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Hanna Baleine Jul 2014
My dear, I assure you, this was not my deed. No, my dear, I am innocent. I awoke this morning from a genius dream to darkness, as my windows were covered with grayed curtains from my mother’s gold childhood. I stepped out onto the terrace without notice of the body. Perhaps it was not there yet. However, doctors soon established the lady had been dead for more than thirteen hours. I was not aware of her presence the entire time I took eloquent drags from my cigarette, only noticing the smell of the pollen-filled wind and, now I know, mistaking the sound of her blood hitting the concrete tiles as a mild shower from the south. Had I been aware of her presence, I’d have saved her, separated the handle from the clench of her body, and called the authorities. I’d have cried if only I remembered how. I’d have made love to her while I was still alone. Let her rest in ecstasy.
          Do you understand now, my dear? Do you understand the good that lies within me? I am not a man of killing; perhaps somewhere, a man like me is, but not I, dear friend, not I. Do you believe me? My God, if only the officers believed me. Instead they tied my hands behind my back and forced my lips shut so that I can not even yell of my innocence, all while dragging me into a cellar that now I must call my home because of an action I did not commit. That I did not commit! That I would never dare to commit! Atrocious, they call me. Atrocious, I call them for engraving lies into my brain, fragile to dementia but not to crime. No, never to crime.
         My dear, please note, they say I am who I am not. Devils! They paint pictures of a filthy man unrecognizable and insist it is me. *******! I have felt my skin tingle in manners unimaginable and a sensation of a new body rise within me, a new body whose deeds I have no control over. I am not the producer of this crime. I am innocent. This was my only confession to the officers who came into my apartment due to the neighbors’ complaints of screams unlike those of ******* coming from somewhere near my establishment. Indeed, I found, along with my new workmates, a bloodied woman looking down to the floor, lipstick mouth and tired eyes, impaled. Horrific! Was written on the notepad of the chief of police. Now I am strained on electrical mattresses, obliged to believe what I never would have dared to believe, obliged to reminisce my last taste of self-government: as I stood in the doorway of my terrace along with five police officers realizing they were not prepared for this grotesque imagery, I became aware of a fragile young woman, perhaps in her early 20s, hanging upside down with a rotten handle sticking from her mouth. Indeed, around her disentangled body were the satin sheets of my bed, drenched in her brown substance that shimmered in the snug afternoon sunlight. The officers hurriedly disregarded this fact and focused on the removal of the woman’s body from the handle, only to have her legs detach and fall onto the wet concrete. An officer yelled. Another grimaced. I giggled, watched, focused, determined. Upon further distant inspection, I observed that the handle had been ferociously inserted into her soft, delicate genital, forced through her dry ******, passing along the large and small intestines, only to finally pierce her stomach and come back up through her mouth. The beauty of the crime was terrifying.
          The beauty of the crime is terrifying. It is a blissful poem written by finesse, workmanship, delicacy. There is no manner for this legendary craft to be produced by me: I am a sufferer of mediocrity and its dreadful boredom. The father of the crime was a genius, the one I have always dreamt of being. Now, my friend, since my last day of freedom, I have no beauty to witness anymore. Confined, I befriend insects whose exoskeletons allow for strength and resistance to remain a part of them. I am incompatible to these powers; I am innocent. At many times, I howl for a touch at night; I awake with cut nails and scars between my thighs. Guards insist on restraining me. They sabotage me until I see Hell. Then, I am finally able to stay calm. No more do I sporadically feel my skin tear from my bones as if it were attempting to evaporate from me as a slight sting overcomes these unfamiliar ligaments. They ask me how? They ask me why? I remain silent fore I do not recall how or why. I remain silent fore I desire to know how or why. I desire the brilliance of the unspeakable act. Unspeakable in its grandeur; unspeakable in its cruelty. The filthy man the officers paint now becomes attributed to the crime’s brilliance to me. I see him more everyday. He wanders in mirrors and speaks to me when I am not aware of time and presence.
        However, disappointed, I remain with no explanation for the officers but that sunsets are composed of separations of wavelengths that shine differently onto each ray of existence than onto any other globular star. And, as this occurs, the identical wavelengths spray themselves among the individuals who are most vulnerable to hysteria in order to reflect themselves in unsuitable manners. That is how my mother explained to me the illness her womb inflicted onto my sacred hemisphere. That is how I began to call the foul insects who dared to climb into my cellar, my sole companions.
Leora,
when you sing,


God comes and listens.



And your father,
red headed, 

red bearded,
full of joy and 

loving,
tender pride,
visits us.



Where he lives now,


in the heaven neighborhood of 

my own parents,
singing this good 

is still special.
Only humans made into angels

 know how to make those sounds.

Leora,


when you sing,


the clouds dance 

above us,


and joy, pride,
nachus,


is all we feel.
©Elisa Maria Argiro 2007
Aaron Amrich Aug 2011
The first time I ever watched someone die was at the age of ten.
On a hospital-like bed,
in a non hospital living room, her chest heaved
in the final gasping seconds of a life
cut off by cancer.
My father placed a call, and the only
words I remember him saying were,
"Yes, she's passed."

I don't know who he was speaking to, and,
at the time,
didn't really understand why he said "passed"
in place of "died".

I still really don’t understand the shyness
with which we treat a word that is truly
the only commonality between each being that crosses the threshold
into this world.
We apply it frivolously,
to computers,
mall traffic,
freeways,
the in-betweens of radio broadcasts,
but are almost afraid to apply it where it makes the most sense,
attempting to blunt the edges of a sharp blow
to our own mortality.

Is it poetry for sanity’s sake that we
create alternate egos of a common thread
which ties all persons to one another?

My mother is dead, as I will be, one day,
as all men and women reading this will be.
Whether a failing heart,
or sudden stop of a long fall,
or at the hands of another,
or the very hands with which one has carved a life
into the fabric of other interlocking lives, it is certainty,
and it is unavoidable.
Perhaps this is what makes us so keen
to speak of it as if it were merely a transference
from one room to the next,
or one country to the neighboring country,
or one plane of consciousness to
some place that we merely dream of, creating as we go,
once we pass through
the veil that limits us from seeing those that has walked through.
The mortal coil, this state of being,
this firing of synapses and neurons and senses….
Clung to so tightly that the antithesis is taboo,
\as though if we speak of it,
he will come and claim someone else
that is dear to us or even
the very person that uttered those words.


I have seen the face of death,
in all its form and function, and I find
that death is not interruption to life for anyone
but the soul to which it has adhered itself.
From the body that is buried, the greenest grass
and most beautiful flowers grow.
Into the gap that is left floods
more beautiful friendships,
loves,
lives…

Ever right behind me,
breathing on the nape of my neck,
whispering nonsense until finally it is my turn,
Death only spurns me onward.
All the friends and family that have heard their names called,
buried in the back of my mind,
bear the most delicious fruit,
and blossom into the most intricate garden imaginable,
all due to this taboo concept,
this unknowable condition,
this edged blade that cuts deep enough to plant the lessons
we choose to put there in the place
where that person stood in our web of interconnecting strands of life, taking root in memory and glorious daydreams
of all the moments that endeared their life to ours.
Only the dead have this sort of power,
and only the grasp of the real concept,
in all its unshielded, raw, bitter, uncaring, blunt, ******* horrible form can birth the greatest treasure our lives will ever experience.
I do not miss, because my thoughts make them immortal.
I do not mourn them due to their gifts they leave
in wake of the immense impact they have had upon my life.

Maybe I am merely shielding myself from some horrible truth
that I cannot grasp,
yet I truly cannot fathom what that would be.

From Leora Tracy Amrich, to my grandparents,
to every man and woman that I served with,
to the Buddha, I have felt my way through what seemed
a dark, twisted, ugly hell until I opened myself to what I feared,
and ended up fearless, unbroken, and with a
foundation of friends and family that I stand on
with all of you,
the tangible and bleeding and
tear jerking friends and family
that I want to share this amazing fruit and otherworldly beauty
that people we both know have left behind
for us to live with and love in place of their faces.
Leora Cheney Dec 2015
I am the wolf who
Lives in you dreams and nightmares
feasting on your fears.

I am the eyes that
You see in the darkness too
Feeding forever.

Who are you to me
To feast on eternally
For all the nights.

For I am the wolf of fear
~Leora Cheney

— The End —