GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets

It's elementary, my dear
This bittersweet affection that I feel
From one boy to the next I grew
Ladder rungs of broken hearts

First grade
Blonde hair and disarming smile
Recess games and hallway passes
A note in a diary and minutes spent giggling
Never talking, always watching

Fourth grade
Glasses frame of brown hair and thin shoulders
Curious enigma to come and go
A bit more literate diary entrees
One year of crossed legs and shy smiles

Fifth grade
A growing tree of lean muscle and blue eyes
Short brown hair and a charming grin
Side by side on a rubber track
Gray skies and sweet goodbyes
A bright dance floor and a shattered heart
Miserable nights and heartbreak songs

Seventh grade
Long dark hair and chocolate eyes
This spring has brought a strange surprise
Wiry muscle and soft cheeks
Once admired, then adored
An ongoing thrum of sweet affection
Sidelong glances and gym class stares
New discoveries and quiet realization
Girl can love girl

Tenth grade
A firecracker packed with mysterious boys
And an enigmatic girl
A bomb in the summer sky
Spelling new names, new faces, new hearts
A whisper of 'I love you' at long last returned
Names carved on my ribs and pulling my lips
A tightened chest never felt so good

Muse of my native land! loftiest Muse!
O first-born on the mountains! by the hues
Of heaven on the spiritual air begot:
Long didst thou sit alone in northern grot,
While yet our England was a wolfish den;
Before our forests heard the talk of men;
Before the first of Druids was a child;--
Long didst thou sit amid our regions wild
Rapt in a deep prophetic solitude.
There came an eastern voice of solemn mood:--
Yet wast thou patient. Then sang forth the Nine,
Apollo's garland:--yet didst thou divine
Such home-bred glory, that they cry'd in vain,
"Come hither, Sister of the Island!" Plain
Spake fair Ausonia; and once more she spake
A higher summons:--still didst thou betake
Thee to thy native hopes. O thou hast won
A full accomplishment! The thing is done,
Which undone, these our latter days had risen
On barren souls. Great Muse, thou know'st what prison
Of flesh and bone, curbs, and confines, and frets
Our spirit's wings: despondency besets
Our pillows; and the fresh to-morrow morn
Seems to give forth its light in very scorn
Of our dull, uninspired, snail-paced lives.
Long have I said, how happy he who shrives
To thee! But then I thought on poets gone,
And could not pray:--nor can I now--so on
I move to the end in lowliness of heart.----

  "Ah, woe is me! that I should fondly part
From my dear native land! Ah, foolish maid!
Glad was the hour, when, with thee, myriads bade
Adieu to Ganges and their pleasant fields!
To one so friendless the clear freshet yields
A bitter coolness, the ripe grape is sour:
Yet I would have, great gods! but one short hour
Of native air--let me but die at home."

  Endymion to heaven's airy dome
Was offering up a hecatomb of vows,
When these words reach'd him. Whereupon he bows
His head through thorny-green entanglement
Of underwood, and to the sound is bent,
Anxious as hind towards her hidden fawn.

  "Is no one near to help me? No fair dawn
Of life from charitable voice? No sweet saying
To set my dull and sadden'd spirit playing?
No hand to toy with mine? No lips so sweet
That I may worship them? No eyelids meet
To twinkle on my *****? No one dies
Before me, till from these enslaving eyes
Redemption sparkles!--I am sad and lost."

  Thou, Carian lord, hadst better have been tost
Into a whirlpool. Vanish into air,
Warm mountaineer! for canst thou only bear
A woman's sigh alone and in distress?
See not her charms! Is Phoebe passionless?
Phoebe is fairer far--O gaze no more:--
Yet if thou wilt behold all beauty's store,
Behold her panting in the forest grass!
Do not those curls of glossy jet surpass
For tenderness the arms so idly lain
Amongst them? Feelest not a kindred pain,
To see such lovely eyes in swimming search
After some warm delight, that seems to perch
Dovelike in the dim cell lying beyond
Their upper lids?--Hist!             "O for Hermes' wand
To touch this flower into human shape!
That woodland Hyacinthus could escape
From his green prison, and here kneeling down
Call me his queen, his second life's fair crown!
Ah me, how I could love!--My soul doth melt
For the unhappy youth--Love! I have felt
So faint a kindness, such a meek surrender
To what my own full thoughts had made too tender,
That but for tears my life had fled away!--
Ye deaf and senseless minutes of the day,
And thou, old forest, hold ye this for true,
There is no lightning, no authentic dew
But in the eye of love: there's not a sound,
Melodious howsoever, can confound
The heavens and earth in one to such a death
As doth the voice of love: there's not a breath
Will mingle kindly with the meadow air,
Till it has panted round, and stolen a share
Of passion from the heart!"--

                              Upon a bough
He leant, wretched. He surely cannot now
Thirst for another love: O impious,
That he can even dream upon it thus!--
Thought he, "Why am I not as are the dead,
Since to a woe like this I have been led
Through the dark earth, and through the wondrous sea?
Goddess! I love thee not the less: from thee
By Juno's smile I turn not--no, no, no--
While the great waters are at ebb and flow.--
I have a triple soul! O fond pretence--
For both, for both my love is so immense,
I feel my heart is cut in twain for them."

  And so he groan'd, as one by beauty slain.
The lady's heart beat quick, and he could see
Her gentle ***** heave tumultuously.
He sprang from his green covert: there she lay,
Sweet as a muskrose upon new-made hay;
With all her limbs on tremble, and her eyes
Shut softly up alive. To speak he tries.
"Fair damsel, pity me! forgive that I
Thus violate thy bower's sanctity!
O pardon me, for I am full of grief--
Grief born of thee, young angel! fairest thief!
Who stolen hast away the wings wherewith
I was to top the heavens. Dear maid, sith
Thou art my executioner, and I feel
Loving and hatred, misery and weal,
Will in a few short hours be nothing to me,
And all my story that much passion slew me;
Do smile upon the evening of my days:
And, for my tortur'd brain begins to craze,
Be thou my nurse; and let me understand
How dying I shall kiss that lily hand.--
Dost weep for me? Then should I be content.
Scowl on, ye fates! until the firmament
Outblackens Erebus, and the full-cavern'd earth
Crumbles into itself. By the cloud girth
Of Jove, those tears have given me a thirst
To meet oblivion."--As her heart would burst
The maiden sobb'd awhile, and then replied:
"Why must such desolation betide
As that thou speakest of? Are not these green nooks
Empty of all misfortune? Do the brooks
Utter a gorgon voice? Does yonder thrush,
Schooling its half-fledg'd little ones to brush
About the dewy forest, whisper tales?--
Speak not of grief, young stranger, or cold snails
Will slime the rose to night. Though if thou wilt,
Methinks 'twould be a guilt--a very guilt--
Not to companion thee, and sigh away
The light--the dusk--the dark--till break of day!"
"Dear lady," said Endymion, "'tis past:
I love thee! and my days can never last.
That I may pass in patience still speak:
Let me have music dying, and I seek
No more delight--I bid adieu to all.
Didst thou not after other climates call,
And murmur about Indian streams?"--Then she,
Sitting beneath the midmost forest tree,
For pity sang this roundelay------

          "O Sorrow,
          Why dost borrow
The natural hue of health, from vermeil lips?--
          To give maiden blushes
          To the white rose bushes?
Or is it thy dewy hand the daisy tips?

          "O Sorrow,
          Why dost borrow
The lustrous passion from a falcon-eye?--
          To give the glow-worm light?
          Or, on a moonless night,
To tinge, on syren shores, the salt sea-spry?

          "O Sorrow,
          Why dost borrow
The mellow ditties from a mourning tongue?--
          To give at evening pale
          Unto the nightingale,
That thou mayst listen the cold dews among?

          "O Sorrow,
          Why dost borrow
Heart's lightness from the merriment of May?--
          A lover would not tread
          A cowslip on the head,
Though he should dance from eve till peep of day--
          Nor any drooping flower
          Held sacred for thy bower,
Wherever he may sport himself and play.

          "To Sorrow
          I bade good-morrow,
And thought to leave her far away behind;
          But cheerly, cheerly,
          She loves me dearly;
She is so constant to me, and so kind:
          I would deceive her
          And so leave her,
But ah! she is so constant and so kind.

"Beneath my palm trees, by the river side,
I sat a weeping: in the whole world wide
There was no one to ask me why I wept,--
          And so I kept
Brimming the water-lily cups with tears
          Cold as my fears.

"Beneath my palm trees, by the river side,
I sat a weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
        But hides and shrouds
Beneath dark palm trees by a river side?

"And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
        'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
        'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
        To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when, in June,
Tall chesnuts keep away the sun and moon:--
        I rush'd into the folly!

"Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
        With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms, and shoulders, enough white
        For Venus' pearly bite;
And near him rode Silenus on his ***,
Pelted with flowers as he on did pass
        Tipsily quaffing.

"Whence came ye, merry Damsels! whence came ye!
So many, and so many, and such glee?
Why have ye left your bowers desolate,
        Your lutes, and gentler fate?--
‘We follow Bacchus! Bacchus on the wing?
        A conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
        To our wild minstrelsy!'

"Whence came ye, jolly Satyrs! whence came ye!
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
        Your nuts in oak-tree cleft?--
‘For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
        And cold mushrooms;
For wine we follow Bacchus through the earth;
Great God of breathless cups and chirping mirth!--
Come hither, lady fair, and joined be
To our mad minstrelsy!'

"Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
        With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of ******, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
        Nor care for wind and tide.

"Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done:
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
        On spleenful unicorn.

"I saw Osirian Egypt kneel adown
        Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
        To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
        Old Tartary the fierce!
The kings of Inde their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
        And all his priesthood moans;
Before young Bacchus' eye-wink turning pale.--
Into these regions came I following him,
Sick hearted, weary--so I took a whim
To stray away into these forests drear
        Alone, without a peer:
And I have told thee all thou mayest hear.

          "Young stranger!
          I've been a ranger
In search of pleasure throughout every clime:
          Alas! 'tis not for me!
          Bewitch'd I sure must be,
To lose in grieving all my maiden prime.

          "Come then, Sorrow!
          Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
          I thought to leave thee
          And deceive thee,
But now of all the world I love thee best.

          "There is not one,
          No, no, not one
But thee to comfort a poor lonely maid;
          Thou art her mother,
          And her brother,
Her playmate, and her wooer in the shade."

  O what a sigh she gave in finishing,
And look, quite dead to every worldly thing!
Endymion could not speak, but gazed on her;
And listened to the wind that now did stir
About the crisped oaks full drearily,
Yet with as sweet a softness as might be
Remember'd from its velvet summer song.
At last he said: "Poor lady, how thus long
Have I been able to endure that voice?
Fair Melody! kind Syren! I've no choice;
I must be thy sad servant evermore:
I cannot choose but kneel here and adore.
Alas, I must not think--by Phoebe, no!
Let me not think, soft Angel! shall it be so?
Say, beautifullest, shall I never think?
O thou could'st foster me beyond the brink
Of recollection! make my watchful care
Close up its bloodshot eyes, nor see despair!
Do gently ****** half my soul, and I
Shall feel the other half so utterly!--
I'm giddy at that cheek so fair and smooth;
O let it blush so ever! let it soothe
My madness! let it mantle rosy-warm
With the tinge of love, panting in safe alarm.--
This cannot be thy hand, and yet it is;
And this is sure thine other softling--this
Thine own fair *****, and I am so near!
Wilt fall asleep? O let me sip that tear!
And whisper one sweet word that I may know
This is this world--sweet dewy blossom!"--Woe!
Woe! Woe to that Endymion! Where is he?--
Even these words went echoing dismally
Through the wide forest--a most fearful tone,
Like one repenting in his latest moan;
And while it died away a shade pass'd by,
As of a thunder cloud. When arrows fly
Through the thick branches, poor ring-doves sleek forth
Their timid necks and tremble; so these both
Leant to each other trembling, and sat so
Waiting for some destruction--when lo,
Foot-fe

THE HOUSE OF DUST
A Symphony

BY
CONRAD AIKEN

To Jessie

NOTE

. . . Parts of this poem have been printed in "The North American
Review, Others, Poetry, Youth, Coterie, The Yale Review". . . . I am
indebted to Lafcadio Hearn for the episode called "The Screen Maiden"
in Part II.


     This text comes from the source available at
     Project Gutenberg, originally prepared by Judy Boss
     of Omaha, NE.
    
THE HOUSE OF DUST


PART I.


I.

The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.

And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.

'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.

We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .

Good-night!  Good-night!  Good-night!  We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride.  We turn our faces
To what the eternal evening brings.

Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.

Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for?  Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.


II.

One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.

One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.

Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,-we who mass and crowd
From wall to wall in the darkening of a cloud.

The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.


III.

One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.

Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.

Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.


IV.

Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.

They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.

And behind them all the ghosts of thoughts went moving,
Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.

And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.

And there was one who turned from clamoring streets,
And walked in lamplit gardens among black trees,
And looked at the windy sky,
And thought with terror how stones and roots would freeze
And birds in the dead boughs cry . . .

And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.

And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.


V.

The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.

The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.

One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.

Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . .  We spread out swiftly;
Trees are above us, and darkness.  The canyon fades . . .

And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.

We flow to the east, to the white-lined shivering sea;
We reach to the west, where the whirling sun went down;
We close our eyes to music in bright cafees.
We diverge from clamorous streets to streets that are silent.
We loaf where the wind-spilled fountain plays.

And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.


VI.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,-
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so-he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.


VII.

Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.

'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died-you know the way.  Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'

He folds his letter, steps softly down the stairs.
The doors are closed and silent.  A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind.  Night roars above him.
Into the night he fades.

Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and ****** of glass . . .
Darkness whistles . . . Wild hours pass . . .

And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,-
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of

O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous *****, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,--weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.

                        Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous *******
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.

  Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'**** lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I ****
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A ****** light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,--for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle ***** of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."

  Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land--
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than be--I care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my *****, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burst--that I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!--my spirit fails--
Dear goddess, help! or the wide-gaping air
Will gulph me--help!"--At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"

  He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.

  'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His ***** grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonders--past the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the ***** of a hated thing.

  What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame--
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue--
O let me slake it at the running springs!
Upon my ear a noisy nothing rings--
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float--
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!--
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"

  Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide--
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all ****,
Bursts gradual, with a wayward indolence.

  Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goes--he stops--his ***** beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.

  O did he ever live, that lonely man,
Who lov'd--and music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.

  And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrt

Weathered grasslands called to pass
Sidelong glances drifting past
Echoed corridors lined with dreams
Forgotten places endless scenes
Why now called the summer flower
Willow tree bends to earth’s power
Rainbows arching cross blue sky
Lightning flashes slowly passing by
As if in answer prophets cry
Unread books on roads gone awry
Speaking of faith so many try
Eagles swirl alone up high
Tongues there spoken far and wide
As white mans sailing ships sails set high
Reaching new lands to supply
The different things he bring they cry
Born of welcome to white ghosts
Never fearing their new hosts
Times they pass and things they've seen
The destruction of their race no dream
Generation’s blame and lies
No so many white men cries
Cities built cross-sacred sites
Blots on landscape once so nice
Whatever happened to the Blackman’s rights

(GE2014) (C) Reserved

School is over.  It is too hot
to walk at ease.  At ease
in light frocks they walk the streets
to while the time away.
They have grown tall.  They hold
pink flames in their right hands.
In white from head to foot,
with sidelong, idle look—
in yellow, floating stuff,
black sash and stockings—
touching their avid mouths
with pink sugar on a stick—
like a carnation each holds in her hand—
they mount the lonely street.

All night the dreadless Angel, unpursued,
Through Heaven’s wide champain held his way; till Morn,
Waked by the circling Hours, with rosy hand
Unbarred the gates of light.  There is a cave
Within the mount of God, fast by his throne,
Where light and darkness in perpetual round
Lodge and dislodge by turns, which makes through Heaven
Grateful vicissitude, like day and night;
Light issues forth, and at the other door
Obsequious darkness enters, till her hour
To veil the Heaven, though darkness there might well
Seem twilight here:  And now went forth the Morn
Such as in highest Heaven arrayed in gold
Empyreal; from before her vanished Night,
Shot through with orient beams; when all the plain
Covered with thick embattled squadrons bright,
Chariots, and flaming arms, and fiery steeds,
Reflecting blaze on blaze, first met his view:
War he perceived, war in procinct; and found
Already known what he for news had thought
To have reported:  Gladly then he mixed
Among those friendly Powers, who him received
With joy and acclamations loud, that one,
That of so many myriads fallen, yet one
Returned not lost.  On to the sacred hill
They led him high applauded, and present
Before the seat supreme; from whence a voice,
From midst a golden cloud, thus mild was heard.
Servant of God. Well done; well hast thou fought
The better fight, who single hast maintained
Against revolted multitudes the cause
Of truth, in word mightier than they in arms;
And for the testimony of truth hast borne
Universal reproach, far worse to bear
Than violence; for this was all thy care
To stand approved in sight of God, though worlds
Judged thee perverse:  The easier conquest now
Remains thee, aided by this host of friends,
Back on thy foes more glorious to return,
Than scorned thou didst depart; and to subdue
By force, who reason for their law refuse,
Right reason for their law, and for their King
Messiah, who by right of merit reigns.
Go, Michael, of celestial armies prince,
And thou, in military prowess next,
Gabriel, lead forth to battle these my sons
Invincible; lead forth my armed Saints,
By thousands and by millions, ranged for fight,
Equal in number to that Godless crew
Rebellious:  Them with fire and hostile arms
Fearless assault; and, to the brow of Heaven
Pursuing, drive them out from God and bliss,
Into their place of punishment, the gulf
Of Tartarus, which ready opens wide
His fiery Chaos to receive their fall.
So spake the Sovran Voice, and clouds began
To darken all the hill, and smoke to roll
In dusky wreaths, reluctant flames, the sign
Of wrath awaked; nor with less dread the loud
Ethereal trumpet from on high ‘gan blow:
At which command the Powers militant,
That stood for Heaven, in mighty quadrate joined
Of union irresistible, moved on
In silence their bright legions, to the sound
Of instrumental harmony, that breathed
Heroick ardour to adventurous deeds
Under their God-like leaders, in the cause
Of God and his Messiah.  On they move
Indissolubly firm; nor obvious hill,
Nor straitening vale, nor wood, nor stream, divides
Their perfect ranks; for high above the ground
Their march was, and the passive air upbore
Their nimble tread; as when the total kind
Of birds, in orderly array on wing,
Came summoned over Eden to receive
Their names of thee; so over many a tract
Of Heaven they marched, and many a province wide,
Tenfold the length of this terrene:  At last,
Far in the horizon to the north appeared
From skirt to skirt a fiery region, stretched
In battailous aspect, and nearer view
Bristled with upright beams innumerable
Of rigid spears, and helmets thronged, and shields
Various, with boastful argument portrayed,
The banded Powers of Satan hasting on
With furious expedition; for they weened
That self-same day, by fight or by surprise,
To win the mount of God, and on his throne
To set the Envier of his state, the proud
Aspirer; but their thoughts proved fond and vain
In the mid way:  Though strange to us it seemed
At first, that Angel should with Angel war,
And in fierce hosting meet, who wont to meet
So oft in festivals of joy and love
Unanimous, as sons of one great Sire,
Hymning the Eternal Father:  But the shout
Of battle now began, and rushing sound
Of onset ended soon each milder thought.
High in the midst, exalted as a God,
The Apostate in his sun-bright chariot sat,
Idol of majesty divine, enclosed
With flaming Cherubim, and golden shields;
Then lighted from his gorgeous throne, for now
“twixt host and host but narrow space was left,
A dreadful interval, and front to front
Presented stood in terrible array
Of hideous length:  Before the cloudy van,
On the rough edge of battle ere it joined,
Satan, with vast and haughty strides advanced,
Came towering, armed in adamant and gold;
Abdiel that sight endured not, where he stood
Among the mightiest, bent on highest deeds,
And thus his own undaunted heart explores.
O Heaven! that such resemblance of the Highest
Should yet remain, where faith and realty
Remain not:  Wherefore should not strength and might
There fail where virtue fails, or weakest prove
Where boldest, though to fight unconquerable?
His puissance, trusting in the Almighty’s aid,
I mean to try, whose reason I have tried
Unsound and false; nor is it aught but just,
That he, who in debate of truth hath won,
Should win in arms, in both disputes alike
Victor; though brutish that contest and foul,
When reason hath to deal with force, yet so
Most reason is that reason overcome.
So pondering, and from his armed peers
Forth stepping opposite, half-way he met
His daring foe, at this prevention more
Incensed, and thus securely him defied.
Proud, art thou met? thy hope was to have reached
The highth of thy aspiring unopposed,
The throne of God unguarded, and his side
Abandoned, at the terrour of thy power
Or potent tongue:  Fool!not to think how vain
Against the Omnipotent to rise in arms;
Who out of smallest things could, without end,
Have raised incessant armies to defeat
Thy folly; or with solitary hand
Reaching beyond all limit, at one blow,
Unaided, could have finished thee, and whelmed
Thy legions under darkness:  But thou seest
All are not of thy train; there be, who faith
Prefer, and piety to God, though then
To thee not visible, when I alone
Seemed in thy world erroneous to dissent
From all:  My sect thou seest;now learn too late
How few sometimes may know, when thousands err.
Whom the grand foe, with scornful eye askance,
Thus answered.  Ill for thee, but in wished hour
Of my revenge, first sought for, thou returnest
From flight, seditious Angel! to receive
Thy merited reward, the first assay
Of this right hand provoked, since first that tongue,
Inspired with contradiction, durst oppose
A third part of the Gods, in synod met
Their deities to assert; who, while they feel
Vigour divine within them, can allow
Omnipotence to none.  But well thou comest
Before thy fellows, ambitious to win
From me some plume, that thy success may show
Destruction to the rest:  This pause between,
(Unanswered lest thou boast) to let thee know,
At first I thought that Liberty and Heaven
To heavenly souls had been all one; but now
I see that most through sloth had rather serve,
Ministring Spirits, trained up in feast and song!
Such hast thou armed, the minstrelsy of Heaven,
Servility with freedom to contend,
As both their deeds compared this day shall prove.
To whom in brief thus Abdiel stern replied.
Apostate! still thou errest, nor end wilt find
Of erring, from the path of truth remote:
Unjustly thou depravest it with the name
Of servitude, to serve whom God ordains,
Or Nature:  God and Nature bid the same,
When he who rules is worthiest, and excels
Them whom he governs.  This is servitude,
To serve the unwise, or him who hath rebelled
Against his worthier, as thine now serve thee,
Thyself not free, but to thyself enthralled;
Yet lewdly darest our ministring upbraid.
Reign thou in Hell, thy kingdom; let me serve
In Heaven God ever blest, and his divine
Behests obey, worthiest to be obeyed;
Yet chains in Hell, not realms, expect:  Mean while
From me returned, as erst thou saidst, from flight,
This greeting on thy impious crest receive.
So saying, a noble stroke he lifted high,
Which hung not, but so swift with tempest fell
On the proud crest of Satan, that no sight,
Nor motion of swift thought, less could his shield,
Such ruin intercept:  Ten paces huge
He back recoiled; the tenth on bended knee
His massy spear upstaid; as if on earth
Winds under ground, or waters forcing way,
Sidelong had pushed a mountain from his seat,
Half sunk with all his pines.  Amazement seised
The rebel Thrones, but greater rage, to see
Thus foiled their mightiest; ours joy filled, and shout,
Presage of victory, and fierce desire
Of battle:  Whereat Michael bid sound
The Arch-Angel trumpet; through the vast of Heaven
It sounded, and the faithful armies rung
Hosanna to the Highest:  Nor stood at gaze
The adverse legions, nor less hideous joined
The horrid shock.  Now storming fury rose,
And clamour such as heard in Heaven till now
Was never; arms on armour clashing brayed
Horrible discord, and the madding wheels
Of brazen chariots raged; dire was the noise
Of conflict; over head the dismal hiss
Of fiery darts in flaming vollies flew,
And flying vaulted either host with fire.
So under fiery cope together rushed
Both battles main, with ruinous assault
And inextinguishable rage.  All Heaven
Resounded; and had Earth been then, all Earth
Had to her center shook.  What wonder? when
Millions of fierce encountering Angels fought
On either side, the least of whom could wield
These elements, and arm him with the force
Of all their regions:  How much more of power
Army against army numberless to raise
Dreadful combustion warring, and disturb,
Though not destroy, their happy native seat;
Had not the Eternal King Omnipotent,
From his strong hold of Heaven, high over-ruled
And limited their might; though numbered such
As each divided legion might have seemed
A numerous host; in strength each armed hand
A legion; led in fight, yet leader seemed
Each warriour single as in chief, expert
When to advance, or stand, or turn the sway
Of battle, open when, and when to close
The ridges of grim war:  No thought of flight,
None of retreat, no unbecoming deed
That argued fear; each on himself relied,
As only in his arm the moment lay
Of victory:  Deeds of eternal fame
Were done, but infinite; for wide was spread
That war and various; sometimes on firm ground
A standing fight, then, soaring on main wing,
Tormented all the air; all air seemed then
Conflicting fire.  Long time in even scale
The battle hung; till Satan, who that day
Prodigious power had shown, and met in arms
No equal, ranging through the dire attack
Of fighting Seraphim confused, at length
Saw where the sword of Michael smote, and felled
Squadrons at once; with huge two-handed sway
Brandished aloft, the horrid edge came down
Wide-wasting; such destruction to withstand
He hasted, and opposed the rocky orb
Of tenfold adamant, his ample shield,
A vast circumference.  At his approach
The great Arch-Angel from his warlike toil
Surceased, and glad, as hoping here to end
Intestine war in Heaven, the arch-foe subdued
Or captive dragged in chains, with hostile frown
And visage all inflamed first thus began.
Author of evil, unknown till thy revolt,
Unnamed in Heaven, now plenteous as thou seest
These acts of hateful strife, hateful to all,
Though heaviest by just measure on thyself,
And thy  adherents:  How hast thou disturbed
Heaven’s blessed peace, and into nature brought
Misery, uncreated till the crime
Of thy rebellion! how hast thou instilled
Thy malice into thousands, once upright
And faithful, now proved false!  But think not here
To trouble holy rest; Heaven casts thee out
From all her confines.  Heaven, the seat of bliss,
Brooks not the works of violence and war.
Hence then, and evil go with thee along,
Thy offspring, to the place of evil, Hell;
Thou and thy wicked crew! there mingle broils,
Ere this avenging sword begin thy doom,
Or some more sudden vengeance, winged from God,
Precipitate thee with augmented pain.
So spake the Prince of Angels; to whom thus
The Adversary.  Nor think thou with wind
Of aery threats to awe whom yet with deeds
Thou canst not.  Hast thou turned the least of these
To flight, or if to fall, but that they rise
Unvanquished, easier to transact with me
That thou shouldst hope, imperious, and with threats
To chase me hence? err not, that so shall end
The strife which thou callest evil, but we style
The strife of glory; which we mean to win,
Or turn this Heaven itself into the Hell
Thou fablest; here however to dwell free,
If not to reign:  Mean while thy utmost force,
And join him named Almighty to thy aid,
I fly not, but have sought thee far and nigh.
They ended parle, and both addressed for fight
Unspeakable; for who, though with the tongue
Of Angels, can relate, or to what things
Liken on earth conspicuous, that may lift
Human imagination to such highth
Of Godlike power? for likest Gods they seemed,
Stood they or moved, in stature, motion, arms,
Fit to decide the empire of great Heaven.
Now waved their fiery swords, and in the air
Made horrid circles; two broad suns their shields
Blazed opposite, while Expectation stood
In horrour:  From each hand with speed retired,
Where erst was thickest fight, the angelick throng,
And left large field, unsafe within the wind
Of such commotion; such as, to set forth
Great things by small, if, nature’s concord broke,
Among the constellations war were sprung,
Two planets, rushing from aspect malign
Of fiercest opposition, in mid sky
Should combat, and their jarring spheres confound.
Together both with next to almighty arm
Up-lifted imminent, one stroke they aimed
That might determine, and not need repeat,
As not of power at once; nor odds appeared
In might or swift prevention:  But the sword
Of Michael from the armoury of God
Was given him tempered so, that neither keen
Nor solid might resist that edge: it met
The sword of Satan, with steep force to smite
Descending, and in half cut sheer; nor staid,
But with swift wheel reverse, deep entering, shared
All his right side:  Then Satan first knew pain,
And writhed him to and fro convolved; so sore
The griding sword with discontinuous wound
Passed through him:  But the ethereal substance closed,
Not long divisible; and from the ****
A stream of necturous humour issuing flowed
Sanguine, such as celestial Spirits may bleed,
And all his armour stained, ere while so bright.
Forthwith on all sides to his aid was run
By Angels many and strong, who interposed
Defence, while others bore him on their shields
Back to his chariot, where it stood retired
From off the files of war:  There they him laid
Gnashing for anguish, and despite, and shame,
To find himself not matchless, and his pride
Humbled by such rebuke, so far beneath
His confidence to equal God in power.
Yet soon he healed; for Spirits that live throughout
Vital in every part, not as frail man
In entrails, heart of head, liver or reins,
Cannot but by annihilating die;
Nor in their liquid texture mortal wound
Receive, no more than can the fluid air:
All heart they live, all head, all eye, all ear,
All intellect, all sense; and, as they please,
They limb themselves, and colour, shape, or size
Assume, as?***** them best, condense or rare.
Mean while in other parts like deeds deserved
Memorial, where the might of Gabriel fought,
And with fierce ensigns pierced the deep array
Of Moloch, furious king; who him defied,
And at his chariot-wheels to drag him bound
Threatened, nor from the Holy One of Heaven
Refrained his tongue blasphemous; but anon
Down cloven to the waist, with shattered arms
And uncouth pain fled bellowing.  On each wing
Uriel, and Raphael, his vaunting foe,
Though huge, and in a rock of diamond armed,
Vanquished Adramelech, and Asmadai,
Two potent Thrones, that to be less than

Sidelong slop glance

with stealthy glance/picked the petals
of this flower/ nothingness to attract
and retained the green leaves / hyacinth
and orchids in a glass jar / light
to penetrate the random look/ humidity /
a micron  air   blow/ molding/ or there /  
with the world that I loved/ companionship/
beauty is not hidden / neither ask /neither die

©Maria Panoutsou

Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,--
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark.  Some few we know--
Or think we know. . .  Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . Closing then the door
I heard it die behind me, fade to whisper,--
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts--and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,--
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think--yet this is guesswork)
Will please him,--it is in a strain he fancies,--
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self--this too is guesswork)

The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,--
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him.  He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'--There I let it end. . . .
Sometimes, of course, and when we least suspect it--
When we pursue our thoughts with too much passion,
Talking with too great zeal--our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes
As we shall deem them likely to admire:
'Praise me for this' we say, or 'laugh at this,'
Or 'marvel at my candor'. . . all the while
Withholding what's most precious to ourselves,--
Some sinister depth of lust or fear or hatred,
The sombre note that gives the chord its power;
Or a white loveliness--if such we know--
Too much like fire to speak of without shame.

Well, this being so, and we who know it being
So curious about those well-locked houses,
The minds of those we know,--to enter softly,
And steal from floor to floor up shadowy stairways,
From room to quiet room, from wall to wall,
Breathing deliberately the very air,
Pressing our hands and nerves against warm darkness
To learn what ghosts are there,--
Suppose for once I set my doors wide open
And bid you in. . . Suppose I try to tell you
The secrets of this house, and how I live here;
Suppose I tell you who I am, in fact. . . .
Deceiving you--as far as I may know it--
Only so much as I deceive myself.

If you are clever you already see me
As one who moves forever in a cloud
Of warm bright vanity: a luminous cloud
Which falls on all things with a quivering magic,
Changing such outlines as a light may change,
Brightening what lies dark to me, concealing
Those things that will not change . . . I walk sustained
In a world of things that flatter me: a sky
Just as I would have had it; trees and grass
Just as I would have shaped and colored them;
Pigeons and clouds and sun and whirling shadows,
And stars that brightening climb through mist at nightfall,--
In some deep way I am aware these praise me:
Where they are beautiful, or hint of beauty,
They point, somehow, to me. . . This water says,--
Shimmering at the sky, or undulating
In broken gleaming parodies of clouds,
Rippled in blue, or sending from cool depths
To meet the falling leaf the leaf's clear image,--
This water says, there is some secret in you
Akin to my clear beauty, silently responsive
To all that circles you.  This bare tree says,--
Austere and stark and leafless, split with frost,
Resonant in the wind, with rigid branches
Flung out against the sky,--this tall tree says,
There is some cold austerity in you,
A frozen strength, with long roots gnarled on rocks,
Fertile and deep; you bide your time, are patient,
Serene in silence, bare to outward seeming,
Concealing what reserves of power and beauty!
What teeming Aprils!--chorus of leaves on leaves!
These houses say, such walls in walls as ours,
Such streets of walls, solid and smooth of surface,
Such hills and cities of walls, walls upon walls;
Motionless in the sun, or dark with rain;
Walls pierced with windows, where the light may enter;
Walls windowless where darkness is desired;
Towers and labyrinths and domes and chambers,--
Amazing deep recesses, dark on dark,--
All these are like the walls which shape your spirit:
You move, are warm, within them, laugh within them,
Proud of their depth and strength; or sally from them,
When you are bold, to blow great horns at the world
This deep cool room, with shadowed walls and ceiling,
Tranquil and cloistral, fragrant of my mind,
This cool room says,--just such a room have you,
It waits you always at the tops of stairways,
Withdrawn, remote, familiar to your uses,
Where you may cease pretence and be yourself. . . .
And this embroidery, hanging on this wall,
Hung there forever,--these so soundless glidings
Of dragons golden-scaled, sheer birds of azure,
Coilings of leaves in pale vermilion, griffins
Drawing their rainbow wings through involutions
Of mauve chrysanthemums and lotus flowers,--
This goblin wood where someone cries enchantment,--
This says, just such an involuted beauty
Of thought and coiling thought, dream linked with dream,
Image to image gliding, wreathing fires,
Soundlessly cries enchantment in your mind:
You need but sit and close your eyes a moment
To see these deep designs unfold themselves.

And so, all things discern me, name me, praise me--
I walk in a world of silent voices, praising;
And in this world you see me like a wraith
Blown softly here and there, on silent winds.
'Praise me'--I say; and look, not in a glass,
But in your eyes, to see my image there--
Or in your mind; you smile, I am contented;
You look at me, with interest unfeigned,
And listen--I am pleased; or else, alone,
I watch thin bubbles veering brightly upward
From unknown depths,--my silver thoughts ascending;
Saying now this, now that, hinting of all things,--
Dreams, and desires, velleities, regrets,
Faint ghosts of memory, strange recognitions,--
But all with one deep meaning: this is I,
This is the glistening secret holy I,
This silver-winged wonder, insubstantial,
This singing ghost. . . And hearing, I am warmed.

     *     *     *     *     *

You see me moving, then, as one who moves
Forever at the centre of his circle:
A circle filled with light.  And into it
Come bulging shapes from darkness, loom gigantic,
Or huddle in dark again. . . A clock ticks clearly,
A gas-jet steadily whirs, light streams across me;
Two church bells, with alternate beat, strike nine;
And through these things my pencil pushes softly
To weave grey webs of lines on this clear page.
Snow falls and melts; the eaves make liquid music;
Black wheel-tracks line the snow-touched street; I turn
And look one instant at the half-dark gardens,
Where skeleton elm-trees reach with frozen gesture
Above unsteady lamps,--with black boughs flung
Against a luminous snow-filled grey-gold sky.
'Beauty!' I cry. . . My feet move on, and take me
Between dark walls, with orange squares for windows.
Beauty; beheld like someone half-forgotten,
Remembered, with slow pang, as one neglected . . .
Well, I am frustrate; life has beaten me,
The thing I strongly seized has turned to darkness,
And darkness rides my heart. . . These skeleton elm-trees--
Leaning against that grey-gold snow filled sky--
Beauty! they say, and at the edge of darkness
Extend vain arms in a frozen gesture of protest . . .
A clock ticks softly; a gas-jet steadily whirs:
The pencil meets its shadow upon clear paper,
Voices are raised, a door is slammed.  The lovers,
Murmuring in an adjacent room, grow silent,
The eaves make liquid music. . . Hours have passed,
And nothing changes, and everything is changed.
Exultation is dead, Beauty is harlot,--
And walks the streets.  The thing I strongly seized
Has turned to darkness, and darkness rides my heart.

If you could solve this darkness you would have me.
This causeless melancholy that comes with rain,
Or on such days as this when large wet snowflakes
Drop heavily, with rain . . . whence rises this?
Well, so-and-so, this morning when I saw him,
Seemed much preoccupied, and would not smile;
And you, I saw too much; and you, too little;
And the word I chose for you, the golden word,
The word that should have struck so deep in purpose,
And set so many doors of wish wide open,
You let it fall, and would not stoop for it,
And smiled at me, and would not let me guess
Whether you saw it fall. . . These things, together,
With other things, still slighter, wove to music,
And this in time drew up dark memories;
And there I stand.  This music breaks and bleeds me,
Turning all frustrate dreams to chords and discords,
Faces and griefs, and words, and sunlit evenings,
And chains self-forged that will not break nor lengthen,
And cries that none can answer, few will hear.
Have these things meaning?  Or would you see more clearly
If I should say 'My second wife grows tedious,
Or, like gay tulip, keeps no perfumed secret'?

Or 'one day dies eventless as another,
Leaving the seeker still unsatisfied,
And more convinced life yields no satisfaction'?
Or 'seek too hard, the sight at length grows callous,
And beauty shines in vain'?--

                                These things you ask for,
These you shall have. . . So, talking with my first wife,
At the dark end of evening, when she leaned
And smiled at me, with blue eyes weaving webs
Of finest fire, revolving me in scarlet,--
Calling to mind remote and small successions
Of countless other evenings ending so,--
I smiled, and met her kiss, and wished her dead;
Dead of a sudden sickness, or by my hands
Savagely killed; I saw her in her coffin,
I saw her coffin borne downstairs with trouble,
I saw myself alone there, palely watching,
Wearing a masque of grief so deeply acted
That grief itself possessed me.  Time would pass,
And I should meet this girl,--my second wife--
And drop the masque of grief for one of passion.
Forward we move to meet, half hesitating,
We drown in each others' eyes, we laugh, we talk,
Looking now here, now there, faintly pretending
We do not hear the powerful pulsing prelude
Roaring beneath our words . . . The time approaches.
We lean unbalanced.  The mute last glance between us,
Profoundly searching, opening, asking, yielding,
Is steadily met: our two lives draw together . . .
. . . .'What are you thinking of?'. . . My first wife's voice
Scattered these ghosts.  'Oh nothing--nothing much--
Just wondering where we'd be two years from now,
And what we might be doing . . . ' And then remorse
Turned sharply in my mind to sudden pity,
And pity to echoed love.  And one more evening
Drew to the usual end of sleep and silence.

And, as it is with this, so too with all things.
The pages of our lives are blurred palimpsest:
New lines are wreathed on old lines half-erased,
And those on older still; and so forever.
The old shines through the new, and colors it.
What's new?  What's old?  All things have double meanings,--
All things return.  I write a line with passion
(Or touch a woman's hand, or plumb a doctrine)
Only to find the same thing, done before,--
Only to know the same thing comes to-morrow. . . .
This curious riddled dream I dreamed last night,--
Six years ago I dreamed it just as now;
The same man stooped to me; we rose from darkness,
And broke the accustomed order of our days,
And struck for the morning world, and warmth, and freedom. . . .
What does it mean?  Why is this hint repeated?
What darkness does it spring from, seek to end?

You see me, then, pass up and down these stairways,
Now through a beam of light, and now through shadow,--
Pursuing silent ends.  No rest there is,--
No more for me than you.  I move here always,
From quiet room to room, from wall to wall,
Searching and plotting, weaving a web of days.
This is my house, and now, perhaps, you know me. . .
Yet I confess, for all my best intentions,
Once more I have deceived you. . . I withhold
The one thing precious, the one dark thing that guides me;
And I have spread two snares for you, of lies.

I saw an aged Beggar in my walk;
And he was seated, by the highway side,
On a low structure of rude masonry
Built at the foot of a huge hill, that they
Who lead their horses down the steep rough road
May thence remount at ease. The aged Man
Had placed his staff across the broad smooth stone
That overlays the pile; and, from a bag
All white with flour, the dole of village dames,
He drew his scraps and fragments, one by one;
And scanned them with a fixed and serious look
Of idle computation. In the sun,
Upon the second step of that small pile,
Surrounded by those wild, unpeopled hills,
He sat, and ate his food in solitude:
And ever, scattered from his palsied hand,
That, still attempting to prevent the waste,
Was baffled still, the crumbs in little showers
Fell on the ground; and the small mountain birds
Not venturing yet to peck their destined meal,
Approached within the length of half his staff.

Him from my childhood have I known; and then
He was so old, he seems not older now;
He travels on, a solitary Man,
So helpless in appearance, that from him
The sauntering Horseman throws not with a slack
And careless hand his alms upon the ground,
But stops,—that he may safely lodge the coin
Within the old Man’s hat; nor quits him so,
But still, when he has given his horse the rein,
Watches the aged Beggar with a look
Sidelong, and half-reverted. She who tends
The toll-gate, when in summer at her door
She turns her wheel, if on the road she sees
The aged Beggar coming, quits her work,
And lifts the latch for him that he may pass.
The post-boy, when his rattling wheels o’ertake
The aged Beggar in the woody lane,
Shouts to him from behind; and if, thus warned,
The old Man does not change his course, the boy
Turns with less noisy wheels to the roadside,
And passes gently by, without a curse
Upon his lips, or anger at his heart.

He travels on, a solitary Man;
His age has no companion. On the ground
His eyes are turned, and, as he moves along,
They move along the ground; and, evermore,
Instead of common and habitual sight
Of fields, with rural works, of hill and dale,
And the blue sky, one little span of earth
Is all his prospect. Thus, from day to day,
Bow-bent, his eyes forever on the ground,
He plies his weary journey; seeing still,
And seldom knowing that he sees, some straw,
Some scattered leaf, or marks which, in one track,
The nails of cart or chariot-wheel have left
Impressed on the white road,—in the same line,
At distance still the same. Poor Traveller!
His staff trails with him; scarcely do his feet
Disturb the summer dust; he is so still
In look and motion, that the cottage curs,
Ere he has passed the door, will turn away,
Weary of barking at him. Boys and girls,
The vacant and the busy, maids and youths,
And urchins newly breeched—all pass him by:
Him even the slow-paced waggon leaves behind.

But deem not this Man useless.—Statesmen! ye
Who are so restless in your wisdom, ye
Who have a broom still ready in your hands
To rid the world of nuisances; ye proud,
Heart-swoln, while in your pride ye contemplate
Your talents, power, or wisdom, deem him not
A burden of the earth! ’Tis Nature’s law
That none, the meanest of created things,
Of forms created the most vile and brute,
The dullest or most noxious, should exist
Divorced from good—a spirit and pulse of good,
A life and soul, to every mode of being
Inseparably linked. Then be assured
That least of all can aught—that ever owned
The heaven-regarding eye and front sublime
Which man is born to—sink, howe’er depressed,
So low as to be scorned without a sin;
Without offence to God cast out of view;
Like the dry remnant of a garden-flower
Whose seeds are shed, or as an implement
Worn out and worthless. While from door to door,
This old Man creeps, the villagers in him
Behold a record which together binds
Past deeds and offices of charity,
Else unremembered, and so keeps alive
The kindly mood in hearts which lapse of years,
And that half-wisdom half-experience gives,
Make slow to feel, and by sure steps resign
To selfishness and cold oblivious cares,
Among the farms and solitary huts,
Hamlets and thinly-scattered villages,
Where’er the aged Beggar takes his rounds,
The mild necessity of use compels
The acts of love; and habit does the work
Of reason; yet prepares that after-joy
Which reason cherishes. And thus the soul,
By that sweet taste of pleasure unpursued,
Doth find herself insensibly disposed
To virtue and true goodness.

                                  Some there are
By their good works exalted, lofty minds
And meditative, authors of delight
And happiness, which to the end of time
Will live, and spread, and kindle: even such minds
In childhood, from this solitary Being,
Or from like wanderer, haply have received
(A thing more precious far than all that books
Or the solicitudes of love can do!)
That first mild touch of sympathy and thought,
In which they found their kindred with a world
Where want and sorrow were. The easy man
Who sits at his own door,—and, like the pear
That overhangs his head from the green wall,
Feeds in the sunshine; the robust and young,
The prosperous and unthinking, they who live
Sheltered, and flourish in a little grove
Of their own kindred;—all behold in him
A silent monitor, which on their minds
Must needs impress a transitory thought
Of self-congratulation, to the heart
Of each recalling his peculiar boons,
His charters and exemptions; and, perchance,
Though he to no one give the fortitude
And circumspection needful to preserve
His present blessings, and to husband up
The respite of the season, he, at least,
And ‘t is no ****** service, makes them felt.

Yet further.—Many, I believe, there are
Who live a life of virtuous decency,
Men who can hear the Decalogue and feel
No self-reproach; who of the moral law
Established in the land where they abide
Are strict observers; and not negligent
In acts of love to those with whom they dwell,
Their kindred, and the children of their blood.

Praise be to such, and to their slumbers peace!
But of the poor man ask, the abject poor;
Go, and demand of him, if there be here
In this cold abstinence from evil deeds,
And these inevitable charities,
Wherewith to satisfy the human soul?
No—man is dear to man; the poorest poor
Long for some moments in a weary life
When they can know and feel that they have been,
Themselves, the fathers and the dealers-out
Of some small blessings; have been kind to such
As needed kindness, for this single cause,
That we have all of us one human heart.
—Such pleasure is to one kind Being known,
My neighbour, when with punctual care, each week
Duly as Friday comes, though pressed herself
By her own wants, she from her store of meal
Takes one unsparing handful for the scrip
Of this old Mendicant, and, from her door
Returning with exhilarated heart,
Sits by her fire, and builds her hope in heaven.

Then let him pass, a blessing on his head!
And while in that vast solitude to which
The tide of things has borne him, he appears
To breathe and live but for himself alone,
Unblamed, uninjured, let him bear about
The good which the benignant law of Heaven
Has hung around him: and, while life is his,
Still let him prompt the unlettered villagers
To tender offices and pensive thoughts.
—Then let him pass, a blessing on his head!
And, long as he can wander, let him breathe
The freshness of the valleys; let his blood
Struggle with frosty air and winter snows;
And let the chartered wind that sweeps the heath
Beat his grey locks against his withered face.
Reverence the hope whose vital anxiousness
Gives the last human interest to his heart.
May never HOUSE, misnamed of INDUSTRY,
Make him a captive!—for that pent-up din,
Those life-consuming sounds that clog the air,
Be his the natural silence of old age!
Let him be free of mountain solitudes;
And have around him, whether heard or not,
The pleasant melody of woodland birds.
Few are his pleasures: if his eyes have now
Been doomed so long to settle upon earth
That not without some effort they behold
The countenance of the horizontal sun,
Rising or setting, let the light at least
Find a free entrance to their languid orbs.
And let him, where and when he will, sit down
Beneath the trees, or on a grassy bank
Of highway side, and with the little birds
Share his chance-gathered meal; and, finally,
As in the eye of Nature he has lived,
So in the eye of Nature let him die!

"Mother of heaven, regina of the clouds,
O sceptre of the sun, crown of the moon,
There is not nothing, no, no, never nothing,
Like the clashed edges of two words that ****."
And so I mocked her in magnificent measure.
Or was it that I mocked myself alone?
I wish that I might be a thinking stone.
The sea of spuming thought foists up again
The radiant bubble that she was. And then
A deep up-pouring from some saltier well
Within me, bursts its watery syllable.

II

A red bird flies across the golden floor.
It is a red bird that seeks out his choir
Among the choirs of wind and wet and wing.
A torrent will fall from him when he finds.
Shall I uncrumple this much-crumpled thing?
I am a man of fortune greeting heirs;
For it has come that thus I greet the spring.
These choirs of welcome choir for me farewell.
No spring can follow past meridian.
Yet you persist with anecdotal bliss
To make believe a starry connaissance.

III

Is it for nothing, then, that old Chinese
Sat tittivating by their mountain pools
Or in the Yangtse studied out their beards?
I shall not play the flat historic scale.
You know how Utamaro's beauties sought
The end of love in their all-speaking braids.
You know the mountainous coiffures of Bath.
Alas! Have all the barbers lived in vain
That not one curl in nature has survived?
Why, without pity on these studious ghosts,
Do you come dripping in your hair from sleep?

IV

This luscious and impeccable fruit of life
Falls, it appears, of its own weight to earth.
When you were Eve, its acrid juice was sweet,
Untasted, in its heavenly, orchard air.
An apple serves as well as any skull
To be the book in which to read a round,
And is as excellent, in that it is composed
Of what, like skulls, comes rotting back to ground.
But it excels in this, that as the fruit
Of love, it is a book too mad to read
Before one merely reads to pass the time.

V

In the high west there burns a furious star.
It is for fiery boys that star was set
And for sweet-smelling virgins close to them.
The measure of the intensity of love
Is measure, also, of the verve of earth.
For me, the firefly's quick, electric stroke
Ticks tediously the time of one more year.
And you? Remember how the crickets came
Out of their mother grass, like little kin,
In the pale nights, when your first imagery
Found inklings of your bond to all that dust.

VI

If men at forty will be painting lakes
The ephemeral blues must merge for them in one,
There is a substance in us that prevails.
But in our amours amorists discern
Such fluctuations that their scrivening
Is breathless to attend each quirky turn.
When amorists grow bald, then amours shrink
Into the compass and curriculum
Of introspective exiles, lecturing.
It is a theme for Hyacinth alone.

VII

The mules that angels ride come slowly down
The blazing passes, from beyond the sun.
Descensions of their tinkling bells arrive.
These muleteers are dainty of their way.
Meantime, centurions guffaw and beat
Their shrilling tankards on the table-boards.
This parable, in sense, amounts to this:
The honey of heaven may or may not come,
But that of earth both comes and goes at once.
Suppose these couriers brought amid their train
A damsel heightened by eternal bloom.

VIII

Like a dull scholar, I behold, in love,
An ancient aspect touching a new mind.
It comes, it blooms, it bears its fruit and dies.
This trivial trope reveals a way of truth.
Our bloom is gone. We are the fruit thereof.
Two golden gourds distended on our vines,
Into the autumn weather, splashed with frost,
Distorted by hale fatness, turned grotesque.
We hang like warty squashes, streaked and rayed,
The laughing sky will see the two of us
Washed into rinds by rotting winter rains.

IX

In verses wild with motion, full of din,
Loudened by cries, by clashes, quick and sure
As the deadly thought of men accomplishing
Their curious fates in war, come, celebrate
The faith of forty, ward of Cupido.
Most venerable heart, the lustiest conceit
Is not too ***** for your broadening.
I quiz all sounds, all thoughts, all everything
For the music and manner of the paladins
To make oblation fit. Where shall I find
Bravura adequate to this great hymn?

X

The fops of fancy in their poems leave
Memorabilia of the mystic spouts,
Spontaneously watering their gritty soils.
I am a yeoman, as such fellows go.
I know no magic trees, no balmy boughs,
No silver-ruddy, gold-vermilion fruits.
But, after all, I know a tree that bears
A semblance to the thing I have in mind.
It stands gigantic, with a certain tip
To which all birds come sometime in their time.
But when they go that tip still tips the tree.

XI

If *** were all, then every trembling hand
Could make us squeak, like dolls, the wished-for words.
But note the unconscionable treachery of fate,
That makes us weep, laugh, grunt and groan, and shout
Doleful heroics, pinching gestures forth
From madness or delight, without regard
To that first, foremost law. Anguishing hour!
Clippered with lilies scudding the bright chromes,
Keen to the point of starlight, while a frog
Boomed from his very belly odious chords.

XII

A blue pigeon it is, that circles the blue sky,
On sidelong wing, around and round and round.
A white pigeon it is, that flutters to the ground,
Grown tired of flight. Like a dark rabbi, I
Observed, when young, the nature of mankind,
In lordly study. Every day, I found
Man proved a gobbet in my mincing world.
Like a rose rabbi, later, I pursued,
And still pursue, the origin and course
Of love, but until now I never knew
That fluttering things have so distinct a shade.

O SORROW!
   Why dost borrow
   The natural hue of health, from vermeil lips?--
   To give maiden blushes
   To the white rose bushes?
   Or is it thy dewy hand the daisy tips?

   O Sorrow!
   Why dost borrow
   The lustrous passion from a falcon-eye?--
   To give the glow-worm light?
   Or, on a moonless night,
   To tinge, on siren shores, the salt sea-spry?

   O Sorrow!
   Why dost borrow
   The mellow ditties from a mourning tongue?--
   To give at evening pale
   Unto the nightingale,
   That thou mayst listen the cold dews among?

   O Sorrow!
   Why dost borrow
   Heart's lightness from the merriment of May?--
   A lover would not tread
   A cowslip on the head,
   Though he should dance from eve till peep of day--
   Nor any drooping flower
   Held sacred for thy bower,
   Wherever he may sport himself and play.

   To Sorrow
   I bade good morrow,
   And thought to leave her far away behind;
   But cheerly, cheerly,
   She loves me dearly;
   She is so constant to me, and so kind:
   I would deceive her
   And so leave her,
   But ah! she is so constant and so kind.

Beneath my palm-trees, by the river side,
I sat a-weeping: in the whole world wide
There was no one to ask me why I wept,--
   And so I kept
Brimming the water-lily cups with tears
   Cold as my fears.

Beneath my palm-trees, by the river side,
I sat a-weeping: what enamour'd bride,
Cheated by shadowy wooer from the clouds,
   But hides and shrouds
Beneath dark palm-trees by a river side?

And as I sat, over the light blue hills
There came a noise of revellers: the rills
Into the wide stream came of purple hue--
   'Twas Bacchus and his crew!
The earnest trumpet spake, and silver thrills
From kissing cymbals made a merry din--
   'Twas Bacchus and his kin!
Like to a moving vintage down they came,
Crown'd with green leaves, and faces all on flame;
All madly dancing through the pleasant valley,
   To scare thee, Melancholy!
O then, O then, thou wast a simple name!
And I forgot thee, as the berried holly
By shepherds is forgotten, when in June
Tall chestnuts keep away the sun and moon:--
   I rush'd into the folly!

Within his car, aloft, young Bacchus stood,
Trifling his ivy-dart, in dancing mood,
   With sidelong laughing;
And little rills of crimson wine imbrued
His plump white arms and shoulders, enough white
   For Venus' pearly bite;
And near him rode Silenus on his ***,
Pelted with flowers as he on did pass
   Tipsily quaffing.

'Whence came ye, merry Damsels! whence came ye,
So many, and so many, and such glee?
Why have ye left your bowers desolate,
   Your lutes, and gentler fate?'--
'We follow Bacchus! Bacchus on the wing,
   A-conquering!
Bacchus, young Bacchus! good or ill betide,
We dance before him thorough kingdoms wide:--
Come hither, lady fair, and joined be
   To our wild minstrelsy!'

'Whence came ye, jolly Satyrs! whence came ye,
So many, and so many, and such glee?
Why have ye left your forest haunts, why left
   Your nuts in oak-tree cleft?'--
'For wine, for wine we left our kernel tree;
For wine we left our heath, and yellow brooms,
   And cold mushrooms;
For wine we follow Bacchus through the earth;
Great god of breathless cups and chirping mirth!
Come hither, lady fair, and joined be
   To our mad minstrelsy!'

Over wide streams and mountains great we went,
And, save when Bacchus kept his ivy tent,
Onward the tiger and the leopard pants,
   With Asian elephants:
Onward these myriads--with song and dance,
With zebras striped, and sleek Arabians' prance,
Web-footed alligators, crocodiles,
Bearing upon their scaly backs, in files,
Plump infant laughers mimicking the coil
Of ******, and stout galley-rowers' toil:
With toying oars and silken sails they glide,
   Nor care for wind and tide.

Mounted on panthers' furs and lions' manes,
From rear to van they scour about the plains;
A three days' journey in a moment done;
And always, at the rising of the sun,
About the wilds they hunt with spear and horn,
   On spleenful unicorn.

I saw Osirian Egypt kneel adown
   Before the vine-wreath crown!
I saw parch'd Abyssinia rouse and sing
   To the silver cymbals' ring!
I saw the whelming vintage hotly pierce
   Old Tartary the fierce!
The kings of Ind their jewel-sceptres vail,
And from their treasures scatter pearled hail;
Great Brahma from his mystic heaven groans,
   And all his priesthood moans,
Before young Bacchus' eye-wink turning pale.
Into these regions came I, following him,
Sick-hearted, weary--so I took a whim
To stray away into these forests drear,
   Alone, without a peer:
And I have told thee all thou mayest hear.

   Young Stranger!
   I've been a ranger
In search of pleasure throughout every clime;
   Alas! 'tis not for me!
   Bewitch'd I sure must be,
To lose in grieving all my maiden prime.

   Come then, Sorrow,
   Sweetest Sorrow!
Like an own babe I nurse thee on my breast:
   I thought to leave thee,
   And deceive thee,
But now of all the world I love thee best.

   There is not one,
   No, no, not one
But thee to comfort a poor lonely maid;
   Thou art her mother,
   And her brother,
Her playmate, and her wooer in the shade.

In Worcester, Massachusetts,
I went with Aunt Consuelo
to keep her dentist's appointment
and sat and waited for her
in the dentist's waiting room.
It was winter.  It got dark
early. The waiting room
was full of grown-up people,
arctics and overcoats,
lamps and magazines.
My aunt was inside
what seemed like a long time
and while I waited and read
the National Geographic
(I could read) and carefully
studied the photographs:
the inside of a volcano,
black, and full of ashes;
then it was spilling over
in rivulets of fire.
Osa and Martin Johnson
dressed in riding breeches,
laced boots, and pith helmets.
A dead man slung on a pole
"Long Pig," the caption said.
Babies with pointed heads
wound round and round with string;
black, naked women with necks
wound round and round with wire
like the necks of light bulbs.
Their ******* were horrifying.
I read it right straight through.
I was too shy to stop.
And then I looked at the cover:
the yellow margins, the date.
Suddenly, from inside,
came an oh! of pain
--Aunt Consuelo's voice--
not very loud or long.
I wasn't at all surprised;
even then I knew she was
a foolish, timid woman.
I might have been embarrassed,
but wasn't.  What took me
completely by surprise
was that it was me:
my voice, in my mouth.
Without thinking at all
I was my foolish aunt,
I--we--were falling, falling,
our eyes glued to the cover
of the National Geographic,
February, 1918.

I said to myself: three days
and you'll be seven years old.
I was saying it to stop
the sensation of falling off
the round, turning world.
into cold, blue-black space.
But I felt: you are an I,
you are an Elizabeth,
you are one of them.
Why should you be one, too?
I scarcely dared to look
to see what it was I was.
I gave a sidelong glance
--I couldn't look any higher--
at shadowy gray knees,
trousers and skirts and boots
and different pairs of hands
lying under the lamps.
I knew that nothing stranger
had ever happened, that nothing
stranger could ever happen.

Why should I be my aunt,
or me, or anyone?
What similarities
boots, hands, the family voice
I felt in my throat, or even
the National Geographic
and those awful hanging *******
held us all together
or made us all just one?
How I didn't know any
word for it how "unlikely". . .
How had I come to be here,
like them, and overhear
a cry of pain that could have
got loud and worse but hadn't?

The waiting room was bright
and too hot.  It was sliding
beneath a ******* wave,
another, and another.

Then I was back in it.
The War was on.  Outside,
in Worcester, Massachusetts,
were night and slush and cold,
and it was still the fifth
of February, 1918.

Objective and Subjective decided to hang out together at the park one day, to get to know each other and to try to become friends. Soaking up the views, and watching the people go by, they just sat and relaxed on a park bench.

Subjective broke the ice, first, and said to Objective:

It is getting a bit nippy outside isn't it? I forgot to bring my sweater with me.

Objective replied:

The daytime high will reach 67 degrees with a NW winds of 12 mph. Humidity is 68%. The weather is forcasted today for a 20% chance of rain, but it is not due until evening.

Subjective replied:

Yes, that is good to know...I guess. Now I know why I am cold. Hey, look over there on the right! Check out those roses! Boy oh boy! Did they ever come up colorful this year! I am getting a good whiff of them right now. Don't they smell like heaven?

Objective replied:  

I have never been to heaven, so I can not give you an accurate report. Roses, though, come from a thorn bearing shrub that typically produce fragrant flowers of various colors. Roses are native to north temperate regions. They are widely cultivated for unpractical reasons such as objects of adornment.

Subjective gave Objective a good sidelong glance like, Are you for real? There was a long period of silence as both appeared awkward in each other's company.

Subjective finally broke the silence and said:

The birds are really chirping up a storm today! Oh, I don't mind at all! They sure tweet nice and sweet! But these pigeons I can do without! I don't want them around me! You know what they say, don't you? Pigeons are just rats with wings!

Objective replied:

Actually, rainstorms are not caused by chirping of birds. Rain is produced when water is condensed into clouds from the water evaporation of oceans, lakes and rivers when the heat of the sun activates the process.  Furthermore, there is no such thing as a flying rodent. Even flying squirrels don't actually fly. Birds and rodents are two separate species that cannot produce offspring. Therefore, a rat with wings would be impossible.

Subjective was now beginning to get red in the face. Maybe this was a bad idea hanging out with Objective, after all. Could he really learn to understand him by getting to know him?

Both Objective and Subjective's attention was soon diverted by a tall, slender woman with blonde hair walking by. She now became the center of their focus. Wearing a form fitting blue dress, that came well above the knees, her shapely. long legs were quite appearant as she walked along in 5 inch, spiked heels.
  
Eagerly, Subjective whistled and said:

Wow! Would you get a look at her? What a knockout! Hey, Objective, I think you just saw heaven, after all!

Objective shrugged his shoulders nonchalantly and replied:

Beauty is said to be in the eye of the beholder. Back in history, it was the full figured woman who was upheld as a virtue of beauty. Her size represented a desired lifestyle of affluence. For example, in the Classical period of art, as well as the Rennaissance and Baroque periods, it was the more voluptuous female that was often the subject of an artist's rendering.

Now Subjective was really ready to blow smoke through his ears, like his blood pressure was going to go through the roof.  No way could he take this for much longer!

He replied:  

That's it! I tried! I did! I really did! But you know what? You are the most annoying being on the planet!

Objective looked stunned at Subjective's outburst of anger. So Subjective continued on in his verbal lashing.

He yelled out:

Yeah, you, Objective! You just don't get it, do you? You really get on my nerves! I can't stand being around you! It is so infuriating!

Objective was at a loss for word. He attempted to utter a reply but could not.    

Subjective added:

I got to get out of here before you drive me crazy! What are you anyway? A walking encyclopedia? A walking dictionary? For the love of Pete, talk like you're normal!!!

As Subjective was ready to storm off Objective meekly replied:

Inanimate objects, such as encyclopedias and dictionaries, cannot realistically have body limbs, nor can they function as living organisms....unless, of course, they are presentated in imaginery situations, such as cartoon figures in cinema, television, comic strips, or storybooks. Also,  I must tell you that I personally don't know anyone named Pete.......

Furious, Subjective got up and stomped off, muttering complaints to himself all the way down the street, leaving Objective sitting on the park bench, by himself. There Objective remained, wondering what he did that was so wrong.



THE MORAL of my LAME story is..........................

OBJECTIVE AND SUBJECTIVE JUST DO NOT BELONG OR GO TOGETHER!!!

School is over.  It is too hot
to walk at ease.  At ease
in light frocks they walk the streets
to while the time away.
They have grown tall.  They hold
pink flames in their right hands.
In white from head to foot,
with sidelong, idle look—
in yellow, floating stuff,
black sash and stockings—
touching their avid mouths
with pink sugar on a stick—
like a carnation each holds in her hand—
they mount the lonely street.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.

The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.

Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .

. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .

Voices clear and silvery, voices of raindrops,--
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound.  Each cries a secret.
I run among them, reach out vain hands, and drown.

'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'

'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'

'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead.  It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again.  And it was so.'


Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.

'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '

He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.

Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.

Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.

'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.

'I bound her to me in all soft ways,
I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.

'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us.  He yields us our desire.

'No, do not stare so--he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this.  I know.  It was long ago . . .
He closes his eyes and drowns in death again.'

The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.

I remember the neckcurls, limp and damp as tendrils;
And her quick look, a sidelong pickerel smile;
And how, once startled into talk, the light syllables leaped for her,
And she balanced in the delight of her thought,

A wren, happy, tail into the wind,
Her song trembling the twigs and small branches.
The shade sang with her;
The leaves, their whispers turned to kissing,
And the mould sang in the bleached valleys under the rose.

Oh, when she was sad, she cast herself down into such a pure depth,
Even a father could not find her:
Scraping her cheek against straw,
Stirring the clearest water.

My sparrow, you are not here,
Waiting like a fern, making a spiney shadow.
The sides of wet stones cannot console me,
Nor the moss, wound with the last light.

If only I could nudge you from this sleep,
My maimed darling, my skittery pigeon.
Over this damp grave I speak the words of my love:
I, with no rights in this matter,
Neither father nor lover.

I

1 Our brains ache, in the merciless iced east winds that knife us ...
2 Wearied we keep awake because the night is silent ...
3 Low drooping flares confuse our memory of the salient ...
4 Worried by silence, sentries whisper, curious, nervous,
5 But nothing happens.

6 Watching, we hear the mad gusts tugging on the wire.
7 Like twitching agonies of men among its brambles.
8 Northward incessantly, the flickering gunnery rumbles,
9 Far off, like a dull rumour of some other war.
10 What are we doing here?

11 The poignant misery of dawn begins to grow ...
12 We only know war lasts, rain soaks, and clouds sag stormy.
13 Dawn massing in the east her melancholy army
14 Attacks once more in ranks on shivering ranks of gray,
15 But nothing happens.

16 Sudden successive flights of bullets streak the silence.
17 Less deadly than the air that shudders black with snow,
18 With sidelong flowing flakes that flock, pause and renew,
19 We watch them wandering up and down the wind's nonchalance,
20 But nothing happens.

II

21 Pale flakes with lingering stealth come feeling for our faces--
22 We cringe in holes, back on forgotten dreams, and stare, snow-dazed,
23 Deep into grassier ditches. So we drowse, sun-dozed,
24 Littered with blossoms trickling where the blackbird fusses.
25 Is it that we are dying?

26 Slowly our ghosts drag home: glimpsing the sunk fires glozed
27 With crusted dark-red jewels; crickets jingle there;
28 For hours the innocent mice rejoice: the house is theirs;
29 Shutters and doors all closed: on us the doors are closed--
30 We turn back to our dying.

31 Since we believe not otherwise can kind fires burn;
32 Now ever suns smile true on child, or field, or fruit.
33 For God's invincible spring our love is made afraid;
34 Therefore, not loath, we lie out here; therefore were born,
35 For love of God seems dying.

36 To-night, His frost will fasten on this mud and us,
37 Shrivelling many hands and puckering foreheads crisp.
38 The burying-party, picks and shovels in their shaking grasp,
39 Pause over half-known faces. All their eyes are ice,
40 But nothing happens.

Scandalous, you running in your underwear
Droplets like dew, dripping from your hair
If you didn't think it was odd
I would try to catch them

We dried on that rock lying lazy in the sun
Sidelong glances at each other, one on one
Neither of us could stand to look too long
As if the vacuums of our eyes
Would create some black hole

You spoke and the little hairs
On the back of my neck
Stood in applause

Your hand brushed my hand
Goosebumps rippled from that point and
Through my body,
Alerting everything,
Like electricity
I was instantly alive

An old black vulture landed in a tree
overlooking Chickamauga Creek;
gave me a sidelong glance.

I thought of Edward Abbey,
critic of government agencies,
professor and park ranger.

Abbey is buried in an illegal grave;
a cairn of stones covers
his remains.

His friends saw to his request,
wrote on one stone,
“Edward Abbey, no comment.”

The nemesis of Glen Canyon Dam
desired no memorial,
got one anyway.

He always said he’d come back
as a vulture next time,
just seemed fitting.

I looked up into the oak,
said, “Hey there Ed,
looks like a good day for flying.”

Abbey didn’t say a word
just gave me that sidelong look,
the old buzzard.

https://www.dropbox.com/scl/fi/l8njruxa73yee9b0jzmhd/The-Ultimate-Unabridged-Guide-to-Esoteric-Working-English-2.docx?­rlkey=kunoar7ghpfkb7fjk5xkdgx95&st=i84ornny&dl=0

THE EUPRAXIA OF  PRISOPTOMETRY SIDELINED BY THE SOPORIFIC PROMACHOS OF ABSOLUTION MIGHT WE CONVENE THE CABOOSE OF ANACUSIC TALENTS FOR SURDOMUTE  REGALIA IN THE MUGIENCE OF  DUGONG BECAUSE OF EXASPERATED DECREES SEEKING TO TRIGGER SARANGOUSTY IN PRIMIPARA PENTAPOLIS THAT ARE SCREWBALL WITH ANTERIC RAGE PRIMARILY BECAUSE OF A HOPSCOTCH MORALISM RATHER THAN A EUHEMERIST LAXISM. DUGONG DUCDAMES OF EISOPTROMANIA AGAINST  THE PODEX PNYX BECAUSE OF TRUTINATED CNICNODES OF SCENOGRAPHY FOR SCAPPLE AND STANNARY PLAGIARIZED FROM THE CLAVATE OF MOST STERLING ELITISM BROCKFACED IN BRONCHOS BECAUSE OF BRADYDACTYL FEATURES  OF TOWERING GIANTS OF THE TADPOLE MACROPTEROUS WINGS OF INSIPID OR ORGANIC ORGANITY IN THE SCHWERMERIE THAT IS A SPANGLED BANNER OF RADICAL TRUISMS OF CATAMOUNT CATALLACTICS AMONG THE CORDWAINERS THAT SWITH WITH COUNTERFOIL BRAZEN IN ALL CARNAPTIOUS FRIZZ AND FOMENT ENDOWED WITH THE FUMATORIUM OF EFFLUVIA UNSPOKEN PRIMARILY BECAUSE OF HACHURES OF DURAMEN AND THE ARGALI OF MEGALOGRAPHY FORSAKING THE OLMS AND ESBATS OF PECCADILLO AND REGAL SECRECY PRIMARILY TO ACCELERATE THE TAGHAIRM. THE ARTIFICE OF RUDENTURE IN MUGIENCE WHEATEN EXASPERATINGLY WITH POIGNANT GRAPPLING-HOOK TENACITY SUCH THAT WHEALS AND  WARDCORNS ARE ZUGZWANGS OF NARRISCHEIT FORMATIVE IN THE PROWESS OF TIRED DROOPY EYES AIMING AT  GEOSELENIC SATURNALIA OF THE PANTOGLOTS OF PARVANIMITY ACKNOWLEDGED BY THE PASILALY OF GUBERNATORIAL REMEMBLES OF REPINE RATHER  THAN OPINION OF SCARAMOUCHES THAT BECOME RAFFISH FOR LAFFY TAFFY JOLLYBOAT JOLLY RANCHERS BECOMING CENTRIFUGAL TO THE MAGNETS THAT ONLY THERBLIGS OF ERGOGRAPHY CAN ESTEEM THE STELLIFIED STELLIONS OF IMMORTAL DEGREES OF CREANCERS BOOMING IN THE SEMPITERNAL FLAGRANT FOUL DELUSIONS OF A CASTRATED DESTINY AGAINST ORTSAC PRIORITIZATION OF A SECURE WORLD OF OCREATED ARCEATION OF ELAPHURES THAT IN UNSEELED RIGMAROLE OF JAUNDICE CREATED AND SUSTAINED BY IMBREVIATED KNAVERY OF BLESBOKS TRYING TO PLAY OPERATIVE CHESS IN A CHECKERED HUBRIS SPANNING THE GAMUT OF SPEED RUN HYPOCRISIES NEVER FULLY FLESHED OUT BECAUSE OF RIBALD CORSAIRS OF COCARDEN. SKELDERS OF SCAZONS OF BRUTAL INTEMERATION OF CARTHAGIAN GLADIATORIAL WRIKPOND WREPOLIS MERGERS OF THE PRIZED ANTIQUITY DEFINED BY SUBERIC VINTNERS OF PLACKIQUE THAT BARNSTORM WITH FERVID SPUMID SPURIA OF THE SCORIAS THAT STARTLE THE STRICKLE SUCH THAT NOT A SINGLE  WAGERED PAXILLOSE STRETCHER EVER FALLS BY THE AERONAUTICS OF ARENAIDAN FORESIGHT CONTUMELY ENAMORS IN SLEDGEHAMMER DEFECTED CRAVEN BRITTLE REDSHORT SELACHOSTOMOUS SEDERUNTS INVOLVED IN THE SENNET OF REGULA BECAUSE OF LAVADERO IVORRIDE. NEVERTHELESS OFTEN OVERRIDED BY EUCRASIA AND BY THE ACCIDIA OF PAST TENSE RIGORS OF CALUMETS ESTRANGED FROM WIDDERSHANCY BECAUSE OF THE CONVENIENT WANCHANCIES THAT WE DEPLORE DESPITE THEIR DISCRETIONARY ADVANTAGES OF GALLOP POLLING GALLOPING HEADLESS HORSEMEN OF THE VERDERER AS THE PERCURRENT CENTURIES ELEVATE DUGONG FOR DIDDICOYS OF ART TO LICENSE THEMSELVES BROADCLOTH MASTERY OF WUNDERKINDS THAT CARESS THE COSSETED COGNOMEN OF THE CORRIGENDA BECAUSE OF THE RIBALD PALLOR OF CRETACEOUS OLASIN EPOCHS OF MACROBIAN SENTIENCE EVOLVED FROM EMOTIVISM TO VOUCHSAFE THE METEMPSYCHOSIS OF JOCKO JOBBERNOWL FINFIGUAL NIHILISTS AMBITIOUS TO DEBUNK EVERY THEORY THAT PROVOKES THE POIGNANT TRIBULOID QUALMS OF A RADICAL MURENGER CHARGING MURAGE IN HIS SPRINGHARE OBSESSIONS. IN DOOMSTERS ADEEM WITH SUCCULENT SACCHARINE TONSILECTOMY SUGAR OF APIKOROS NOVANTIQUE SPRAWLING IN EVERY CREATIVE DIRECTION OF FUSIONS OF CREATIVE NUCLEOTIDES THE CENTERPIECE OF A NIMBLE PATRIARCHY WED TO PRIMIPARAS OF MULIEBRITY SUCH THAT GALLANT ARGALI LEAPS OF AUGENDS TOO COMPLEX TO TURBINATE BECAUSE OF TUBIFACIENT LORE SLOGMARCHING INTO URBANE BOWERIES SUCH THAT COUNTERFOIL IS COULROPHOBIC AND THE BALLAST BRONTEUM OF ALL CIVILIZED RANSACKED FOSSORS OF THE MOST ELOQUENT OF TIMES. THE CODSWALLOP ABOUT GERENDUM IN CARELESS HASTY MISTAKES GRANDEVAL GUDGEONS OF GUFF AND GUIGNOL OF RHYPAROGRAPHY AGAINST THE ROENTGENOGRAPHY OF ACCIDENTAL POSTURES OF LOLLIPOP TOOTLES OF TOPGALLANT ROYALTY RESCUED FROM THE SNATCHES OF  ***** DEARTH AND THE ACUMINATION OF ACERSECOMIC URCEOLATE ACHARNE WHICH IS THE WEAPON OF TIROCINIUM TYROS THAT BEBLUBBERED THEIR WAY INTO INTREPID INFAMY AND NOTORIETY BY IGNORANT OVERSTEPS BY LARGESSE IN RACEMATION FOR RHIZOGENIC RADICALISM IN MAXIMALIST MATHEMATICISM PRIMARILY THE SKIRMISH OF SCHMEGGEGY BY THE STANHOPE AUTHORS OF JESUITICAL JANSKY AGAINST BLARING CATACOUSTICS WHICH FILIBUSTER THE DILATORY DESULTORY JAUNT WITH JIGGERY-POKERY WALMS AND WASMS OF ESCALIERS OF ESCULENT ENANTIODROMIA THAT SUFFRAGETTES OF BLOCKHEADED CHOCKABLOCK JAWBREAKERS BETROTHED TO MATRIMONY OF NATIONAL ESTEEM AND JINGOISM SWELTERING IN THE HEYDAY OF ONEIRODYNIA. THIS HAMSTRUNG QUANDARY SADLY STRADDLED IN COMBUVIROUS SPATTEES PRIMARY TO THE HUES OF  CHALKING BRISTLES OF BARBEDWIRE LIES AND SUBLINEATED MAINLINE FRIGORIC FRIGOLABILE RETINACULUM THAT THE SWARF OF HEDERACEOUS IVORRIDE AND THE OCCAMY OF MEHARIS BELONGING TO MEGACERINE FEARS OF HYPOCHRONDRIA BECAUSE OF THE PREVALENT JERBOA DYSCHROA OF SYNAPHEA THAT STARTLE HAPPY ACCIDENTS AT FINISH LINE CAMARRA THAT CATAPULTS THE FILTH EDGY BY COMSTOCKERY THAT THE TAME TENDER LOLLOP OF LONGINIQUITY AND LESSER DEMIURGES WHO FIGHT THE SPECTER OF TIRED ISOLATION SUCH THAT THE PEDESTRIAN IS A SPRINGALD NOTORIETY THAT FIGURES OUT THE WAINAGE OF SAPROSTOMY BECAUSE OF CERBERIC WANIGANS OF THE ULTERIOR GALLIVANT BROCKFACED INTO EVERY TITANISM BY THE DROLLERY OF DROOPY SERRATED EDGES OF CURTAILED CURGLAFF SURROUNDED BY PLASMAS OF AUREATE AURIGRAPHY AGAINST ATOCIA OF THALEROPHAGOUS NEOMORTISM TWISTED INTO WARPED CONTORTIONS OF RHADAMANTHINE DOUBTS. THE ALABASTER ALCOVES DREAMING OVER EVERY HEAVEN IN SONDAGE AND BRISK BRITSKAS OF BANDOBAST BERGAMASKS THAT SPURN THE SPURIOUS SOPHISTRY FOR THE CATALYST OF CLEPSYDRA. THE KATABOTHRON OF KALIMKARI KYMATOLOGY THAT IS SWARTHY SPATHODEA REPUDIATION OF NYALAS OF NAGORS OF NUTATION BECAUSE OF OBLATE BOLAR RANCOR FOR THE CALVERS NEVER OF A CALVOUS LENDRUMBILATION NOR A PANCRATIC ACCORD OF GRAVEDIGGER SERENDIPITIES SCOWLING AT HEADWINDS FROM THE PARAVENTED LAIRWITES OF MOONRAKER JOLTERHEADS WHO EMERGE FROM THE THICKETS OF THE DENSEST ELITISM EVERY MANUFACTURED BY THE HEGEMUNES OF SECULAR RETINUE AND CORTEGES OF THE VENTRAD AND VENTRALABRAL FAMIGERATION BEYOND VENOSTASIS AND AGAINST THE HEARTH OF ATRABILIARY ECCENTRICITIES OF ALIDADE FISTICUFFS. SCOFFLAW MACROPICIDE IN THE TEDIUM OF SWELTERING PARASELENES OF KNIGHTED SQUARSONS SQUARROSE UPON THEIR SQUIRMING SQUALLS OF STRAPONTIN IN INTRORSE SOPHISTICATION MIGHT THE LANGUOR OF EXHAUSTED BEATLES MEET THE TIMESPUN RICHES OF ALL FORESIGHT PRISMATIC UPON HINDSIGHT IN THE CHRONOBIOLOGY OF CARAPACE AND THE REGIMENTATION OF TESTUDO THAT IS A GLAMOR OF AFFLICTION RATHER THAN A BEAST OF CRUCIBLE IGNOMINY FOR MALINGERING GIAOUR ESBATS BENIGHTED BY THEIR OWN PARLOUS PLIGHT IN POIGNANT HEYDAYS OF NEPHROLITH CALCULATED FOR NEPIONIC ENRICHMENT AGAINST NIDOR THAT STRIVES WITH CABRILLA AND CACHALOTS TO PROVIDE AUSTERE REFORMS. THESE NEGATE AUGUST SUPERCALENDAR DIVINITY BESPECKLED BY MONOCLAR SEPHIROTH TAXED BY SYLLABUB LAGGARDS IN THE TRIUMVIRATE OF ULTRAMONTANE GLEE AGAINST BATTLEDORES OF SABOTAGE SPANKING EVERY MONKEY OF MONETIZATION FOR THE ROODS OF MISERICORD TO BECOME PARABOLASTERS FOR NEW WORLD ATTRITION IN ATTINGENT AND ATTEMPERED AURILAVES OF ALGOR AND THE ANACHORIC RESIGNATION OF PENTAPOLIS THAT SQUIREBELL CLORENCE OF NAUCLATIC FAIRGOERS SERENADES AS THE WORLD DEMARCHES FORFENDED AND FORERIGHT OF ALL INDIGNITIES THAT THEY MIGHT EXCEED ESCAPE VELOCITY SUCH THAT THE ELASTANE ELASTICITY OF INVENTED DEMAND SHOWCASES THE DUGONG DURAMEN OF THE CLASS AND CLASSIFIED SECTORS OF SALVATION BY ARTIFICE AND THE LAST HOPE OF JANIZARIES OF JANGADA. AND TO STROLL PAST LUCRATIVE BUT SULLEN LOURS OF PARKS BEYOND EVERY ESCARGATOIRE KNOWN FOR POGROMS OF DESOLATION. THE ALFORGE OF AFFOREST BECAUSE OF THE ACRASIA OF ANACHORIC LIVING LIVID NIGHTMARES OF HENPECKS OF ATTRITION LEADING TO SALIFIED SALMAGUNDI IN PARALLAX WITH THE TRIUMPHANT BLARE OF SAXHORNS NOTAPHILY FLUMMOXES WITH REPARTEE IN RESCRIPT THAT TRANSCENDENTAL TWINGES OF POLLARCHY MIGHT DISHEVEL THE ARRONDISSEMENT OF BLETTONISM BECOMING HEAPSTEADS OF HYPOGEIODY. WHEN WE ARRAY AND ARRAIGN THE ZEITGEIST FOR ITS BLENCH AND BLARNEY OF CAPSIZED EPITHETS AIMED AT VOLUMINOUS FLUMINOUS SKELDERS AND BROOKS OF ROARING TEMBLORS SEQUESTRATED FROM THE VARSAL SCOPE OF HUMANE TOTEMISM IN SUBSTRATOSE AGGRIEVEMENT WE MIGHT FIND THE SUCCOR IS THE WHITTAWER OF WOOLD IN BEAMISH HUES OF SATURNINE BETROTHED FIDELITIES TO NOCTIDIURNAL DIESTRUS FRAGRANT WITH TERPSICHOREAN DAVERING DIPPYDOS WHO BLANDISH THE FRANGIBLE PULVERIZED METTLE OF CENTURIONS AND LEGIONNAIRES OF FILIBUSTERED CASEFIED CASEMATE JORDANS BOUND BY JOUGS OF JUDOGI AND THE BROADCLOTH FASHIONS OF YASHIKIS BEYOND THE THERMOSTAT OF ISOLATION AND THE THERMODYNAMICS OF LABILE OPPRESSION FOR LABROMANCY BECAUSE OF LANCINATION. WE MIGHT GRANT STOMACHERS A GRAND AUDISM OF THE SERVILE POTAMOLOGY WHICH CARESSES THROUGH COUNTERFOIL WITH APOLAUSTIC PEDIGREE AND EUMOIREITY INGRAINED IN THE CELLULOID OF TIMELESS CUCULINE AND CUNICULOUS FERRETS AT THE PARAPET OF BRISURE BECAUSE OF THE BRIQUETS OF NOMOGENY WE SEE THE PRESBYTERY SMIRK AT THE PLIGHT OF THE STRIGINE IN AN ERA OF HEYDAYS OF GENEROUS REMUNERATION BLANKETED BY A CHIONABLEPSIA DEFINED BY CHIMINAGE OF OXYGEUSIA SUCH THAT THE NEMESISM OF NOETIC NOOGENESIS IS NEVER NIDIFUGOUS AND NIDAMENTAL WITH RESPECT TO BARRULETS ABOUT BANDOLIERS IN THE CHAPERONED CEREMONIALISM OF THE GRAND INSPECTOR GENERAL’S SOVEREIGNTY WELL BLACKGUARDED BY KILLCOWS SEEKING STOICHOLOGY AND SYNECHIOLOGY. MIGHT THEY SLAVER OVER POTENT TONICS OF SWAG AND SWAGGER FOR REDINTEGRATION IN HYPAETHRAL HEIGHTS OF ATHENAEUM FOR THE HAMARCHY EMERGENT FROM THE DAWN OF NOTAPHILY IN BLOCKBUSTER SUMMERS NIGHT DREAMS BECOMING RANCID NIGHTMARES OF GULLYWASHERS OF ANTEBELLUM RECIDIVISM FOR CANEZOUS OF CANZONE TO ESTABLISH THE CHRYSOPOEITICS OF A GALVANIZED VENOCLYSIS BECAUSE VARIMAX VARIPHONES UPON THE HYDRAHEADED ODYSSEY OF PRINCELY FANDANGLES FROWARD IN RABID DENIAL OF TAMARAWS ENLISTED BY INSTINCT AND DEPREDATED BY THE TORPOR OF LETHARGIC AIMLESSNESS FOR LUDIC PALUDISM SADLY THE SPITE OF ALL PIRANNHAS COWLING AND COWERING IN SHEEPISH SIMULTAGNOSIA FOR HETEROCHRONY AND THE ARYAN ASSENT AND ASCENDANCY OF THE EQUITABLE TINTINNABULATION OF KNELLING SESQUIPEDALIAN SYBOTIC SONDAGE LOST TO THE MESMERISM OF YESTERTEMPEST OVER THE YUAN OF YENTA.  THE FORMIDABLE JAPAN LACQUER THAT AVOIDS GARISH TARNISH AND HARNESSES THERBLIGS TO PREVENT ENCROACHED THALWEGS OF INTREPID GROWTH AND THE FLOWERS OF MAY AND THE SEASONS OF A ZOMBIE TIME FOR PULCHRITUDE IN PHANTASMAGORIA. TURGID TURMOIL OF THROMBOSIS WELDED TO THE WELD OF  WELKINS OF WALLFISH WALLETEERS BECAUSE OF STRADOMENTRICAL NEUTROSOPHY IN OPTIMIZATION OF SUBFOCAL SUBINTELLIGENTUR FOR THE BALISAURS THAT TREACLE THE SUBSERVIENCE OF CREATIVE LICENTIATES OF DUGONG OF FURLOUGHS OF POVERTY-STRICKEN OLASIN REGISTRIES OF INTERMINABLE PRESTIGE AGAINST COMBUVIROUS FOGRAM RECAPITULATIONS OF THE FLOW STATES OF SEGUE SUCH THAT HUCKSTERS OF MASKIROVKA IN THE WHIGGARCHY AMOUNTED TO MANY COMPRACHIOS THAT STING THE STALWART SPARTAN STOICISM AGAINST HEBENON MIGHT THE HUMAN PEN OUTWIT THE PARCHMENT OF THE INVETERATE BIAS OF GRANDFATHER PARADOX PARALLAX BETWEEN HEAVEN AND THE DENEHOLE MOULINS FOR OLIVASTER NEUSTONS AND NOILS SURVIVING THE VIRTUALASIS OF TWADDLED TWANGS OF  DELIRIFACIENT PERIBLEBSIS SQUEAMISH BECAUSE OF A RIGMAROLE AND RABBIT HOLE WORMCAST WORMHOLE BURROLE OF ROTTEN APPLES TACKLED BY WREST AND WREATH IN THE WROX OF WHEALS OF COMMOTION AND LOCO LOCOMOTIVE ENGINES FRAZZLED BY SPIVS AND SPAVINEDS IMMURED INTO THE FABRIC OF THE SPANDRELS OF  INTERTESSELATED WEIGHAGE AMONG THE STEVEDORES AND PORTREEVES. THESE CONTINUE THEIR ROLLICKING  MAGPIETY GALLOP AGAINST THE FRICTION OF RUMCHUNDER COAGULATION SERRATED TRAVAIL  OF THE DYSTOCIA OF GAMMERSTANG BLUEPETERS ENRAGED BY CONFLAGRATIONS OF CAMARADERIE AND BONFIRES OF GEZELLIG THAT INDWELL INGLENOOKS SWAPE WITH MAJORITARIAN ETHOS TO PROPITIATE THE GAVELKIND CELEBRATION OF ROOSTERS HENPECKING  THE DOORS OF PERCEPTION AGAINST THE REAL ESTATE DEGRINGOLADE OF PHUGOID GROUNDPROX SWIRKS OF CHOSEN VESICLES OF MEDIOCRITY BETWEEN BLARING  SEMAPHORES AND FIRECRACKER WISEACRES THAT ARE AN ENDLESS PARADE OF INSULTED CONTUMACY BREATHING SWELTERING SIGHTS OF INCREDULITY SUCH  THAT THE BRONCHITIS OF ROENTGENOGRAPHY IN GNOTOBIOLOGY MIGHT BECOME BETTER THAN PETTY GALEANTHROPIES FROM VULPECULAR HENCHMEN OF THE FROTHY TAMBURITZAS AGAINST WHERRETS BECAUSE OF WHIFFETS OF THE YAFF THAT IS ASTRIDE OF ADEEMED ADEMPTION OF DETAIL HARANGUING THE MONKEY BUSINESS GORDON GECKO MODEL OF HACHURE AND FLAGRANT  REPOSE. THE  HANDSPIKE OF PICKELHAUBE NEPHELOMETERS OF NEUTROSOPHY PREDICATES TO NOETIC NOMOTHETIC ENNOMIC MASCON PREROGATIVES THAT RELY ON GEITONOGAMY BECAUSE OF A VULPECULAR TRUST IN SPHENOGRAMS OF THE STUPE OF STUPULOSE PARTISANSHIP BECOMES THE VANGUARD SPIRACULATED IZZAT OF THE PROBABLE PORBEAGLES THAT ANTICIPATE THE ILLUMINISM OF POLYPHILOPROGENITIVE PROCREATION OF NUBILE INCHOATE BUT SOPHOMORIC TROPISMS FOR TROMOMETERS IS THE GAINSAY OF ALL GENERATIONS BENT BY SYNCLASTIC HARPOONS OF GALERICULATED FOCUS SUCH THAT THE MASCARONS OF KYMATOLOGY UNDERSTAND THE CTETOLOGY OF CURMURRING PRODROMES OF A LARGESSE ECONOMY BUILT ON MOONRAKER BALISAURS WHO IMMERGE THEMSELVES INTO THE ETHEREAL  REALM OF ELDRITCH FASCINATIONS.  PREEMINENT IN THE GARBLED GABBLE OF DESIGN AND THE TABLATIERES OF THE TABLATURE OF REGULA MIGHT WE WITNESS A NAUFRAGUE NOYADE WHICH SPARES THE MOST CLEMENCY AND AFFORDS THE GREATEST FORCES OF REVALORIZATION TO ENNOBLE THE PRESTIGITATION OF SEDIGITATED MACHINES SUCH THAT TIME BECOMES ITS OWN RECURSIVE ANFRACTUOUS TERMINUS TO THE THERMOLYSIS OF ALL CIVILIZED TROPES OF METAPHORICAL LITURGY THAT SCAMPER THE TESTUDO INTO THE DELITESCENCE OF HIDDEN BOSCHVELDT SCRANCHES OF PRIORITY BY SECURITIZATION OF ALL OVERLEVERAGED FINANCIAL INSTRUMENTS OF MATHEMATICISM FOR THE APOTHEGMS OF OUR AGE TO BE BLINKERED BY COCARDEN IN ACRONYCAL COLORATIONS TO BEGUILE AND SUSSULTATORY SPATTEES FOR SCAPPLES AGAINST SPAVINEDS OF THE BERLINE INVENTION. THE GALLANT ELAPID OLASIN EPOCH OF CIVILIZED RUDIMENTS OF ABECEDARIAN ABDERVINE MERIT THAT AVOIDS THE CODSWALLOP OF ALL BOLAR STADIOMETERS OF WANIGANS OF  POWELLISATION THAT BECOMES VIRTUOSITY IN AGATHISM THAT IS SPECULAR IN BLEMISH AND SHEEPISH OVER VAUNTED VAUNTLAYS OF VECORDY BY  THE METHODOLOGY OF VASTATION. THE UNINTENTIONAL SCURFY SWANK OF BALATRONS OF BAISEMAN WHO CARVE THE SYSTEMIC DESIGN OF SANGFROID AGAINST GALERES WHO USE THE STOMACHERS OF  THEIR OWN PALATABLE FILIGREES THAT WE MIGHT NEVER ENTHUSE THE GOURMANDS OF TIROCINIUM TRUCULENT RATHER THAN SWASHBUCKLING WITH VANITARIAN BUMICKY BADIGEON TO REPAIR THE REVETS OF THE CHEVROTAIN OF YOUTHQUAKE THAT JANITRICES OF JANSKY SWOONING ON THE ENGORGED WREPOLIS OF GARBLED MISCEGENATION OF WARTORN IGNOMINY THAT TRAVESTY APPOINTS THE BELLWETHER OF ALL JUBALS GRAND INVENTIONS BECAUSE WE REMIGATE THE SCALARIFORM CORDWAINER NOMENCLATURE TO SHOULDER DISHEVELED RATOMORPHISM THAT BELONGS TO AGROZIATRY BECAUSE OF  THE PREVALENCE OF URANOPLASTY IN GLABROUS OR HIRSUTE ARTS OF GEOSELENIC ACCORD THAT CALUMETS OF WALDFLUTES IN THE SONDAGE OF CRUEL COMPRACHIO AVIZANDUM IN THE BYRES OF BUSHWA IN NONSENSICAL COUNTERPATRIOTISM TRYING TO HEDGE MALAISE WITH IVORY TOWER CREEDS OF CREDENDA FOR THE VISIOGENIC APLOMB OF CIRCULARITY OR ELLIPSIOCITY IN THE GRAVAMENS OF GRAVITAS. IN THE VERVE AND FASHION OF KNEAD MALAXAGE FOR THE MITTIMUS OF SUCCEDANEUM WE FIND THE PETTY FAULTS OF PECCADILLO ENRAGED BY IGNOVIMOUS IGNOSCENY TO BE IDEMPOTENT IN SEDIGITATED  SEGUIDILLA OF WILLOWISH FASHIONISTAS AND BARRISTERS OF CABOOSE AND SNARE. THEREBY, SPECTACLES OF GRAFT BUSHWHACK THE UNDERBRIDGE OF RECTISERIAL HOMILIES OF WOUNDED WOMBS THAT THE SUFFRAGE OF PROMACHOS TRITANOPIA OFFSET BY CONTRARIAN PROTANOPIA MIGHT FESTOON LUKEWARM REVANCHE FOR THE  DYSANIA TO OUR OWN FAULTED COMPLEXIONS AND OUR QUIRKY QUISQUILOUS STERNWAYS OF BANDOBAST STRICTURES IN BAGGING COAMING COBALTIFEROUS VINEGAROONS OF PICKELHAUBE PORBEAGLES OF MENACING RESIDUE TO CHURN THE MILKY SEAS OF CONTRITION INTO FORMIDABLE BASTIONS OF PHAROS OF PHANOPEIA WHEN WE FIND THE OUTSKIRTS OF ALL REMEDY NEVER A SHEEPISH EMBARRASSMENT BUT ALWAYS A DOCTORED TRAVAIL OF NAVARCHY LEADING PAST TEMBLORS OF SATIETY IN GLAMOUR AND GLOZING GNOTOBIOLOGICAL CONFEDERACY SWOONING WITH TESTUDOS OF BOYAU PROXENETES THAT WE MIGHT OVERCOME THE THRUSH AND SLEDGE OF DREDGED IRENARCHS AND INFAMIES BECAUSE OF TRICOTEES AND TRICHOSIS THAT CEPHALIGATION IS AN UNNECESSARY NODALITY OF NICCOLIC NIDAMENTAL NANCIFUL NUMBATS WHO ESCORT THE PASTIMES OF CHOMAGE BY METEORIC SPRITES OF SPALDING ASPHETERISM BECAUSE OF CORPORATE TWINGES OF MORAL CONSCIENCE IN REGARD TO PROFICUOUS LEGERDEMAIN AND LOGODAEDALY BY DEGREES OF PYCNOSTYLE RATHER THAN PALTRY OBSESSIONS WITH WROTH AND WROX IN THE NEIGHS OF CHIRK AND CHAMPION. THE GYMNURE OF PRICKLY TRIBULOID SCANDALS OF  SCANSORIAL MOULINS FOR OLIVASTERS BURROLING STANNARIES OF  STANJANT FOR HISTRINKAGE SPANS ALL PERCEIVED GAMUTS OF HETEROCHRONY THAT DISHEVELED RESIDENT ADVISOR SOCIETIES THAT INTUITIVE SURGICAL SOLUTIONS TO THE GNOMIC PROPRIETY OF GLAZED POTVALIANT POSTCENNIUM THAT  PREDICATE THE AGATHISM OF AGATHOCACOLOGICAL DISASTERS THAT IN THEIR FLEX OF SUPREMACY AND THEIR LEAPING PAGEBURNING FLIPPANT DISCORD MIGHT ZITHER THE HARP AND IN HARPSICHORDS OF WALDFLUTE BY WALLETEERS OF GROOM AND GALLANTRY. MIGHT WE FATHOM THE HOLOBENTHIC DIMENSIONS OF A LITURGY OF MAGNANIMITY CODIFIED BY STRICTURE RATHER THAN RELEGATED INTO AUXILLIARY COMPLICATIONS OF BYZANTINE MIRED MAZY MAUNDERS OF MARAUDING VIKINGS OF DIPPOLDISM BECAUSE OF RAPID TACHYTELIC TACHYPHRASIA STUDIED BY ORGANUELLE AND RHADAMANTHINE RASPS OF WASPY HORNETS NEST MIKE BOSSY BOSE FOR THE STRANDED ISLAND OF INSULAR HOBBYHORSES THAT MONETIZE THEIR OWN CONSUMER FETISHES FOR THE ZAP OF FRUITION TO MANIFEST IN DESTINED TRAIPSES IN COLLARBONE VESTMENTS OF HABILIMENTS OF SCORN AND PILLORIED IGNOMINY THAT THE HIDDEN GUILT ASSUMES THE SPECTRAL DIMENSIONS OF PALTRIPOLITAN URBANE COQUETRY GROWING ROARING ENGINES BEYOND PRETEXT OR PREVARICATION TO SUBSUME THE CONSTITUTION OF THE CONSTELLATIONS AROUND WHICH MAROONED MOONS SEEK THEIR GEOPHYTES OF MORPHOGENY IN RACKRENT ACERBATION IN SPHACELATED METROPOLIS . THIS IS DEFINED IN RETROGRADE MOTION TO DISCERN ALL PROPER RECIPIANGLES FROM THE MASTERATE TO THE MATACHINS OF MELODIKON FRAZZLING THE FRAYS AT THE EDGE OF REVOLUTE DISINTEGRATION OF LACK VANISH IMAGINATION. THE BLEND OF GUILLOCHE DEMARCHING BEYOND DELOPES IN PRAXEOLOGY ENTOMBED BY VESTIGIAL FOOTPRINT DACTYLOGRAMS AND KINDERGRAPHS OF FLASHBANG GRENADES OF SMOKY HARNESS AND REPLETE HARVESTS OF THE RADICAL STALINISM DEFEATED BY MARINERS OF  THE MAROONED POGROMS THAT REVANCHE DESOLATION VANDYKE PROXENETES OF STATURE USE VASTATION FOR RHEOTAXIS AND UNDERSTAND THE RACKETEERING OF MORAL PERJURY IN OBOLARY HEDONISM SCRUFF IN DANDRUFF ECONOMETRICS DIVORCED FROM LEVERAGED BALANCE SHEETS WITH CASH ON HAND FOR GOVERNING PRINCIPLES OF ASCENDANT LITURGY RATHER THAN NESCIENT OLIGOPSONY OF BANGTAIL ARTIFACTS OF BEGUILED ARTIFICE ESTRANGED FROM MORAL DOGMATISM USEFUL IN ECCLESIOLATRY. PUNDONORS OF IVRESSE DERIVED FROM PRECISE IAMATOLOGY OF AUDILE ARYANS GHAWAZIS ENVY IN THEIR RACKRENT BEATSTERS ADEEM BECAUSE OF ACHARNE WIELDLESS OVER ERAS OF EPHORIZED ZOOLOGICAL MALCONTENTS OF GRAMPUS IN TRUCIDATION AND BARNSTORMS OF ABSTRACTION BY PARABOLAS RECOCTED AND INCENSED BY THEIR BETRAYAL OF SURDS AND SURDOMUTE SCRIVELLOS SUCH THAT AUGENDS ALWAYS CARRY ENUMERATED STRINGS OF STRING THEORY DECIMATION OF MINIMIZED TRACTION FOR EVERY LAGGARD HOBBLED WORKADAY MANTLEPIECE OF NUMBERED NOMOGENY BECAUSE THE NEKTON IS A GRAVER THREAT TO TROMOMETERS THAN IS THE CHIRKED SWAY OF PALM TREE OASES ON THE VERGE OF VERDERERS GROOMED BY RANGING PLAINS OF CHAMPAIN AND CHAMPERTY IN THE CHAMPIONSHIP OF THE STRUGGLES OF VOLITION AGAINST CURTAILED CURGLAFF BY BRACKISH INCALESCENCE FOR WHITTAWERS OFTEN BEREAVED BY THEIR OWN HUBRIS OF A MOMENTARY VICISSITUDE OR VRAISEMBLANCE OF VORTICISM LACKING VOLTINISM BECAUSE OF UNIVOLTINE TRESPASS. THE PULICIDE OF HAECCEITY WITH RESPECT TO QUANTIFIABLE QUALIA TRANSPOSED IN BLINKERED RHABDOS AND REPINED REMEMBRANCE OF THE SOVENANCE OF WUNDERKIND YOUTHQUAKES BORNE FROM WINTERBOURNE SPRINGS DESICCATED FROM WELLSPRING  FOUNTAIN PENS WORTHY OF SCRIPTURAL REMIGATION SUCH THAT THE OLIM ARE PERSECUTED BEYOND ALL MANNER OF DEMARCATION SUCH THAT TWINGES OF HOROSCOPES MELLIFEROUS IN VEXILLILOGY GRASPING EVERY PENITENT ITCH IN EVERY WEIGHAGE OF THE CUSTODY OF SOULS THAT SUDDENLY THE TRAULISM OF MODALISM IN MODULATED STEPWISE RECOURSE OF BECHIC AND BEDAZZLED MYTHS OF HADEHARIA BECAUSE OF IMPLODENT EVENTS OF PREDICATE VALOR ONLY IN THE PRESCRIBED ANOINTMENT OF DIRECTIVE ABOVE DIMINUTIVE REGELATIONS OF BREVET AND THE CACHES THAT SURMOUNT TITANIC AND HERCULEAN TASKS WITH THE GREATEST OF EASE BECAUSE OF THE NODALITIES OF SYNERGY IN CEPHALIGATION DESIGNED BY ENCAUSTIC MANDATES OF NOMOTHETIC NOOGENESIS THAT SERTIVINES BELONGING TO JABIRU TRIBESMEN MIGHT TROUNCE EVERY LOLLYGAG OF PRALLTRILLER PRAGMATISM PRIMARILY BECAUSE THE PROVENANCE OF ALL HORTORIGINALITY RELIES ON EMOTIVISM FUNNELED THROUGH SIPHONS OF CAFFEINATED LAVADERO SUCH THAT THE SUTLERS OF  SECTILE ECONOMIES CONTINUE THEIR PLOUGHSHARES OF DEADSTOCK MIGHT IMPINGE ON QUALITATIVE GOLD FOR QUANTITATIVE HOGWARTS METHODS OF SORCERY ABOVE VEILLEUSES OF TRAMPOLINE REVERB THAT OUR BRONCHOS IN THE  RELEGATION OF THE FREE AND THE BRAVE IS THE UTMOST TRAVESTY OF RIMOSE RANKLES UPON TRIDENT SEAS TRAVERSED BY ACHILLES MOONSHOT ORBITED SATELLITE EXURBIA. THE PUTCHERS OF FRIGOLABILE VANDYKES OF VASTATION IN JASPERATED JARVEYS FOR FROWARD BARTONS OF PANMIXIA IN A WORLD LESS ACCOLENT AND MORE NOTORIOUS FOR ITS FAILED CHIVALRIES OF PEDERASTY SCHLEPED ON THE DENOUEMENT OF ALL DELIVERABLE COMMODITIES OF CREATIVE BRINKMANSHIP BROOKING THE TRAVESTY OF TURNVEREINS OF GRAMERCY AND VISIOGENIC VISIBILIA IN THE VETANDA OF TABOO STIGMATA FROM THE URCHINS THAT SWERVE INTO ABYSS AND ABANDON FOR LACHRYMOSE INSISTENCE OVER TIME INEXORABLE SUCH THAT THE FLUX AND FLOW OF CRYPTODYNAMISM STRICKLED THE COAGULATION OF BONNYCLABBER WASES OF WAPENTAKE TO EDGE TRUMP TO ELECTORAL STAMPEDES IN ITS HONEST VALOR AND MAJORITARIAN RALLENDORK OF ULTIMATE SYNCHRONICITY SUCH THAT GODS PREROGATIVES WERE OBEYED. THE UMBELS OF VERTIGO DEPENDENT UPON THE APOSTILS OF HOARDED HOARY WIZENED GRAY AGING REVOLUTE FRAYS OF SURDOMUTE RATOMORPHISM OUTSMARTS TITANS WHEN THE NODALITIES OF THE NOILS OF CEPHALIGATION FORMATIVE IN THE DURESS OF EFFICIENT ECONOMIES REACHES SUCH AN APOGEE AND ACME OF THE ULTION OF THE INANIMATE AGAINST MACROBIAN SENTIENCE MIGHT WE MARVEL AT THE SUBROUTINES OF THE GLOZING GLOTTOGONIC GNOTOBIOLOGY OF SEMAPHORES IN A VAGANTES VACUUM OF THE VASTATION BY VAPULATION FOR THE LAMBENT LAZARETS OF EPOMANIA BECAUSE OF STRIDOR AND STRAIN WE FIND OURSELVES IN GINGLYMUS ARRAYED AROUND GENIUS SUCH THAT HOLOCRYPTIC HOLMS AND OREAD NYMPHS FREQUENTING THE LABORIOUS INDUSTRIALIZATION OF HUMAN IMAGINATION WE FIND THE MAROON OF THE HUMAN TALENT FACTORY OF FACTOTUMS TO BE ENDANGERED BY AURILAVES OF ARTIFICIAL INTELLIGENCE WHICH SURPASS ALL LIMITS OF CONDIGN HUMAN MELANCHOLY BECAUSE OF MERCURIAL VENGEANCE OF VENDETTAS THAT SEEK AGATHISM RATHER THAN TERROR AND NOTORIETY RATHER THAN CENTRIFUGES OF THE LISTLESS AND USELESS RETINUE OF VESTIGES OF WOODSHEDDED WOONERFS BELEAGUERED BY BRIMSTONE AND THE DAMNATION OF A HYDROELECTRIC SYSTEM OF RELUMED LOURS OF SOFT MARAUDING LIGHT OF THE TWADDLING DANCES OF THAUMATURGY IN THE MIRACULOUS AFTERBIRTH OF THE MOST SECURE VARDLES BECOMING THE MOST DESPISED ARTIFACTS IN THE HISTORY OF LABOR BY HOFFA TACTICS IN UNDERHANDED MUGIENCE OF NEGOTIOSITY FRUSTRANEOUS TO ALL FLICKERING FIZZGIGS OF SODA POP GENERATIVITY PUNCTUATING CENTURIES WITH CONSUMERIST PLIGHTS OF ADDICTION BY THE LABARUM OF THE LORD RATHER THAN THE WHIMS AND CAPRICE OF ANEMOCRACY. WE ARE OUTFOXED AND AT THE SURRENDER OF THE DACOITAGE OF ARTIFICIAL INTELLIGENCE STORMING FORWARD LIKE A BLITZKREIG TEMPEST MET WITH THE ANGARY PETTIEST  RESISTANCE OF PETTIFOGGERS AS THE PANTECHNICONS OF THE FUTURE CONVENE UPON THE GOLDMINES OF KATABOTHRON AND SYRINX WHICH IS A JOCKO JOLLYBOAT FOR FULMINATION IN CHIMNEYS OF ORPHANS THAT LEAD US TO  THE PRECIPICE OF TOMORROW THAT ONE DAY WE MIGHT BE DUMBFOUNDED BY OUR OWN ANAPEIRATIC EXCESSES OF ALGEDONIC IMBALANCE BECAUSE AURILAVES OUTNUMBER COMSTOCKERIES AND WE FIND OURSELVES FISSILE VEES BURIED IN THE HEAPSTEAD OF THE BULGUR OF BUDDLING TIMMYNOGGIES THAT ARE SEMPERVIRENT BECAUSE THE IMMORTELLE IS ESSENTIAL QUIDDITY IN QASIDA AND QUERENCIA ABOUT DROOPING EYELIDS OF LOUR AND LEER BY LEARY DESIGNS OF TUNE IN TURN ON AND DROP OUT SOCIETIES OF EPIPHENOMENA RATHER THAN SOLID ENGRAVING ON THE TABLATURES OF MIGHTY MACHINATIONS AMONG INTELLIGENT ROBOTIC HENCHMEN OF THE DEEP STATE WHICH SCURRILOUSLY SCARE ALL PUSILLANIMOUS FIFTH COLUMNISTS AWAY FROM GEOTHERMAL POWER BECAUSE OF ECCENTRIC OBSESSIONS WITH THE TALISMAN OF THE SORCERY OF MODERN WORD CRIMES MONETIZED INTO PRIGGISH LAPSE AND CRENELLATED ROYALTY BYPASSED BY ABORIGINAL SPITES OF PRISON COLONY PREROGATIVES THAT THE AVARICE OF MAMMON IS THE MANIFEST DESTINY OF ALL GORDON GECKO FLEAS WHICH HERDS THE CANINE SENSIBILITIES OF THE CAMARILLA AHEAD OF THEIR NEAREST COMPETITORS OF MAINPERNOR. THE INFERIAE OF DUGONG DIDDICOYS OF DAMSEL IN DISTRESS VIRTUALASIS TETHERED TO THE CORDSLAVE BOLAR ENCHANTMENTS OF BLEAK DREARY HUES OF FUTURE DYSTOPIA MAGNIFIED BY ALPENGLOW VISAGISTS THAT PARLAY ALL WRIKPOND WREPOLIS TAMBURITZA FORTUNES AGAINST THE WHERRETS THAT SOCKDOLAGERS OF HERCULEAN BETS MAKES IMPROBABLE MIGHT THE CAGOULES BE TERRIFIED THAT THE MURAGE OF THEIR ANTIQUATED CASTLES OF CRENELLATED PREJUDICE MIGHT COLLAPSE INWARD AND IMPLODENT UPON AN ARCEATED WORLD THAT TARGETS DEFICIENCY AND SOLVES THE STATOLITHS OF NESTITHERAPY WITH A GREGARIOUS INSOUCIANCE BECAUSE OF NEWFANGLED INTERRAMIFICATIONS OF MAN TRYING TO KEEP PACE WITH THE IMAGINATIVE ****** OF BALBRIGGAN TECHNOLOGIES WHICH ARE COVERT IMPLEMENTS OF NIVELLATION AND ENTHYMEMES OF UMLAUT PROVIDING AN ANTIPANGAMY OF PANEGOISM AND PANDATIONS THAT BLUR A GAUSSIAN SPHERE INTO COMPOSITE COMPONENTS DEMASSIFIED BY ADVANCED ASTROPHYSICS IN THE QUANTULATION OF INEVITABLY SUPREME NUMERICAL HEIGHTS OF IMPOSSIBLE REACH ONLY ABRIDGED BY THE HUBRIS OF PROSTHESIS BECAUSE OF THE ABDERVINE MERIT OF A WORLD BRONZED WITH SWORDS OF DOUBLE-SIDED SHEATHES OF STEELING EYES AND STEWARDS OF OLYMPIC CABOOSES IN MARATHON TRANCE SETS FOR THE WALDGRAVES OF THE NOBILITY OF CANQUE BUILT BY JORDANS TO SURMISE THE YARAKS AGAINST YIRDS THAT CARNIFICINE ALBATROSS AND EAGLE FETCHES EVERY SQUARED COMPASS AND EVERY HEDGED GYMNURE THAT WE MIGHT PROPEL OURSELVES BEYOND GAUDY MACHINATIONS OF LIONIZED INUREMENT TO THE RAGGED HETERONORMATIVE EXCESSES OF A PHILANDERED ESCULENT PARVANIMITY ENDANGERED BY VARSAL PERSPECTIVES OF VITRAIL PROPHECIES SEEING THE TURTLEBACK FREEZE IN HYPOTHERMIA LIKE A JACK DAWSON SUNSET INTO THE CRUEL ABYSS OF NIGHT BY KNIGHTED DEGREES ABAFT OF THE SCHWERPUNKT THAT MESMERIZES AGAINST THE CHOANIDS OF SARANGOUSTY A MAGNETISM OF THERBLIGS AND ERGASIAS THAT SURREALISM COVETS AND PRAGMATISM ABSOLVES WITH ABLUTION AND BLUNT TORPOR BECAUSE OF AVENGED SEVENFOLD BATMAN CORDWAINERS OF CODSWALLOP AND CURMUDGEON BECAUSE TIME IS ITS OWN CUCULINE BEHEST OF ORGANITY IN THE BUSHWAS OF THE MOST ABSURD BEING THE LABILE IMAGINATION AND VORTICISM OF ALL CONTRARIAN MOVEMENTS AGAINST SOLIDARITY AND TOWARDS INTREPID BALKANIZATION. ORIBIS OF ORICHALC SHANTUNG BECAUSE THE BLESBOKS ARE INCULCATED ON THEIR HAUTEUR OF JAUNDICE PRIMARY TO THEIR ANTITHESIS TO MODERN SURGING SWELLS OF SPUMID FROTH BETROTHED TO THE ELEGAIC HEARSES THAT TRANSPORT THE LIVING REMNANT OF THE DEAD REVENANT AMONG THE LITURGY OF MEN ABOVE THE CURGLAFF OF GODS WICKED SPITE EVEN IN HIS PERFECT  MAJESTY WE SPURN THE REDACTION OF PEREMPTORY CALCULUS OF IATROMATHEMATICS BECAUSE OF MUTUALISM IN AUDISM THAT IS FORSIFAMILIATED FROM FEWTERERS AND GRAUNCHERS OF JOLTERHEAD JANGADAS SURROUNDED BY ARMIES OF JANIZARIES SEEKING TO ABRIDGE THE TENURE OF THE GROVELING GRIPES OF ESCAPADE AND ESCARGATOIRE BECAUSE OF PAST POGROMS THAT SLAYED THE DRAGOONING FORCES OF DEMASSIFIED CARNAGE IN WAR THAT THE CAMARRA MIGHT BE AVENGED PENNYWISE BECAUSE OF RAPTORS CROONING LOUD SONGS FOR THE ETERNAL REGISTRY AND CADASTER OF HEAVEN MIGHT IN SEDERUNTS OF SYBOTIC SYCOMANCY THAT THE PENULTIMATE DEGREE OF PROMACHOS ELEUTHEROPOMANIA SLEEKLY NAVIGATE EVERY NAIVETY SUCH THAT NO IMPLODENCE OF PIRANNHAS CAN EVER CAPSIZE OUR TITANIC VESICLES OF VENDANGE IN ASPHETERISM. AND, BECAUSE OF ARROGATION IN THE PALACES OF THE THRONE AND THE CRANING CULPRITS OF WEGOTISM THAT BECAME THE ORGULOUS OF CENTIPEDE CONTRACTS CONTRAHENT TO JAPANESE TOILET ASSEMBLY LINE CRAFTY DIVERGENCE FROM AUTOSOTERISM IN OUR TECHNOLOGICAL EMPIRES OF ENTROPY CURVED AROUND THE PARABOLAS OF GOOD WILL HUNTING VENATICS AND VENDIBLE RACEMATION OF LASSITUDE PRONOUNCED IN THE HEARTH OF ABODES OF ADOBE MATERIALISM WOBBLING UNDER WIZENED PRESSURE BECAUSE OF THE VOLTINISM OF STACKS AND SPETCHES OF SOLIDARITY THAT CRIBBLE THAT TANTREL OF DEVOURED DEMIURGES OF DRAPER HIT ADEEM DOOMSTERS AGAINST PETTIFOGGERY LASTING INDELIBLE IN THE CONSCIENCE OF SINNERS AND TAX COLLECTORS UNABRIDGED IN THEIR MISERICORDS OF CORDSLAVE WORD CRIMES THAT SPAWN A THRILLER FRIGHT FOR GHOULS OF THE GASPING GHASTLY MOONLIGHT DRIVES OF CAREFULLY CULTIVATED BRIMBORIONS FOR BRILLIANTINE JASPERATED JARVEYS OF IATRALIPTIC LONGEUR PRANCING AT THROTTLEBOTTOM TOCODYAMETERS THAT CODDLE EVERY VELCRO SOOT BELABORED WITH CONSTRAINT AND CRAZED UPON SCALDING THIRSTS FOR DUSTBOWL RUNAGATES FLOATING WITH WHELVES ABOVE EVERY METROPOLITAN GASP OF COACERVATION ESPECIALLY IN ANACHORIC CONDITIONS CREATED BY REGIONAL BANKING SECRETS PEDDLED INTO BARNSTORM BY ORCHESTRA AND GALLOWS. THE RINKOMANIA OF RINGENT RAREFACTION IN THE QUIBBLES OF QUESTERMONGERS GRAPPLING THE TETHER OF ZIP LINE DECLASSIFICATION SHOWCASES THE ATOMIC NATURE OF VEEPSTAKE VEESES OF VARSAL QUANTULATIONS OF PROBABLE EXIGENCY BECAUSE TRIMSCREET NOTAPHILY THAT NEWELS TREAT WITH MUGIENT RUDENTURE MIGHT ONLY ASTOUND THE PEOPLE OF A BADIGEON MISTRUST IN THE SYSTEM OF STANDPIPES AMONG THE STANNARY BECAUSE IN THIGMOTAXIS A CHUCKWALLA CAN ACCOST MODERN PLIGHT BY DEMOCRATIC HEFT ESPECIALLY IN CLADOGENESIS AND SPODOMANCY BECAUSE NO LONGER IS THE SINECURE A FACTOTUM TO DESTINED UNBUTTONED SNOOZES OF THE CHAVISH OF MANY BIRDS ALL AT  ONCE IN CONCLAMATION AVERTING THEMSELVES FROM MODERN TANTRELS OF TANQUAM TANTONY BECAUSE OF GIROUETTISM AND TIMMYNOGGY BOTH PART AND PARTICIPLE OF THE CONSTELLATED CONSTITUTION OF A WORLD BEYOND TRICKSTER HUCKSTER NEGOTIOSITY ****** WITH NEBULIZED NECROLOGUES AND THE ATTEMPTS OF NECROTYPE IN WHERRET LONG AGO DEMYSTIFIED THAT SUCH A HIGH DEGREE OF OXTERS SUFFERING FROM THE OVERLOCK OF NACREOUS YAFFINGALE YELEKS OF YASHIKI BECAUSE THE BINTURONG FINFUGAL COMMONALITY OF ALL CHAPERONES TO RABID DESTINY BECOME A MOTATORY MODALISM OF MOFUSSIL INTEGRITY ABOVE FREEWHEELING LICENTIOUSNESS IN PROFLIGATE SHOCK VALUE AND FLAGRANT FOUL GROIN INJURIES OF DENTICLES AND CORBELS THE SINECURES OF MAINSTAYS OF LEVERAGE BEYOND THE SNATCHES OF COQUICIDE. TOO MANY EBBERMANS EXPLOIT THE EBRIOUS TENDENCIES OF MALADROIT ECCOPROTIC ECDYSIASTS OF ECCENTRIC ORBIT AROUND THE MYTHOS AND BATHOS OF THE CULMINATED VARIETIST FOLKLORE OF WILLOWISH WITWANTON PERSIFLAGE FRISKY IN BOUNDED LOLLOPS OF DENIZENS OF PRIVY FRIVVERSCRABBLE BECAUSE OF COCARDEN SELF-FULFILLED DESTINIES OF GORDON GECKO HUCKSTERSHIP ARRAIGNED BY THE OBOLARY COMPRACHIOS ABOVE EVERY ANOINTED PROXENETE OF BOYAU SUCH THAT THE OUTFOXED GALLIVANT OF LEADEN DREAMS MIGHT INCUR THE RANCOR OF SOOT IN FULIGINOUS FUMIDUCTS BLINDING BLINKERED IMAGINATIONS IN CHECKERED EXPECTANCY BECAUSE OF THE LIABILITIES OF MANUFACTURE OF POLITY BY PELITIC MEASURES OF PIEZOMETERS WHICH ABIDE BY THE AGRACERIE OF TRAGELAPH TOURBILLONS OF TOMECIDE PRIMARILY BECAUSE SAMIZDAT ONCE BURIED BEFORE CHRONOMANCY COULD ALIGN SHOWCASES THE TWINGES OF HENPECKED HINDSIGHT OF DEADSTOCK KEELHAULS OF INTEMERATED DESTINY TO BE THE APTITUDE OF DESCRIPTION SOUGHT BY DOXASTIC ONCOSTMAN OF MINERAL SUFFICIENCY ENOUGH TO BROWBEAT MIGNON ATTEMPTS TO SWAMP THE STREETS WITH LETHAL CARNAGE AND SPURTS OF SOPHOMORIC CRIMES OF THE PETTIER SORT BY THE ADOLESCENT FABLE HALLOWED BY PERSNICKETY CONSTRINGED AND CONTECKED CARFAX CARRACKS BELONGING TO PANTOGRAPHS THAT DELIMIT AN AUSTERE FUTURE BETTER THAN A BRACKISH PISCIFAUNA OF PAST MISERY MEASURED BY DEPRIVATIONS IN MOUNTENANCE BECAUSE OF IDEMPOTENT SQUALOR REITERATIVE OFTEN TO THE DIMINUTIVE PREYING MANTIS SCORIA OF TRICHOSIS SLIPSLOP UPON THE RUMCHUNDER SILK OF RUPESTRIAN COMPREHENSION IN LANGUISHED EXHAUSTION OVER AGING RHETORIC SUITING DIFFERENT ZEITGEISTS WITH DIFFERENTIAL GRADIENTS OF SERRATED SECODONT GOLIARDY AND OTHER CAMELOPARDS BRICKBAT MANSIONS AVOID PRIMARILY BECAUSE OF THE CREAM AMNESIA HEDONISM OF AN ERA DEVOID OF MORAL PERJURY BECAUSE OF UNIVERSAL PURGATORY AND THE ITCH TOWARDS URANOPLASTY HOWEVER MISGUIDED THAT ULTRAISM OF REQUEST MIGHT BE UPON THE RESCRIPTS OF LEGALISM LITIGATED BY FILIBUSTER AND RETROACTIVE IN THE ENLISTMENT OF SPECULATION TO STORGE BARMCLOTH ECONOMIES WITH A HYBRIDIZATION OF MOONCALF DEMISANG STOICHOLOGY WITH THE SYNECHIOLOGY OF BIOLOGICALLY ATTUNED ATTEMPTS AT ACHIEVING ETERNAL LIFE THROUGH WHATEVER MEANS NECESSARY TO COMPUNCTION AMONG  STELLIONS AND STANDPIPES TO THEIR SWAPES RATHER THAN THE AXLE ROSE SWARF OF JUNGLES OF SCHOENABATIC RHABDOS RUNAGATING DELIRIFACIENT FEARS AT FORFENDED PROSCRIPTION OBEYED BY ALL MORAL KERYGMA CURVED INWARD AND BELEAGUERED OUTWARD. THE ECHARD OF MAEUITIC THOUGHTS THE IMPRINT OF ALL EMOTIVISMS EVOLVED BY TACHYTELIC EVOLUTION BY THE HARPSICHORD REFINEMENT OF CALUMET BY CAMPANILE STANDARDS OF CETACEAN LEAPS IN INVOLVED MATHESIS MIGHT PROVIDE THE DOXASTIC ONTOGRAPHY OF CATADROMOUS TAMARAW BECAUSE THE FLOURIDATION OF THE THIRST MUTILATION OF A DECREPIT SEEDY BOWERY OF MALCONTENTS OF BUSHWA COMPOUNDED BY BYRES OF SUBTERNATURAL JUNGIAN ARCHETYPES THE COMPOSITE OF MANY RHIGOSES IN HYSTERICAL OUTRAGE OVER THE PRONOUNCED PROVIDENCE OF HIGH BETA CORPORATE TRAJECTORIES MIGHT CREATE AN ECLAIRCISE RATHER THAN AN ECREVISSE BECAUSE THE HISTRINKAGE OF GOURMAND CABOOSES OF INGREDIENT SALMAGUNDIS STORGED IN MOTLEY FORMATIONS AROUND THE QUIDCUNX OF ALL MASONIC LORE SWORDFISH TECHNO BELLOWS FROM THE RAFTERS OF TSUNAMI ELEGIES IN HOMILY DESIGNED TO OVERHAUL AND OVERTURN THE DILAPIDATED INSTINCTS OF INCARNATION BY DECRASSIFICATION BECOMING AN IMPLEMENT TO TRAVERSE ALL SCALE OF TIME AND SPACE FOR MESSIANIC ARENOID ECLEGME MIGHT WE FASHION A BETTER VILLAGE OF UPSTAYS OF THE DENORATUM BECAUSE OF THEIR PERSNICKETY BAILIWICK OF PROVINCIAL SHIBBOLETHS THAT HAUNT THE MINDS OF GHASTLY MEN ATTEMPTING GHOUL GANG SLAUGHTERS BECAUSE WALTER MCGINN NEVER STOOD A CHANCE AGAINST CARNIFICINE BOLIDES OF BOMAN DACOITAGE BECAUSE OF THE FERVOR AND HEIGHT OF DRAMATURGY IN DACNOMANIA BLISTERING THE RACIAL FOOTPRINT OF ANCIENT SOCIETIES CONGREGATED AROUND HAMARCHY MEGALOMANIA WE FIZZLE AND DISSOLVE THE SIMPERS OF THE DISSOLUTE INTO THE FORMIDABLE CONCOCTION OF HOGTIED JOUGS OF CANQUE MIGHT THE ELASTANES NEVER HAVE THE COURAGE TO OUTMANTLE THE FENESTRAL FENNEC THE UNDERBELLY OF SOCIETIES CRAVEN IN DISREPUTE BECAUSE OF THE  CLADOGENESIS OF CRIME FROM THE CRYPTADIA OF NOTAPHILY AND THE URGE OR CACOETHES TOWARDS NOTITIA PRIOR TO THE DAWN OF THE POWELLISATION OF WANIGANS AGAINST POTICHOMANIA FOR SOLIDARITY, TRUTH AND A RABID SENSE OF JUSTICE NEVER FOAMING AT THE MOUTH FROM THROMBOSIS. IDEMPOTENT IMPLODENT SQUALOR MANDATED BY AVIZANDUMS OF CRUEL SAMIZDAT DIVORCED FROM GEZELLIG BECAUSE ONCOSTMANS OF INDWELLS AND THE INKTHORNS OF PRIMIPARA SURREYS OF BROADCLOTH MODERATION ON THE MOFUSSIL MODALISM THAT PROVES NEOVITALISM BECAUSE ACATALEPSY STRAINS CREDULITY TO SUCH A CONTRAHENT RESPECT THAT IT CRACKLES WITH SUBORNED SUNS SETTING LONELY LOVERS FREE ON GONDOLAS FOR GONDOLIERS BECAUSE OF THE CHAMOIS OF GOLIARDY IN SUBSULTUS JOGGLES THAT BERATE JOCKOS FOR THEIR IMPUDENT REGARDS TO POGROM AND PASTRY MIGHT WE CONVENE THE BETHEL OF THE BROAD SEAS SPRAYING THE HORIZON WITH CURGLAFF BECAUSE PETEDORES ARE TOO MALCONTENT TO STOWAWAY LEVERAGE IN WELTER THE BELLWETHER STORMS OF STRIDENT TEMPESTS OF STRIDULATION ITSELF BECOMES THE STRADOMENTRICAL DIMENSION IGNORANT IN BARAGNOSIS OF GRAVIMETRICAL DISDAIN OF PINGUEFIED WORMCAST VOGUE SAGINATED BY SURETYSHIPS OF SERICULTURE THAT MADDENS THE FATTENED VEAL OF VEILLEUSES THAT BELONG TO GROMATIC REVOLUTION COUNTERCLOCKWISE TO EVERY ORANGE ORANGUTANG HARANGUE IN THE BLOCKBUSTER MERGER OF CAPITAL WITH INTELLECTUAL HEARTH SPRAWLING PALTRIPOLITAN ARROGATION IN WEATHERBOARDS OF ARROGANCE MIGHT THE BETTER DIPLOMACY BECOME A MORE REIFIED CHARADE FOR THE PROMENADE OF GULLIBLE SWANSONGS TO THE  CHAVISH OF ELEMENTARY PATAPHYSICS SUCH THAT ALL DELINEATED SUBINTELLIGENTUR TRACES ITS FORMATIVE LITURGY AND LINEAGE TO SOBRIQUETS OF SOVENANCE FOREVER EMBEDDED IN CHARACTEROLOGY. THE KYMATOLOGY OF THE SARVODAYA BELIEFS OF THE UPAS UMBRILS OF UNUFERUN DEGRINGOLADE DROOPY WITH LOURS AND LEECHES OF SANGUINOLENT HOPES FOR IMMORTALITY BUILT INTO BYSSINE INTERTESSELATIONS OF HAUTEUR GRANDEVAL IN TAGHAIRM AND MYSTIFIED BY THE PYRAMIDAL TECHNOLOGY OF SPHENOGRAMS THAT STUPE AND STOPE AROUND THE STULMS OF ARRESTED DEVELOPMENT OR OTHERWISE THE ATELIOSIS OF SEROTINOUS TALENTS AGAINST DIABLERISM AND HADEHARIA BECAUSE OF THE COMMON REFRAIN OF EVIL POLTROONS PARTICIPANT IN THE JEMADAR OF BANNOCK BECAUSE OF THE  WROTH OF WURLEY DISTRACTIONS BURIED IN THE VARDLES OF THE TEMPLES OF TIME AND CHIEF TABERNACLES OF PRINCES OF JERUSALEM MARAUDING AROUND THE AGATHISM PREVALENT IN FREEMASONRY THAT DEFILES THE EDIFICE OF ENNOBLED HUMANITY MIGHT EVENTUALLY WE SCOUR EVERY ACME AND PERIGEE SUCH THAT SYNCLASTIC BREVITY BECOMES A PRISM FOR THE LIBERATION OF TOLERABLE SOCIETIES ESTRANGED FROM FINIFUGAL BINTURONG CHIFFON RUMCHUNDER RHUBARBS THAT THE VENOCLYSIS OF GREAVES AND GRILLAGE APPOINTS THE JACK-O-LANTERN SPECIFICITY OF ROODS NEVER MORE PEREMPTORY IN THEIR AFFORCED CONTRITION IN PENITENT HALLS OF WINDING RESOFINCULAR DESIGNATIONS OF DEVASTATION RECOILING BY DISAGIO IN ARBITRAGE BY THE DESIGN OF THE CURTAILED GAFFES OF UNIVERSAL DOVETAILS OF ONDOMETRY BARELY EVER DEMASSIFIED FOR  PRYING INSPECTION BECAUSE OF THE CJ MACKINTOSH EFFECT WE WILL WITNESS THE CYANOTYPES OF ALL WORLD ORDERS CONVERGE UPON MIRACULOUS FORESIGHT MET HALFWAY BY THE PULLEYS OF HINDSIGHT  THAT CLAMBER IN INTRORSE DIRECTIONS TO METE OUT EVERY CALCULI AT THE EQUIDISTANT POINT BETWEEN GENIUS AND IGNOSCENY IN UNDERSTANDING NUTATION IN CRAVEN DISTURBANCE AND PAYABLE ON DEATH PEDIGREE THROUGH THE POISON IVY OF VENDIBLE GOODS RATHER THAN PROFICUOUS VENDANGE. THERE EXISTS A SWARTHY RAPSCALLION ECREVISSE LURKING IN THE SHADOWS OF HEYDAY AMONG ZEITGEISTS MARAUDING AROUND GRANDIOSE PRETEXTS FOR PRESCIENCE BECAUSE DORMANT CATAPULTS THAT ASSAY THE REGULA OF RINKOMANIA WHICH IS THE SWARF OF PIXELLATED FRINGE BENEFITS OF CARNAL OUTRAGE MIGHT THAT DEFALCATION OF EXCHEQUER FROM CHRYSELEPHANTINE GAMBITS FOR OUTRAGE PERCURRENT IN GEOSELENIC SERENITY OR OTHERWISE SUBSULTUS OF TEMBLORS OF CHAOTIC HAECCEITIES IN DUNGEONS OF DOOM BLASPHEMIES CAN NEVER EXPIATE WITH FULL SLEDGES OF PIER 39 WHARFINGERS ON WASTELOTS BECAUSE OF WALLFISH CENTRALIZING THE OMPHALOS OF GRAVID PLENIPOTENTIARY AND PLENARY ASSEMBLIES THAT CAVORT WITH NETHER QUANDARIES TO SPAR AGAINST CONGENIAL SERPENTS BRAZEN ONLY BY THE BACKBITE OF THEIR AUTHORITARIAN REGRESS. THE STENCH OF BLENCH AND BLARNEY BLANDISHING TOADIES OF SYRINX IN THEIR HOSPITABLE KALIMBAS OF DARK SPATHODEA ABIDING BY THE TURF OF WOONERF STRUGGLING FOR WHIPSTAFF RATHER THAN JACKSTAFF BY NYALAS PREROGATIVE BECAUSE THE ESTEEM OF BRIQUET LEADS TO BRISURES IN REGAL FAMILIES AGAINST DEFENESTRATION SUCH THAT THROTTLED CONSUMERISM MET WITH THE VOLTINISM OF VORTICISM MIGHT BE THE VRAISEMBLANCE OF ALL VAURIEN REVALORIZATION IN THEIR PIVOT TO THE ESOTERIC ARTS OF NAME AND DATE, BYWORD AND CREVASSE, TRAVESTY AND TRAGEDY THAT THE IMPLODENT COMMEMORATION OF FLASKS OF WHIPLASH PLUCK THE PLUCKIEST OF THORNS TO REACH THE MOST EFFLORESCENT OF ROSES SUCH THAT WE CAN SURVIVE THE TIDE OF CERACEOUS POWER OF SEMPERVIRENT BELLETRIST WIREWOVEN INTO EVERY REPUBLIC SUCH THAT LANDSLIDES OF PSEPHOLOGY BECOME THE HABITUE OF A SOBERMINDED WORLD RARELY IF EVER BLINDSIGHTED BY NIMIETY BUT ALWAYS STELLIFIED AND CONSTELLATED BY THE CELLARER MONKS OF THE HIGH ARTS OF SOCIAL SCIENCE IN THE HALLOWED HALLS OF GUARDED BARRULETS THAT TEEM WITH CARBONATED CERTITUDE IN A  CANADA DRY WORLD SUCH THAT THE BLUEPETER GAMMERSTANG TRIAD OF TRIAGE MIGHT METE OUT MULIEBRITY NEVER BEYOND THE GASCONADE OF GUFF GUIGNOLS OF RHYPAROGRAPHY THAT  TRAUMATIZES THE LIVING DAYLIGHTS OUT OF BLITZKREIGS OF SCHWMEREI AND CELIBACY IN THE SECRET TROVES OF A HISTORY PUNCTUATED BY ATROCITY AND RANSACKED BY THE DERMATOLOGY OF THE PATINA BETTER THAN THE CINEASTE OF DEEPER SUBINTELLIGENTUR WHICH IS SUBERIC LIKE A VINTNER TO PRESERVE THE RESURGENT BOOTLEGGING MOONSHINE TIDE TO THE LIMITS OF ALL POSSIBLE IMAGINATION THAT THROTTLEBOTTOMS BRACKISH IN BARNSTORM THAT  THE WASES MUST BE OBEYED TO PROVINCIAL WAPENTAKE BECAUSE OF THE SYBOTIC UNSEELED ARBITRARY MEASURES OF SGRAFFITO IN WAPENSHAW TRANSCENDENTAL OVER ALL ROMANTICISM SUCH THAT THE ORDER OF THE KNIGHTS OF MALTA KEEPS THE PERDURABLE SECRETS OF REGALIA ALIVE IN THEIR PRIVATE ALCOVES OF SQUARSONS OF A DIFFERENTIATE SQUAMATION OF SEQUESTERED REALISM IN REALITY TOO BOLAR TO WITHSTAND GRAFT. ECTHLIPSIS WITH THE EBBERMANS VAUNTLAYING THEIR PROXENETE BOYAU JIVE TALKING TRAPS OF STAYIN’ALIVE HAUTEUR OF SUPERCILIOUS TACT BECOMING IRONICALLY AN EIRENICON FOR THE STOMACHERS THAT PREVENT MISCEGENATION OF SPRINGHARES AND MURENGERS FROM PROSCRIBING THE SELCOUTH SERROWS OF SERICULTURE BALLOONING INTO INTREPID RAPTORIAL THREATS GRIMACING HEADWAY UPON THE DAYLIGHT WALKERS OF THE PISMIRISM OF ECHOPRAXIA IN PSITTACIST LIGHT REFRACTION THAT BYPASSES NATIONAL DIRECTIVES TO BRACKLE WITH NEVERLAND NAIVETY SUCH THAT CREDULITY IS A CLEPSYDRA OF THE MALAXAGE OF CARNIVOROUS FREGGETS OF FENNEC PRIMARILY OF A BLUE PRIMACY OF UNSPOKEN GAFFES OF GARBLED GABBLE OF THE GABELLE OF SCRIMSHANKED DWIZZENS AGAINST DRAZELS THAT PRANCE WITH ELEGAIC BALLET FOR BALLOTEMENT FORMATIVE IN DURAMEN AND SCAFFOLDED BY THE UTOPIAN IDEAL BECOMING AN ONEIRODYNIA OF FASTUOUS FERIAL FLAPDOODLES OF FLANNEL IN RETCHINATION OF HATED QUALMS BECOMING THE LOCKSTEP BRATTICE OF BANDOLIERS VACATED AND VACANT FOR PRISMATIC REMIGATIONS FOR REMEANTS FROM THE VALLOR OF MOONLIT SKYLINES SPHACELATED SO HIGH BECAUSE OF DRAMATURGY SO SUFFICIENT IN ACCIDENCE AND ADVENT THAT THE PARLOUS RABELASIAN COURTIERS MIGHT SLINK THROUGH THE MARSHY RESIDUE OF AN OLD DYING REPUBLIC PREPARED FOR ALL EXIGENCY BURROLING ALL CORTEGES CLOSER TO BALMORALITY THAN INSANITY. FALLIBLE MISTAKES OF A BLACKGUARD ZEITGEIST OF ANIMADVERSION FROM PRAXINOSCOPES OF DUGONG SUBVERSION SLOPPY IN ARCHITECTONIC TACT BECAUSE OF ELAPID BRINKMANSHIP IN THE SWANK OF PILLORY AND THE IGNOMINY OF LEONID METEORS AND BOLIDES INFILTRATING GREAT WHITE BUFFALO BRIMSTONE AGAINST THE HEFT AND SCHLEP OF BUFF BLINKERED CHECKERING MALINGERING HUBRIS OF INSTANTANEOUS TRAPS OF ENTRAPMENT BY PULCHRITUDE THAT THE MAJESTY OF THE REPUBLIC WILL ALWAYS BROWBEAT THE REGATTA CREWS SAILING THE CAMBRIDGE SEAS OF RECOGNIZANCE AS THE SERRATED TIMEPIECES OF EUPRAXIA MIGHT LESS OFFEND AND HEAL VULNERARY WOUNDS SELF-INFLICTED BUT RARELY CONDIGN IN SYNCLASTIC ROBBERIES OF HUMAN DIGNITY FORMATIVE IN CONSCIENCE RATHER THAN DEBATABLE IN DOUGLAS DEBATES OF DISTRICT ATTORNEYS SCARED SKITTISH BY A HARVEY DENT VANDALISM OF NEBULA AND PARSEC FOR NEPHELOMETERS OF WHARFINGERS OF THE UTMOST ELITISM OF EKPHRASIS OF THE EDAPHA THAT RARELY EDULCORATES THE EFFODIENT AFFLATUS OF AFFINE ALGORS OF ARGALI SUCH THAT SILK ROAD CHIFFONS BRASHLY CONTEND IN THEIR SUNKEN RATIOCINATIONS ABOUT THE RATIO OF SUBSTANTIVE GOODS AND MERCHANDISE OF CHOICE THAT SQUALOR SWIMS IN SPATTEES OF SIFFLEURS BEYOND THE SNATCHES OF  SEGUIDILLA IN SIGLA PRIMARILY ORBITED AROUND JIMSWINGING ATROCITIES ALWAYS HALLOWED AS TRAVESTY ADULTERATED BY THE CRUEL IMBRUTED TRAGEDIES OF MARKETABLE TIME IN WANHOPE AND WANION FOR DESPERATION IN GASCONADE. THE ARCEATION OF MODERN ECONOMIES IS BUILT ON THE ECCOPROTIC ECTOBATIC ECHARD OF THE MAIEUTIC EDULCORATION OF FAMISHED WARLORDS BENIGHTED BY THE FOGHORNS OF SEMAPHORES OF THE DAYLIGHT PRISTINE MOONLIT CAVERNS OF PATHWAY AND ENTELECHY IN SOLUTIONS TO THE PATAPHYSICS OF HUMAN THERMOLYSIS IN CONTRAHENT DYNAMICS THAT STORGE THE WORLD AGAINST STULMS AND STOPING AGENTS OF STANNARY MIXED WITH THIXOTROPY MET BY INCLEMENT TACITURN CHISELERS IN THE ANCIENT PREMODERN FRAME THAT THE SPECTER OF BUGABOOS OF DEATH AND MAUDLIN BEBLUBBERED BECHIC BOLIDES CARESSING A TIMELY TOME OF A FUTURE SCRANCHING THE FILIBUSTER OF ALL FUTURE CALAMITIES SHIELDED FROM THE DESTRUCTION OF THE GAUNTLET OF PRIVATION SUCH THAT THE OPTIMAL DEASIL MOTATORY MOTIONS OF PLANETARY ALIGNMENT SUGGEST A NATURAL NOMOTHETIC ORDER THAT IS PREVENIENT IN ALL MAJOR AFFAIRS BECAUSE OF THE DEFT EXPERTISE OF THE UTILITARIAN SCALES OF NEGOTIOSITY WHICH ANALYZES NEUTROSOPHY AGAINST SPARTAN TRAVESTY BECAUSE OF A STOLID WORLDVIEW THAT SIMPERS THE CAULDRON OF GROWTH BEYOND THE LEGALESE OF DOUBT SUCH THAT A NEW FRONTIER OF CIVILIZATION ARISES FROM THE POTSHERDS OF VEXILLILOGY RATHER THAN ENAMORED CYMBALS OF SYMBOLISM IMPREGNATED BY THE LOVE OF THE PORBEAGLE BECOMING THE CIPPUSTURE OF WIDDERSHANCY TO ELECT THE KNIGHT OF DIVERGENCE SIMULTANEOUS TO MUTUALISM IN CONFORMITY TO RELEASE AN ECHOPRAXIA OF OMPHALISM IN MORALE THAT BOOSTERISMS ANOINT BEYOND ADVENTITIOUS ACCIDENTS OF RIGMAROLE CREATED BY OVERSLAUGHED BERLINES IN THE VERDURE OF KIPPAGE IN THE KITH OF KITTHOGE IN ATTEMPTED FEMICIDE TO REPUDIATE THE KYMATOLOGY OF THE GRAVID WORLDVIEW THAT SUSTAINS URCHINS AND BARNACLES ALIKE SUCH THAT WEGOTISM PLUMMETS FROM THE PROMONTORY OF THE IVORY FORTRESS OF PERVERSE ****** MORALITY AND IMMORALISM BECAUSE THE AURILAVE IS DESPOTIC AGAINST UMBRILS BECAUSE OF URCEOLATE UMBRACIOUS UMBRAGE BECOMING SILLOGRAPHS OF PANTAGAMY WE NEED THE GRAUNCHERS OF OUR ERA TO DEMASSIFY A TRIBUNE OF TRUTH TO PREVAIL OVER MENDACILOQUENCE AND THE SATINETS OF RADICAL JACOBIN WORMCASTS SUCH THAT SUPERSTITION CLEAVED FROM CAVALIERS AND MAVERICKS BEAM THE ROYAL ARCH MASONS FROM THEIR SLUMBER THAT MOONLIT YOGIBOGEYBOX IS THE SAUTERELLE THAT CREATES THE TURNVEREIN AND THE  GLADIATORIAL DIVERSION OPERATED BY THE HENCHMEN OF CHURCH AND STATE COMPLICIT IN HIDEBOUND WARNING KNELL AT THE TOLL OF TINTINNABULATION BECAUSE FEWER ARE VAPULATED IN A WORLD OF COLLECTIVE SOLIDARITY AROUND INDIVIDUATION RATHER THAN BACKBITES OF SLANDEROUS REGIMES OF HEGEMONY DEPARTED IN THEIR RUDENTURE OF VILLAINY SUCH THAT THE RUBEFACTION OF THE RUDDY SANGUINOLENCE SHEPHERDS RENEWAL RATHER THAN RETROMORPHOSIS. WE BELONG TO AN AGELESS EPOCH PREDICATED BY THE MATHEMATICAL RIGORS OF TAXATION WITH REPRESENTATION AND THE ENCROACHMENT OF  DERIVATIVES OF THE THIRD ROOT SOLUTION TO TURBINATION THAT TRUTINATES THE HUMAN HEART TO ANALYZE THE MEGALOGRAPHY OF MAN BEYOND HIS PETTIEST LIMITATIONS OF EGINTOCH KILMARGE AND PRURIENT PRIGGISHNESS DONE IN THE SECRECY OF THE REREDOS AGAINST THE BEST  WISHES OF TORCHIER PHAROAHS. THE URCEOLATE BERGAMASKS OF IZZARD AND ZOUK AGAINST THE ZEKS WHO SUFFERED THE  SUFFRAGE OF  STERILIZED POGROMS DESERVE THEIR  DUE COMPENSATION FOR THEIR BEREAVED SKULLDUGGERIES OF APOTHECARY SUBLIME RANCOR AIMED AT TRUCKLING TRUCULENCE TOWARDS AN AMERICA-FIRST AGENDA THAT EXAMINES RATHER THAN EXCORIATES ALL WORLD INTERTESSELATIONS BECAUSE THE BRIQUETS THAT HISTORICALLY MONOPOLIZED THE PARAPET TO ENSURE FEWER BRISURES OF CASEMATE SPODOMANCY MIGHT BE BRUISED AND BATTERED BY THE POTICHOMANIA OF AGED BUT VENERABLE BERLINE INSTITUTIONS OF GALEANTHROPY BECOMING GALERICULATED BY PALTRIPOLITAN VALUES THAT SKEW AND  SKELDER FROM EXCORIATION THE VILE AND VEHEMENCE OF THE OPPRESSED MIGHT THEY FUSION THEMSELVES EQUIPPED BY SCAPPLES AGAINST STULMS FOR THE BONANZAS OF STOCK MARKET PEDIGREE AFFORDED BY ONE FAINEANT PRESIDENTS TIME TRAVEL GAMBITS AND ANOTHER INTERREGNUM OF OBSOLAGNIUM AMONG THE MATURATION OF NEPIONIC NIDOR SCRUFF IN GUIGNOLS MEANT TO HORRIFY BY BACKPIECES STEADIED BY ICEBERG ICEBLINK UPSTAYS OF POTEMKIN VILLAGES OF MARTINGALE MIGHT THEY FIND DEFEAT IN THE LEGACY OF MAN TO BETTER HIS WISDOM WITH THE PROPER COMSTOCKERY ARRANGED BEHIND THE SCENES TO PREVENT THE PETTIFOGGERY OF TRANS-INCLUSIVE TEACHERS THAT TRY TO BRAINWASH LITTLE CHILDREN INTO SELF-STERILIZATION AND PERMANENT MARGINALIZATION BY STIGMATA AND THE VETANDA OF THEIR LONGINIQUITY CREATED BY IMPRESSIONABLE MORAL STAGES IGNORED BECAUSE OF LUDIC MARAUDERS AND VIKINGS OF ****** INFIDELITY AND THE LAIRWITES OF THE SLEAZIEST CORRUPTION ON THE BOOKS AS THE MANACLES OF THE URCHINS OF MEN THAT ESPOUSES RANCOR OVER GENTEEL GENTILITY DESPITE GENTILIAN MINORITIES PRIZING THEIR NAZES IN THEIR CAPE TOWN CAGOULES PRIMARILY BECAUSE THEY RESENT THE RANCID CREEP OF ENCROACHMENT WITHOUT THE PENALTY FOR APPROPRIATION OR VAGANTES ARROGATION THAT SUBSUMES THE BRONTEUM OF ALL MATRIOTIC DUTY ABOVE SELFISH PORNOGRAPHIC AMBITIONS BY THE WORLDS WORST FEWTERERS OF HUMAN IMAGINATION TO SUCH A DEGREE THE OUTCAST STIGMATA BECOMES AN IMMARCESIBLE FORCE FOR IMPLODENT SOCIETAL DECADENCE IN AN ERA OF DECLINE OF AMERICAN EXCEPTIONALISM TO CREATE MORE EXCEPTIONS RATHER THAN BECOME RANGIFERINE IN THE CULTIVATION OF THE CHRISTMAS SPIRIT AND THE PROTESTANT WORK ETHIC AND ALL OF THE AGGIORNAMENTO THAT FIGHTS THE STULMS OF VIACOM AND OTHER WINDBAG PEDOPHILES TRYING TO REVERT OUR COUNTRY TO A SOCIETY OF EUNUCHS AND *** SLAVES TRAFFICKED AS THE NEW NORMAL IN A DERANGED WORLD THAT DESTROYS INDIVIDUATION AND BULLDOZES THE INTREPID ENTERPRISE OF A FOCUSED ECHOPRAXIA RATHER THAN A PSITTACIST NIGHTMARE OF LAZARETS OF ELASTANE PANDERING THROUGH BLOCKBUSTER CRACKJAW EPOMANIA. WE CANNOT AFFORD A SOCIETY THAT TOLERATES BOTH THE ASCENDANCY OF BILL THE BUTCHER AND THE DEMISE OF WALTER MCGINN BOTH BY SEPARATE URCHINS THAT EMBODY THE CARNAGE AND BYRE OF RAREFIED EVIL PURIFIED AND MAINLINED AGAINST SUBINTELLIGENTUR TO SUBTERNATURAL PEOPLE THAT DON’T ADHERE TO THE CONSEQUENCES OF NIDIFUGOUS IMPRESSIONABLE EUTHANASIA OF MORAL VALOR AND THE RESPECT OF ALMIGHT EUMOIREITY MIXED WITH THE PROPER ASSORTMENT OF THE PURSUITS OF HAPPINESS THAT DEFINE THE BEST WORLD REPUBLICS BECAUSE WE CAN LIONIZE THE FREAKSHOW HOUSE OF MIRRORED HORRORS AS WE FOCUS ON THE DECREPIT MODERNIZATION OF A NIVELLATED SEXUALIZATION EVEN WHEN THE SPECTERS OF FAT SHAMING AND BULLYING ARE OVERLOOKED IN FAVOR OF A MICHIGAN STATE SPARTANS MODEL FOR THE BOWDLERIZATION OF ALL CANONICAL TRADITIONS IN THE SLOW TIMBERLASK LURCH TOWARDS INEVITABLE DECADENCE IN THE NIDOR CREATED BY RAMPANT SKEWERING OF SLANTED WOBBLES IN ECCENTRIC ORBIT AROUND ECCENTRIC ****** FASCINATIONS THAT HOBBLE THE ENTIRE AMERICAN BRAND AND ENDANGER THE EUROPEAN ETHOS BECAUSE WE CAN NEITHER TOLERATE THE DEATH OF WALTER MCGINN BY THE WEGOTISTS OR THE ASCENDANCY OF BILL THE BUTCHER IN INEXORABLE BERGAMASK WHIMPERS AT THE FLACCID URCEOLATE WHEELBARROWS OF FINANCIAL REDINTEGRATION THROUGH THE DECLASSIFICATION OF GROWING EMERGENCE OF ECONOMIES OF SCALE AND SCOPE FOR A MORE HORIZONTAL APPROACH RATHER THAN A VERIDICAL VERTICAL LIMIT FORCE TO BLIND THE BLINKERED FROM THE HEIGHTS OF EVEREST IN ANACUSIC DISREGARD CREATED BY PERCURRENT DECADENCE IN THE CURRICULUM RELATING TO EARLY SEXUALIZATION. WE NEED NEVER TO BAN A BONFIRE OF BOOKS ON THE AUSTERE AND VENERABLE HISTORY OF MINORITY CULTURES NOR THEIR EPIPHENOMENA BUT A PEDERASTY LURKING IN THE WOODED BEWILDERMENT OF SUBTERNATURAL KUMBAYA RAINBOW-PAINTED SKULLDUGGERY NEEDS TO BE THWARTED BY THE CAREFUL APLOMB CALCULUS OF VIGILANT TEACHERS AND EVEN MORE VIGILANT PARENTS THAT AVOID THE AURILAVE AND REPLACE IT WITH THE UMBRIL TO PROTECT THE SANCTANIMITY OF OUR YOUTH BECAUSE THE ROT OF POISON IS A RANCOR HARDER TO WITHSTAND IN A NATION FALLING  INTO FLAGSTENCH BECAUSE OF CLEAVED CAVALIERS RATHER THAN UPSTART MAVERICKS WHO UNDERSTAND THE LOLLYGAG AS A SCAMMONY OF STEMSON RATHER THAN THE STEPNEY OF IMPORTUNATE PIONEERS TRYING TO MONOPOLIZE WITH BANGTAIL OSTENTATION TO EXCUSE THEIR QUALMS OF CONSCIENCE BY NORMALIZING ABERRANT BEHAVIOR ON A WORLDWIDE SCALE WITH LANGUAGE POLICE AND THE BERGAMASK SILENTIUM OF THOSE WHO SIDELINE THEMSELVES OUT OF EITHER APATHY OR COMPLICITY TO DEGRINGOLADE OF THE AMERICAN PRESTIGE AND THE EUROPEAN CREED OF PROTESTANT WORK ETHIC AGGIORNAMENTO AGAINST THE SEXUALIZATION OF THE YOUTH AND THE INCULCATION OF VICE AND GAMBLING AMONG  THE SUSCEPTIBLE. NOW THAT MY INVECTIVE HAS BOILED INTO EFFERVESCENT TOXINS AGAINST THE AGENDA AND CORRIGENDA OF MODERN NEPIONIC DEVELOPMENT OF LUDIC CONSCIENCE AND DESULTORY CREATIVITY DEFYING THE AURILAVE DEMASSIFICATION THAT IS CORROSIVE TO THE AMERICAN YOUTH AS WELL AS YOUTH FROM ALL OVER EUROPE IT IS IMPORTANT TO VOUCHSAFE THE RIGHTS OF THE MINORITY ON THE CONDITION THEY DON’T BARNSTORM AGAINST THE DIGNITY OF HUMAN CREATION SACROSANCT BY LURID DEGREES OF VIGILANTE PARENTS UPHOLDING TRUE CHRISTIAN VALUES OF EUMOIRIETY WITHOUT A HINT OF CHARLATAN PATAPHYSICS IN THEOLOGICAL CONTORTION BY CLOSET NIHILISM TRYING TO PANDER TO RELIGION IN ORDER TO SOW THE MUSTARD SEEDS OF DESPERATION THAT RANKLES ALL PARTIES INVOLVED BECAUSE WARHOLICS THE CLOTURE OF THE CLITTER OF THE CLINKSTONE OF RUDDY EXTINCT SHRILL IDEAS OF KNELLING BELL-TOLLING ENTER SANDMAN RECIDIVISM MUST RECEDE INTO THE WHIMPER OF A  SHEEPISH NIGHT SO THAT THE REAL KNIGHTS OF TABERNACLE AND PUBLIC SQUARE BECOME THE CENTRIPETAL MOON CERACEOUS IN ITS TIDE OF MORAL VIRTUE AND VEHEMENT VIRTUOSITY BEYOND THE BAD PARENTING OF THE PARENTS THAT STORGE THEIR KIDS ON INTOXICANTS WITHOUT CHECKING THEIR FACTS OR REALIZING THE FRAUD OF THE FRAUDSTERS THAT TRY TO INOCULATE THEMSELVES FROM BLAME BECAUSE OF THE ZEITGEIST-NORMALIZATION ARGUMENT WHICH IS SPECIOUS SOPHISTRY BECAUSE ABSOLUTE MORAL KERYGMA EXISTS TO STAND AS A STANDPIPE TO REVOLUTIONIZE  THE LOT OF THE SUBTERNATURAL PEOPLE THAT SKILLFULLY NAVIGATE SHARK-RIDDEN WATERS AGAINST WATERGATE JAWHOLES SO DEEPLY CRENELLATED WITH THE INSIGNIAS OF IMPRIMATUR IN ELITISM THAT SCOFFLAWS CHEAT THE SYSTEM RATHER THAN RECOIL IN THE BLARNEY AND BLENCH OF THEIR OWN SUPREME SHAME FOR THEIR CAGOULES AND WEGOTISTS BOTH WAGING WARS AGAINST DIFFERENT SEGMENTS FOR RADICAL RHIZOGENIC BETRAYALS OF THE GAME AS CHUCKY VS. THE GIANT TORTOISE PROCEEDS AS AN EMANATION OF THE NETHERWORLD OF WANION AND THE WOODSHEDDERS THAT DEFEND THE CREED AND CREDENDA OF VISIBILIA FOR CRETACEOUS LORE AND CERTAIN ABSOLUTION THROUGH THE ABLUTION OF THE SACRIFICE OF CULMINATED PROPHETS THROUGHOUT HISTORY MARTYRED FOR THEIR REMIGATES AGAINST ENTITLED ENTRENCHED AUTHORITIES CARING MORE OF MEGALOMANIACAL SPRITES RATHER THAN TURGID GARISH IRONIES OF THE SERENDIPITY OF DUNGEONS AND DRAGONS RELATIVISM. RANSACKING POLEMICS OF EXEGESIS THEORIZING ABOUT PROFLIGACY IN CONTORTIONIST STRIPPER CONFLAGRATIONS IN RAPID DEGENERATION RATHER THAN THE CONVALESCENT HOPE OF INTELLECTUAL REBIRTH ESPOUSED BY OUR FOREFATHERS IN INFINITE WISDOM DESPITE HANDSPIKES OF GOSSYPINE SUBVERSION IN THEIR NESCIENCE OF ZEITGEIST-NORMALIZATION ARGUMENTS WHICH ARE EQUALLY INVALID NOW AS THEY WERE THEN BECAUSE WE MUST UPHOLD THE APOLAUSTIC PURSUIT AND THE TWINGE OF EUMOIREITY BEYOND HYPOCRISY AND GOD BEYOND TRAVESTY. THE NOILS OF NUMBATS NEOTTIOUS IN THEIR VARDOS AND VARDLES THAT VAPULATE THAT VAUNTLAY OF REVERSE VASTATION IN RHEOTAXIS OF AIMLESS YOUTH OF A NATION PAYABLE TO THE TEACHERS THAT EXERT THE GREATEST CENTRIPETAL FORCE OF OMPHALISM MIGHT WE FIND A CULTURE OF OPTIMUMS WITHOUT LOSING AMERICAN VERVE AND EXCEPTIONALISM WHILE BOLSTERING MORALE FOR THE DISPOSSESSED AND THE BULLIED WITHOUT PIGEONHOLING ADULT-AGED ****** MINORITIES UNLESS THEY ARE GUILTY OF TRYING TO CORRUPT THE YOUTH THAT EVENTUALLY THE SARSENETS AND BOBBINETS OF STEEVE INTERMINGLE TO FORM A RENEWED MUTUALISM CAPTIVE TO THE RAPTURE OF THE EYES THAT HAVE WITNESSED THE GLORY OF THE COMING OF THE LORD BECAUSE HE DECLARES ABSOLUTION AND ABLUTION AGAINST OPPRESSION WITHOUT OPPRESSING THOSE THAT OPPRESS BECAUSE OF JAUNDICE IN AN EQUAL TWILL AND TILT OF TWADDLING WOBBLES OF INTRANSIGENCE. THE REVOLUTE FRAYED EDGES OF CARNASSIAL MODERNITY TOO CRUEL TO STOMACH THAT ZEKS EXIST IN THE POGROMS OF DERELICTION BY A CONSUMER TREACLE AND TRICKLE OF CLEPSYDRA ERRATIC IN DEGRINGOLADE MIGHT WE INSTEAD MEET A RESURGENT BOOM FOR BONANZA IN SPECULATIVE ECONOMICS BY PROVIDING THE CARRACKS AND CARNETS WITH THE ACUMINATION AND DELICATE DECISIONS AROUND ACERBATION THAT YIELD MORE THAN JUST A TANTONY OF TANQUAMS FOLLOWING BLINDED SHEPHERDS OF CORRUPT PERIBLEBSIS BECAUSE OF WHIMSICAL ROTUNDAS OF ROTUND PEOPLE BRAVING THE BARMCLOTH OF THEIR BLUEPETER ALLEGIANCE IF ONLY TO THE AUDISM OF IAMATOLOGY MIGHT WE STEWARD AND CHAPERONE A BETTER REGALIA FOR THE CHIFFON AGAINST THE SHANTUNG BECAUSE TO SOCIALLY ENGINEER AND UPRIGHT PARVENU IS TO BECOME A BOOSTERISM TO THE JANGADA OF HIDDEN THICKETS OF YOUTHQUAKE WEALTH IN THE GRAVIMETRICAL PROPERTIES OF THE SILKEN SILT OF SUBSULTUS REARRANGING A RAPIDLY EVOLVING SOCIETY AGAINST INTRANSIGENCE BUT FOR THE BETTER FORMIDABLE FIGHT OF MATRIOTIC DUTY AND RELIGIOUS EDUCATION IN PUBLIC SCHOOLS BEYOND THE HATCHES OF THEOCRACY. WE FUNNEL THROUGH LAVADERO AND DELIMITED NEAT NEXILITIES AMONG PATAPHYSICS AN AGE THAT REQUIRES MORE STEM CANDIDATES THAT LIONIZE THE HIGHEST ARTS AND COLLABORATE WITH BENEVOLENT ARTIFICIAL INTELLIGENCE TO ENLIST A CREATIVITY BOOM RATHER THAN A LAPSE INTO THE LAZINESS OF ELASTANE LAZARETS SUCH THAT POLYPHILOPROGENITIVE GLOMS OF THE GLABROUS MOON AND THE HIRSUTE WHEREWOLVES THAT BELONG TETHERED TO THE CONNUBIAL BETROTHMENT TO MERIT BUT SIMULTANEOUSLY THE GIRDLE OF ALL STUNSAIL GENERATIONS OF THE PROMACHOS FOR GROWING SIDELONG EMACITIES TACKLED WITHOUT A CACKLE AND STUNTED WITHOUT A PUBLICITY. WITH THE HELP OF SENTIENT NODALITIES OF NIDDERING NIDAMENTAL BANDOBASTS ABOUT WHICH QUISQUILOUS STERNWAYS EXIST AND COMPANIONWAYS ARE RECOURSE WE SEEK THE BELLETRIST OF A RENEWED ERA TO BECOME THE TESTUDO OF AMERICAN FORTITUDE AND FRENCH VALOR SUCH THAT THE GRANDEVAL TAGHAIRM MEETS THE MODERN DAY RECLAMATION AND CONCLAMATION OF SUPEREROGATORY AMBITIONS, VIGILANT PARENTS, TACTFUL TEACHERS, AND POSITIVE WHIPSTAFF ROLE MODELS WHO TEACH MORAL REASONING AND INSTITUTE A THEOLOGY-INCLUSIVE EDUCATION THAT SPENDS MONEY TO ENHANCE DIDACTIC TECHNIQUES AND TO BE ECTOBATIC TO REMOVE MANY A DISTRACTION FROM THE VARSAL GESTALT OF NIDOLOGY TO FOMENT A CATACLYSM AGAINST A CATASTROPHISM OF ABAXIAL DENOUEMENT SUCH THAT WE REAR THE REAR GUARD AND BLANKET THE WORLD WITH SEMINAL INSEMINATIONS IN BOTH CREATIVE ARTS AND BIOMEDICAL SOLUTIONS TO STATOLITHS THAT BROADSIDE THE GALLANTRY OF ARGALI FORTUNES WAITING TO BE DISCLOSED AND DISCOVERED IN THE HAUNTS OF PEDIGREES OF DAY AND NIGHT WITHOUT A HINT OF MALEFACTION WHILE EMPHASIZING THE KERYGMA TO SUSTAIN THE MAINLINE CARDIMELECH CARDIOGNOST SOLUTIONS OF THE PROPER PARENTING IN PERVIOUS TIMES TO CHANNEL THE CLEPSYDRA TOWARDS THE GROWTH OF ABSOLUTION BY TEACHING THE MORAL KERYGMA OF CHRIST NEVER NEGLIGENT OF MUHAMMAD AMONG THE OTHER PROPHETS THAT FUELED A MANIFEST DESTINY AND A MANIFOLD JANIFORM WORLD BEYOND DUPLICITY AND SPITE SUCH THAT HANDSPIKES OF PICKELHAUBE BECOME DIMINISHED BY PORBEAGLES OF ALACRITY THAT SOAR WITH ELEGANCE NOT BECAUSE OF CONTRITION OF RIGOR BUT DESPITE THE OVERHANG OF TEMPESTS AND GULLYWASHERS THAT TREAD LIGHTLY IN ENCIRCLED WATERS BEYOND WATERGATE SHORES OF THE DISTANT PERSPECTIVE SHEPHERDED BEYOND SHEEPISHNESS. THE SQUALOR OF MANY SQUALLS OF CABOOSES VAPULATED FOR THEIR BETHEL INIQUITIES OF APIKOROS OLIM REMIGATED BY THE RELICTS THEY FORGOT IN THE AMNESIA OF THEIR HEIGHTS OF YOUTH AND THE DEPTHS OF THEIR PLANGENT INSOUCIANCE MIGHT THE ADOLESCENT FABLE SUBSIDE INTO THE SWIFT SHIFTING  SANDS OF EVOLUTIONARY TIME MORE TACHYTELIC THAN EVER BECAUSE OF SYNAPHEAS AGAINST STULMS AND THE BULGUR OF QUALMS ENLISTING THE STOPES DEMISE FROM THE PUBLIC SQUARES OF INTREPID INDEMNITY FOR THE AUTHORS OF MORALISM AND SALVATION FOUND THROUGH THE HIGHEST OF CREEDS AND THE MOST ORNATE OF COMPLEXITIES BECAUSE WE CANNOT BE BELEAGUERED BY AN ASYLUM OF SERRATED CENTURIES TRYING TO AROUSE RANCOR IN BACKBITE IN RETROSPECTION AND INSTEAD REVALORIZE AN ECONOMY NEVER AS MUCH PARALYZED BY REGELATION BUT ALWAYS THE STUNSAIL OF COAST GUARD YOUTH AUXILLIARY TO UNDERSTAND PROPINQUITY FROM DISTANCE AND GENIUS FROM INSANITY SUCH THAT THE PROPER PIVOT OF WORLD LEADERS IS AIMED TOWARDS NOT A SOPORIFIC TIRED TEDIUM BUT ALWAYS AN OPTIMISTIC BONANZA THAT KEEPS ECONOMIES AFLOAT IN THE LUXURIANCE OF THEIR OWN PEDIGREE AND VIRTUOSITY SCALED UP TO A VARSAL SCALE OF GESTALT EVOLUTION THAT UNDERSTANDS THE PLIGHT OF TAFFRAIL FENESTRAL FENNEC AND IMMARCESIBLE ASPECTS OF THE INERADICABLE ELEMENTS OF CORRUPTION FOCUSED AROUND MODALITIES OF MODALISM SUCH THAT A MUTUAL COLLECTIVISM INDIVIDUATED FOR A BRIGHT NEW CENTURY BECOMES THE SALIENT BEACON OF TRIUMPH RATHER THAN TRAGEDY AND THE GAUNT GLORY OF THE BEST OF OUR ASPIRATIONS. A STAYIN’ALIVE MODESTY EVEN WITH THE SENNET OF REGULA UPON THE TARRY OF TESTUDOS MIGHT THEY SWARM GNATS UNMATCHED BY THE PHAROAH’S MAGIC AND ALWAYS ABIDING BY THE NEPOTISM OF AGES PROLONGED BY DURESS AND DURATIVE IN THE FORMATION OF DURAMEN FOR DENEHOLES SO WELL FORTIFIED THAT THE AMERICAN EXCEPTIONALISM NEVER BECOMES A FAFFLE OF SIDESHOW CLOWNS AND BALATRONS WARPING SATRAPS WITH GAULEITERS OF PROTENSIVE PROTRACTORS OF CADASTER OVER INTEGRITY AND OPPORTUNISM OVER AMBITIOUS REVIVALISM. WE FIGHT AND QUIBBLE OVER THE COSTERMONGERS AMONG US AND THE TREGETOURS OF PRESTIGITATION IN CLEAVED TALKING POINTS BUT RARELY DO WE SYNERGIZE FOR THE BEST INTERESTS OF WORLD REPUBLICS TO BECOME SHINING BEACONS IN THE LIMELIGHT OF ALPENGLOW BEWILDERMENT FINDING ASCERTAINMENT RATHER THAN POLLINATION BY THE ESCAPADE ROUTE RATHER THAN MORAL KERYGMA REITERATED RATHER THAN INDOCTRINATED THAT MORE ARE PROSELYTIZED UNDER THE BANNER OF CHRIST BECAUSE OF  THE GRATUITY OF ALL SUFFERING BECOMING TANTAMOUNT TO ALL MOBILE SUFFRAGE FOR A NEOVITALIST IDEATION RATHER THAN AN ESTRANGED BLACKMAIL OF MARTINGALE EARWIGS AND IMPASSABLE THALWEGS PREVENTING THE NEGOTIOSITY OF CHURCH AND STATE TO FOUND ECCLESIOLATRY IN AGGIORNAMENTO SUCH THAT ACCOLENT FRATERNITY AND SHARED AMBITIONS CATALYZES A BROAD INTELLECTUAL AND ARTISTIC REVOLUTION THAT IS COGNIZANT OF ITS FOOTPRINT. AMEN!

At 104th street
a great bulk of igneous rock
heaves itself from Central Park—
wet black-green in halide streetlight
like a breaching submarine.

I hadn’t seen this place before;
still, I passed, all a funk,
mind inside itself (a typical brood),
moving past with just a sidelong look.

By a low stone wall
at the foot of the cliff, a man
(black parka, pants
too long, high-top shoes)
leaned as if in muttered
collusion with the ground.

He spoke to someone as I passed
(I figured he was drunk).
“Fella,” I heard him say,
as if to me.
I stopped, and looking back,
saw from across the wall,
crouched on the side of the cliff
a raccoon, black-masked,
capacious gray coat,
tiny hands.

It sat there watching me,
or rather, just watching,
attentive to some
attraction I didn’t see.

And then another.
And another.
And all along that black expanse
must have been twenty raccoons
(I didn’t think they could be so varied)
quietly foraging, awaiting,
I came to understand,
the man in the black coat.

He threw bread to them
like the old pigeon lady in
Mary Poppins
and five or so gathered nearby
on the other side of the wall
not minding his humanness,
only eating.

“I come out here every night,” he explained.
“I don’t got a girlfriend anymore,
so I come out here
and feed them to **** time.”

He tore a piece from a half-gone baguette
and threw it to a little one.

“There’s like fifty of them now,” he said.
“There were twenty when I started;
they have four or five babies every spring.
Nobody knows they’re here except me.”

As he spoke, a baby raccoon
climbed up a sapling
by the wall, extending its sharp black nose
toward the man who held a scrap of bread.
The raccoon took it unreluctantly.
I flinched at the thought of tiny
raccoon teeth missing their mark
on my index finger.
But habit was fixed and easy
here between man and raccoon.

“They’ll come up and sit on my shoulder...”
he said at last and then trailed off.

I stood and watched for several minutes—
this assembly of raccoons
along the black cliff
and the man who called them “fella” and “baby.”

At last he said with satisfaction,
“They call me the raccoon man.”
Deciding he had said his bit,
I gave a soft, enthusiastic whistle
between my teeth
as if to say,
“Well done.”

At 105th street, I felt remorse
for not having said more
to the man who drew
his nocturnal congregation every night
right there on Central Park West.
And in a gesture of regret,
I turned slightly back as I walked
to the see his black form
bent over the low wall
dispensing bread.

Nymph of the downward smile and sidelong glance!
In what diviner moments of the day
Art thou most lovely?—when gone far astray
Into the labyrinths of sweet utterance,
Or when serenely wandering in a trance
Of sober thought? Or when starting away,
With careless robe to meet the morning ray,
Thou sparest the flowers in thy mazy dance?
Haply 'tis when thy ruby lips part sweetly,
And so remain, because thou listenest:
But thou to please wert nurtured so completely
That I can never tell what mood is best;
I shall as soon pronounce which Grace more neatly
Trips it before Apollo than the rest.

Blame us for these who were cradled and rocked in our chaos;
Watching our sidelong watching, fearing our fear;
Playing their blind-man's-bluff in our gutted mansions,
Their follow-my-leader on a stair that ended in air.

I look out the sides of my eyes now.
Blur my own vision so I can see you.
Going sideways, the fervent typist with an americano

                        becomes you.

You are back in my space, though fleetingly.
For when I turn my head, to take all of you in  
the illusion of you abruptly fades into caffeinated reality.
Your presence no longer imposing, comforting, there.

                         You will always be on my periphery.

I try not to let anyone catch me gazing at you
But it’s like gravity has shifted.
I drink in the sight of you,
Any moment when I can look at your face.
When people are around I force myself to ignore you
But that makes you loom larger,
A force so powerful my heart aches,
And it is an agony to turn away, to pretend I don’t feel a pull strong enough to dizzy me-
Just one more second
Just one more glance
As if you’ll be gone if I wait too long.
In those rare moments when I can look at you without fear
I’m surprised you don’t see the tenderness in my face,
A gentleness I am ashamed of
Because it is both
Unmistakable
And traitorous.
The artist in me notices the curve of your jaw
The softness of your mouth
The depth behind your black rimmed eyes.

I could paint until my hands bled and not capture the hypnotic grace you wear like a mantle.
I truly don’t think you have any sense of it.

The other day I walked into the room, glancing into the shadows
And stopped short.
I covered for it quickly, but what halted me wasn’t surprise at seeing someone in the chair there,
It was awe.
You could have stepped out of a painting of the fallen angels and chosen that armchair as your throne.
Soft light poured over the green velvet of the cushions, stopping only to frame your face in shadow.
Your eyes glittered in the dimness
As you glanced up at me,
And I could have left the Garden
Aflame
For your gaze alone.
Just then,
I know I would have.

It is dangerous to look at someone the way
I know
I look at you.
Beauty isn’t the word
You’re something more
Something harsher
Something deeper
Something
More complete,
And when I look at you-
Sidelong
Hoping nobody will notice
Hoping that you won’t find me out
But drawn there by a force I can’t resist-
When I look at you,

I know that Heaven and Hell are only words
But I feel
Both
In my very skin.

For as long as I can remember, I've heard the whispers. The silent 'but's, the sidelong sighs, and the backhanded compliments that go in smooth and rip out ragged.
         I believe everyone has undeniable self-truths. One of my truths is that I am fat. It took me twenty years to come to the conclusion that this truth was not something to be ashamed or afraid of. Unfortunately, my mother doesn't agree.
         It's not wholly her fault; she was raised to be ashamed of her body and the bodies of women in general. We were taught that tolerance equals love but not necessarily acceptance. My body was something to tolerate. I loved my body in the way I loved my pesky little brother, mostly because I was told I must.
         My mother's body language whispered to my pre-teen insecurities, "You're beautiful...but", or "I'm not saying you have to lose weight...but", or "You're perfect the way God made you, I just wish that...". She taught me to be ashamed and afraid of the way my body was developing, "I wish you hadn't filled out so fast, that you wouldn't wear that shirt because it brings attention to the fact that you have the chest of a twenty something at thirteen." "That skirt shows too much skin and that shirt was cut too low, don't wear a tank top because the boys will think of you as **** first and intelligent second."
         There's nothing wrong with being the fat smart girl, although I have noticed that it's never 'smart fat girl' because being fat is evidently more important than intelligence. Being fat isn't bad. Being smart is a super good thing. The problem arises when the fat smart girl is taught that she must whisper. When you don't tell that girl that being beautiful has nothing to do with what others think of you and that she is absolutely allowed to have an opinion of her own, she won't find her voice until she can't hear yours anymore.
         I have whispered all my life. I don't wear brightly colored nail polish so that you won't notice that my hands stutter. I whisper with my body language. I whispered "no" when he went too far. I whispered when I wanted to scream.
         And I wondered why no one ever heard me.

sidelong wakesleep
her face halved
in periwinkle sheets

one sun stripe
zips down the room
partioning the dark

toes yawn
under the sheets
inadvertently scratching me

her breath
so much more (or less)
than i could ever poet

Alice walks with
the thin maid
to the stables, holding
the thin hand with

red knuckles, the
mild limp crossing
the narrow path like
a wounded ship. Do

you like the horses,
then? the maid asks,
bringing the eyes
upon the child,

holding tight the
pale pink hand.
Alice nods, yes,
I like the black one,

like its dark eyes
and coat. The maid
eyes the pinafore,
the hair tidy and neat,

the shiny shoes, the
tiny hand in hers.
Have you ridden
any yet? the maid

asks. No, not allowed
as yet, Alice says,
feeling the red thumb
rub the back of her

hand. Shame, the maid
says, perhaps soon.
Alice doesn't think so,
neither her father nor

the new nanny will
permit that; her mother
says she may, but that
amounts to little, in

the motions of things.
She can smell the
horses, hay and dung.
The red hand lets her

loose. The stable master
stares at her, his thick
brows bordering his
dark brown eyes,

conker like in their
hardness and colour.
Have you come to
look at the horses?

he says, holding a
horse near to her.
She nods, stares
at the horse, brown,

tall, sweating,
loudly snorting.
The maid stares
at the horse, stands

next to the child,
hand on the arm.
You're not to ride
them yet, he says,

but you can view,
I'm told. Alice runs
her small palm down
the horse's leg and

belly, warm, smooth,
the horse indifferent,
snorting, moving the
groom master aside.

The maid holds the
child close to her.
Be all right, he won't
harm, he says, smiling.

He leads the horse away,
the horse swaying to
a secret music, clip-
clop-clip-clop. Alice

watches the departing
horse. Come on, the
maid says, let's see
the others and lifts

the child up to view
the other horse in the
stable over the half
open door, then along

to see others in other
half doors. Alice smiles
at the sight and smells
and sounds. She senses

the red hands holding
her up, strong yet thin,
the fingers around her
waist. Having seen them

all, the maid puts her
down gently. Ain't that
good? the maid says.
Alice smiles, yes, love

them, she  says. She
feels the thin hand, hold
her pale pink one again,
as they make their way

back to the house, the
slow trot of the limping
gait, the maid's thumb
rubbing her hand, smiling

through eyes and lips,
the morning sun blessing
their heads through the
trees and branches above.

if only, Alice thinks, looking
sidelong on at the thin
maid's smile, her father
did this, and showed such love.

In the end,
you've only managed to pull the trigger first.
And yet,
knowing full well the consequences,
I struck on,
hoping that someday my love would fall true.

It was my mistake.

How was I to know
— a man bereft of possessions and purpose —
that you
— glorious, important, so very very tired —
required more than:
                    a single glance,
                              a sidelong smile,
                                        a tender touch,
                                                  a silent moment...

These things no longer exist,
or, at least,
if they do,
I have no idea how to find them with you.

(In this poem, the authors alternate stanzas.)

AUTUMN'S CALL

In the stray
sweetness of yarrow
and starlings’ trill by dusk
rejoin the fading
without regret
as the foot worn grass will
receive morning’s frost.

And whenever that green yarrow fades
then I fade
in the dry husk
of this autumn of fire
this autumn of smoke and regrets.

Wake in sidelong sun
light half hidden
days under curtains
of violet and scarlet
leaves so soon
will bury the moss
inch by inch.

But I
being the beast that I am
will burrow through the moss
past every encumbrance
beyond hope and fear
and finally find the freedom of one
sweet day
in October
the air still
not a sound
but leaves settling
into the detritus of dreams.