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From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;

But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.

This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.

All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.

First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests.

Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it.

Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?"
And the picture failed completely.

Next the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of 'The Stones of Venice,'
'Seven Lamps of Architecture,'
'Modern Painters,' and some others);
And perhaps he had not fully
Understood his author's meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure.

Next to him the eldest daughter:
She suggested very little,
Only asked if he would take her
With her look of 'passive beauty.'

Her idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils.

Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn't heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it 'didn't matter,'
Bit his lip and changed the subject.

Nor in this was he mistaken,
As the picture failed completely.

So in turn the other sisters.

Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded.

Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.

Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions -
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.

But my Hiawatha's patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty hurry,
Stating that he would not stand it,
Stating in emphatic language
What he'd be before he'd stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.
I.

A louse in a house
or a mouse on a blouse.
A bell that goes ****
or a gong that goes ****.
A gap on a map
or a cap on your lap.
A drink in the sink
or an ink that stinks.
A spleen on a screen
or a queen who is green.
A bow in the snow
or a crow that glows.

II.

A wash or a whip,
a lip or a lop,
a top or a tip,
a car or afar,
a bar or a war,
a door or a snore,
a bore or a nail,
a flail or a whale,
a run or a bun,
a sun or a moon,
a spoon or a bus,
a fuss or a sigh,
a cry or a cheer,
a fear or a smile,
a while or a pen,
a den or a cat,
a mat or a hat,
a bat or a glass,
a vase or a weight,
a mate or a fork,
a cork or a mop,
a cop or a stop.

III.

Apples and artichokes, ants and antelopes,
bees and beers, books and brains,
cucumbers and chimneys, ***** and coats,
dogs and drains, dots and dominoes,
ears and eejits, elephants and exams,
flies and flutes, files and friends,
grasses and guts, giants and gyms,
horrors and hiccups, horses and hills,
igloos and irons, irises and idiots,
jumpers and jackets, jodhpurs and jellies,
kings and kettles, kites and kittens,
lions and lamps, lemons and lunches,
mums and monsters, mosses and moths,
noses and notes, nightmares and needles,
oblongs and orang-utans, organs and oranges,
paintings and pennies, ponds and pants,
quiches and quizzes, questions and queues,
rainbows and rings, rascals and rabbits,
snakes and sprouts, sweets and salts,
trumpets and trains, tables and toasters,
umpires and ukuleles, umbrellas and uniforms,
violets and vests, violins and vials,
wheels and wings, windows and weeds,
xylems and x-rays, xylophones and xysters,
yachts and yoghurts, yards and yaks,
zigzags and zephyrs, ziggurats and zombies.
Written: October 2013.
Explanation: A poem in three parts written in my own time. I guess this is aimed primarily at young children - written mainly as a bit of fun. Although the language is fairly simple for a child to understand, some words will obviously be unfamiliar, but perhaps if read aloud a definition of the word could later be provided to the child. It is unlikely a child would use the word 'ziggurats' for example, but nevertheless, these more challenging words might be interesting to a child, simply because of the sound and unfamiliar nature of it.
Clari Sep 2014
Round about she goes
spinning circles, oblongs, ovals, and eggs.
Sure as the bite the cold wind blows
The circles must be spun

Lying in bed
a picture of dreamy isolation and tranquility
but without a doubt within her head
the circles must be spun

Her breath is steady
But her mind racing with today, tomorrow, occasionally yesterday
Why can’t I just sleep already!
The circles must be spun

Her patience runs thin
An awakened mind does little for a slowed body
Nails digging into skin
The circles must be spun

Red lines focus the mind
Pulling it away from the insistent circles
But short lived is relief of this kind
The circles must be spun

Other remedies have their ways
Turning the circles into two points connected
But tonight there shall be no such daze
The circles must be spun

So round about she must turn
Allowing the circles to turn, grow, and consume
Slowly they become cause for concern
The circles must be spun

To her never ending surprise
the spinning has slowed and the world blurred
The faithless sun begins to rise
The circles have be spun
THE PEACE of great doors be for you.
Wait at the knobs, at the panel oblongs.
Wait for the great hinges.
  
The peace of great churches be for you,
Where the players of loft pipe organs
Practice old lovely fragments, alone.
  
The peace of great books be for you,
Stains of pressed clover leaves on pages,
Bleach of the light of years held in leather.
  
The peace of great prairies be for you.
Listen among windplayers in cornfields,
The wind learning over its oldest music
  
The peace of great seas be for you.
Wait on a hook of land, a rock footing
For you, wait in the salt wash.
  
The peace of great mountains be for you,
The sleep and the eyesight of eagles,
Sheet mist shadows and the long look across.
  
The peace of great hearts be for you,
Valves of the blood of the sun,
Pumps of the strongest wants we cry.
  
The peace of great silhouettes be for you,
Shadow dancers alive in your blood now,
Alive and crying, "Let us out, let us out."
  
The peace of great changes be for you.
Whisper, Oh beginners in the hills.
Tumble, Oh cubs-to-morrow belongs to you.
  
The peace of great loves be for you.
Rain, soak these roots; wind, shatter the dry rot.
Bars of sunlight, grips of the earth, hug these.
  
The peace of great ghosts be for you,
Phantoms of night-gray eyes, ready to go
To the fog-star dumps, to the fire-white doors.
  
Yes, the peace of great phantoms be for you,
Phantom iron men, mothers of bronze,
Keepers of the lean clean breeds.
FROM his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;
But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.

This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said "Be motionless, I beg you!"
Mystic, awful was the process.

All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.
From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;

But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.

This he perched upon a tripod -
Crouched beneath its dusky cover -
Stretched his hand, enforcing silence -
Said, "Be motionless, I beg you!"
Mystic, awful was the process.

All the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.

First the Governor, the Father:
He suggested velvet curtains
Looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die ill tempests.

Grand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn't help it.

Next, his better half took courage;
SHE would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
"Am I sitting still?" she asked him.
"Is my face enough in profile?
Shall I hold the bouquet higher?
Will it came into the picture?"
And the picture failed completely.

Next the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of 'The Stones of Venice,'
'Seven Lamps of Architecture,'
'Modern Painters,' and some others);
And perhaps he had not fully
Understood his author's meaning;
But, whatever was the reason,
All was fruitless, as the picture
Ended in an utter failure.

Next to him the eldest daughter:
She suggested very little,
Only asked if he would take her
With her look of 'passive beauty.'

Her idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up sideways
To the corner of the nostrils.

Hiawatha, when she asked him,
Took no notice of the question,
Looked as if he hadn't heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it 'didn't matter,'
Bit his lip and changed the subject.

Nor in this was he mistaken,
As the picture failed completely.

So in turn the other sisters.

Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, 'Daddy's Darling,'
Called him Jacky, 'Scrubby School-boy.'
And, so awful was the picture,
In comparison the others
Seemed, to one's bewildered fancy,
To have partially succeeded.

Finally my Hiawatha
Tumbled all the tribe together,
('Grouped' is not the right expression),
And, as happy chance would have it
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.

Then they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
'Giving one such strange expressions -
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!'
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.

But my Hiawatha's patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty hurry,
Stating that he would not stand it,
Stating in emphatic language
What he'd be before he'd stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.
lorilynn Oct 2010
there upon the antique mahogany dresser
sit crystal bottles in every shape
squares, oblongs, round, rectangles
filled with liquid of ambers
greens yellows and clear
intoxicating fragrances
of musks lilies and jasmine
clearing the passageways    
evoking a stupor of exhilarating senses
heightened to ecstasy
he presses his lips behind her ears
she is all woman
she is his.~~lorilynn

copyright*lorilynn 2010
Jikai Zheng Nov 2017
You’d think that demons and devils don’t exist
And that humans, once passed, would lay asleep
You can come to my office and see for yourself
But, my patients love visitors that they can keep
I don’t want to alarm you, but it is true
These patients crave souls, not pills
I can’t get them to swallow chemicals in oblongs
They can’t be satisfied with just prescription refills
You might think I’m doing honorable work
Maybe not, but at least I can deal with them
So you don’t have to,
That sort of behavior, I always condemn
Who were you wanting to visit again?
Oh, I forgot, you were the one with symptoms.
v V v Dec 2019
For a long time I’d been
straddling a high peak,
One foot on solid ground, the other
bare and slipping on the opposite *****.

But lately I've had both feet
on the slippery side,
hands firmly grasping the peak,
feet spread out below me
spinning and churning, unable
to gather a foothold.

Though I believe I could hold on forever
I fear of eternity in this state.

I wonder what's the point?

Perhaps to not hurt those who
would be hurt by my letting go.

Or perhaps the hope that
all will be well in due time,
I’ve been trained to believe it.

30 years of scored and numbered ovals and oblongs,
constantly enumerated and venerated,
my little saints are prayers on a candied rosary.

30 years aware of where they are and
when they'd be mine.
No rest with or without.
Nothing will quiet their screaming.


so I walk
and walk some more
at all hours of the night.
The neighborhood dogs know me well,
they no longer bark at me for  
I am one of them now,
resigned to pacing fence lines in the dark.

Back home at 3am I stare at the ceiling,
legs spinning and churning,
clawing for the high peak.

When will it pass?
When will it pass?

Tennyson wrote,  "It is better to have loved and lost
than never to have loved at all",

though I don't think he actually believed it

and neither do I.
Mary Gay Kearns May 2018
We took the road with crooked end
And followed out across the dawn
As rabbits set the branches back
Their feet soft oblongs down the track
And child of gypsy whispering words.

Love Mary x
Memories from everywhere and nowhere .
Love Mary ***
I awoke this morning,
With the following thoughts:
Thinking Outside The Box:
Funny how we all live on this big giant circle
But dwell within squares, or oblongs
Yet when we come across small circles
We're inclined to
kick it,
Head it,
Throw it,
Or hit it with something
I wonder what shape infinity could be
Or am i simply talking a lot of *****.....?🙃🦋

by Jemia

— The End —