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"mgv" poems
prompt: write about the way the rain makes you feel 07/18/19 12:39 am I've greeted grayer skies behind my bedroom window like new blossoming skin. The rhythm of the pitter-patter, like a serenade to summer, like a late-season peach, soft with many bruises. Listen — there’s a kind of tender in the rain that leaves one to their smallness as the world washes away. Tell me, what is the right way to miss you? Because I’ve peeled away every weaponry I’ve built from the rubble, tooth and nail, clumsy hands, bricked walls tightly woven into suffering, And yet I am still a welcome mat to your name. I greet your presence, like downpour-- teeth bared, but no longer quivering. mgv
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Jul 17, 2019
Jul 17, 2019 at 12:58 PM UTC
A serenade to summer.
She bites her fingernails in math class The numbers have always been a dancing cacophony of confusion. She was dyslexic and the vignette of her vision were all the things she couldn’t understand— even when she wanted to. Her lips weren’t the kind poets would write about either. They weren’t soft, and red like cherry, they weren’t velvety— they were always chapped. They were never inviting. She’s grown so fond of peeling the skin off until they bled out the silhouette of anxiety washing her insides causing external decay. But there was no external decay in coloring outside the lines. In 1st grade her teacher had told her that maybe something was wrong with her— but maybe its the unfolding of protest in the early days. Where little me believed that things do not have to be perfect to be beautiful— to deserve to be seen as art. There’s poems you could write about at the sight of coffee stained sheets or faulty flickering streetlights or collected dust that had found home in book shelves in bedrooms. The little things that counted were the little things that kept the flame alive. Maybe the sun doesn’t shine for us, but the world in its vastness conforms to the reality that there are beautiful things in life we are still yet to discover— nestled in between the cracks we don’t step on. In church she cracks her knuckles. She found god more in navigating through life and survival from mishaps as opposed to sitting on a pew and being told about how she could go to hell. And in the lightest of days she hums. She hums along the rhythm of the abstract and imperfect structure of life. Which brings us back to the hero's shoulders and the gentleness that comes, not from the absence of violence and misery in the world, but despite the abundance of it. - mgv
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Jun 6, 2018
Jun 6, 2018 at 1:04 AM UTC
Mannerisms
She bites her fingernails in math class The numbers have always been a dancing cacophony of confusion. She was dyslexic and the vignette of her vision were all the things she couldn’t understand— even when she wanted to. Her lips weren’t the kind poets would write about either. They weren’t soft, and red like cherry, they weren’t velvety— they were always chapped. They were never inviting. She’s grown so fond of peeling the skin off until they bled out the silhouette of anxiety washing her insides causing external decay. But there was no external decay in coloring outside the lines. In 1st grade her teacher had told her that maybe something was wrong with her— but maybe its the unfolding of protest in the early days. Where little me believed that things do not have to be perfect to be beautiful— to deserve to be seen as art. There’s poems you could write about at the sight of coffee stained sheets or faulty flickering streetlights or collected dust that had found home in book shelves in bedrooms. The little things that counted were the little things that kept the flame alive. Maybe the sun doesn’t shine for us, but the world in its vastness conforms to the reality that there are beautiful things in life we are still yet to discover— nestled in between the cracks we don’t step on. In church she cracks her knuckles. She found god more in navigating through life and survival from mishaps as opposed to sitting on a pew and being told about how she could go to hell. And in the lightest of days she hums. She hums along the rhythm of the abstract and imperfect structure of life. Which brings us back to the hero's shoulders and the gentleness that comes, not from the absence of violence and misery in the world, but despite the abundance of it. - mgv
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50
You’ve made your way to the party. Your heavy limbs were sending you signals of something else— every step towards the door sounded like two velcro strips detaching. You persist anyway. The welcome shots of ***** tasted more like a welcome to leave, and the kisses you receive by your friends on the cheek felt almost strange— but it also reeked of nothingness. Home was a recurring thought but home was also four walls that make you feel disposable, claustrophobic, and home shouldn’t even be called home when your demons take up most of the residence only to kick you out; and if you are lucky they don’t follow you out when you should be happy and with company but today was not that day. Home was lonely. But people for peers and peers for bulldozers were too much for you. So you tiptoe your way out; slithering out of your second skin — dead and unwanted — flipped switch, getaway car, calculated answers to future interrogations. But every car is a getaway car when you’re always trying to get away. And every getaway is useless when you end up in the same place— where the quiet is too deafening and the noise is loud enough to turn glasses into shards and smithereens you sometimes daydream about behind bathroom cubicle doors where you could’ve sworn you would’ve had your final getaway. And when you get there, they’ll tell everyone they should’ve been there. They’ll tell everyone they should’ve believed you. They’ll tell everyone they shouldn’t have made that joke about you. They’ll tell everyone they should’ve done something. They’ll tell everyone they should’ve, when they could’ve, but they didn’t. And maybe that was why it reeked of nothingness. - mgv
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Jun 6, 2018
Jun 6, 2018 at 1:01 AM UTC
You've Made Your Way to the Party
You’ve made your way to the party. Your heavy limbs were sending you signals of something else— every step towards the door sounded like two velcro strips detaching. You persist anyway. The welcome shots of ***** tasted more like a welcome to leave, and the kisses you receive by your friends on the cheek felt almost strange— but it also reeked of nothingness. Home was a recurring thought but home was also four walls that make you feel disposable, claustrophobic, and home shouldn’t even be called home when your demons take up most of the residence only to kick you out; and if you are lucky they don’t follow you out when you should be happy and with company but today was not that day. Home was lonely. But people for peers and peers for bulldozers were too much for you. So you tiptoe your way out; slithering out of your second skin — dead and unwanted — flipped switch, getaway car, calculated answers to future interrogations. But every car is a getaway car when you’re always trying to get away. And every getaway is useless when you end up in the same place— where the quiet is too deafening and the noise is loud enough to turn glasses into shards and smithereens you sometimes daydream about behind bathroom cubicle doors where you could’ve sworn you would’ve had your final getaway. And when you get there, they’ll tell everyone they should’ve been there. They’ll tell everyone they should’ve believed you. They’ll tell everyone they shouldn’t have made that joke about you. They’ll tell everyone they should’ve done something. They’ll tell everyone they should’ve, when they could’ve, but they didn’t. And maybe that was why it reeked of nothingness. - mgv
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40
how a soul could wreak so much havoc over another, reminds me why hurricanes are named after people and why pulses to pulses are sometimes unapologetically catastrophic mgv
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Sep 18, 2019
Sep 18, 2019 at 12:14 PM UTC
how do you evacuate?