanctifies and purifies because it is life and the dawn of new land that lies in the garden of prayer, every time I have to get up is to take the Bible and look as in a whole interlocution for me prostrating, and every time I get up and that I speak with my father I am attentive to close myself to his dimension.

The food that returns and feeds back, is the blood provided with justice to inhabit the body that synthesizes its protein oratory. The food that you go there from a breeze and merriment, puts on the tables all its clothes to sit around, it is the lament that smells like seed that evaporates from the hands, it is the heat of the holy field. The food that speaks of inviting so many to sit next to us is the one who least thought he was lacking in love, and that he should not be prepared, being the one who would eat everything until he was satisfied, leaving nothing in the compote or yeast, because of he will persist the food that satisfies only for the one who has the excessive spirit of the famine of whom it can be satisfied. Gethsemane is a flowery field where Lepidoptera, drunk with angels, fly, who only have one mission; “Give food to those who owe the desire to eat and nothing else, because the rest that suggests it is abstention, and this will be procrastination of the verb, which ceases to create and endow even if it wants it, since all the support of life can cease at risk bread and wine more than a toast and cheers! Rather, it is due to the devotional nurtured circle of the action of lavishing the Son-Father circle, granting the establishment of hunger-satiety to forge genetic and paternal seeds to recirculate them in the procreation chain.

Eurydice speaks: “My body flames like a spike towards my beloved Joshua, I come from the mask of a ship. I went to Jerusalem to look for flowers, which pour out aromatic herbs to bring and bless their words tied at their feet. I was late and I have lost my way, unable to find my way back. I only saw that from afar some lights in the northern area of the orchard lit up like cycling olives exploding in the air in fireflies that swarmed next to the Lepidoptera ..., they guided me here. But I repeat, when I saw the lights I go back as a child in my distant Greece, with my Orpheus when I managed to sleep Cerberus near Lake Styx. But I reiterate ..., beyond the lights I have been able to see how the insects are weaving and concocting his words, my beloved Joshua, which the auditors will be able to help the square and interpret for many more than thousands of years, taking us with their pre-recipients that we they allow you to feel your voice and hear it as far away as if it were closer than the olive branch that caresses your face. But I reiterate, I never thought that I would get lost, I am even arriving as if it were the figurehead of the prow of my ship, I always wanted to be near a world of light from the Olive Tree of Barnea genetics like this one that has led me to meet it "

Eurydice heads to the holy place, when she approaches the Fireflies and Lepidoptera come out to collect her, she allied themselves to the twisted shadows of the olive trees sharpening in clear harmony with the mirror archetypes of the dark foliage, reflecting the green shadows on the wild fruits by the oleaginous branches that went towards the branches embracing with those of the olive tree or thorny thousand-year-old olive tree, procreating the sacredness and ancient magistracy, for Eurydice it was clear that in her nation whoever wounded or cut an olive tree had the penalty of exile, she knew that she was in the House of the Olives, were in transit to their maturation in the autumn months of the boreal hemisphere, with their raps decorating the wisdom of have it with a favorite daphnomancy or divination of Joshua's message with the olive tree, with its white petals like the apostle's cassock, becoming lumpy in its texture when the olive begins to be born emitting crucifixion howls.

Just eleven days, before the ekadashi of the full moon, the phenomenon of the beat occurred, which happens after a year of abundant olive harvest and another in which the harvest is small, here the change in nuances is evident and corrugated textures of the countenance of the olive trees, without it being possible to think that this phenomenon will necessarily occur biennially or triennially. It was suspected and it was known that the developing fruits would go in this event through their hormones and the substances that intervene in their growth acting as inhibitors of the differentiation of the buds, so many of them would change when they were transformed into a flower to do so in wood, and from this process it was deduced that the turn occurs when grass and gospel are needed. The actions destined to promote greater harvests in the years that correspond to load, by taking care of the planting of meditation, and the abandonment of it in the years of discharge that contributes even more to accentuate the failure in doubts of faith. Some varieties of olive trees are truer than others, so it can be assumed that a genetic component generates this phenomenon. On the other hand, there will be the Christian cultivation technique, reducing the amount of time, such as watering or early harvesting of the olive, stop the tables that need to have it on their tablecloth. In such a way, that this phenomenon will help together with the genetic phylogeny, to reinsert lost words expired from antiquity in the emanation of God's wisdom, through the universe acting as a great Drupe or peach, which will assimilate to be the amygdala that will allow to assent the sent vibrations when they connect with the plagued ground walked and retracted of the Messiah, bringing to his earth the words in Aramaic of the sacred salvation of his prosapia, word and surveying work; which will allow them to transfer some appropriate property of their spirit to Patmos when they return.

Says King David: “like the olive grove of Barne of old stone, it will serve us for the harvest in the morning, with its fat percentage it will help us to feed the Shemash fat in the new Sun to wield the winds that will curb the nocturnal mist of the waning moon. All of us as kings have been baptized with oil at our coronations, also coins traded in Kar, to pay their benefits, with the allegory of Yotam, in the Book of Judges to choose the king of trees ..., the olive tree refusing because it had to produce oil, in the menorah are the two tiny olive branches, but large ones are lighting up the great temple of life. Now we will need it, since the eleven days come before we rescind the cessation of Aramaic as a lost language, rather to reimpose it in the entity of its gesture-visual channel- and spaces of what it hears or hears in repeated aramic oropharyngeal systems and voices when lamenting in Hebrew cheerfully passages of the Torah, with the same meaning and channeling source of pentateuch. To recast him in the Barne species to transcend genetics, together with his phylogeny towards Katapausis and the monastic cell of St. John on Patmos with Vernarth. "

Eurydice kept giving atomic waterspouts of momentum at her feet, to soon reach Gethsemane. When she arrived, she saw how the cherubs were pruning the Olives next to the Hexagonal Birthright. Everyone was preparing for the festival of the olive tree in the Garden. She was nearing the end of King David's itchy speech among the Roses of Sharon, but on the cobblestones where a Cherub was replying to her, so that nothing would be wasted if she was heard by her figurehead ears. He arrives and carries the aromatic trans essences and flowers to begin with intuitive adoration for each barefoot step he took, each petal and particle of his essence revere the base of the invested Messiah, reaching the perfect triangulation of the acetoso balsamic and the thorns with flowered arámicos of this revival of the path of the Barne olive grove species, to initiate a night in which to rest with its pinches that it deposited when brooding between the eyebrows of the spiritual garrison that was stationed in Gethsemane.
Berne Aramaic Element
Ken Pepiton Mar 2019
less religious? be

less signal sending?
less signal ceiving and re
cipericle

deciphering de
ceptive fashionable effectations

fectupt old
fashion once wigs and lace,
gave place to coat and tie and,
on occasion, tails
jewels and veils, seven of each was the sup
er position in the initial polarity
twixt V1a and V2a.1

We were fashioning a reality, your polarity bogus
science pierced more attention spans

than I can spare in seven minutes
define or refine, what was the resolution in reality

less signal sending?
mo' signal ceiving and re
cipericle
ceptive fashionable effectations
okeh, got it. Zero beat. Same same spectral harmony.
Nobody in hell knows ever knew that.

Lose the fig leaf, lose the tats and scars,
match the bloodshed with the idea
in
humility we acting as if we stand

as pillars

as sticks in mud, bruised but unbroken, bound
in smouldering flax,

we stand, sistere, dressed for no carnal war,

we came as poets holding up the ceiling with twigs
from the forest of trees of knowledge

the we we are in, we can stand upright, you and me

confidant

fashion is un sanct, un sanct, unsanctified
aknown known, y'know,

it's all cause play, excuse me

the uniform dress code bars what from my kid's school?
First pocket knives,

Now, a simple T with a meme,

and you co
municate, une-meme-icate,
possible be
be probable degree or dimension or layer or ply

complex, many tangled
plys of piles of pleasant points in time that did rhyme
reason
with well enough, alone

meme
is a better measure than moment, I think,

How much of never

is twixt us, e pluribis us, the unems

twixt me and thee what we are
touch

ing ting

sound, think vibratory, earth ratt'lin'

miracles, un belief

the act of unbelieving lies
as if there is a re

ality under lying

asif no lie can pass the true test

in the first theerum of one (rrroll therrrrum!)

The first of its kind from my own mind

a universe

ex
panding, like Bazooka Double Bubble.

whose lips? Jungish child askt the rock,
who sits? who sits on?

Rock staid quiet. Your lips...

senseless... no connecton to any re already re
ferred to

oh, no, bless m'soul, some lies are buts,
feeble patches

over light pierced points
in consistent insistence on possible  secrecy,

nothing

empty moments pierced

enlightenment,
thin light is not no light. That is a wee

thinklink. Follow a point  and find,

probably, eventually several ideas unthunk

until you imagined someone musta thunk it,

and realized
yourself,

as not Christ, and not dead,

muttering, who could not 'athunkit. How musta been involved.

from that prickofapen. Imagine a wall, not a Socratic
shadow show,
not a barrior, a plain 2-d -ic, flat wall in a dark room where

we go to pray for impossible things to be possible,

and we are answered with a scene
from the street below, through a hole in the shutter about
yea big,

camera obsura projected on that wall we all imagine

the fourth wall. A flection from another angle,

same light all squeezed through a tiny
ity bitty empty place in

time and space,
splashes up from the intersection of 3rd
and Broadway, Nashvul, 'bout a block from th Rhyman

spreads in each vector of probable vision

splashes against that wall we imagined,

That forth wall reflects each pixel, each photonic quant
you should have seen

had you ever gone there, at that time.
A poem intended to be
Olivia Magdelene Mar 2010
In the morning,
they shriek their
arrival with a cry
of effervescent doom
before the dawn
has so much as
shed a sliver
of light into my room

Standing tall,
these birds of black
feathers,
dark and deathly
apparitions
perch upon the pallad
bust of my building
with malevolent
intentions

They stalk my daytime
landscape
with the cunning
of a thief
reminding me,
enticing me
with the chaos
just beneath

I've no chance to
enjoy the daylight
when they cast their
shadows on the ground
These Ravens flock
together silently
as if immune to sound

They are the
Birds of Eventide,
the witnesses of the
****** and derelict
Brash and unsanctified,
no one can hide
from the portents
they predict

And around me,
the people walk unbidden,
hearing not this
beacon's call
These subtle squawks
are voices that talk
on the horrors of The Fall

I listen to their
Eventide prelude,
my soul trembling
at its core
because I can't pretend
that I can't hear
the message anymore...
Paula Swanson Jun 2010
The battlefield long now cleared
of corpse, blood and gore.
Belay the epic truth they tell,
knee deep in history and wars.

Dead stacked like cords of wood,
burnt on unsanctified fires.
Log by log of rigored souls
sent the flames up higher.

years later make shift morgues sat 'bout
to hold the fallen heroes.
Kept in dungeons and deeper colds,
till springtime thaw for burials.

Those that live on to build
and keep recording life.
Never thought once and all
war would end their daily strife.

So it goes, axe to sword,
Cannon to machine gun.
Scud missles to nuclear.
Who will be left to say they won?
Wk kortas Mar 2017
This thing—unsanctified, uncertified
(Reminiscent of an old, familiar sweater
Comfortable, perhaps a bit threadworm here and there,
Yet wholly functional)
Has become unwound,
Not in some spectacular supernova
Replete with shouting and finger-shaking,
But slowly, almost imperceptibly becoming patchy and care-worn
Until such point it no longer provides much
In terms of comfort or warmth,
A failure of evolution more than an excess of passion,
A matter of recalculation as opposed to recrimination.

Let us proceed onward, then, with as much decorum as we can muster.
Parse the checking statements, divvy up love seats and ottomans
With an emphasis on equity rather than enmity,
Leaving the plates and cups intact
Passing them on (a bit dewy-eyed, perhaps)
To begin anew in some niece’s college apartment
Or with other friends who shall gallantly attempt
To complete and compute what we could not,
Divining some math which leads not to our own aftermath
Of reasoned rumination in search of some cold consolation.
This dream this war this shadow wholly pondered for
Echoes in the Giants well
Begins its have and delves in need
Glistening in breathing drifts
Snow like feathers cast from fingertips
Hunger quaking in the heart of man
Simple deeds reverse this selfish plan
His eyes his mind his deafening signs
All fall
as his hands palm lifts
And seeks the pull of indifference
Shadowed thoughts and mirrored wealth
The tragedy of paradox was never felt
Like this before
And never will again, again
For strength and song the delicate dismisses wrong
The turn of earth her ghostly hair
Lain like shadows over ice and swept with air
Seasons drift and mend the scorn
A Distant world ressurects the storm
For truth and justice I resist
Heaven hides her golden head
For more to leave gone is the guess
Her enshambled riddle pounds it's fists
In fierce dissection weather strains
Like DNA in cosmic fits
Her tooth all caught on writted skin
The lost majestic rhyme their kin
With hopeless tragic stories rhythm
Gone the cost of indeterminate freedom
Underneath his school of thought
Lied the angle down and never bought
The answers hidden the code reversed
The second hand believers curse
The tragic thirst for sentenced bans
The belt of stars Orions hands
Truth unsanctified and freely given
Her moon well hides her violent vision
Jonathan Witte Oct 2016
I

Battered by a brute
Nor’easter, the cottage
rocks in rough wind,
teeters on tall stilts,
architecture animated
by howling provocations
until even the somnolent
wine glasses begin to sway;
suspended and racked in rows
below kitchen cabinets,
crystal clinks on crystal,
clear bells signaling alarm—
the storm forewarned is upon us.

II

This seaside aerie rises
high above sand dunes,
undulating driftwalls
feathered with sea oats.
Protected by weathered
shingles and salt-pocked
windows never shuttered,
the house stands sentry,
stoic structure overlooking
the Graveyard of the Atlantic,
the vast saltwater cemetery
where untold ships and sailors
have come to wreck and ruin,
subverted by shifting sandbars
and chancy wayward currents.

Buried in navigational Neverland,
vessels slumber in oceanic silence
on a seabed as soft as coffin plush.
***** convene in chambers of ruin,
scuttling over rotted mainsail masts;
the jellyfish hover, ghostlike, in hulls
above steerage skeletons bedecked
in crenulated shells and sea anemones.
Plankton settles on shipwreck rust:
pervasive spores, mausoleum dust.
And draped across each wreck,
a pelagic pall of melancholy.  

III

On summer nights, children
chase ghost *****, freezing
them with flashlights, scooping
them into buckets brimming
with a berserk racket of claws
and shells scratching circular
walls of makeshift plastic crypts.
From the top deck, we follow
disembodied beams of light
zigzagging in darkness,
graveyard robbers darting
above holes in the sand,
black portals, each one
the size of a child’s fist.

IV

Years ago, so-called
wreckers would hang
lanterns from horses’
necks and lead the beasts
up and down the beach,
yellow beacons signaling
as though from distant ships
buoyed on placid waters.
The lights lured desperate
vessels inland, unsuspecting
captains and crews crashing
ashore in blind catastrophe.
At daybreak, islanders
scavenged the spoils
of their subterfuge—
silver chalices,
jeweled goblets,
golden cups and bowls—
treasures cast to rapacious
hands upon an indifferent tide.
And of course the corpses came,
caught between shore and sea,
rolling in breakers, stuck
in salty purgatory, churning,
shell-pocked and unsanctified.

V

Tonight a yellow mote of light
floats miles from shore, some ship
flickering like a votive stowed
upon a headstone’s crown.

And the half-drunk bottle
of pinot noir in the ship’s
decanter has me thinking:
When my time comes round,
wait for a moonless night,
black funeral gown
of sky embroidered  
with stars and satellites,
and sneak to the end
of the Avon fishing pier
and release the ashes
from whatever vessel
you’ve decided best
accommodates me.
Scatter finite confetti
to an infinite tomb,
ashes dissolving
unceremoniously
in saltwater,
subsumed.

Next morning,
perhaps catch sight
of a spirited sailboat
tacking over waves,
sails billowing in wind
like the unfurled wings
of a sea bird, full of grace,
alighting from grave to grave to grave.
This dream this war this shadow wholly pondered for
Echoes in the Giants well
Begins its have and delves in need
Glistening in breathing drifts
Snow like feathers cast from fingertips
Hunger quaking in the heart of man
Simple deeds reverse this selfish plan
His eyes his mind his deafening signs
All fall
as his hands palm lifts
And seeks the pull of indifference
Shadowed thoughts and mirrored wealth
The tragedy of paradox was never felt
Like this before
And never will again, again
For strength and song the delicate dismisses wrong
The turn of earth her ghostly hair
Lain like shadows over ice and swept with air
Seasons drift and mend the scorn
A Distant world ressurects the storm
For truth and justice I resist
Heaven hides her golden head
For more to leave gone is the guess
Her enshambled riddle pounds of it's fists
In fierce dissection weather strains
Like DNA in cosmic fits
Her tooth all caught on writted skin
The lost majestic rhyme their kin
With hopeless tragic rhythm
Gone the cost of indeterminate freedom
Underneath his school of thought
Lied the angle down and never bought
The answers hidden the code reversed
The second hand believers curse
The tragic thirst for sentenced bans
The belt of stars Orions hands
Truth unsanctified and freely given
Her moon well hides her violent vision
Find for me a forgotten place
Haunted only by creatures of the wild
A retreat to rest in where the stars will shine forever
Overgrown, untended where dead may walk in dream
Unsanctified, cast out and long forgotten
By all but those who live unknown by man
With tangled growth of unnamed flowers uncounted
In seas of grass the rough hewn stones between
Nahal Jul 2019
In the very beginning,
my heart was on show but it
was actually covered
by an unsanctified dust.

In the very beginning,
I wasn't "feeling it" much.
Your eyes beamed whenever you
saw me. I felt it. I trust.

In the very beginning,
we spoke Frank truths so
don't expect Amy Winehouse
type level dedicated.

In the very beginning,
the music you played made me
nostalgic of past lovers:
our hearts left syncopated.

In the very beginning,
I was so attached to me
I smelt the selfishness from
my natural pheromones.

In the very beginning,
you walked so far ahead that
I got frustrated. A way
to see and hear how I moaned.

In the very beginning,
I definitely didn't
feel your soul as I do now.
Every pure inch of you.

In the very beginning,
it was quite different to
the very now. I wish you
the very best. Life anew.
Seven syllable thoughts, rhyming at the end of each couple stanzas. A reflection on a recent experience.
I think that we are alone now. What about your warts? Okay except
for my warts. My warts are not like elephants because elephants are
grey and come in quarts. Oh not that again uncle Ben! I have rice &
you have lice. Let us go to Homestead to commit atrocities upon 79
Cubans or not. We'll hang Fidel Castro. He's dead. Oh I just forgot.
It's far too big! I can't turn left! Quickly, Teresa Teng, call a hearse!
It's the nasty 1891 Morewood Massacre ****** upon wrongly-placed
coal-mining workmen in a Biblically-unsanctified, go-long reverse!

— The End —