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Cecil Miller Feb 2016
You wouldn't welsh on a bet with your ******,
And you wouldn't go to bed with the mob.
You wouldn't mess with a street gang ****,
No matter if he's crab, or slob.

You wouldn't backstab a man on death row,
Cause you know he just might **** ya.
If you've got the gumption.
You wouldn't have it long,
If you cross Evil Nurse Sheila.

You shouldn't be like the fool who tried
To play games with her heart.
She left him a crushed, empty man.
Well, he was doomed from the start.

Sheila isn't a ******,
And you'd better not let her hear
You snickering about her at the social club.
You might not have time to fear.

Sheila's makes the headlines
Each time she tries to settle down.
She plans to live a carefree life,
But soon she has to leave town.

Everything she does
Is warped, but in the name of love.
Except when she hates your guts,
When it's Sheila you've run afoul of.

If you've never heard her story.
You'd best take this advise.
If you cross her path just keep walking,
You best not look back twice.

Evil Nurse Sheila's got a heart of stone
That looks like a heart of gold.
If you are responsible for it's tarnish,
There's no hope to which you can hold.

Sheila takes no prisoners.
She don't take any guff.
If she thinks to give you a warning,
You'd better not call her bluff.

You wouldn't want to rouse her wrath,
Because her fury won't be tamed.
She's restless, bold and beautiful.
She cannot be contained.

It seems things have been quiet.
She's been off the grid some time.
If she thinks that you might suspect her,
You may be her next crime.
Sheila Carter was a soap opera villianess played by Kimberlin Beown on the sister soaps The Young and the Restless and The Bold and the Beautiful.
I am extremely pleased that my favorite soap actress, Kimberlin Brown, liked this poem after I shared this link to her facebook page.

fans know Sheila has been featured in the Bold and Beautiful episodes a lot in the last couple of months.
Terry Collett Apr 2015
All through double science Sheila thought about the boy shed seen go by that mid-morning break not that hed looked at her too much or responded to her shy smile but she thought of him even to the degree of inking in his name on her small palm John scribbled there in black smudgy ink and she thought he had looked at her he seemed to look at her the way he had turned his head indicated to her at that time that he had and the science teacher talked of something to do with gases and she copied what he had written on the board into her exercise book in her minute scribble with her head to one side has she did while writing her arm at an angle her small hand gripping the pen in an odd fashion he had smiled yes she was sure John had smiled as she had smiled she sighed softly her eyes lifted to the blackboard to take note of what was written her hands scribbled her mind wanted to think of the boy with the quiff of hair the smile yes yes he had smiled and she wanted to stand up and say HE SMILED AT ME as loudly as she could but she never would she was not that type of girl a elbow nudged her the girl next to her nudged her and nodded towards the blackboard the teacher was pointing out something and asked her a question and Sheila had not heard him ask her the teacher was staring towards her expectantly she blushed sorry Sir didnt hear the question she muttered looking at the board and then at the teacher who seemed put out then listen girl listen he said then pointing to another to answer the question he repeated and Sheila still blushing looked at the girl next door and shrugged her thin shoulders the girl looked at her blankly and looked away she looked ta the blackboard and read it through slowly as she could taking note what had been written about gases and she stifled a yawn and looked back at the exercise book and what she had written in her scribbled handwriting she looked at the inner page where she had scribble John and drew a heart-shape with an arrow through it she held the page open just enough for her to see it then opened the book to wait for further instruction regarding gases the teacher walked along in front of the class pointing to the blackboard and indicating a diagram he had drawn Sheila wondered if the boy allow her to hang around with him after all she had seen other girls walk round with the boys either in groups or singly why couldnt she? she asked herself sitting up and staring out of the windows at the grass and the blue of sky over the way and what if he said yes how would she feel then would she walk with him or would she feel too shy to  and then all of a sudden she panicked what if he wanted to kiss her as shed other boys do with girls actually kiss on the lips sort of thing and shed never ever kissed a boy before not even her brother Bert a panicky feeling crept into her stomach what then? what if he wanted to kiss her a piece of chalk pinged onto the desk in front of her and the girl next to her elbowed her again SHEILA are you with us today? the teacher asked bellowing her name out of frustration she nodded and blushed again have you been listening? he asked yes Sir she said what did I ask? he said she stared at him blood pumped through body as if she was on fire and she shrugged as words wouldnt come see me after class he said and walked along the front of the class and asked another a boy with his hand raised she watched the teacher and listened to what he was saying about gases and types of gases and the affects and effects and so on and she felt the need to yawn but put her hand over her mouth and let it out secretly as softly as she could she smelt her palm then gazed at the word John scribbled there and with her lips kissed the inked name as if it was he she kissed her lips on his and she felt spittle on her palm and wanted to leave it there so she could pretend it was his spittle and not hers she looked up at the teacher and tried to give the impression of paying attention to his every word the boy had his hand up again as a question was asked and the teacher nodded and smiled then just as she prepared herself for any potential question that may come her way-God forbid- a bell rang for the end of the lesson and a sense of release flowed through her despite having to have stay and see the teacher afterwards there was a movement of books being put into bags and chairs being moved and voices and talking and the slow moving of bodies towards the door but the teacher was eyeing her as she moved towards him her book tucked away in her bag her palm clenched into a loose fist to hide the scribbled John in her palm she stood before the teachers desk and he stared at her sternly Sheila have you something on your mind? she shook her head feeling the need at that moment almost suddenly to urinate well you certainly were not paying attention to the lesson were you? he asked something worrying you? he asked she was going to say something but she didnt know what to say she couldnt say she was thinking of a boy and about if or not he was going to want to kiss her so she said nothing just shrugged her thin shoulders and gave a vacant expression-an expression her mother said indicated a near death experience-you must pay attention the teacher said I am paid to teach you as well as the others the sciences and I feel it is my duty to do my best to do that do you understand? she nodded taking note of the leather patches on the elbows of his jacket brown and sewn on maybe she thought by his wife or mother now please listen Sheila or youll get behind with the lessons Ok? she nodded and he dismissed her and she walked towards the door wondering if the boy would be on the playing field during lunch recess and if she had the nerve to ask him if she could hang around with him and if he would want to kiss her and o my God she thought panicking what if he did and she blushed at the thought and moved along the corridor amongst moving throng of other kids on their way to lunch or home and a bite to eat and she stood thinking of the boy gazing at her black shoed feet.
A GIRL AT SCHOOL WHO CANNOT GET THE THOUGHT OF A BOY OUT OF HER MIND DURING LESSON
Sheila, this life's too long to leave behind
Sheila, your world's too small to get inside
It's a needle's eye I tried to squeeze through
I tried to get to you

Sheila, waiting for a place in time
Sheila, counting every tear she's cried
It's a coward's lie I needed to believe
To get to you

...and I almost threw it all away
Let the memory dim and fade
The only thing about you that I ever knew
Was your name
Simon Fletcher Mar 2011
Sheila will rise above and haunt you
For all those bad things you always do
And you'll sit in your chair, not have one ******* clue
You can't even comprehend what she is saying is true
The anger from her spits from her mouth
She's yelling and she's shouting loud
She's absolutely tired of what's going on now
You try to meet me here,  but you are not allowed
She doesn't allow what we have together anymore
She doesn't like what you have in store
She wouldn't allow your excessive drug use
Though she'd cry for your stories of child abuse
But Sheila will come back some day
And tear your precious little life away
Philip Shepherd Apr 2016
Sheila, have you seen her, no one's freed her!
She has a heart of gold and needs to be told.
That her soul is full of love , which floats above.
And through the struggles she's encountered, Sheila's never floundered.
Now it's Sheila's turn for love and passion, so don't put it on ration!
For her beauty is clear to see, this Sheila shines, this Sheila glows, she will surely sweep you off your toes!
Marshal Gebbie Jun 2018
Steven my boy,

We coasted into a medieval pub in the middle of nowhere in wildest Devon to encounter the place in uproarious bedlam. A dozen country madams had been imbibing in the pre wedding wine and were in great form roaring with laughter and bursting out of their lacy cotton frocks. Bunting adorned the pub, Union Jack was aflutter everywhere and a full size cut out of HM the Queen welcomed visitors into the front door. Cucumber sandwiches and a heady fruit punch were available to all and sundry and the din was absolutely riotous……THE ROYAL WEDDING WAS UNDERWAY ON THE GIANT TV ON THE BAR WALL….and we were joining in the mood of things by sinking a bevy of Bushmills Irish whiskies neat!

Now…. this is a major event in the UK.

Everybody loves Prince Harry, he is the terrible tearaway of the Royal family, he has been caught ******* sheila’s in all sorts of weird circumstance. Now the dear boy is to be married to a beauty from the USA….besotted he is with her, fair dripping with love and adoration…..and the whole country loves little Megan Markle for making him so.

The British are famous for their pageantry and pomp….everything is timed to the second and must be absolutely….just so. Well….Nobody told the most Reverend Michael Curry this…. and he launched into the most wonderful full spirited Halleluiah sermon about the joyous “Wonder of Love”. He went on and on for a full 14 minutes, and as he proceeded on, the British stiff upper lips became more and more rigidly uncomfortable with this radical departure from protocol. Her Majesty the Queen stood aghast and locked her beady blue eyes in a riveting, steely glare, directed furiously at the good Reverend….to no avail, on he went with his magic sermon to a beautiful rousing ******….and an absolute stony silence in the cavernous interior of that vaulting, magnificent cathedral. Prince Harry and his lovely bride, (whose wedding the day was all about), were delighted with Curry’s performance….as was Prince William, heir to the Throne, who wore a fascinating **** eating grin all over his face for the entire performance.

Says a lot, my friend, about the refreshing values of tomorrows Royalty.

We rolled out of that country pub three parts cut to the wind, dunno how we made it to our next destination, but we had one hellava good time at that Royal Wedding!

The weft and the weave of our appreciation fluctuated wildly with each day of travel through this magnificent and ancient land, Great Britain.

There was soft brilliant summer air which hovered over the undulating green patchwork of the Cotswolds whilst we dined on delicious roast beef and Yorkshire pudding, from an elevated position in a medieval country inn..... So magnificent as to make you want to weep with the beauty of it all….and the quaint thatched farmhouse with the second story multi paned windows, which I understood, had been there, in that spot, since the twelfth century. Our accommodation, sleeping beneath oaken beams within thick stone walls, once a pen for swine, now a domiciled overnight bed and pillow of luxury with white cotton sheets for weary Kiwi travellers.

The sadness of the Cornish west coast, which bore testimony to tragedy for the hard working tin miners of the 1800s. A sharp decrease in the international tin price in 1911 destituted whole populations who walked away from their life’s work and fled to the New World in search of the promise of a future. Forlorn brick ruins adorned stark rocky outcrops right along the coastline and inland for miles. Lonely brick chimneys silhouetted against sharp vertical cliffs and the ever crashing crescendo of the pounding waves of the cold Atlantic ocean.

No parking in Padstow….absolutely NIL! You parked your car miles away in the designated carpark at an overnight cost….and with your bags in tow, you walked to your digs. Now known as Padstein, this beautiful place is now populated with eight Rick Stein restaurants and shops dotted here and there.

We had a huge feed of piping hot fish and chips together with handles of cold ale down at his harbour side fish and chip restaurant near the wharfs…place was packed with people, you had to queue at the door for a table, no reservations accepted….Just great!

Clovelly was different, almost precipitous. This ancient fishing village plummeted down impossibly steep cliffs….a very rough, winding cobbled stone walkway, which must have taken years to build by hand, the only way down to the huge rock breakwater which harboured the fishing boats Against the Atlantic storms. And in a quaint little cottagey place, perched on the edge of a cliff, we had yet another beautiful Devonshire tea in delicate, white China cups...with tasty hot scones, piles of strawberry jam and a huge *** of thick clotted cream…Yum! Too ****** steep to struggle back up the hill so we spent ten quid and rode all the way up the switch back beneath the olive canvass canopy of an old Land Rover…..money well spent!

Creaking floorboards and near vertical, winding staircases and massive rock walls seemed to be common characteristics of all the lovely old lodging houses we were accommodated in. Sarah, our lovely daughter in law, arranged an excellent itinerary for us to travel around the SW coast staying in the most picturesque of places which seeped with antiquity and character. We zooped around the narrow lanes, between the hedgerows in our sharp little VW golf hire car And, with Sarah at the helm, we never got lost or missed a beat…..Fantastic effort, thank you so much Sarah and Solomon on behalf of your grateful In laws, Janet and Marshal, who loved every single moment of it all!

Memories of a lifetime.

Wanted to tell the world about your excitement, Janet, on visiting Stoke on Trent.

This town is famous the world over for it’s pottery. The pottery industry has flourished here since the middle ages and this is evidenced by the antiquity of the kilns and huge brick chimneys littered around the ancient factories. Stoke on Trent is an industrial town and it’s narrow, winding streets and congested run down buildings bear testimony to past good times and bad.

We visited “Burleigh”.

Darling Janet has collected Burleigh pottery for as long as I have known her, that is almost 40 years. She loves Burleigh and uses it as a showcase for the décor of our home.

When Janet first walked into the ancient wooden portals of the Burleigh show room she floated around on a cloud of wonder, she made darting little runs to each new discovery, making ooh’s and aah’s, eyes shining brightly….. I trailed quietly some distance behind, being very aware that I must not in any way imperil this particular precious bubble.

We amassed a beautiful collection of plates, dishes, bowls and jugs for purchase and retired to the pottery’s canal side bistro,( to come back to earth), and enjoy a ploughman’s lunch and a *** of hot English breakfast tea.

We returned to Stoke on Trent later in the trip for another bash at Burleigh and some other beautiful pottery makers wares…..Our suit cases were well filled with fragile treasures for the trip home to NZ…..and darling Janet had realised one of her dearest life’s ambitions fulfilled.

One of the great things about Britain was the British people, we found them willing to go out of their way to be helpful to a fault…… and, with the exception of BMW people, we found them all to be great drivers. The little hedgerow, single lane, winding roads that connect all rural areas, would be a perpetual source of carnage were it not for the fact that British drivers are largely courteous and reserved in their driving.

We hired a spacious ,powerful Nissan in Dover and acquired a friend, an invaluable friend actually, her name was “Tripsy” at least that’s what we called her. Tripsy guided us around all the byways and highways of Britain, we couldn’t have done without her. I had a few heated discussions with her, I admit….much to Janet’s great hilarity…but Tripsy won out every time and I quickly learned to keep my big mouth shut.

By pure accident we ended up in Cumbria, up north of the Roman city of York….at a little place in the dales called “Middleton on Teesdale”….an absolutely beautiful place snuggled deep in the valleys beneath the huge, heather clad uplands. Here we scored the last available bed in town at a gem of a hotel called the “Brunswick”. Being a Bank Holiday weekend everything, everywhere was booked out. The Brunswick surpassed ordinary comfort…it was superlative, so much so that, in an itinerary pushed for time….we stayed TWO nights and took the opportunity to scout around the surrounding, beautiful countryside. In fact we skirted right out to the western coastline and as far north as the Scottish border. Middleton on Teesdale provided us with that late holiday siesta break that we so desperately needed at that time…an exhausting business on a couple of old Kiwis, this holiday stuff!

One of the great priorities on getting back to London was to shop at “Liberty”. Great joy was had selecting some ornate upholstering material from the huge range of superb cloth available in Liberty’s speciality range.

The whole organisation of Liberty’s huge store and the magnificent quality of goods offered was quite daunting. Janet & I spent quite some time in that magnificent place…..and Janet has a plan to select a stylish period chair when we get back to NZ and create a masterpiece by covering it with the ***** bought from Liberty.

In York, beautiful ancient, York. A garrison town for the Romans, walled and once defended against the marauding Picts and Scots…is now preserved as a delightful and functional, modern city whilst retaining the grandeur, majesty and presence of its magnificent past.

Whilst exploring in York, Janet and I found ourselves mixing with the multitude in the narrow medieval streets paved with ancient rock cobbles and lined with beautifully preserved Tudor structures resplendent in whitewash panel and weathered, black timber brace. With dusk falling, we were drawn to wild violins and the sound of stamping feet….an emanation from within the doors of an old, burgundy coloured pub…. “The Three Legged Mare”.

Fortified, with a glass of Bushmills in hand, we joined the multitude of stomping, singing people. Rousing to the percussion of the Irish drum, the wild violin and the deep resonance of the cello, guitars and accordion…..The beautiful sound of tenor voices harmonising to the magic of a lilting Irish lament.

We stayed there for an hour or two, enchanted by the spontaneity of it all, the sheer native talent of the expatriates celebrating their heritage and their culture in what was really, a beautiful evening of colour, music and Ireland.

Onward, across the moors, we revelled in the great outcrops of metamorphic rock, the expanses of flat heather covering the tops which would, in the chill of Autumn, become a spectacular swath of vivid mauve floral carpet. On these lonely tracts of narrow road, winding through the washes and the escarpments, the motorbike boys wheeled by us in screaming pursuit of each other, beautiful machines heeling over at impossible angles on the corners, seemingly suicidal yet careening on at breakneck pace, laughing the danger off with the utter abandon of the creed of the road warrior. Descending in to the rolling hills of the cultivated land, the latticework of, old as Methuselah, massive dry built stone fences patterning the contours in a checker board of ancient pastoral order. The glorious soft greens of early summer deciduous forest, the yellow fields of mustard flower moving in the breeze and above, the bluest of skies with contrails of ever present high flung jets winging to distant places.

Britain has a flavour. Antiquity is evidenced everywhere, there is a sense of old, restrained pride. A richness of spirit and a depth of character right throughout the populace. Britain has confidence in itself, its future, its continuity. The people are pleasant, resilient and thoroughly likeable. They laugh a lot and are very easy to admire.

With its culture, its wonderful history, its great Monarchy and its haunting, ever present beauty, everywhere you care to look….The Britain of today is, indeed, a class act.

We both loved it here Steven…and we will return.

M.

Hamilton, New Zealand

21 June 2018
Dedicated with love to my two comrades in arms and poets supreme.....Victoria and Martin.
You were just as I imagined you would be.
M.
I MIND him well, he was a quare ould chap,
Come like meself from swate ould Erin's sod;
He hired me wanst to help his harvest in-
The crops was fine that summer, praised be God!

He found us, Rosie, Mickie, an' meself,
Just landed in the emigration shed;
Meself was tyin' on their bits of clothes;
Their mother-rest her tender sowl!-was dead.

It's not meself can say of what she died:
But 'twas the year the praties felt the rain,
An' rotted in the soil; an' just to dhraw
The breath of life was one long hungry pain.

If we wor haythens in a furrin land,
Not in a country grand in Christian pride,
Faith, then a man might have the face to say
'Twas of stharvation me poor Sheila died.

But whin the parish docthor come at last,
Whin death was like a sun-burst in her eyes-
They looked straight into Heaven-an' her ears
Wor deaf to the poor children's hungry cries,

He touched the bones stretched on the mouldy sthraw:
'She's gone!' he says, and drew a solemn frown;
'I fear, my man, she's dead.' 'Of what?' says I.
He coughed, and says, 'She's let her system down!'

'An' that's God's truth!' says I, an' felt about
To touch her dawney hand, for all looked dark;
An' in me hunger-bleached, shmall-beatin' heart,
I felt the kindlin' of a burnin'spark.

'O by me sowl, that is the holy truth!
There's Rosie's cheek has kept a dimple still,
An' Mickie's eyes are bright-the craythur there
Died that the weeny ones might eat their fill.'

An' whin they spread the daisies thick an' white
Above her head that wanst lay on me breast,
I had no tears, but took the childher's hands,
An' says, 'We'll lave the mother to her rest.'

An' och! the sod was green that summer's day,
An' rainbows crossed the low hills, blue an' fair;
But black an' foul the blighted furrows stretched,
An' sent their cruel poison through the air.

An' all was quiet-on the sunny sides
Of hedge an' ditch the stharvin' craythurs lay,
An' thim as lacked the rint from empty walls
Of little cabins wapin' turned away.

God's curse lay heavy on the poor ould sod,
An' whin upon her increase His right hand
Fell with'ringly, there samed no bit of blue
For Hope to shine through on the sthricken land.

No facthory chimblys shmoked agin the sky.
No mines yawned on the hills so full an' rich;
A man whose praties failed had nought to do
But fold his hands an' die down in a ditch.

A flame rose up widin me feeble heart,
Whin, passin' through me cabin's hingeless dure,
I saw the mark of Sheila's coffin in
The grey dust on the empty earthen flure.

I lifted Rosie's face betwixt me hands;
Says I, 'Me girleen, you an' **** an' me
Must lave the green ould sod an' look for food
In thim strange countries far beyant the sea.'

An' so it chanced, whin landed on the sthreet,
Ould Dolan, rowlin' a quare ould shay
Came there to hire a man to save his wheat,
An' hired meself and Mickie by the day.

'An' bring the girleen, Pat,' he says, an' looked
At Rosie, lanin' up agin me knee;
'The wife will be right plaised to see the child,
The weeney shamrock from beyant the sea.

'We've got a tidy place, the saints be praised!
As nice a farm as ever brogan trod.
A hundered acres-us as never owned
Land big enough to make a lark a sod.'

'Bedad,' says I, 'I heerd them over there
Tell how the goold was lyin' in the sthreet,
An' guineas in the very mud that sthuck
To the ould brogans on a poor man's feet.'

'Begorra, Pat,' says Dolan, 'may ould Nick
Fly off wid thim rapscallions, schaming rogues,
An' sind thim thrampin' purgatory's flure
Wid red hot guineas in their polished brogues!'

'Och, thin,' says I, 'meself agrees to that!'
Ould Dolan smiled wid eyes so bright an' grey;
Says he, 'Kape up yer heart; I never kew
Since I come out a single hungry day.

'But thin I left the crowded city sthreets-
Th'are men galore to toil in thim an' die;
Meself wint wid me axe to cut a home
In the green woods beneath the clear, swate sky.

'I did that same; an' God be praised this day!
Plenty sits smilin' by me own dear dure;
An' in them years I never wanst have seen
A famished child creep tremblin' on me flure.'

I listened to ould Dolan's honest words:
That's twenty years ago this very spring,
An' **** is married, an' me Rosie wears
A swateheart's little shinin' goulden ring.

'Twould make yer heart lape just to take a look
At the green fields upon me own big farm;
An' God be praised! all men may have the same
That owns an axe an' has a strong right arm!
Anais Vionet Feb 2023
There are opportunities, from time to time, to see and meet influential people here at Yale - leaders in their fields. I write a little, so I started going to see the writers when they did readings and interviews. The writers I’ve seen so far are Ada Limón, Vijay Seshadri, Terrance Hayes, Alison Bechdel, Roxanne Gaye, Sheila Heady, Natasha Trethewey, Dasha Nekrasova and more.

Before I kick this rat's nest let me say that I’m not an English Literature major. I haven’t done “close readings” of these authors' works or performed any literary analysis. What follows are just my opinions or what I’ve overheard (and much of that I disagree with).

After the readings and greetings, I hang back in the crowd to hear reactions. Many of the Yale students attending these events want to seem intellectual and subversive - at the same time, they don’t want to be polarizing or say things that their peers will disagree with. I’m appalled at how little credit is given to writers for their earlier, groundbreaking work.

Some crowd reactions included: Roxanne Gaye “is so 2016,” Ada Limón’s presentation seemed “sanitized and censored.” Jia Tolentino, “no longer staking out controversial spaces.” Much of the criticism was that these authors were freer, as nobodies in their basements, to rage against the system but they’ve since been corrupted, tamed and rendered vapid, as it were, by the financial ties of fame.

At a reading by Terrance Hayes, he discussed the criticism that the “classics” represent the “white cannon” and don’t include alternative perspectives. Terrance Hayes argued that the “classics” are such because they present universal truths and that, like science, you don’t have to erase things to include new things.

I’ll cut to the chase - here are the three authors whose events impressed me the most:

Sheila Heady
Sheila Heady did a talk on her creative process. Which normally I’m pretty skeptical of because I’ve seen some vague, wishy-washy answers - but Sheila shared it all. She had spreadsheets detailing the time she spent writing, graphs on time spent researching, and even pictures of her desktop arrangement (which says a lot about someone). She was so open and vulnerable - almost indifferent to judgment - it was refreshing, honest and endearing.

Some days she would write for 2 minutes and on others for 10 hours. I think it showed that the creative process can be messy and we’re not failures if we don’t set out writing time every day.

Natasha Trethewey
I have a complicated response when listening to people read aloud about terrible things that happened to them - I question their motives, purposes and intentions. Natasha Trethewey however, used it as background for a discussion of her relationship to poetry and writing. It was beautiful to be in that room, it was inspiring rather than being provocative.

Dasha Nekrasova
On the flipside I absolutely loved Dasha Nekrasova who’s all about being a provocateur. Her event was chaotic and crazy. It was a Yale Political Union (YPU) event, and I don’t know what those people are on, but there was yelling, objections, people getting up, she was skipping around the stage. At first, I didn’t realize it was a debate because it had a freeform look and I came in a minute late, from chemistry class - but I liked her a lot in the debate format. I plan to attend more YPU events in the future.
BLT Marriam Webster word of the day challenge: Vapid: dull or boring.
'Tell me I'm not in a dream. Or one of my trances.' She uttered the two sentences between gasps and seem-to-be quickening pulses. In midair, the tension between them kept growing intensely, trying desperately to meet its peak every second, before finally disappearing into the sightless distance above it. 'You're not,' the man said, his voice distant even when his face was only a few inches from hers, and cupped his free hands around her chin to calm her pale face. Her cheeks were warm in his palms, as if being burnt by hundreds of heaps of dying, yet ravenous flames. She closed her eyes, recording the touch of his perfect skin that seemed able to charm her endlessly since the first time she had fixed her gaze on his shimmering features. The angelic voice which accompanied it woke her a few seconds later. 'And even if you are,' he traced his soothing fingers along the reddening skin of her cheeks, 'I'll bring you back to life. Which is here.' He emphasised the last two words with a smile, a heartbreaking, infuriating smile - because of its astounding beauty, before tenderly touching his cherrylike lips to hers, making her start to tremble uncontrollably in deep confusion. She was, again, in the middle of these steep rocks without any aid to support her unstable weight, meanwhile the air over their heads began to twirl in circles, the weather around them getting pink and turning red in five seconds' time. She was lost. In someone else's magical world, with a rendition of one of The Beatles' hit singles from the 1900s or 1950s - she could not exactly recall which period of years it came from - playing smoothly in the CD player in the languid atmosphere of the living room behind them.
After a moment of enjoyment the kiss brought them he pulled back, before slamming his left hand into the tiny depth of his shirt pocket and taking a silver locket out of it. He threw a confident smile at her, and in one blink of his eye, the room fell dark. Petrified yet washed out by the sudden darkness among them, the girl let out a heart-rending shriek, which was followed by her heaving her body onto him, making his head hit the floorboards and the long necklace break in half. In seconds, blood-red light began to shuffle out of the center of the torn necklace, mingling with the air outside its shell and sending the woman into gradually-coming unconsciousness. She could now only see shadows, muttering and brimming all over the weather around her, and had not the strength to stand up apart from lying helplessly on the feathered carpet beneath. Before her, she saw how he started to rise and reveal his claws, and fangs, and bright red eyes above her. He laughed mercilessly. Instantly, she covered her sweating face with her hands - which now felt too shaky and she hated it, she loathed it very much - and brought out a despondent, lamented sound of cry. Her evil lover, at the same time, continued to soak up as much energy as possible from the change of circumstance.
'Again, I successfully, harmlessly tricked you,' he whispered this to her right ear. Around them, the horrendous wind potter faster and faster meanwhile their invincibly powered circles got bigger. 'You should thank me for that.'
'Th... Thank you for what?' She abruptly gathered her courage to confront him. If this meant that the end of my life was approaching, I would be ready, she thought silently.
'For letting me bound my ways into your life again, Em,' his angelic voice replied, and before she realised what was coming next, she wailed with all of her might when she laid her eyes on his real monstrous, vampiric face before her.
'I am indeed sorry to say that you - a clever and sanguine girl like you - was granted the chance to relish your life only momentarily,' he cleared his throat. 'You have always known that you could not outrun us at the end..., and so have your family.'
'No,' she mumbled, and drifted her gaze to his face - his now burning face. 'NO!'
'No,' he mockingly repeated her words, 'or YES, my dear?'
'Don't call me using that 'D' word, beast,' she put her best effort to yell at the top of her lungs, ''cos I am not your dear, and prefer death to becoming one of you!'
With those last few words, she scrambled to her feet, and stood up in just two swift movements. In her both hands, which he did not know were protected by the two stashes of garlic and one wooden cross in her dress pockets, were two shiny swords with special blades carved onto their two edges which were designated to **** vampires. Get rid of them. And their malicious world of beasts.
She stepped forward, and new powers began to regenerate inside her - despite the cries she felt start to roll into her heart, upon knowing that her beloved Joe had died. Joe had been deceased now. He was lifeless, and no longer able to help her here. She should never have ditched him. It dawned on her now, when everything was already too late to fix up. But she knew that she should never give up. Javier and his vampire family might have tasted every single drop of her other family members - and the rest of Ludirus town's residents - including her Joe, before she idiotically kicked him out for this pathetic, heartless beast who wore a disguise to displace him. She stretch the first sword - the one in her right hand - out to him. He took a step back, his eyes remained focused on her.
'You won't hurt me,' he pretended to be in pain, and in one and a half seconds, he transformed into the figure of the innocuous, blue-eyed prince once more.
'I won't be deceived by your looks, pig,' spat her, meanwhile her brain rummaged through a thousand ways to stick the two swords into his chest. That was, in fact, the only way to **** him. To drain his evil life out of him.
'You were, once,' he laughed, the sound of his devious laughter echoed in the very room, and later left it in such dread and wariness.
'Not anymore,' she bravely took a step forward and, without any further doubt, without caring about her being imprisoned for the rest of her life before getting her blood dried by the fangs of Javier's two older brothers, she stabbed the swords into his chest with all the energy she had left. And the effects sprayed out by the action were beyond any of her expectations. Thousands of blood droplets poured out of his body and onto the floor beneath her, flooding the entire living room and finally the streets outside the building until no litter, little scraps of food, and wheels of vehicles were seen anywhere in sight. Surprisingly, these endless streams of blood did not cause any floods, and rapidly soaked through every single layer of soil the earth had on its surface. The blood that had been consumed out of the poor people of Ludirus, the rural village in South Ireland, famous for its cruel killing rampage for several thousand years, where a group of aristocratic vampire ruled the lives of humans and their own species. But now, there would be no more of them. No more of their horrible treatments. No more of their sneaking-up-on-humans tricks they secretly did at night - to savour human blood, which was lawfully removed from the protecting-human law renewed every year. It was all a lie. Yeah, a lie. A lie that allowed Javier's family to approach Lucinda's family members to be victims in their lifelong killing spree. But now, there would be no more vampires, thought Lucinda as she kissed her holy cross and sets of garlic affectionately. There would be no more blood sacrificed to fend for those beasts' hunger, even though it meant for her to live alone. Live on her own, as she no longer had anyone around her to turn to. To soak up her tears when she was scared away by the bunch of vampire kids on the way home from school. To calm her with her melodious chords at the piano. Mother. To serve her the best spaghetti in the world as a reward for her outstanding grades at school. Sister Sheila. To rub her back and put her to bed at night - at the age of sixteen! Father. Luce's tears just would not stop while she kept counting her memories, as every single shadows of her deceased beloved came back to her. And finally, the sight of her Joe lying his tired head on her lap, and reading out loud to her his newest poem he composed at the office for her. All were gone. Dissolved into the ravenous sea of blood in the guts of those psychotic, simpering, abusive monsters.
But she was satisfied. She felt, somehow, proud of her heroic, or at least, brave actions. She had taken control of her fear, and that was one of the most important characteristics a woman should have to succeed in this cruel world, her father had once said. Now she could prove to them all that she was a newly reborn person, and was no longer the old Lucinda. Lucinda Hale who had always been the 'tail' of her sister while they were six and four, and the little, spoilt daughter of Jim and Aileen Hale who could not hold a plate properly in every banquet their family was invited to. Luce knew that she was now completely a stranger to her family. She squinted her eyes shut, trying to imagine how nice it would be to show off her new self to her late family if only they were all alive with healthy pink cheeks now. In her own peace and this momentary solitude, she found herself sinking onto the floating warmth of blood, but strangely, she did not fall. She did not plunge into the limitless red colour underneath, and remained flowing above it while her tears started to crawl out of her eyes. She did not know, and did not want to know how long this remained until she eventually felt the rough surface of the bearskin carpet again. She woke up with a dizzy head and quickly threw a hasty look around her living room. The prince, beastly Javier had vanished. Oh, there are his remnants, she thought and unconsciously, chuckled quietly to herself when she came to take hold of several white, lifeless bones laid in front of her. Then suddenly she understood what had just happened. The legend in that book she had borrowed from the library transported the knowledge back into her mind. All the members of Javier's family had been crushed now. They were dead. Her sacred tears, which came to mix with the blood flood, became the cure for all the people who had been ****** by the vicious vampires in town. They were now freed, and reawarded, although still mortal, but yet a very rare, elusive, privileged chance to be alive once again and start their lives all over again. They must not be far from her now, thought her. Without any further wait, she raced out of the room, and wormed her way onto the street.
And here they were. The streets of Ludirus were no longer deserted. Traditional markets with a thousand-metre long series of antiques roamed them, occupying every single tiny space provided to place racks containing jewels, valuables, and gold pots. There were also shelves of books about cookery, traditional healing potions, sports, literature, and anything else someone ever wanted to buy. And then she spotted a book with a bright yellow cover, entitled 'Love Poems: From 1900 to the Present, by Joe Grogan.' Her breath seemed to stop at that time and suddenly, before she even got the opportunity to touch the cover of the copy in front of her, two warm arms wrapped her waists and turned her body around to face the owner. Once again, she was at a terrible loss for words. 'Joe,' she mumbled.
'I am,' the writer nodded solemnly. And just like the evil Prince Javier had done before, he pulled out a beautiful silver box and opened it. Inside, two rings shined beautifully before their eyes, radiating a smile as bright as the one seen on others' faces among them. A smile that celebrated the comeback of their long-lost independence. Before she knew it, Joe knelt before her, and presented the ring upwards onto her.
'What would you like to do first, Madam? Marry me, or buy my book?' He grinned and held both her hands. Before she could answer him, he inserted her left ring finger into the perfectly made ring, and helped her right hand fasten his own ring onto his finger. She lifted him up and wrapped her hands around his neck.
'Do you have time for both, Sir?' She rubbed his smooth cheeks and kiss them before looking deeply into his hazel eyes.
'Absolutely,' he answered firmly, and scooped her whole weight into his arms and spinned her around. Luce could no longer say anything when a sudden wave of happiness washed all over her, and became even at a more unfathomable loss of words when she caught the sight of her beloved father, mother, and her sister, all alive, start approaching to deliver their congratulations. Here we are, she thought with a satisfied feeling. We were, are, and will always be meant to be together.
Terry Collett Jun 2015
She doesn't know
what time
his school bus arrives
but she waits

by the school gates
nervously
biting her nails
looking at the place

the buses come
other kids arrive on foot
to school
but no bus

as yet
and Sheila starts
to wonder
what she'll say

when the bus arrives
and the boy John
descends
and she there

facing him
and he'll look at her
and will he remember
the day before

and her asking
if she could hang
around with him?
the sky looks overcast

dark clouds
she hopes it will not rain
or she'll not be
on the playing field

to see him lunchtime
or anytime
she hopes it will
stay fine

what's the matter
with you this morning?
her mother had asked
over breakfast

you look like you've
found sixpence
and lost a pound
nothing she had said

trying not
to be too anxious
about meeting
the boy John

even as she washed
and dressed that morning
he was there
in her thoughts

and now as she waits
by the gates
kids pass her by
gawking at her

standing there
with her thin wire glasses
and metal grip
at the side

of her hair
then a school bus comes
towards the school
and her nerves take hold

and she stares and looks
for the boy John
and what she thinks
are his good looks.
A GIRL WAITS AT SCHOOL FOR A SCHOOL BUS TO BRING THE BOY SHE LIKES 1962
Terry Collett May 2015
Perhaps tomorrow
I can hang
around with him
Sheila thinks of

the boy John
but after dinner
and bed
and dreams of him

and such
maybe then
it will be that way
she sits at the table

as her mother
brings meals
and she opposite
her brother

and  next to her father
on one side
and her mother
on the other

when she sits down
and all Sheila can do
is eat but ponder
on the boy

and what he will say
and she tries
to keep him at bay
in her mind

and thoughts
as she eats
but he keeps on
pushing through

into her thoughts
and being
and her brother says
why the long face?

what do yo mean?
the long face
he repeats
like you've lost

a long lost love
he adds laughing
you do look
kind of miserable

her father says
trouble at school?
no nothing
she says  

pushing her thin
wired glasses
up on her nose
where they'd slipped

long lost love indeed
her mother says
she don't need no
love nonsense yet

if at all
Sheila looks
at the clock
on the mantel shelf

the tick tock of it
trying to focus on
the tick tock
bet she's found

some boy to
swoon over
her brother jokes
holding his fork

half way to his mouth
don't know any boys
she says
don't want to either

she adds
good for you
her father says
enough to worry about

with school without
the added problems
with boys
and that lark

young girls
have no need of boys
her mother says
sitting regal in her chair

pushing back
a loose strand of hair
Sheila tries to smile
as if its' all a joke

as if I need a boy
to add to my life
and woes
what woes do you have

her father says
young kid like you?
she says nothing
forking in her meal

hoping the boy
will let her
go about
with him still.
A GIRL THINKS OF A BOY AT SCHOOL IN 1962.
Lawrence Hall Jul 2018
from an idea by Sheila Sharpe

In the foul heat and damp and rot and stench
After dusting off 1 the bodies of dead pals
The living and the dead, the living dead
Old Boats 2 lit off a cigarette and growled

“They say this stuff’ll **** ya.”



1 Dustoff – noun.  Dust off – verb with an adverb.  A dustoff is a medical evacuation via helicopter, as in “Doc, your dustoff will be here in three.”  To dust off a patient, then, is to transport a patient, not to tidy him.  I have recently read detailed arguments about the terms dustoff, dust off, and medevac, but no one quibbled about such minutiae along the Cambodian border.  

2 Boats – a boatswain’s mate, the brains and muscle of the Navy.  Boatswain’s mates do it all and are seldom acknowledged in history or art, not even in the recent film about Dunkirk.  A boatswain’s mate is often addressed as Boats, and always with deference, even by the C.O.
Your ‘umble scrivener’s site is:
Reactionarydrivel.blogspot.com.
It’s not at all reactionary, tho’ it might be drivel.

— The End —