Submit your work, meet writers and drop the ads. Become a member
entropiK Nov 2010
i.

a girl once told me that sad people close their eyes
so they do not see the world anymore,
and that i should count sheep when i cannot fall
asleep and that her favourite flowers were azaleas.


she also told me that she keeps scabs
on her knees, and on sundays
she comes to me with bleeding wrists.


another girl paints artifice out
of artlessness and human flesh. she
has scalpels for arms and a tempest on
her thighs and she lives in the
mirror and when i blow



ii.


on her i understand, through air condensation
and self- anathema, that i am the girl that she  
de-fleshed maliciously herself, slit out of the cardboard
and painted out in artifice and artlessness and


i am the girl that once told another girl to ******* cut
her arm off and i meant it so she would not hurt herself
again because


i am the kind of the girl with scabs on the bone
of her halo, because i believe halos are made of
nothing but cartilage and helium bones, and a heart
as transparent as a vampire and its split opened like a monarch
butterfly, ******* off


azaleas or malarias or other pathogens
giving infants cancerous proclivities and my eyes are
swollen in mauve from divestiture because i know too well


those sheep won't jump over the fence
anymore because they have been ****** raw
in the *** by inhumane prospensity and i understand that


sad people close their eyes because it reminds them of death.




iii.


death is a scientist that theorises the
duality of elusive particles in artificial marrows
and mediocre decolourised melancholia in discordance,
it is the finger forced into our tiny vein and
it is nothing but a dream within a dream


but i could care less and this poem
is not about death, it is about how i
like ugly girls and how i'm just sorry
that i do not taste as corrosive
as the bleach in her mouth.




iv.


when people are dying, they almost sound poetic.




v.


i am the girl humanised by ribbons of
flesh and bile and atrocity, and i am the girl who
understands that a 'broken heart' is
nothing but a metaphor for utter
disappointment.  



i am the sleep that dreams long for,
hope for, phlebotomise for
  
and i am bitter.




vi.


i am bitter because i will not believe in sundays
unless one day, fortuitously, the sun osscilates,
in the most serene of all mannerisms, down the earth
and kills us all.


i am bitter because semantics does not authenticate
the abiding human apathy towards death
and all the flowers in her hair.


i am bitter because people only read my poetry
because they think it is about them.


i am bitter because of other horrible
reasons that words can simply not express.


vii.

ugly girls are always prettier
because god loves ugly
girls, because he ***** them harder than the
rest,  and because they know how to
make others feel ugly.
OLD; but its amazingg.
entropiK Nov 2010
i.


dear poetry, we met when i was four,
you were count lestat, and it was love
at first sight. you were made of bone
and bane, and razors, i was a mosochist

and you were a black widow, i would
know, i was there, trying to pry
open all of your eight legs, looking
for the amrita.


ii.


dear poetry, if i were to answer all
of the thirteen questions you have ever
asked me, the answers would be,
no, no, yes, march the thirty second,
"how frail a human heart must be -",
diacetylmorphine without the butterfly,
mother, yes, barely, jolene, you don't
love me, contractility, and no.


iii.


dear poetry, you have pretty legs.


iv.


dear poetry, i am an ugly archetype of denuded
adolescence and i think you smell
like teenagers and a leather hacked smothered
in *** and black labels and ck perfume,
and a pound of god.


v.


dear poetry, if sleep is the brother to death,
where does my mother lie,
before ribbons of aubade
seek the flower in the sky?


vi.


dear poetry, today i don't think i love you anymore.


vii.


dear poetry, if you were humanised,
you would be ugly. you would be defleshed,
you would be ugly. you would be marked constantly by
ugly people and you would bleed ugly people.


viii.


dear poetry, today i might ******* my muses,
i might make them wear fishnet leggings,
with ****-me heels, i might give them *****
to suit others that **** them better than i do, and
it is all your fault.


ix.


dear poetry, i promise myself i would not speak
to you anymore, at least not in words, but
we both know poets are nothing but
liars, don't we?


x.


dear poetry, i am not a poet, all the poets are dead.

they died for you.


xi.


dear poetry, i am writting you thirteen letters
a year, they are ugly, like i am, they spell
an ugly word you would never speak of. you
will be anatomised, i will stuff you with
consangunuty, i will re-invent you.


xii.


dear poetry, you are older than me,
i am twenty, but you are only ten,
i am ripe, bruised, plucked from purple lips,
nothing is ageless.


xiii.*


dear poetry*, i am going to break you,
grind you in a mortar, roll you up,
into a blunt, and i am going to smoke
you along with the angels.
this took awhile, im hella tired, and theres probably alotta mis spelled words, but i tried! :) enjoy! <3
I was thy neighbour once, thou rugged Pile!
Four summer weeks I dwelt in sight of thee:
I saw thee every day; and all the while
Thy Form was sleeping on a glassy sea.

So pure the sky, so quiet was the air!
So like, so very like, was day to day!
Whene’er I looked, thy Image still was there;
It trembled, but it never passed away.

How perfect was the calm! it seemed no sleep;
No mood, which season takes away, or brings:
I could have fancied that the mighty Deep
Was even the gentlest of all gentle things.

Ah! then , if mine had been the Painter’s hand,
To express what then I saw; and add the gleam,
The light that never was, on sea or land,
The consecration, and the Poet’s dream;

I would have planted thee, thou hoary Pile
Amid a world how different from this!
Beside a sea that could not cease to smile;
On tranquil land, beneath a sky of bliss.

Thou shouldst have seemed a treasure-house divine
Of peaceful years; a chronicle of heaven;—
Of all the sunbeams that did ever shine
The very sweetest had to thee been given.

A Picture had it been of lasting ease,
Elysian quiet, without toil or strife;
No motion but the moving tide, a breeze,
Or merely silent Nature’s breathing life.

Such, in the fond illusion of my heart,
Such Picture would I at that time have made:
And seen the soul of truth in every part,
A steadfast peace that might not be betrayed.

So once it would have been,—’tis so no more;
I have submitted to a new control:
A power is gone, which nothing can restore;
A deep distress hath humanised my Soul.

Not for a moment could I now behold
A smiling sea, and be what I have been:
The feeling of my loss will ne’er be old;
This, which I know, I speak with mind serene.

Then, Beaumont, Friend! who would have been the Friend,
If he had lived, of Him whom I deplore,
This work of thine I blame not, but commend;
This sea in anger, and that dismal shore.

O ’tis a passionate Work!—yet wise and well,
Well chosen is the spirit that is here;
That Hulk which labours in the deadly swell,
This rueful sky, this pageantry of fear!

And this huge Castle, standing here sublime,
I love to see the look with which it braves,
Cased in the unfeeling armour of old time,
The lightning, the fierce wind, the trampling waves.

Farewell, farewell the heart that lives alone,
Housed in a dream, at distance from the Kind!
Such happiness, wherever it be known,
Is to be pitied; for ’tis surely blind.

But welcome fortitude, and patient cheer,
And frequent sights of what is to be borne!
Such sights, or worse, as are before me here.—
Not without hope we suffer and we mourn.
The music shot into her eardrum like a trance-inducing drug, each bang of the drum, each rhythmic flow, each string of the guitar would slowly take her under. Under hypnosis.
The power of the beat was so intense, that it lifted her chin and shoved her into the floor of dance. There, was where she found herself in a state of uncontrolled and vigorous rhythmic movement. The music had somewhat possessed  her limbs as though they had a mind of their own. Her routine was calculated and her foot movement, unique.
She, all at once, knew and knew not what she was doing. As her surroundings stood marvelled in awe, she was alone. Her hips shaking and bouncing as though a chemical mixture was being synthesised deep within her, a mixture that was yet to explode. Explode with power so great, it would possess others in her 'roundings. Surroundings that would, in time faster than inhalation, be under the same knife. With movements and sways that embodied and humanised the worship of music.
Rhythm is their God, the controller of beings. Almost as if dance is the ritual of prayer, and the club, a mosque or sacred ground.
Like rhythm is the favoured slave-driver. Like rhythm is the unfeared tyrant. Like rhythm is what brings the animalistic spirit within us all back to life after daylight and spiritual rest. Like rhythm is the pair of unspoken arms that push them, its subjects, over the precipise and into the river of flow. And under The Rhythm's spell, they will move, they will love it.
Mateuš Conrad Aug 2022
i'm slowly figuring out how it works...
"content creators" always boast about their number
of members... but? rarely...
their viewership counts ever match
to their number of members...
rarely... they might have a membership
count of 200K but their videos probably
mean at about 70K... it's a game of give and take...

me? hmm... well... me...
    one website? 142 "members"...
         another website 181 "members"...
i'm always happy when i exceed my "membership":
when writing i always aim at that: exceeding...
with 181 "members" i managed to accumulate
a viewership of... nearing to 50,000...
not bad... that's how Pythagoras and Jesus achieved
their fame... start little: grow big...
out of? well... the natural worth of your worth...

i was just re-watching Jurassic Park today...
hold hold... in between cleaning the house...
hold hold...
how the **** is man certain of his own
psychology and socio-political dynamism
while at the same time so ******* certain
about the ontology of dinosaurs?!
fossils read: the T-Rex is movement sensitive?!
so... he... can't smell you?
let alone see you when you don't move?!
for ****'s sake! the Shakespeare of cinema!
Spielberg! *******!
              
i recently watched an advert: it's true:
you taste food by sniffing it...
i can quickly drink a diluted bottle of black cherry
squash... i taste nothing:
because i'm glug glug glug
drinking it... i refrain from drinking i start sniffing:
it's like my nose dives into the oesophagus
and retracts what i was just drinking:

you sure it wasn't some strong salt (alkaline)
or some... sugar? are acids sugars?!
well if there's a corrosive salt...
shouldn't the antonym be: a strong sugar?
aren't acids really strong sugars?
citric... yeah... they are...
strong acids are sugars as strong....
****... strong sugars are acids
and strong salts are alkaline...
                        BOZO WATER BOY...
d'uh!
        get out y'er spazz-mr.fantastic-face-douzoh...

how?! reading ******* fossils?!
FAKE NEWS... wait for the rumble... wait...
rrrrrrrrrrrrrrr.... FAKE HISTORY...
from what? reading fossils?! we knew how
dinosaurs behaved?
                             wow! oh! ah ha ha ha ha!
wow! the selling gimmick in full shwing!
boys! girls! we don't need the swings!
just listen to these ******* try to sell you toilet paper!
seriously...
and for a while i was like:
oh yes yes... that's how dinosaurs behaved...
from a flimsy ******* film with by the current
year: ever more ****** CGI...

                oh man... the velociraptor was a wolf
of its species... sure... now all the dinosaurs are birds...
morphed into birds... birds are small...
dinosaurs were big...
hmm... what's smaller than birds?
insects... ergo?
there must have been a kind of animal
akin to insects that lived prior to dinosaurs that
were also large... ******* gigantic
morphs of mosquitos...
if the dinosaurs adapted to become birds...
although: spies! spies i tell you!
spies! snakes and crocodiles!
rationality makes no sense given enough time...
best aim for ice-cream and brain-freeze...
seriously... **** it...
it's not like anyone is going to remember this
century like any other century given
the time expanse we've allowed ourselves to give!

what i am curious about though is...
DRAGONS...
right... it was inbuilt into our psyche to conjure
dragons: long before we unearthed
fossils of dinosaurs...
dragons... fire breathing creatures...
what killed the dinosaurs?
the day the moon went to sleep or was like:
**** it... have to keep the tides...
might as well get rid of these gigantic Goliath-Nimrods...
eh... i'm sure something stupider and more
entertaining will take their place...
BAM! fire! a meteor hit the earth: lizards breathing
fire... DRAGONS... how do we know this?
is this dream-talk? do people dream-up this
*******? me? i don't dream-up ****... i just sleep...
i admire the people who can fall asleep
in transit: on a bus or on a plane...
me? i'm bothered by the imaginary fidget-bugs
of keeping composure and pretending
to allocate time to my mind as i measure
mental minutes to actual mechanised minutes
of a clock... i always get it WONG... revelations
of lost vibrations... esp. in flight...

where do these anti-history i.e. pre-history stories
come from? fossils? ******* dinosaur fossils?!
we know how a certain type of dinosaur
behaved based on their ******* fossils?
wow! we should dig up Elizabeth Bathory
and Cleopatra and tell apart which bathed in milk
and which in ****** blood... i'd... FFFFFFucking love
to know how fossils tell which apart!

it's just ******* silly... i'm semi-drunk semi-sober
i'm bordering on arrogance: clearly mad...
because... this... gradual increment of a collective narrative
that was supposed to be soothing?
isn't soothing anymore...
                  i'm turning my mind toward solipsism...
not unlike an actual medical claim of autism:
but as a theoretical: only i exist...
whoever i encounter?
inauthenticity... actors...
                 people of shallow depth...
after all... what's the most popular artistic expression
in our society? isn't it, acting?! it's not painting...
it's not poetry... ergo?
     fake... fake...           oh: more fake.... fake...
actors have become brutal in the dealings of
every man in how he or she might interact with
fellow ever man or woman...
absolutely brutal: tyrannical!

that's how i saw it: the devil ascending: monarchy...
a god descending: tyranny...
there is a clarifying distinction that can be
summarised by the continued existence of England...
a country my heart is enthralled by...
and forever will be...

yeah... sure sure... looking up the gorilla's *******
to figure out our ontology... great!
it's not like we didn't have sages in the past...
it's beyond "god is dead": "jesus is dead":
it's already a common name in Spain...
hey-zeus... Darwinism won like the Copernican revolution
never envisioned it: after all...
Galileo robbed Copernicus of his discovery
because he had the telescope and became the martyr...

with one swift move: a god died and the gods
were reborn...
but jesus is dead too...
why? who's imitating him?
Darwinism teaches the universality of imitation-monkey!
imitation-lobster imitation-ant!
no? isn't that what the secular psychologists are
preaching?! "evolutionary psychologists"?!
evolutionary: partially... there's still no concensus
on "soul": i.e. sigma: the totality of what's being...
not ontology: i.e. being qua...
rather what's "motivating" being: what's WILL...
the ****** of existence per se...

no no... i can't think of existence as merely summarised
as simply: "experience"...
we don't know how dinosaurs behaved...
it's POP CULTURE ****...
we don't know! we will never know!
i hate living in this fantasy world...
really? a meteor killed them off?
a freak accident... but i thought the moon was
the shield against all other meteors...
and most meteors burn out when reaching our
atmosphere...

listen... the Biblical strand of the story is: POETIC...
it's simplified...
it's like... journalism on an everyday basis:
the difference being: it's repeated day in day out...
it's journalism of a Groundhog Day...
i admit: pretty **** ******...
but the secular aversion to this?
             mein gott... when it's right... akin to chemistry,
biology, physics, medicine and engineering...
fair enough... grounded in reality...
but when these disciplines becomes... "humanised"...
all hell breaks loose!
did i forget geology? oops...
            these are disciplines of the demigods!
they are not to be trivialised!
made into narratives! they are strict rubric sentiments
of complimenting chaos with man's ingenuity
of crafting a sense of order!

yeah: wow me... 181 "members" that morphs
into an audience of reaching 50,000...
unlike those video guys with 50,000 members
and an average of half of those members switching
off... with some roundabout clued-in *******
****-jobs...
the revised ingenuity of internet anonymity:
oh sure sure... i'll just buy a book and leave
a comment in the comment section
of the book's back pages that no one:
esp. the author is going to read...
                          title: make your own mind up!
i'm alone: you're alone, we're all alone
in this ****-wit buggery of all sorts!
Ronney Apr 2016
Scars

Became like jail bars

Trapping us within its confines

Slowly Being De-humanised

In the public eye

Because they only saw a living landmine

But

I learned that

I

Had no need to deny

What's mine

For the public is blind

to see, scars don't define

They simply tell a story line

Intertwined

With the scarred design
~ inspired by a quote I found - from every wound there is a scar, from every scare there is a story, a story that says I survived - Craig Scott
Rai Jun 2017
Now
The world is different now
Is it wrong to wish for rose tinted glasses
And a quiet corner of some obscure English garden
In which to sit cross legged and meditate
Whilst bombs reign down
And faiths scream their alliance to God
God holds his head in shame for his children who have been scattered in the wind
Evil lies in the hearts of the broken
Who then in turn spread their anger out wards
Causing chaos and confusion
Love thy neighbour
Hate the sin and not the sinner
These rules you must admit become harder by the day
We have become to humanised
We have become to disconnected
And my spirit cries
For the peace of an English meadow
In which to lie my head
Tina RSH Jul 2017
I missed you 
Somewhere along the lines of humanised solitude
Or in between a chaotic rampage of thoughts 
The dagger that dips deep in my back; this mind! 
Upon sumptuous portraits hanging off walls.
I missed you
Perhaps, wide awake, watching a nightingale pass away.
Or a tabby cat meowing loud in the bitterness of December. 
As I drowsily dozed on the fireside armchair.
Wearing my brand new woollen socks along  
I missed you
Or I missed myself first! Before my eyes. 
Underneath a dozen dark veils of refusal 
I deposited you and left off for gradual death.
Wishing, I were the nightingale that flew free.
Mateuš Conrad Mar 2016
well diacritical marks also represent higher syllable appreciation, and a lessening in terms of, how in english there is no diacritical use, and hence an excess of spelling - two examples already - or as in the case of  ᾶ, in the syllable deciphering: fur- -kaya- -aqua; i'm not going to simply regurgitate what someone else wrote, each to his own understanding, each to his own canvas.*

imagine that weird sensation
of your soul - that thing
you can be easily content with
a substance of thoughts
being taken away, and replaced
by an electric sizzling in your
brain, add 8 years to the symptom,
and then see the honest drinker,
the sedative user, the anti-party
animal, a hedonist hermit,
content with his own company
and purposively avoiding human
contact when sacred bonds with
people were shattered, cut,
so find this honest drinker, who
purposively humanised alcoholism
by calling it a metabolism of some kind,
who'd never drink to party or
to rip and smash and punch and growl,
who is looking at the diet of cats
and wonders: only meat? what a strange
planet i live on, animals that eat only
meat and people turning into
dragons by drinking what the Apache
called fire-water (φυρκαιᾶκυα).
Mateuš Conrad Oct 2017
i always seems to find too little falling stars'
worth of poetry in the night -
the prolonged tedium of day -
given to the challenge of the night -
sometimes leaves one less observant
of the actual night, and sloppy in observations
during the day...
   i took to the second liking of e. e. cummings
today - mind you:
only the selective poems from years x
through to years z -
   but then he's much more than ted hughes,
even with his crow...
              never quiet the τετραματια fiddling
of the glass marbles -
                of both huginn & muninn -
        like the graeae: the three blind witch sisters
sharing a single eye -
so unto odin - the eyes of huginn & muninn -
in the cauldron of odin's empty socket...
  the τετραματια feeds the paganistic observation
of the gods, of the one they call the
demiurge in human tongue -
            and since there's talk of twins -
as akin to h & h -
                                or rugby goal posts -
           the τετραγραμματoν is best exhumed,
best seen, with half of one sense missing -
for one eye for the graeae to share -
   four eyes of huginn & muninn share gouged
eye of odin...
     that eye surfaced in greece, while from
farthest north came the perplexity of
the merged four.
               yet i still can't believe people could
establish e. e. cummings are writing
orthographical poetry - by sImplY writing
like: and not like, what otherwise is
orthography (i.e. the need for diacritical
marks) -
                   **** in slavic, i.e.
the proper orthographic is: gówno -
             it's not guwno -
that's orthography - but nonetheless i like
the quirks of these poems, hidden, sometimes
lost, most of the time uncherished.
nonetheless, less observant during day
makes for a cul de sac of what is to be written -
unlike, say, spending the night
backwards & forwards between future-present,
future-past, past-and-present,
    future-and-the-immediate-past...
to bewilder myself, as any theory might
allow -
       to travel at the speed of light -
well, for one thing light is not a propeller -
at this stage of our understanding it's a storage
component of energy - hence speed of light
square -
               squared meaning it's vast in expansion,
but not in being contained and allowed
to trickle out of its storage unit of speed of
light cubed to perfect a source of stable energy,
and, from what i gather -
it's not a propeller, because the equation doesn't
treat the speed of light in linear terms -
        and light is not a propeller, since the object
is dragged by a solar-sheet of panels -
it isn't being pushed!
     can the speed of light become a propeller
if someone managed to mingle the speed
of gravity into an equation, that begins with mass?
back to the future are always the films to
watch over and over again -
for any insomniac - who decided to not do
a 32 hour stretch of being awake...
        as is this other bewildering fact:
if time is linear, it can only be linear
   in a converging parallel linearity -
       perhaps best represented by 0 & 1
points of origins - sine & cosine (can't
remember if respectively) -
    but to enforce a time travel concept where
the two expressions of time do not
intersect at certain degrees - converge
and then diverge - well, would we be given
the concept of choice, with only one choice
to be had? in fiction time travel is
           represented by some sort of rigidity
of a never converging parallel linearity (=),
and given this model, a single convergence
of this model is represented by (≠) -
      which means the beginning of the end -
as they say: waves... waves...
              this travels in waves, this doesn't...
then of course there's already talk
of matter, and antimatter -
    as there was in the early church by someone
with the same prefix -
        but if the two personas didn't
exist simultaneously in the same pocket
of time & space -
   then they could only exist in the same pocket
of time, but not space -
and if they could have existed in the same
pocket of space,
                       they'd be family;
history is a straight line, history is a singular
timeline, but even then there's the
dimension of: with or without hindsight -
the what if line of history...
                and they never run in a = parallel
fashion, nor do they meet in a ≠ fashion either:
for that sort interaction is a dead end
upon their first and only convergence...
       much like vita coeo mort...
  and only then - only then does this concept
of time work...
        space travel is impossible,
for the other already stated reason in trigonometric
terms of the continually interchanging
   parallels between the sine dynamic and
the cosine dynamic...
but enough science fiction,
  they gave this other movie only 3 / 5 stars,
billy lynn's long halftime walk -
now we all know the classic military movie,
the gruesome reality of warfare,
     the blood, guts, swerves of shaken nerves,
the barbarism, the madness,
   the unjustifiable motives...
  not this movie...
      this move was worse in reality,
to any platoon, full metal jacket, saving private
ryan, apocalypse now i've even seen...
it's precursor? american beauty and
colonel frank fitts...
                  these movies are stepping stones
to a movie they should actually make:
24 hours in a slaughterhouse -
i'd love to see humanity humanised a little
bit, by first watching about a dozen cows
get slaughtered: after all...
cows don't cry mama, they're poker faced
when addressing pleasure, and more so
when addressing pain, poker-faced tsars...
      but this movie, mmm hmm mmm...
absolute horror...
notably when they get shoved and punched
off the stage,
   and this guy being persuaded to by his
sister to ask a doctor for a notable discharge,
and almost doing it,
    prior hooking up with a cheerleader -
the ******* she says about god, jesus,
"connecting" - and then at the last minute
he says: let's run away together!
  and she replies: but you're a war hero!
you can't quiet the army.
   to be honest, no military movie can provide
the absolute horror of a soldier
returning from war for a brief spell between
tours... but at least when they fight
adrenaline does the talking, returning to
a police state where any violence is condemned,
after these guys just shot a *******
bazooka into a building?
   strange realising that p.t.s.d. is not actually
concerned about what you saw in battle:
but that you didn't realise you had it in you
to do what you did... to then expect to
go into a mental institute that society has become...
honest to god,
they can give this movie 3 stars out of 5 -
by far the best military movie i've seen -
        like i said - no point glorifying war
and engaging in solely the graphics -
                after all, the berserkers were real -
and making **** jokes in the army like
they make shower jokes in prison?
                 plus, the farce of the entertainment
industry is masterfuly attacked -
then these 7 guys are given
"army instructions" on how to become props on
stage, and they're like: what did
this choreographer just say?
  i can't explain it, you just have to see it -
the real horror remains back home -
      the real home remains in the horror;
i guess the only soldiers that will ever fit
into a snug place in society are the ones
   used for state functions, like funerals of
politicians, or the ones that have their pictures
taken with tourists...
       paper soldiers...
      met combat soldiers once...
drunk like skunks and outcast...
          one thought i looked at him funny when
he recanted a story of being *****
by a massive arab...
                 but yeah... the queen's guard:
take the tallest, the most handsome,
   and you have yourself an army of pedants.

— The End —