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Was it a divine sign amongst the creation –
A revelation so lightsome and pregnant –
That a blanching feather’s unforeseen descent  
Made my poetic soul blench for evocation?

Surely, t’was from some celestial spheres, –
Angelic wings of cherubs and seraphim –
So long been soaking in firmamental affairs
That human mental senses but morphine.

A feather if eatable, a matter of addiction –
Plucking and plucking without satiety –
If been drinkable, a matter of intoxication
Leading humans into ever inebriety.

                               ---

O’ glorious feathers who hover with mystery –  
Over skyey dreams and unearthly visions –
Which land on the earth with vice and misery,
Lending the haver only vain aspirations.

O’ one-time ornaments of the seven heavens –
Brightness and whiteness of all times –
Have you no shame on the dirt of your pens
Writing worldly prose and heretic rhymes?
By-the-way, your heaven is no heaven but a sky –

As well as not every brightening is holy –
Just as Icarus has fallen from and by your high
As others are mystified by your fake glory.

                               ---

Whether art thou the sinister poker of Iblis –
Leading by a dancing feather in the hand –
Human arts like the one that let fall Ibn Idris
Calling with fair words to the Fallen’s land?

Whether divine inspirations in form of an aura –
Blown on the poor’s brow as enlightenment –
Art thou as the freshening science of soul and soma
Kindling the minds’ muscles as a tea of mint?

Oh, Only God knows of Ma’at’s Hall of gloom –  
If one’s deeds worth a feather morrow –
So, I seek only Deus’ forgiving, life-giving plume
To pardon my feather on the mortal pillow.
Published in Magnum Opus - Universal Oneness 2019, New Delhi

08.04.2018, Algeria
past wavering lights
  B. Serrano and Bagong Ilog
love struck us down — sees no votive
clearing of the fog or a word sharper than any blade wrought from frays.

i have a photograph of you
somewhere in the ken of my silence
  and on it paints lightsome hue
and sometimes pale when it rains.
KM 24 on a blue alloy and underneath,
   a Baguio — some memories we keep
almost left by the last carriage homeward
   from too much fire in our hands
  only tremors could extinguish both
striking a balance and counterbalance;
the frequency of the electric and the
immense decibel of lions drowning
    the disquiet. some places or some
looking back makes you want
   to lose yourself in slight wonder and when

a memory comes back with the dreary
   weight of its forgetfulness,
we fall asleep traipsing the steeples
   of our dreams of each other
all-telling, still dizzy with the pirouette
  of some distant longing bracing
the fall, triggering our darkness
  and shooting out

   ourselves, small,
love striking us down. arraying a triplicate
    of hazy trails forking all roads
and we cannot find each other again;
  throwing stones rippling
multiplied waves by the sea arriving
  at separate mornings beneath
our feet,

   bends on the bludgeoned curves
of love and hate ascertaining something
   so unsure as a door agape and swiveling
  in tense wind, tender is the night

  and love continues
to smite us down, locking in, predatory precision,
            running away, and away, and away
   from the ache of it all.
driving at Kennon (treacherous zigzag
   resembles hopscotch with death)
as i play Morrissey on the radio and the
woman sleeps, sometimes waking up lamenting the death of moths I ran over, splattered on the windshield, "Poor little creatures!" she said. no, baby, i am the poor little creature and so are you,
    relentless against the dark
  past Urdaneta — her being mineward,
i play with death as i turn the headlamps
off (pure blackness, nothing as if falling
into a bottomless pit as void sits on its
throne waiting) and on (all white as pains
  now, trucks flare up and down the bend,
  the tumbled boulders keep meting out
   some forceful way of disturbances,
  our collapse, the afterthought of it all)

i sensed from the beginning that the
old moon will wade out and soon the sun
will throw dissipated shades all across
camps with bonfires dead and stilled.
at the height of all, it becomes so
hot that the birds leave the trees together with the flowers and the Cordillera cannot cry any longer.

my woman wakes up as if rattled
with different pains, her face floating
past the mountains dreaming at the verge
of birds in the morning—
and it is twilight and still the same birds,

now it is the night and you
cannot see the birds anymore,
neither a hint nor a trail of
where they have disappeared

like the glory of Rizal in Luneta.
the lightsome globules in Paris.
the lions of Manila, now a town full of cowards as alleys fill with ******,
the kids laying flat on their bellies
as the lawn takes its revenge
on the rest of the surrounding,
  
         beheading the tree, and the
       birds fly farther and away.
carve your heart in me, love.
deeper and away, our tender kisses bid the full moon farewell.
the pungent swelter of breath and the verdure of leaving furiously sway in attendance.

i can see you now through the pane of the next minute,
moving near with a moment's fervent undulation.
together with anonymous eyes, the stars watch in glee
unsheathing the night, flayed like a bare bone.

your thigh's silken river, brindled and flowing like words
from any loose tongue fragile enough to break.
my shaking hands tremble with a fresh fruit's succulent emergence,
rid of alarms, wringing the wine out of it for mine to drink.

chanting the mellow, the bed whirls with noise
when all of these volumes slither back to their caves,
i will touch with my territorial hands, your body's ample darkness and choke its depth,
concluding the sepulcher with the lightsome fire of my kiss and its workmanship.

all the things we once left trilling marks on
remain stilled,
watching at the edge of the pantheon, our souls unashamedly admitting that we are uncertain with ourselves.

i can hardly surrender fears to your brazen feelingfulness yet as your fingers try to unclose what the winter of living has hidden in the shroud of cold,
i find in me that we are each to ourselves
like autumn's tawny daughters.

the gentle ray of your wyes searches me
underneath the tumble of virginal sheets.
your ******* tingling fleshly in the sharp
stab of the air's crisp arrival through
the windows.

going down and finding myself in you
(my tongue breaking free from my mouth's dungeon leaving all words
and soldering this avid yearning)
dancing inside you
in sempiternal motion,
i can feel the sweetness
at the verge of breaking
like the length of words reduced
to all-telling moans.

rising and falling in the stillness
is the aftertaste, leaving me bright in
youngness, laughing freely
behind whose flumine hair sleeps
in the eventide far from ending

as my hand still roams like a starved beast
in the jungle of slackening breaths
and gushes of blood,
hunting for something still,
drunk in believing that this moist venture
will lead me to an unfaltering belief
that it was your heart that i have had
in my hands, forever to endure—

these moments
and their stark absences.
Sweet soul, do with me as thou wilt;
  I lull a fancy trouble-tost
  With 'Love's too precious to be lost,
A little grain shall not be spilt.'

And in that solace can I sing,
  Till out of painful phases wrought
  There flutters up a happy thought,
Self-balanced on a lightsome wing:

Since we deserved the name of friends,
  And thine effect so lives in me,
  A part of mine may live in thee
And move thee on to noble ends.
Ye banks and braes o’ bonnie Doon,
How can ye bloom sae fair!
How can ye chant, ye little birds,
And I sae fu’ o’ care!

Thou’ll break my heart, thou bonnie bird
That sings upon the bough;
Thou minds me o’ the happy days
When my fause Luve was true.

Thou’ll break my heart, thou bonnie bird
That sings beside thy mate;
For sae I sat, and sae I sang,
And wist na o’ my fate.

Aft hae I roved by bonnie Doon
To see the woodbine twine,
And ilka bird sang o’ its love;
And sae did I o’ mine.

Wi’ lightsome heart I pu’d a rose
Frae aff its thorny tree;
And my fause luver staw the rose,
But left the thorn wi’ me.
Now swarthy Summer, by rude health embrowned,
    Precedence takes of rosy fingered Spring;
And laughing Joy, with wild flowers prank’d, and crown’d,
    A wild and giddy thing,
And Health robust, from every care unbound,
    Come on the zephyr’s wing,
      And cheer the toiling clown.

  Happy as holiday-enjoying face,
    Loud tongued, and “merry as a marriage bell,”
Thy lightsome step sheds joy in every place;
    And where the troubled dwell,
Thy witching charms wean them of half their cares;
    And from thy sunny spell,
      They greet joy unawares.

  Then with thy sultry locks all loose and rude,
    And mantle laced with gems of garish light,
Come as of wont; for I would fain intrude,
    And in the world’s despite,
Share the rude wealth that thy own heart beguiles;
    If haply so I might
      Win pleasure from thy smiles.

  Me not the noise of brawling pleasure cheers,
    In nightly revels or in city streets;
But joys which soothe, and not distract the ears,
    That one at leisure meets
In the green woods, and meadows summer-shorn,
    Or fields, where bee-fly greets
      The ear with mellow horn.

  The green-swathed grasshopper, on treble pipe,
    Sings there, and dances, in mad-hearted pranks;
There bees go courting every flower that’s ripe,
    On baulks and sunny banks;
And droning dragon-fly, on rude bassoon,
    Attempts to give God thanks
      In no discordant tune.

  The speckled thrush, by self-delight embued,
    There sings unto himself for joy’s amends,
And drinks the honey dew of solitude.
    There Happiness attends
With ****** Joy until the heart o’erflow,
    Of which the world’s rude friends,
      Nought heeding, nothing know.

  There the gay river, laughing as it goes,
    Plashes with easy wave its flaggy sides,
And to the calm of heart, in calmness shows
    What pleasure there abides,
To trace its sedgy banks, from trouble free:
    Spots Solitude provides
      To muse, and happy be.

  There ruminating ’neath some pleasant bush,
    On sweet silk grass I stretch me at mine ease,
Where I can pillow on the yielding rush;
    And, acting as I please,
Drop into pleasant dreams; or musing lie,
    Mark the wind-shaken trees,
      And cloud-betravelled sky.

  There think me how some barter joy for care,
    And waste life’s summer-health in riot rude,
Of nature, nor of nature’s sweets aware.
    When passions vain intrude,
These, by calm musings, softened are and still;
    And the heart’s better mood
      Feels sick of doing ill.

  There I can live, and at my leisure seek
    Joys far from cold restraints—not fearing pride—
Free as the winds, that breathe upon my cheek
    Rude health, so long denied.
Here poor Integrity can sit at ease,
    And list self-satisfied
      The song of honey-bees.

  The green lane now I traverse, where it goes
    Nought guessing, till some sudden turn espies
Rude batter’d finger post, that stooping shows
    Where the snug mystery lies;
And then a mossy spire, with ivy crown,
    Cheers up the short surprise,
      And shows a peeping town.

  I see the wild flowers, in their summer morn
    Of beauty, feeding on joy’s luscious hours;
The gay convolvulus, wreathing round the thorn,
    Agape for honey showers;
And slender kingcup, burnished with the dew
    Of morning’s early hours,
      Like gold yminted new.

  And mark by rustic bridge, o’er shallow stream,
    Cow-tending boy, to toil unreconciled,
Absorbed as in some vagrant summer dream;
    Who now, in gestures wild,
Starts dancing to his shadow on the wall,
    Feeling self-gratified,
      Nor fearing human thrall.

  Or thread the sunny valley laced with streams,
    Or forests rude, and the o’ershadow’d brims
Of simple ponds, where idle shepherd dreams,
    Stretching his listless limbs;
Or trace hay-scented meadows, smooth and long,
    Where joy’s wild impulse swims
      In one continued song.

  I love at early morn, from new mown swath,
    To see the startled frog his route pursue;
To mark while, leaping o’er the dripping path,
    His bright sides scatter dew,
The early lark that from its bustle flies,
    To hail his matin new;
      And watch him to the skies.

  To note on hedgerow baulks, in moisture sprent,
    The jetty snail creep from the mossy thorn,
With earnest heed, and tremulous intent,
    Frail brother of the morn,
That from the tiny bent’s dew-misted leaves
    Withdraws his timid horn,
      And fearful vision weaves.

  Or swallow heed on smoke-tanned chimney top,
    Wont to be first unsealing Morning’s eye,
Ere yet the bee hath gleaned one wayward drop
    Of honey on his thigh;
To see him seek morn’s airy couch to sing,
    Until the golden sky
      Bepaint his russet wing.

  Or sauntering boy by tanning corn to spy,
    With clapping noise to startle birds away,
And hear him bawl to every passer by
    To know the hour of day;
While the uncradled breezes, fresh and strong,
    With waking blossoms play,
      And breathe Æolian song.

  I love the south-west wind, or low or loud,
    And not the less when sudden drops of rain
Moisten my glowing cheek from ebon cloud,
    Threatening soft showers again,
That over lands new ploughed and meadow grounds,
    Summer’s sweet breath unchain,
      And wake harmonious sounds.

  Rich music breathes in Summer’s every sound;
    And in her harmony of varied greens,
Woods, meadows, hedge-rows, corn-fields, all around
    Much beauty intervenes,
Filling with harmony the ear and eye;
    While o’er the mingling scenes
      Far spreads the laughing sky.

  See, how the wind-enamoured aspen leaves
    Turn up their silver lining to the sun!
And hark! the rustling noise, that oft deceives,
    And makes the sheep-boy run:
The sound so mimics fast-approaching showers,
    He thinks the rain’s begun,
      And hastes to sheltering bowers.

  But now the evening curdles dank and grey,
    Changing her watchet hue for sombre ****;
And moping owls, to close the lids of day,
    On drowsy wing proceed;
While chickering crickets, tremulous and long,
    Light’s farewell inly heed,
      And give it parting song.

  The pranking bat its flighty circlet makes;
    The glow-worm burnishes its lamp anew;
O’er meadows dew-besprent, the beetle wakes
    Inquiries ever new,
Teazing each passing ear with murmurs vain,
    As wanting to pursue
      His homeward path again.

  Hark! ’tis the melody of distant bells
    That on the wind with pleasing hum rebounds
By fitful starts, then musically swells
    O’er the dim stilly grounds;
While on the meadow-bridge the pausing boy
    Listens the mellow sounds,
      And hums in vacant joy.

  Now homeward-bound, the hedger bundles round
    His evening ******, and with every stride
His leathern doublet leaves a rustling sound,
    Till silly sheep beside
His path start tremulous, and once again
    Look back dissatisfied,
      And scour the dewy plain.

  How sweet the soothing calmness that distills
    O’er the heart’s every sense its ****** dews,
In meek-eyed moods and ever balmy trills!
    That softens and subdues,
With gentle Quiet’s bland and sober train,
    Which dreamy eve renews
      In many a mellow strain!

  I love to walk the fields, they are to me
    A legacy no evil can destroy;
They, like a spell, set every rapture free
    That cheer’d me when a boy.
Play—pastime—all Time’s blotting pen conceal’d,
    Comes like a new-born joy,
      To greet me in the field.

  For Nature’s objects ever harmonize
    With emulous Taste, that ****** deed annoys;
Which loves in pensive moods to sympathize,
    And meet vibrating joys
O’er Nature’s pleasing things; nor slighting, deems
    Pastimes, the Muse employs,
      Vain and obtrusive themes.
real is the form.

here now is a colony of words,
or an empire of assault from the
many truths that smite us.

our hearts gallop altogether
past the prairie of imaginations:
this movement, this locutionary,
this waltz adagios its way
to a pace that knows no sojourn.
let us raise our clenched fists
always angelward.
we are young in this agronomy.
our hands remind us of their increasing responsibilities.
our inner light realizes the throng of our shadows - away from the dark
we go pursuant to all effulgence.
let us unpin our juvenile wings
  from the clasp of what startles
us back to our flawed origins.
a flumine of flawlessness awaits
the steep end of our possibilities.

let us not neglect this.
let us, hand in hand, straightforwardly, break from our nascent states and unfurl in a craze of the so many things that capture our potentials.
outside my home, the streets are vacuous, famished from the twirling laughter of children.
once, the grass is giddy from the lightsome meanderings of our superfluous feet! where did all the days crawl to? these limbless serpents that pillage the fruits of our sageness.

i look outside and the mellow moon
enters with its lithe figure
through the hollow spaces of doors
to lairs where the youth are sleeping, unmindful of what dreams log onto the papers of their souls.
heed the call and do not let
it go, running off into another hapless length of waiting.

real is the form.
there is no lie in our rawness.
the voice inside us is tender
with message, purging our poisons
into detox and preparing with
new energies, our
flesh for our consigned ventures.

the voluminous pages are still
white and new, words besmirched still yearn to be written - there is no getting realer than the realization of our clarion call:

real is the form
and in the blank veranda of green
we sift through wordlessness,
gaping our mouths now,
contributing a verse,
     or a song!
For the youth of Bulacan.
from the doctor's lightsome bed
   after being examined in the bone
to my side of the lenient road

  we are in the heat
   of assault.
  no dead lampposts
  no macabre of alleys
  harbinger dampened silence.

only this thing of us now
   deconstructed to you
  and i with no relevance
  believing nothing but the
  instantaneous rupture
   of any thrown word
  in the neighborhood of parks.

slam on the dashboard
   and the groan of the engine:
hurtling at speeds faster
   than any ******.
  across the knobby knee tawny
   slivered burgeoning words
  escape compartments ajar

  objects unkempt
    dissipating on the svelte ragamuffin
  linen, faded masquerades of feeling
    trying to destroy the riddle

  lunging with uproarious wordlessness
    like a den of lions set loose
     here speeding 110 kilometers
    in arbitrary roads finding each other
    again, this time
       making furious love.
A short direction
To avoid dejection,
By variations
In occupations,
And prolongation
Of relaxation,
And combinations
Of recreations,
And disputation
On the state of the nation
In adaptation
To your station,
By invitations
To friends and relations,
By evitation
Of amputation,
By permutation
In conversation,
And deep reflection
You'll avoid dejection.

Learn well your grammar,
And never stammer,
Write well and neatly,
And sing most sweetly,
Be enterprising,
Love early rising,
Go walk of six miles,
Have ready quick smiles,
With lightsome laughter,
Soft flowing after.
Drink tea, not coffee;
Never eat toffy.
Eat bread with butter.
Once more, don't stutter.

Don't waste your money,
Abstain from honey.
Shut doors behind you,
(Don't slam them, mind you.)
Drink beer, not porter.
Don't enter the water
Till to swim you are able.
Sit close to the table.
Take care of a candle.
Shut a door by the handle,
Don't push with your shoulder
Until you are older.
Lose not a button.
Refuse cold mutton.
Starve your canaries.
Believe in fairies.
If you are able,
Don't have a stable
With any mangers.
Be rude to strangers.

Moral: Behave.
Away, ye muses, all away!

Away with songs of finch and fay.

Away the jaundiced sight

That magnifies the firefly’s light

To bonfire bright;

That sets ablaze at once

My musing’s dimly burning lamps;

That ornaments with rhymes

The penury-stricken looks betimes;

That over-clothes the logic – lord

With fancy –swollen words.

Away, the partial love

That ‘boldens Nature to sit above

Her Maker!



This day I fasten eyelid doors,

With absence wax my ears,

With languorous peace congeal

My tongue, my touch, my tears *

That I within may pore

Upon the things behind, ahead,

In the darkness round me spread.

I lock Dame Nature out

With all her fickle rout.



Somewhere here,

In the darkness drear,

I myself with cheer

My course will steer

In the path

E’er sought by all:

Its magnet call

I hear.



Not hear, not here,

Apollo would his burning chariot steer;

Nor Diana dare to peep

Into the sacred silence deep.



Not here, not here,

Not far or near

Can mounts or rebel waves

E’er make me full of fear;

Nor evermore

Their dreadful grandeur to adore.



Not here, not here

The soft capricious wiles of flowers;

Nor swarming storm clouds’ sweeping terror,

Dishevelling the trees

And light-haired skies;

Nor doomsday’s thunderous roar,

Dismantling earth and stars-

The cosmic beauties all to mar –

Not Nature’s murderous mutiny,

Nor man’s exploding destiny

Can touch me here.



Not here, not here:

Through mind’s strong iron bars,

Not gods or goblins, men or nature,

Without my pass dare enter.



I look behind, ahead –

On naught but darkness tread.

In wrath I strike, and set the dark ablaze

With the immortal spark of thought,

By friction-process brought

Of concentration

And distraction.

The darkness burns

With a million tongues;

And now I spy

All past, all distant things, as nigh.



I smile serene

As I expose to gaze.

In wisdom’s brilliant blaze,

All charms of the Hidden Home Unseen:

The Home of Nature’s birth,

The planets’ moulding hearth,

The factory whence all forms or fairies start,

The bards, colossal minds, and hearts,

The gods and all,

And all, and all!



Away, away

With all the lightsome lays!

Oh, now will I portray

In humble way,

And try to lisp, if only in half truths,

Of wordless charms of Thee Unseen,

To whom Dame Nature owes her nature

   and her sheen.

— The End —