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RAJ NANDY Apr 2015
Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,

are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(
’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(
’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(
Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(
Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(
Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an
Matthew Roe Aug 2018
I wish you detox from drunken heights,
I’m jesus for today until my current shift ends
and the next one begins, after many nights,
in the garden centre of fallen south coast eden.

Shine shine shine
Light of mine
For now everything’s just fine

People’s faces glitter as I go by,
memories of sinless youth,
for my hands blind with nostalgia,
that my being resurrects.
The child Lazarus scurries past my side,
to his home with his future in his hands,
in my hands, cupped wide.

Shine shine shine
Light of mine
For now everything’s just fine

I can love the unfortunate,
for my fortune is golden.
Delivered in letters
from North, West, East.
My trinity circle who join me at my supper,
breaking the garlic bread and sipping the borello,
to top crab ravioli baptised in the stream of sauce.

Shine shine shine
Light of mine
For now everything’s just fine

The gates of heaven are open,
unblocked by the deaths of Keats, Shelley and Williams,
their souls not blocking the exit with an Underground Queue.
I give my blessings to
Livingstone and Charles Gordon
The one native he changed and the others’ sacrifice at Khartoum
Gained me my crown to modestly flaunt.

Shine shine shine
Light of mine
For now everything’s just fine

I float down the hall, to His Mighty Voice,
as my gold becomes a donation on the alter,
to gain the choral hymns of Mercury gilded rock gods
that will brighten my days
for now,
oh glorious moments.
Amen.
For all those who were also successful on results day.
Please comment your interpretations, i'm always waiting to hear them.
Andrew M Bell Feb 2015
Mading relieves Manute from guard duty.
They share a meagre meal of millet porridge before
Manute returns to the refugee nation of southern Sudan.
The noon sun is a harsh sentence for a parched tongue but
they talk not of coffee or juice-laden fruit and
rice and lentils are mountain memories their stomachs can ill afford.
Instead they curse the clear skies that rain only strafing jets and
pray for their dry-breasted wives on pilgrimage to the aid station
carrying children swollen with the promise of death.
They snarl rumours about al-Bashir’s lapdogs
in Khartoum growing fat on food intended for them.

Jason waits, informed by cell phone of Laurie's imminent arrival.
He orders a wheat beer, its earth tone inviting on a silver tray and
its musky sweetness washing away a morning of phone business.
The noon sun is a warm blessing through the picture window but
they talk not of haloed hills or the light-laden river and
recession and retrenchment are market memories their ulcers can ill afford.
Instead they debate '63 cabernet versus '74 chablis and
moan about their reconstructed wives driving halfway across town
carrying children swollen with the promise of private schooling.
They snarl rumours about Key's cabinet
in Wellington while wolfing crayfish and Steak Diane.
Often I can't help thinking about the people in the world who have nothing when the junk mail and TV ads blast their clarion call for us to consume. Isn't all this consumption the reason our planet is under severe stress?

Copyright Andrew M. Bell. The poet wishes to acknowledge that a different version of this poem first appeared in the pages of The West Australian newspaper.
DAYS of the dead men, Danny.
Drum for the dead, drum on your
    remembering heart.

Jaures, a great love-heart of France,
    a slug of lead in the red valves.
Kitchener of Khartoum, tall, cold, proud,
    a shark's mouthful.
Franz Josef, the old man of forty haunted
    kingdoms, in a tomb with the Hapsburg
    fathers, moths eating a green uniform
    to tatters, worms taking all and leaving
    only bones and gold buttons, bones and
    iron crosses.
Jack London, Jim Riley, Verhaeren, riders to the republic of dreams.

Days of the dead, Danny.
Drum on your remembering heart.
Emaysee Feb 2015
Throughout the years many people who have got to know me, have asked me the same question. How can you not know the lyrics to that song, you must have heard it a “insert your own exaggeration here” times.
And my answer used to be always the same.
“I listen to music before I listen to lyrics, without music a song has no meaning.”
Then I listened to a guy called Marshall Mathers or you may know him better as Eminem or Slim Shady.
The first song I heard I really do not recall, but it was a while ago, at least over ten years ago. Strangely enough one of my long time favourite artists, Elton John whom I have liked since I was 15 years old has collaborated with a few Rap artists over the years, including Eminem.
In another strange twist, Marshal Mathers produced an album in 2006ish that included a song put together by Mathers, called Ghetto Gospel, which was a combination of a song from Tupac Shakur from the mid nineties, and a really obscure song from Elton John from the early 70’s. This song features one of the best lines I have heard;
“Before we find world peace, we gotta find peace in that war on the streets”.
The simplicity and accuracy of that phrase, I find astonishing and changed the way I think about music and life.
I often wonder if obtaining world peace is possible. I do know it’s a complex issue beyond my understanding, but then again humans fit in the same category for me.
When I see people work together in the face of adversity such as natural disasters and atrocities committed in the name of religion and racial difference, people risking their lives and dieing to save complete strangers during these times, I wonder why, when a lot of the same people think that the world is “safe” again, they go back to their ignorant and bigoted opinions.
I am sure if those same people would just open their eyes on a daily basis when they pick up their kids from school in Alice Springs, when they drive to the mosque in Decatur or when they just walk down a street in Khartoum, and look at what’s going on in their own lives maybe then the world can start to change.
Cause whether you are white person in a town full of aboriginal heritage or a catholic that lives in the same street as the most sacred Islamic building in your part of middle America or even if you are Hollywood movie star going for cruise on the Nile we all need to look at what is going on in your own life before you declare war on the rest of the world.
Isn’t it strange that a violent black man born in Harlem in the 70’s who ironically died from gunshot wounds in a street in Vegas in the 90’s, who was a amongst many other things a convicted ******, whose Mother was an active member of the Black Panther Party and once was charged with over 150 counts of conspiracy and whose grandfather was convicted of ******, should have the capability to write such a simplistic thought provoking line, that changed the way  a white guy born in the 60’s in Australia thinks.
Inspiration can come from the strangest places.
So next time you go to “declare war” on something, look at your own lawn around your house, you may just find it needs tending to first. You may even find some roses you never knew where there and realise how good they smell.
I like roses they remind me of my mother.
David P Carroll Apr 2023
My beautiful Sudan
A proud Sudanese man and Sudan
Is truly beautiful and courageous
And strong feel the happiness
And love in Sudan all day long but sadly
The world has changed and so has our Beautiful Sudan and I'll watch you from far Away and I'm so scared for you all and I'll
Stop will pray for those who are suffering today
That this painful war will end tonight and I'm Sending love to everyone who's
Hurt and has passed away
In Sudan so try to keep safe and warm and Guide yourself through this horrible storm,

And when I think of
Sudan I'm filled with pride
And the love deep inside my
Heart and I shed a tear
For our brothers and sisters who've died and
The wind is blowing like a hurricane into the Frightening sights of war
And we all miss our home
Land and wish and pray you wouldn't fight Anymore so please think of me and
I'll be your light and I'll pray for everyone who's
Suffering in Sudan every day,

And so try and be strong I'm here for you all Day long and trust in yourself you'll know what To do I've seen bullets flying in Khartoum and
Our children are dying brave mother's crying And our men lay dead in streets and Sudan is Weeping spilling our children's blood
And I hope I'll see you all soon and we can be Free and be happy Sudanese people you and Me and when this ****** war is truly over and We all come home and we'll live forever in perfect harmony.

David P Carroll.
Pray For Sudan and everyone suffering in all wars.
Norman Crane Apr 2021
i have a time machine
in my head
a perk
of being human
and not yet being dead
called the default mode network
made by evolution
or by god
it tethers me to my self
in space
and engenders a temporal circumvolution
of my present place
in time
mostly the revolution's fine
but
sometimes
while in the past
i think of all my selfs that didn't last
or that never came to be
and feel a sadness
which presently cannot pass
of all the good that could
but isn't me
which the doctors call depression
and i
my own war of the austrian succession
in which the pain
of each ****** campaign
finally resolves in stalemate
of the brain
of memory and—
it's time to take the pills again:
SNRI
which stands for i no longer want to die
for now
for my dmn takes me away
to a future of everything that could still be
all the possibilities
for death for guilt for shame
is it insane
to forecast each day
a rain
of every way
to fail, and in failing stain
the sky which looms across tomorrow
or at least tomorrow as imagined
by the brain
in permanent gloom
or anxiety, the doctor's say
or weak besieged khartoum
the mahdi pounding on the walls
and we huddled starving in the dark
waiting every day for the end, violently
delayed but inevitable anyway, a massacre
of all
bodies laid one upon the other until they form a hill
their shadow paints me cold—
time for another pill:
SNRI
i no longer want to die
my time machine
my i
my perk of being human
of living and of having not yet died
time for another pill:
time travel
makes
me
ill
onye abech Jan 2014
I called the University of Khartoum, Faculty of Administrative Sciences Last Year I am now 85 longitudinal burly Black Color
Jackie Mead May 2020
Boom!
The water flew down the flume
Childrens laughter, lifted the gloom

Boom!
The bride smiled at the groom
Time to get ready for the honeymoon

Boom!
A golden watch, a beloved heirloom
Its loud tick tock filling the room

Boom!
The guard stands outside the stateroom
On his head, a hat made with filoplumes

Boom!
Closing the door of the catacomb
Removing myself from the gloom

Boom!
Children sitting in the classroom
Come alive when the Teacher hits "Zoom"
Eager now to consume

Boom!
A pharaohs body entombed
In a pyramid in Khartoum
Known only by a non de plume

Boom!
Flowers sit in a vase, abloom
Their subtle scent filling the room
No need for extra perfume

Boom!
I applied for my job with my resume
Perfect for the job I assume
Now working all day in a storeroom

Boom!
Found my way to the bar room
Whisky, *****, ***, this is my favourite playroom
Now a jukebox to play some tunes
Nothing too serious, I set myself a little project to make mini poems rhyming with the word Boom.  I've tried also not to repeat too often. Given it a go, let's see your efforts. With Boom or another word of your choice.
DJ Thomas Oct 2010
The innocence of twenty-one
with no collection of expectations
future hopes, love of a women
or arranged marriage

I took what was given
did what was asked
lived dreams of lust
made good friends
enjoyed heroic women

Free falling off this raw edge
into a World of journey's
adventure filled risky escapades
to travel on.

Reticent, no
Sun, sand, jungle and untold streets
untroubled trouble shooter
thoughtless of consequence
learning customs and languages
here now, flying on tomorrow.

Reading Tripoli's Arabic street names
driving through the Bekaa Valley
walking dusty streets each evening
Islamabad - Khartoum - Medan - Manila
etc.

Living each and every moment.
copyright©DJThomas@inbox.com 2011

— The End —