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SassyJ Jan 2016
Human directives, veracities unverified  
Bellies belching with anger, murderers
Udders dripping hate, foundling banters
Hunters striking the hungered, unfortunate
Glare sight to seek the truth, hold me lets sink
Tear motions and debates of inequality

My Dafur, the realm of the fur, demise
All armed in Sudan, the arid, a battlefield
Emergency alarms sirens from 2003
The indefinite complications and hunger
A land of the displaced, starving nomads
Hear me out in these non-dissolving conflicts

Guantanamo bay detention a prison vicious
A base for “war in terrorism”, reciprocal laws
Inhumane human interrogations persists
A breach, a revolt, the hunger riots devolve
Force-feeding, torturous measures applied
All undressed, humiliated, genitalia exposed

A Rwanda slain in divide and rule
Civil clashes, mashes, all trashed
Swaying war rapes, tapes, the raves
Machetes slashing necks and hands
A lust of power, a genocide slaughter
The Tutsi slewed and unsewn from a patch

Autocratic regime boring divisions
Territorial ethnic cleansing, a holocaust
The oppression of Jews, Romanis, Poles
Homosexuals, the disabled and mentally ill
Indifference pooled in pits and camps
The institutional social indoctrination

The honor and killing to expose shame
The violation and dishonor of moral fabric
For what is “good”, “bad”, fixated moral values
Buried waists and head, awaiting stones to hit
Confessional secrets of only what lays within
A torment watching witnesses, all dangling

Marxists calls ships to stow ashore
Masses kidnapped, confused in deceit
Invalid contracts awaits signatures
The white immigrants to be enslaved
All aboard, now abroad to revolve labor
Wage packages taken to pay for freedom

Humans bought and sold to be owned
Slaves yorked and counted as assets
Bounded to serve plantations and homes
A human, non human, a chattel, a slave
A debt *******, offended and *****
Untamed and made to obey a master

A falling global strings unturned
Tunes strumming hate, war and pain
Human trafficking, violence, inequality
Child abuse, civil conflicts, capitalists
Commercialism, zero hour contracts
For if we have no rights, I have none
For if we have no peace I have none
We are in it together.........
So much inequality in the world before and now. Why can't we live in peace.
Stanza 1: Introduction to human autocracies
Stanza 2: Dafür (Sudan) ongoing civil war and people are dying of hunger.
Stanza 3:Guantanamo bay detention. The prisoners of "war in terrorism" are treated in an inhumane way. Who is the terrorist now?
Stanza 4: The Rwanda genocide where divide and rule led to civil war. Tutsi the fewer in numbers were killed by Hutu's.
Stanza 5: Honor killing where people are buried in pit and have stones thrown to them.
Stanza 6: Indentured servitude where white people/ caucasians were forced to sign contracts and then shipped as slaves to various locations worldwide. The wages earned were used to pay for their freedom.
Stanza 7: Slavery of black people. Sold and yorked as labour force.... owned as an asset.
Stanza 8: A failing global world where inequality is everywhere (disease, hunger, child abuse, human trafficking, violence, war.....) For if we have no peace I have none, If we have no rights I have none!!!
Adrianna Perez Jul 2014
April 5th 1994- Kurt Cobain dies
April 6th 1994- The President of Rwanda Dies
April 7th 1994- Kurt Cobain's body is found
April 7th 1994- A genocide begins.
Neighbors take arms against neighbors
People he once shared a sandbox with now hold a machete to his neck
Heads roll- literally
Babies cry out to their mothers who lie there choking on their own blood
Girls who 2 days ago were playing house with their dolls, now take care of their whole family
Screams of pain from girls who's innocence is taken from the man who used
           to bounce them on his knee.
Gathered in the place where God is supposed to be
Hundreds are murdered ruthlessly.
Guns not pointed at their heads
But clubs that smash them in.
Achilles' heels slashed
These men drink and feast and sleep
Over the screams of their victims
Babies born 9 months after these men took something that was not theirs to
           take
A physical representation of all that is evil and hatred and pain
She tries to love them anyway
But she sees him in them
He has daddy's eye
She has her fathers nose
She sees them in the way he looks at her when he's hungry
As if she is just there to quench that thirst with her body.

The whole word is split in 2
Nobody is Rwandan anymore
You are Hutu or Tutsi
Short or tall
Human or vermin.
The dead among the living
Sometimes I can't tell which is which
Until I see it
That sparkle of hope in that one man's eye
Because the human spirit will never die.
The father of his best friend tortured and murdered his mother on their
           front lawn.
Orphaned and afraid,
He cannot stop
He cannot slow down
He cannot give up
Because ***** Kurt Cobain
he has to tell the story of what really happened that day
Rwanda April 7th 1994
This is a spoken word poem that I wrote about the Rwandan Genocide that began on.... you guessed it April 7th 1994. Because it's a SPOKEN WORD poem I will eventually make a video of me SPEAKING it and post the link right here--->>> https://www.youtube.com/watch?v=MKMoL-SXMDc
Brynn Champney Jun 2010
Claude spreads the legs of his first girlfriend and
Recognizes the in-between
From his sister’s.

She was seventeen and silent;
He, six and sobbing,
Pushing the bamboo deeper
After
The men who ate
Dinner with his father
The week before
Told him to.

They said he had to **** her; said
He was a Tutsi, and limp, and finally,

“Farther!”

She was wet with blood and he with tears
Crouched down in the grass.

At twenty-one,
Claude hovers above
His first love
With closed eyes and dry cheeks.
She is wet, with want, and
Whimpering.

Not from
A stick’s broken branches,
Or twelve men
Holding her knees apart
“Showing a cockroach how it’s done,”
One by one
Ants crawling toward her blood.

Claude hears her closed-lip whimpers,
Says how much he’ll always love her, and
Cannot come.
2nd place, Society for Humanistic Anthropology's 2009 Ethnographic Poetry Contest
Publication: c. 2009 Jon Wiley & Sons, in Anthropology & Humanism, Vol. 34, Issue 2
I am the past and I am the present. I am the digger of graves and the conveyance to them.
I am the string; connected to the puppets that wield my blows.

I am the thing they call, “Havoc” I am the Blue Monkey.

The key to my cage, that which sets me free is your disinterest, your apathy and hate. My freedom to roam unabated is your ignorance, and retribution’s ****** slate.  Man’s violence upon himself is my ignorant inspiration, and I revel in the thought of his de-creation.

I can be found in city and town, in far flung reaches around the world. I can be seen in newscast scenes, I can be found in the eyes of a starving child. My name is celebrated in ball ammo flight, and the pungent aroma of smoke and cordite.

I am the flame set to irreverent crosses; lighting the sky with racist delights, I am the tailor of white sheeted banners so bias. I am the unjustified 13 knots of retribution, fashioned on the hangman’s noose.

I am the thing they call “Havoc” I am the Blue Monkey.

Complacency is my friend, Revenge, my *****. Blood letting my delight, to even senseless scores. My hands are soiled with the lives of many, and I have been given freedoms in place of your outrage. Look around in farm and town, in village and city streets, my presence is everywhere…

Keep sleeping; keep sleeping,
For when you awake, I shall have to go.

I am the vehement articulations of opinion and rhetoric, and in spite of your diatribes,
It is they that give me wing. I am the developer of future battlefields. I was the architect of the Auschwitz oven, the builder of the Berlin wall. I was the sharpened blade of Tutsi, Hutu cleansings. I am the mix master of Jim Jones’s cool aide. I am confusion; I am disassociation, alienation and empty pride.

I am the thing they call “Havoc” I am The Blue Monkey.

You will find me in back alley shooting dens, on skid row’s bleeding pavement.
You will find me in lonely fields and dark forests, within the graves of the murdered unknown. You will see my reflection in broken mirrors, for I celebrate their fall,
And I will revel in the screams of your unheard call.
They call me destruction; I am your neutron bomb. I am the wings of the Enola Gay at thirty thousand feet, reaching out to touch you. With nuclear, holocaust treats.
I am dynamite, TNT, I am the thought imposed in political superiority. I am the IED
On the path of Man’s sacred journey.  I am travail and tribulation.

I am the thing they call “Havoc” I am the Blue Monkey.

I am the summation of all your perceived wrongs, and yet you tarry about,
Clanging self-righteous gongs,
You see, but you are blind, you listen but do not hear. Instead you wallow in the pits of self loathing and determinate fear. And in that fear, it becomes quite clear that indeed your hearts are closed, for to open them wide would cause your heart to collide with the awful truth about me.

Yes, keep sleeping; and sleep well,
For when you awake, I shall have to go.

For I am the thing they call “Havoc” I am the Blue Monkey…
Josh Koepp Dec 2014
Here
I made a video right here to help you understand
Well i mean, you technically made the video...
I just uh...
Borrowed it?
I can see that you're...mad
But you know now right?
Please
Sit back down, you can wag your finger after
This is important

This is a video your child took of you mowing the lawn in 1994
Her big strong  parent, fumbling with this heavy-as-hell-is contraption
That sputters, and whirs, and kicks back
But like some superhero you...start to shove it along, and conquer the beast
And it sprays curiously alluring smog, that like a well behaved child, she knows not to breathe in,
Knows not to touch because she's not old enough
Or strong enough to pull that chord to trigger the bells and whistles
That she, nor i, nor probably you understands.

But i digress...

So here you are, with your child on the stoop, taking might i add some
Fine, stable footage you should really enroll her in some classes,
And you traveling around your suburban front yard, chasing away a squirrel with the lawnmower, harmlessly of course
And laughing with your daughter
Talking to your neighbors over the roaring engine,
Emptying the bag of fresh cut grass into the bin...

And that's where the battery died
No! Don't leave yet
I want you to watch again, listen again
Here...
Listen closely...








Did you hear the grass screaming of their judgement day, beneath the lovers kissing each other goodbye, wrapped around each other, as we hold hands, still entangled in  the mass graves you made for them

Beneath the ants cowering in their homes, begging their laborers to come back inside before they are noticed, before they are eviscerated and the foreman is forced to pay settlements

Beneath the subtle sound of your daughter breathing deeply of the sweet smelling gas that you told her to stay away from, that we learned to be repulsed by, that she has been told to be repulsed by

Beneath the...
Here, i'll rewind again
Here
You see the label on the lawnmower?
That manufacturer? That bar code? That order number? That factory? That steel purchase? That mine?
Did you hear the songs of the forced laborers there, the modern slaves that bear striking resemblance to the songs you learned in high school history class, except softer, pushed under the magazines

Beneath the squirrel complaining to the squirrel police about dangerous and disrespectful conduct it's neighbors have been performing when he comes to say hello and finally meet someone in the neighborhood, that he's lived so long in, just to be told it's not "Illegal,"

Beneath the slightly offensive joke you made towards your black neighbor, who missed the punchline over the roar of the engine, when you asked him why he was so light skinned, and whether that was a "slavery thing,"

Beneath your child hearing everything

You didn't yet...
You made that happen, didn't you?
This isn't me judging your character
I don't blame you "O' causer of destruction"

You were not given the tools i was given
And similarly i... was not given the tools you were given

You were given a lawnmower, and a camera
A beautiful daughter, a home, a job
Gas! The ability to live where you want!

I...well...
i was given the opportunity to talk to the grass...

And well...

In 1994, that same year, in Rwanda an atrocity was committed, a genocide.

And the characteristic machetes used to massacre the Tutsi people
Contained the same steel blend, from the same producer
As the blades in many lawnmowers at the time.

This isn't a conviction
I did this because i wanted you to know and be okay with being complicit because you exist a certain way
Innocent because you never knew, and couldn't have known

Because we love you
Because we need you
Because we need you to know now
JoJo Nguyen Jun 2015
Some days I wish I were an X-men
and not just an ordinary mutant.
Some days I wish I had Magician
level magic like Bink,
just enough to negate other's.
But then I look around;
The Irish and English don't have it.
The Pakistanis and Indians don't have it.
The Chinese and Taiwanese don't have it.
The Hutu and Tutsi don't have it.
The neighbors in Bab Tabbaneh and Jabal Mohsen,
don't have it.
Why should I have it?
We’re all just a bunch of Muggles.

Maybe it's a good thing I don't have superpowers.
I look around and in fits of frustration,
in bouts of rage, I might destroy all the Husnock.
I'm kinda glad now my only mutations are thoughts.
Thoughts that I put here,
viral like - infective memes - hemorrhagic e-fever.
Outbreak? Snow Crash? Virulency? Survival rate? Epicenter?
Futile epidemiology because I know
exactly what and where I am.
>sync.Fb.JBC
jeffrey robin Jun 2014
)
        )
                )
                       )
() ()
/
<>
\\

REAL ?



what ?

Nothin I see

••

If you won't stand up and fight

at least have the decency to shut up

••

If you won't shut up
At least have the decency to talk to yourself
In a padded room somewhere

••

HONESTY

••

Little Tutsi goodboob is all the rage

Lets somebody touch her ****
And calls herself -- free



Days and days and more misery

••

Unwanted children

---

My god !

--

Who the **** are we ?

••

REAL ?

Yes !

But

Only in the essence of our suffering
My African Dream
Alive in the day.
This nightmare is real
Where no children play.

Me a young women
A Tutsi my clan.
Survive and keep learning
Is all I can plan.

Dead fall in front
Dead fall behind
Fear is about me
No safety to find.

Machete, machine gun
Mateuš Conrad Nov 2021
**** me, what a... "predicament"... i'm applying myself to, eh... "cultural relevance": whatever the hell that means, even if enclosed in "misnomer" bracketing... but... of late, hell, more recently than "of late"... i am applying myself to a culture, a people, that's, simply put, a dodo-project... i'm not going to mind my contemporaries, i have three structural dynamics, all three are negations, i.e., since my grandfather died i have: NO peers, NO contemporaries... NO elders... i do have a graveyard of necromancy to deal with, i.e. my own private library, of actual, physical, stinking books... minimalist man and his ******* shortcuts, 'links in the disclaimer' blah blah blah... to write this worth of *******... while surrounded by a culture that, clearly, is hell-bent on... at best: shooting itself in the foot, at worst: committing suicide... because? oh.... universal suffrage... women... the instigators of downfall... women... whatever man built... has to topple, on the whims of a woman... it's not longer: woe to man... woman! it's... woman?! run! hide! save yourself... hunt a, ******* mammoth while you're at it! what the **** happened to romance? that ******, flimsy, whatever it was that was sold to us when growing up nearing the year 2000? gone... ****! in a flash... a droplet of water in a frying pan with a puddle of hot oil... in the meantime the ol' lovely jukebox that was once youtube was hijacked, circa... whatever year prior to 2020. I'm here, sort of waiting for death, death: by that i implore: release... as i also invoke the question: why do crows fly in pairs over England, while  on the continent they flock? huginn! muninn! truly, crows congregate in flocks on the continent... clouds of them... messerschmitt clouds or black, iron, crosses: looming shadows... yet over England... happy to see one sit it out, croaking, some the sunset, bound to find a crow paired... not paired up with a hooded crow, ever see a raven mingle with a magpie?! me neither... ever see crows display ****** attraction in a way that's atypical to pigeons, i.e. the whole routine of courting & subsequent failure? no... i guess crows do their "****" at night, in the forest, donning, for ****'s sake... leather S&M suits, gimp gagging *****, etc., no? no... i'm not writing this because it's pleasant, it's funny as hell (though)... but i'm sort of part of a culture that's dying... it's a dodo-project... this might be seen, if i am allowed, the same status as a mummy can... there was a man alive at the turn of the 21st century and he wrote, this... well... i'm all for hope... slowing down on the intake of alcohol too... i switched from whiskey to cider... her presto! i find myself animated... like cider was mixed up wit amphetamines, or caffeine... i raise my emptied bottle of cider like it might be a horn awaiting / celebrating a procession of a god through an avenue of spectators... i can't possibly here to "save" a culture, that, inevitably (however that might be phrased otherwise) is not willing, is making too many "anschluss" decisions... **** it... let it rot... let Pakistani men run rampant in Rotherham...  i'm just weirdly here, while it happens... Pontius Pilate once didn't say, while washing hi hands: i'll have nothing to do with this... let the dice roll... there's nothing to upkeep, there's nothing to conserve... questions, question: all that ought to be addressed by some supposed variation of an Elder... no elders though, just Alzheimer buggers... unto the youth, strain their shoulders.. perform the Atlas pose... ****'s sake... no! i will not defend this culture, i'll fake being part of it, sure... who wouldn't... thank god i didn't invest in carving replicas of DNA into this schematic... i'm happy not having children... oh i love the children of strangers, esp. toddlers... i can "talk" to them in onomatopoeias... that's fun... i can't disagree... no... beside this... no ******* chance in hell... hell first... my engagement in this world, second... i'm out... convince someone, otherwise, to take a spin, on your current variation of a carousel... what once there was, is no longer more, or for that matter is... sure... i will die childless, but also freed from the looming responsibility of the world in which, i left only words, but not a dire imprint of physicality having mated with someone, producing offspring... oh how glad i have to be! what relief! what release! if the structure of the argument follows its logical conclusion, one less of me, or a Russian.... then the Tutsi, Twa & the Hutu weren't slaughtered by Rwandian militias? my my, almost like the Yugoslav debacle, remnants of the Ottoman Empire... after all... it's not like the macaques staged a war against the baboons... come to "think" of it... i only visited Kenya to, "make-sure"... that the macaques were as boring, as easily spotted, as easily available as... pigeons... not a lot of birds in Africa... plenty of primates... falling asleep outside while those little rascals ravaged the possibilities of existence in the trees... perhaps the croaking of crows at night during winter is, some sort of "compensation"... but, not really...

my next door neighbour "thinks" it's necessary
to start rapping in the dark,
rap, or rhyme, whatever,
what a waste of breath...

there's a passage in Plato's Theaetetus
where Socrates
arrives at something
resembling a Japanese unit of language...
a unit of syllabary...
i.e. consonant + vowel...
why oh why does Japanese
allow for the stand-off with
the five vowels and one consonant (N)...

ΣO... something about knowledge,
so what?

don't ask: i'm grooving to...
Alphaville's Big in Japan...
to be a teenager in the 1980's...
going to the cinema with a sweetheart,
going to the cinema to watch
a horror movie...
hell... what a time to be alive!
Duran Duran, A-Ha... Roxette...
the Cure, Depeche Mode...

we don't have any cultural ref. markers...
Tool? seriously, o.k.,
i can give you that one...
i'm not even going to mention
the Comic Book film adaptations...
Unbreakable... that film consolidates
all the rest of them...
the soundtrack is tantamount too,
more a bonus than anything...

ΔO? do i?
well... ***!
ΔO is more: ΔΩ:

to doo... otherwise, what's that?
DOUGH?
we're baking bread, now?
oh the dreaded return of the facemasks...
muzzles... how near are we to a gallop?
there's no silent H in Greek...
"silent", technically a surd...
no, there's no dow or dough invoked...

i've just spent an hour writing up
a writing assessment for an NVQ qualification,
i find relief in having abandoned
all that formal language...
in the first scenario i was writing
a newsletter for a local volunteer project
concerning a recent vandalism of the park...

in the second scenario i was writing an article
to reply to a nutritionist on campus who
spotted that only takeaway quality of foods /
fizzy foods were available,
so no salads etc.,
she also mentioned that the students
were not getting enough exercise...
i agreed with the hypothetical she on the grounds
of food... but i implored her,
as a nutritionist... to not meddle in affairs
of exercise, was she implying that she's a nutritionist
AND a personal trainer?
everything hypothetically staged, of course...

ugh... this dreary formal language when employed
to examinations...
does my head in... no knowledge of the three dots
as an authentic punctuation mark...
the hanging suspense.

how do the Greeks laugh? if H is the capital
ref. to eta... is eta less prolonged than epsilon?
oh i know that there are obvious similarities
between Omicron and OOmega...

do: pool, do i just pull?
omicron, omega, upsilon...
sounds almost the same,
how the meaning changes when written down...
excesses, "excesses" of the lambda...
pulverise... most certainly not pull-toward-the-averse...

come 2am... all is self-evident...
i can't possibly be an additional chapter in
this culture's self-expression...
it's the end... a culminating perspective of cul de sac....
bring me fire, bring me waves...
even those ethnic minority groups
who have established themselves
in the parameters of this languages
are... pretty much aware that...
they're not safe...
well... their status isn't...

            i might think of myself as an Anglo-Slav...
but... there are plenty that wouldn't ascribe those
words to themselves...
then again... most Polacks are staying put...
blah blah, one confusion after another...
here's to planning a ***** colony in
Botswana!
me, you... let's hire a dingy!
let's cross the Strait of Gibraltar!

we won't worry... we didn't invest in having
children... don't worry...
it's not like the culture we were leaving was
anything but fair to us...
it was willingly dying...
i stopped to bother about it,
when it stopped bothering about itself.

strange... of a people that most espouse this
whole Darwinism tirade...
all ******* theory: very little practice...
the English be ****** for their Darwinism!
seriously!
all their little explanations, their ergonomics,
their ******* sensibilities...
their cricket banalities...
yet when facing an immediate and obvious threat?!
where's the carpet? where's the dust?
the broom! the broom! quick! quick!
******* to Devonshire!
people ought to learn to be heartless...
then again... when was the last time the English
were asked to be heartless,
when was the last time they were subjugated
by a foreign entity, in a historically legal sense of
noting history?

so much for their pompous posturing within
the luxury of historically reading about the greatest
empire that could ever be envisioned...
i wasn't there for the partitioning
of the Polish-Lithuanian Commonwealth...
i'm so sorry that i missed it...
but i'm here for "this"... and boy... do i have a hard-on
for what's to come next...
i'm just waiting for the Welsh & Scottish nationalists
to put in some more momentum!

after all... if you're going to deconstruct Warsaw...
you need to do it: brick by brick...
so that... no brick stands on another brick...
here we go... looking forward...
a future: that wonderful plateau!

— The End —