Chapter XXI
Hegira to Patmos

They dropped their moorings from Cala Cogone early, when the tide seemed to be separated from the waters like a head distanced from its body. On a lavish and romantic day they went to Genoa, to continue the logistics of the trip to Piacenza. During the trip Etréstles was stretched out in the bow under a Sun that seemed to be fearsome as it was a digestive task that would make him ingest his own dream, which perhaps he aspired to be more than a journey. While he slept, at the helm Etréstles dressed in a black robe and the comrades also sleeping with dreams that they painted with sign gestures on their faces.

Dream of Etréstles: "With the memory off-center ..., I was still in Izzana, dancing by the clouds on gray tulles of the layers of the sky that tried to stop being a Kingdom without a Crown and Sword". They glimpsed the stones melting and turning into gauze juxtaposed to the aerosolites that unfolded from the Sorcery, landing on the hands and heads of Vernarth and Himself. As he continued his dreamy journey, he dialogued with the auxiliary legate of his own dream. “He tells her that he sees them beyond where their liturgies collide. They cross eroding the vanished and itinerant reason”. He gets up and takes the moorings of the ship and ties them to his neck. Then everyone cooperates to walk along the edge of the ship, which all moved barefoot. This is how I would wake up!

Vernarth tries to wake him up, shakes him, but doesn't wake up. And when he tried to avoid him from sleep, he saw that he had the moorings around his neck, along with two Unicorns who were escorting him and were looking towards infinity, auspicious that Genoa was already coming in front of their horns. The others began to wake up and ate reclining, almost as if without any desire to get up from the deck full of self-sliding linen, which allowed everyone to pass their own meals, including those that were semi-consumed rolling on the deck. Etréstles,  transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead at the foot of the homonymous promontory, 36 km from Genoa.  Portofino, close to the hydro form of the Portofino Regional Natural Park.  Being able to find different entrance doors through S. Rocco, Portofino Vetta and Nozaregoino  that led you to paths with different levels of accessibility and landscape. On the route of the path that traveled from Northwest to Southwest on the same promontory, he received the full beauty of the Mediterranean vegetation, with its beautiful pines, bluish and clean waters of the Mediterranean, which filled his lungs and especially his stem, which silenced of peace to those who accompany you through this interesting and beautiful Natural Park with deep blue eyes.
Vernarth is wrapped with two layers of linen and stands in between eclipsing each of the Unicorns. They pass her horn through her pectoral, as if wanting to insinuate affection. But her propitiated gesture was to crown her with the Power of her phalanx, the impetus in Gaugamela, an Onyx Crown, to lighten the burden of sleep and wake up before reaching the shores of Genoa.
Calling in Genoa, they all descend in a separate part and say goodbye from afar, gesturing with their hands. Their ramblings revealed multi-level radiographs of the resolved aura that invited them to an enclave hostel, to re-enter the world of their daily chores. The Unicorns who would return back to Sardinia stayed on the ship that was in the blue bay. They positioned themselves at the bow one and at the stern the other, to lighten the sails and return to Izzana.

Vernarth and Etréstles walked with their bags, letting go of their feet towards La Via ** Settembre, they travel in an east-west direction, next to Corso Italia, the promenade that runs along the promenade, which is one of the favorite places to reform the destination of Piacenza. From this road they moved near the adjacent carriage station to the Caruggio neighborhood in Sottoripa. Here they entered an inn to eat and drink liqueurs made from natural herbal recipes and sweet citrus, some fish with bread, sauce and Genovés sourdough. to satisfy their hunger.
They had dinner and opened the exit to the terminal. Before, they went to the Ponte Monumentale where the church dedicated to Santa Rita is, called Iglesia de la Consolación, whose entrance, at the level of the old streets, is slightly lower than the current street. They pass a porch and enter. "Almost like a grand cloister sensation they perceived during their stay, as if centuries had passed, but which never ended in the wanderings of any secular period. It was the impression once entered and soaked on this road, which still remains active. From this original cloister, the invocation of images on the sides placed towards the church towards Via ** Settembre, as well as the closed portal in the market access plaza on Via Galata, recur, while the other two sides are they completed attractions to admire when the eastern market in Genoa appeared before them ”.

When they entered, the masks were passed over the bones of their faces, indulgent towards both faces of the visitors, under a freshness of gravitational atmospheric fragrance, perhaps from the connected baptismal font or the lateral nave or the three naves separated by square pillars illuminating them. This is where Vernarth places his right hand on his forehead and his mouth, as a sign of catechesis detached from The Vault, the central nave and the counter-facade that were painted in fresco in 1874 by Giuseppe Isola, after reading about the intertextual verifying thus Vernarth. (Visioni dell'Apocalisse, Gloria di Nostra Signora della Consolazione and Giuditta rientra trionfante in Betulia), while Etréstles frenziedly admitted the frescoes through the side aisles that are the work of Giovanni Quinzio at an angle close to him. Observing everything, he was already indoctrinating to reprint new vigor to enter Piacenza triumphantly and head to the Region of Patmos. Giuseppe Isola's fresco was the great motive that struck his reason for being where he was to continue the threads upon threads of his lineage as the great Commander of the troops of Gaugamela and his Phalanges. Here is the church in its first tune with the duty of limitlessness before its steps to dominions that will make it recover their powers, from where they were first seen dressing in the clothes of an innocent child.


In the apse, there was the choir singing baroque pieces, and followed by elaborate wooden stalls from the 17th century. In the Altars on the left, on the Fifth Altar, Etréstles, captures a simultaneous vision. From that moment when it was the disappearance of this Santa Maria della Pace church, which could have been one structure on top of the other, perhaps in ruins but if the columns could go further from where their originals are born. Until then both had separated from each other, and they would meet again here in the apse, where they never lose sight of each other again, to turn towards the exit that required them to leave the sacred precinct. In the terminal, a grayish float awaited them, with silver trim on the edges of the structure, at the top of the front roof it said "Where you must never go and be". It was just the transport of an allegorical float. They were theatrical traveling artists, who had places available for travelers to Piacenza. The one that they just approached to move to the home, where they had to register at their own will and rejoin this excellent session "Parapsychological Regression".The Trebbia valley, a few kilometers from Piacenza. Vernarth noted that a shaft of the chariot made a strange sound. To which he notified the driver, telling him what he caught on the rear axle of the carriage. They go down to inspect all; not being able to detect anything that it would suppose would be an anomaly of filming of the instrumental east. Etréstles sees that some steeds were grazing on some meadows and he tells them all. Vernarth warns him and immediately heads to them. It reaches only a sorrel that was running its tongue over its hoof. The others flee. Vernarth approaches, and notices that he had a wound in his left hoof, noticing that in the center there was a strip of Green color, He takes his leg, and examines it. He takes out his dagger and begins to remove the stake that was inserted into his damaged leg. The others were gone, restarting the trip to Piacenza. Etréstles managed to climb a steed, and followed him - The float remained without them supposedly to arrive safely at Piacenza. But at 5 km, before reaching the city they are struck by a lightning bolt from a sudden storm. What misdirects his route - the passengers were left intact, only fatally suffered the loss of the driver. (It was verified by Vernarth when he arrived at his home in Piacenza).   As  Vernarth rode fast in the storm, trying to catch up with the carriage. Stress them towards the same to reach their brother. They rode propagating the pastures that passed near the forests of Val Trebbia. When the storm intensified instantly, it was wise to take refuge and wait for the flood to decrease. They were always close to each other. Etréstles about 18 km from Vernarth, they did not know it, but the horses sensed each other. They already distinguished, that they were close to each other, but it was necessary to take care of the horse, and have to check its hoof again. He checks it and notices that it had a green stripe in the four parts, like a pigment already placed concentrically in the middle of each hoof.


Ellipses Gaugamela - Final War
Vernarth bids farewells farewell. Once the Achaemenides are surrendered, he prepares to review them. Walk with Alikanto across the ****** plain. Reviewing his five hundred dead and three thousand wounded, he goes to recirculate in the footsteps of the attack, manages to see lead as a sentinel gathered wounded horses, but not serious. He approaches him and says Khaire; asking what unit they came from. He tells them of the Hosts of the command of Hefestion. The sentinel tells him, that he was enraptured by the fact before his eyes to see that all the horses of the line of Hefestion, Alexander the Great and Vernarth, to fascinate him that they had a green stripe on his left hoof. Wedge riders are formed, lining up the stable, towards the court of the guards and Macedonian monarchs. She dismounts from Alikanto and checks the chestnut trees, managing to insinuate that it could be Medea's ploy of the smiling charm towards her Hetairoi dancers, whose elite had bracelets on each leg on each chestnut. Also with the offensive weapon, they acted as the Macedonian's personal guard. Vernarth recalled that, before starting the offensive, with his blessed Xifos he inflicted light wounds on the left foot of his Phalanges in the act of "overtaking them before being stained by the enemy"

Vernarth says: Here is the cavalry that has received so much praise for «hammer» in the strategies, because it crushed the enemy units retained by the «anvil» or the «phalanx» that I had to command and lead the charge, intoning the riders. And even more the circumcisions that he gave them before entering combat. With the Hetairoi I was organizing squadrons of 200 to 300 soldiers, while they were checking the chestnut trees. In the campaign, they would ride the best horses, ******* or on the blanket, they were awarded the best weapons available. Each carried his long throwing spear Xyston, accompanied by a Kopis sword, for hand-to-hand combat, which in the interlude would defend his flax and bronze breastplate, with respective protective armbands and helmet, before lightly tackling his aggression . The horses were also partially protected, but not their hooves! I gave them the final instruction by decree to take them to the altarpieces and attend to them, so that they check their left hoof.Thus giving signs of great concern about the green stripe on each of its left hooves. Sentinel Hetairoi, with some of his servants, gather the animals and transport them where they have been ordered to tend and examine them. As the designs collapse over the night in gloomy litanies, Medea bursts into a great green outfit saying:

Medea: Vernarth, rancid are on my memory the potions and designs of those who want to talk about me or offer me in their lust.Where the zeal of anxiety deceives the wishful arms that welcome the victorious pleasure. Hooves are my skeptics and famous decisions, because I am weak in will but not in character. Green is the pouring of my converted powers into the veins of the horses. They were carriers in their eloquent ferocity. Instead of blood, I had sap from the magic vessels that I transferred to them so as not to doubt the doubts. Their object is that a green band was encased in their hooves as a sign of the Hipnos promontory through their Son Clovis, to plunge all the forests of the raging underworld, towards the heart of each "Valiant Hetairoi".


Outside ellipsis / near Piacenza
Vernarth and Etréstles in a post-storm clearing, a soft breeze greets them and they meet again, they greet Khaire! And together they reroute to the empty pastures, which would gradually begin to venture them through the farthest forests of the Val Trebbia. On some brown plains with poor colors that visited him falling as they faded on his mirage. From this unusual crossroads they will supremely perceive the closeness of Piacenza in their breathing.
Now they are in the vicinity of the Cimitero de Piaceza. Then they will have to go home on the Via Giovanni Codagnello, on the calendar of January 2020. The Parapsychological Regression continues.


Piacenza Cemetery, January 20, 2020
Vernarth and Etréstles entered the necropolis long before sunset. They were carrying a cake to celebrate Vernarth's birthday. Night Patrol joined the visit. In particular, they followed a night watch service that was active, trusting their guide Piacenza or the surrounding area, with 3 internal night patrol passages 365 days a year, for the rest of lives beyond all material life, perhaps turned into marble statues.
They hired a special service dedicated to the approved service for 2 people .; They were active during the caretaker's office opening hours (the same opening hours as the cemetery). With this service they overcame difficulties to walk after so much traveling. They leave the green-hoofed horses, now turned into statues. They request authorization from the entrance cemetery offices, to honor their belonging and to please those who visit them on their behalf. In Genoa, after having passed through the exterior without entering, they were ecstatic with the Staglieno Cemetery in Genoa (the most monumental in Italy).But if they enter the Piacenza, where the sanitary monumentality passed through the real function of such an enclosure in the contingency. It was commented by the neighboring offices that the migration of corpses from Bergamos were moved to Modena, Acqui Terme, Domodossola, Parma, Piacenza to carry out the respective ceremonies. Due to the great Viral Pandemic that decimated a great majority of Italian citizens in these areas. Vernarth became aware of the current reality, saw how a gravedigger conversed with the crowds, there was a nurse, a doctor and a prodigal man who concentrated on uploading moods to those who were there, almost like a caster, to relieve them of this transitory despite humanity.
They continue past the pyramidal pines, to the central pavilion. They sit on the edge of some flagstones, and take the cake to celebrate their birthday. They sing a hymn and they both enjoy it lovingly. Etréstles saw that he had a little cream left on his nose and cheekbone, running his hand to remove it. In the instant, the guard calls them; it was time to go because it was time to close the compound. They say goodbye with a monumental hug paying tribute to their brother!


Etréstles says: Honors Vernarth, for your immeasurable Valor! It is a great contribution that we divide our work and commitments. From here I go to the Messolonghi Cemetery. I will only wait for the crescent moon to meet the Charioteer, then leave with him and my beloved Drestnia. My Xifos Sword in my right hand and the head that I cut off in my left hand, in Gaugamela before that rugged fate! Khaire, My honors Commander Etréstles!. It remains in the shadow of some pyramidal pine trees of this sublime night, and then they distance themselves. Vernarth leaves the compound heading towards his house relatively close to the cemetery, on the Via Giovanni Codagnello.


Final session in Vía Codagnello, Piacenza:
Vernarth enters opens the door and everyone is waiting for him. Huge groups of friends, work colleagues, family, their pets, and especially the Parapsychologist, who had commanded this whole great session. They all approach her and in the instant, Vernarth awakes abruptly from the parapsychological session. They stabilize it and check your vital signs. There were many days of this odyssey. His awakening was mediatic, since they were attentive to him to question him and confess everything, but he was clear that his purpose would lead him to the confines of Patmos along with Raeder and Petrobus. It remained only to wait for the tenuity of a simple immortal warrior to assist in the services of John the Evangelist. The parapsychologist says you have to wake up, you can no longer be AND stay here in this temporary tube!
Once he has refused to wake up, he takes the itinerary to return to Macedonia. The visibly worn and stunned parapsychologist demands that he give up and obey his command. The effort was unproductive, only letting himself be carried by the grip of his right hand, taking his other with great vigor to remove it from shamelessness, from whom he does not suppress his pride to who still remains wounded by the swords that bleed his soul in Gaugamela. "Everyone is amazed and resigned !, pointing out that he must have always been in the surroundings of his beloved Macedonia, cutting the bursts of succulent insolence on the same temperate cliffs, where some variation of the sounds of the wind would make him saddle his Alikanto to acclaim the gods who came looking for him ”

Vernarth is engulfed in ambivalence, almost celebrating his birthday and waking up from his parapsychological journey. Both will take place, but the session will continue irrevocably. After a few days close to the first day of the crescent moon, he greeted him from a privileged place on his house Etréstles de Kalavrita who was with the Charioteer in his car and Drestnia, they went in that masterful car to join the chores of the Koumetrium Messolonghi (Editorial Palibrio - USA) .So returning to Messolonghi, to meet his disciples and essences of the foundation of his naturalness.


Hegira to Patmos
On a gray day in July 1820. Piacenza slept under the ambush of the revolution, in Italy there was a situation similar to that of another European nation. Vernarth was preparing his last details with the parapsychologist, to undertake his Hegira to Patmos, since he was a revolutionary and this was of great motivation to emigrate from this constant stage of Wars and sociopolitical processes. Manage to be a participant in this revolt in the Piedmont area. Its ideological axes were liberalism and nationalism. Given that the most affected countries were those of southern Europe (episodes from other areas, such as Germany or France, were much less important), with Spain as epicenter of a movement that extended to Italy and Portugal, and on the other hand Greece; It has been called the Mediterranean cycle as opposed to the Atlantic cycle that had preceded it in the previous generation (the first liberal revolutions or bourgeois revolutions, produced on both sides of the ocean: the Independence of the United States -1776- and the French Revolution -1789- ). As compromised great principalities of much of Europe were banned, it participates in great dissolution of collisions and invasions that involved it. In this way he would liberate his Homeland, especially his province of Piacenza.

Although the "Kingdom of Italy" as such did not exist, there were two great kingdoms that participated in the Revolutions of 1820: the Kingdom of Naples and the Kingdom of Piedmont. However, most of the revolutionary movements were driven by secret societies, such as coal. The Kingdom of Piedmont was also one of the most affected, since it was at the epicenter of Italian nationalism. It was controlled by Víctor Manuel I, member of the House of Savoy and defender of the Old Regime. The monarch had only been on the throne for 6 years, since he returned to Turin in 1814 due to the defeat of Napoleon. Since his return, various factions within the country advocated for a unification of all the Italian kingdoms. The unstable situation of its neighbor, the Kingdom of Naples, caused the carbonarians within Piedmont to revolt in March 1821.

Conclusive Hegira ellipsis to Patmos:
After this great conflict, he orders his parapsychologist to resume his final session in Patmos; he begins the procedure for the era that he had to trespass anachronistically, returning to the era of the Macedonian Empire. The parapsychologist asks him time, place, dates, clothing, customs, and manages to meet his request. He enters the portal, and in the backwaters of Messolonghi he meets Raeder and Petrobus. They were close to this heroic land, Messolonghi in the Gulf of Patras, the capital of Aetolia-Acarnania. Nothing less than in the land of his Brother Etréstles "Koumeterium Messolonghi".


"They all approach the vicinity, pray three times to heaven, and manage to be abducted to the underworld of Messolonghi. When they were snooping through the catacombs, they make out the surroundings of a luminous vault, thus distinguishing a woman passing by with others. It was the beautiful nymph Eurydice inaugurating The Constitution of a new Government”.
Eurydice and the gravediggers worked for the new government to be instituted. They were reviewing the last ground plans that converged on the tenth cemetery.
Eurydice ...: with the absence of Etréstles and Drestnia we will make her awakening continue, whose awakening phase closely relates to her wife.
Grave ...: Where do we start?
Eurydice ...: by the southwestern statue of Ashurbanipal, to pay tribute to Botsaris. Then, we will go up to receive the cordoned off tomb of Bramante and Ghiberti, so that the latter can advise us regarding the work to be erected.
They climb the northeast pavilion to the foundations of a mausoleum. They approach the slab of Ghiberti, who was loosening his fingers, sitting on the shore of a Pyramid-shaped cypress. Bramante vanished into the gray beams of light...

Ghiberti ...: I already know your mission. I am summoned to the Council on the day of the sailors' return. To start, they went to the mines to look for precious stones, stones to build Markos Botsaris.
Eurydice ...: Good! Well, in nine moons and nine suns they will return from the coasts of Morocco, the last docking point, so that they can then return. At the moment they are already warned.
Just back, there was a Lover with her right hand holding her chin.

Inamorada In Love ...: Five centuries ago I awaited my awakening, my lover promised to return ... with these verses...:
"I want to be different,
I want to take you my love...
and tell you that by missing you
there is no greater sadness than not seeing you ...
Forgive me for not coming back...
before my absence caused your death,
Wait for me ... I'm going to tell you ... how I miss you
Along with my immortality of feeling...!  How I miss you...!!

... He still tells me this, but from here, under the embankment of the cemetery I feel that he is far away and I can do nothing. Also, I have it in my memory and one day we will meet here. The Enamorada continues to sit and watch armies of soldiers being thrown into graves, their bodies severed. As she continues; ... there is more life here than on the surface, and the trenches replace the concave wombs, as vessels! As everything here lives, even the flowing and hallucinatory invocations are perceived from the Poets, Alchemists and Astronomers. They make the invisible go in a formidable adventure to the site of their magical hallucinations.
Eurydice ...: Stay on your stone, with your chiffon dress; here you will see the arrival of Etréstles. He will bring news from other lands to answer you. Now dispense if we delay, sadness will fall on the other beings who are being buried and transhumated. The Enamorada remained on the stone with her knees resting on her chest. Eurydice and her assistants went to their rooms. "
All this they manage to witness, and then go in search of Etréstles on the same tenth cemetery floor. Raeder and Petrobus were laughing and at the same time they were impressed, as if wanting to remember him when they have to leave directly from Messolonghi to Patmos, towards the Dodecanese region. In the meantime Vernarth was searching for his brother in all the nearby areas of the catacombs flashing penetrating light, unable to find him. He arrives at the ninth cemetery and is fascinated by a feminine image that would seem like a phantasmagorical chimera ..., it was Drestnia moistening some ferns on some crypts making gestures to see them already grown, even if they had just been planted...!

They approach her intimacy and ask her greetings, Drestnia answers them abstractedly that Etréstles traveled to Patmos to applaud the maiden ceremonies that would be wed in the spring in the nearby meadows. Being able to settle in The Monastery of Zoodochos Pigi, and who later went to the hills of Castelli, as it has been known that everything has been celebrated on a hill that many hundreds of years ago has sheltered our historical fragrances in the unity of the ethereal until the present. Such ruins among some works as well as the Temple of Apollo that will continue to survive with its prevailing mystery not revealed.
Etréstles gives them their congratulations and wraps his arms around Drestnia. They evacuate the cemetery, remaining abstracted in the internal darkness of the catacombs with fewer lights than a feasible twilight of darkness, as if immediately leaving Etréstles to be with him in the spring, shedding light on herself taking them to the Castelli hills, which they would figure in the sweetened exaltation of the pollinations of the nymphs on the maternal and ****** maidens.

They go out and spread their impulses over the promontory of the Koumeterium of Messolonghi with Raeder and Petrobus on Raeder's shoulders. Vernarth invoked the north with her staff where Alikanto would appear with her hooves with greenish stripes.

Raeder says:  Let's go. On those warm currents to follow we will not unite you Vernarth. Smiling, the fantastic boy danced, forming figures that enlivened him to hold on to the legs of Petrobus. They both stared at Vernarth and raised high above the warm clouds. Beneath the Messolonghi miniature, she had Vernarth's sights on them; she was putting reins and her Hoplite tunic, to mount Alikanto. He looks around and makes a big sign to Raeder to follow him to where he was, they suspend themselves and manage to go back to the highest mass of misty airs that would take them against the clock towards Patmos to meet Saint John and Etréstles.

Newdigate prize poem recited in the Sheldonian Theatre
Oxford June 26th, 1878.

To my friend George Fleming author of ‘The Nile Novel’
and ‘Mirage’

I.

A year ago I breathed the Italian air,—
And yet, methinks this northern Spring is fair,—
These fields made golden with the flower of March,
The throstle singing on the feathered larch,
The cawing rooks, the wood-doves fluttering by,
The little clouds that race across the sky;
And fair the violet’s gentle drooping head,
The primrose, pale for love uncomforted,
The rose that burgeons on the climbing briar,
The crocus-bed, (that seems a moon of fire
Round-girdled with a purple marriage-ring);
And all the flowers of our English Spring,
Fond snowdrops, and the bright-starred daffodil.
Up starts the lark beside the murmuring mill,
And breaks the gossamer-threads of early dew;
And down the river, like a flame of blue,
Keen as an arrow flies the water-king,
While the brown linnets in the greenwood sing.
A year ago!—it seems a little time
Since last I saw that lordly southern clime,
Where flower and fruit to purple radiance blow,
And like bright lamps the fabled apples glow.
Full Spring it was—and by rich flowering vines,
Dark olive-groves and noble forest-pines,
I rode at will; the moist glad air was sweet,
The white road rang beneath my horse’s feet,
And musing on Ravenna’s ancient name,
I watched the day till, marked with wounds of flame,
The turquoise sky to burnished gold was turned.

O how my heart with boyish passion burned,
When far away across the sedge and mere
I saw that Holy City rising clear,
Crowned with her crown of towers!—On and on
I galloped, racing with the setting sun,
And ere the crimson after-glow was passed,
I stood within Ravenna’s walls at last!

II.

How strangely still! no sound of life or joy
Startles the air; no laughing shepherd-boy
Pipes on his reed, nor ever through the day
Comes the glad sound of children at their play:
O sad, and sweet, and silent! surely here
A man might dwell apart from troublous fear,
Watching the tide of seasons as they flow
From amorous Spring to Winter’s rain and snow,
And have no thought of sorrow;—here, indeed,
Are Lethe’s waters, and that fatal ****
Which makes a man forget his fatherland.

Ay! amid lotus-meadows dost thou stand,
Like Proserpine, with poppy-laden head,
Guarding the holy ashes of the dead.
For though thy brood of warrior sons hath ceased,
Thy noble dead are with thee!—they at least
Are faithful to thine honour:—guard them well,
O childless city! for a mighty spell,
To wake men’s hearts to dreams of things sublime,
Are the lone tombs where rest the Great of Time.

III.


Yon lonely pillar, rising on the plain,
Marks where the bravest knight of France was slain,—
The Prince of chivalry, the Lord of war,
Gaston de Foix:  for some untimely star
Led him against thy city, and he fell,
As falls some forest-lion fighting well.
Taken from life while life and love were new,
He lies beneath God’s seamless veil of blue;
Tall lance-like reeds wave sadly o’er his head,
And oleanders bloom to deeper red,
Where his bright youth flowed crimson on the ground.

Look farther north unto that broken mound,—
There, prisoned now within a lordly tomb
Raised by a daughter’s hand, in lonely gloom,
Huge-limbed Theodoric, the Gothic king,
Sleeps after all his weary conquering.
Time hath not spared his ruin,—wind and rain
Have broken down his stronghold; and again
We see that Death is mighty lord of all,
And king and clown to ashen dust must fall

Mighty indeed their glory! yet to me
Barbaric king, or knight of chivalry,
Or the great queen herself, were poor and vain,
Beside the grave where Dante rests from pain.
His gilded shrine lies open to the air;
And cunning sculptor’s hands have carven there
The calm white brow, as calm as earliest morn,
The eyes that flashed with passionate love and scorn,
The lips that sang of Heaven and of Hell,
The almond-face which Giotto drew so well,
The weary face of Dante;—to this day,
Here in his place of resting, far away
From Arno’s yellow waters, rushing down
Through the wide bridges of that fairy town,
Where the tall tower of Giotto seems to rise
A marble lily under sapphire skies!

Alas! my Dante! thou hast known the pain
Of meaner lives,—the exile’s galling chain,
How steep the stairs within kings’ houses are,
And all the petty miseries which mar
Man’s nobler nature with the sense of wrong.
Yet this dull world is grateful for thy song;
Our nations do thee homage,—even she,
That cruel queen of vine-clad Tuscany,
Who bound with crown of thorns thy living brow,
Hath decked thine empty tomb with laurels now,
And begs in vain the ashes of her son.

O mightiest exile! all thy grief is done:
Thy soul walks now beside thy Beatrice;
Ravenna guards thine ashes:  sleep in peace.

IV.

How lone this palace is; how grey the walls!
No minstrel now wakes echoes in these halls.
The broken chain lies rusting on the door,
And noisome weeds have split the marble floor:
Here lurks the snake, and here the lizards run
By the stone lions blinking in the sun.
Byron dwelt here in love and revelry
For two long years—a second Anthony,
Who of the world another Actium made!
Yet suffered not his royal soul to fade,
Or lyre to break, or lance to grow less keen,
’Neath any wiles of an Egyptian queen.
For from the East there came a mighty cry,
And Greece stood up to fight for Liberty,
And called him from Ravenna:  never knight
Rode forth more nobly to wild scenes of fight!
None fell more bravely on ensanguined field,
Borne like a Spartan back upon his shield!
O Hellas!  Hellas! in thine hour of pride,
Thy day of might, remember him who died
To wrest from off thy limbs the trammelling chain:
O Salamis!  O lone Plataean plain!
O tossing waves of wild Euboean sea!
O wind-swept heights of lone Thermopylae!
He loved you well—ay, not alone in word,
Who freely gave to thee his lyre and sword,
Like AEschylos at well-fought Marathon:

And England, too, shall glory in her son,
Her warrior-poet, first in song and fight.
No longer now shall Slander’s venomed spite
Crawl like a snake across his perfect name,
Or mar the lordly scutcheon of his fame.

For as the olive-garland of the race,
Which lights with joy each eager runner’s face,
As the red cross which saveth men in war,
As a flame-bearded beacon seen from far
By mariners upon a storm-tossed sea,—
Such was his love for Greece and Liberty!

Byron, thy crowns are ever fresh and green:
Red leaves of rose from Sapphic Mitylene
Shall bind thy brows; the myrtle blooms for thee,
In hidden glades by lonely Castaly;
The laurels wait thy coming:  all are thine,
And round thy head one perfect wreath will twine.

V.

The pine-tops rocked before the evening breeze
With the hoarse murmur of the wintry seas,
And the tall stems were streaked with amber bright;—
I wandered through the wood in wild delight,
Some startled bird, with fluttering wings and fleet,
Made snow of all the blossoms; at my feet,
Like silver crowns, the pale narcissi lay,
And small birds sang on every twining spray.
O waving trees, O forest liberty!
Within your haunts at least a man is free,
And half forgets the weary world of strife:
The blood flows hotter, and a sense of life
Wakes i’ the quickening veins, while once again
The woods are filled with gods we fancied slain.
Long time I watched, and surely hoped to see
Some goat-foot Pan make merry minstrelsy
Amid the reeds! some startled Dryad-maid
In girlish flight! or lurking in the glade,
The soft brown limbs, the wanton treacherous face
Of woodland god! Queen Dian in the chase,
White-limbed and terrible, with look of pride,
And leash of boar-hounds leaping at her side!
Or Hylas mirrored in the perfect stream.

O idle heart!  O fond Hellenic dream!
Ere long, with melancholy rise and swell,
The evening chimes, the convent’s vesper bell,
Struck on mine ears amid the amorous flowers.
Alas! alas! these sweet and honied hours
Had whelmed my heart like some encroaching sea,
And drowned all thoughts of black Gethsemane.

VI.

O lone Ravenna! many a tale is told
Of thy great glories in the days of old:
Two thousand years have passed since thou didst see
Caesar ride forth to royal victory.
Mighty thy name when Rome’s lean eagles flew
From Britain’s isles to far Euphrates blue;
And of the peoples thou wast noble queen,
Till in thy streets the Goth and *** were seen.
Discrowned by man, deserted by the sea,
Thou sleepest, rocked in lonely misery!
No longer now upon thy swelling tide,
Pine-forest-like, thy myriad galleys ride!
For where the brass-beaked ships were wont to float,
The weary shepherd pipes his mournful note;
And the white sheep are free to come and go
Where Adria’s purple waters used to flow.

O fair!  O sad!  O Queen uncomforted!
In ruined loveliness thou liest dead,
Alone of all thy sisters; for at last
Italia’s royal warrior hath passed
Rome’s lordliest entrance, and hath worn his crown
In the high temples of the Eternal Town!
The Palatine hath welcomed back her king,
And with his name the seven mountains ring!

And Naples hath outlived her dream of pain,
And mocks her tyrant!  Venice lives again,
New risen from the waters! and the cry
Of Light and Truth, of Love and Liberty,
Is heard in lordly Genoa, and where
The marble spires of Milan wound the air,
Rings from the Alps to the Sicilian shore,
And Dante’s dream is now a dream no more.

But thou, Ravenna, better loved than all,
Thy ruined palaces are but a pall
That hides thy fallen greatness! and thy name
Burns like a grey and flickering candle-flame
Beneath the noonday splendour of the sun
Of new Italia! for the night is done,
The night of dark oppression, and the day
Hath dawned in passionate splendour:  far away
The Austrian hounds are hunted from the land,
Beyond those ice-crowned citadels which stand
Girdling the plain of royal Lombardy,
From the far West unto the Eastern sea.

I know, indeed, that sons of thine have died
In Lissa’s waters, by the mountain-side
Of Aspromonte, on Novara’s plain,—
Nor have thy children died for thee in vain:
And yet, methinks, thou hast not drunk this wine
From grapes new-crushed of Liberty divine,
Thou hast not followed that immortal Star
Which leads the people forth to deeds of war.
Weary of life, thou liest in silent sleep,
As one who marks the lengthening shadows creep,
Careless of all the hurrying hours that run,
Mourning some day of glory, for the sun
Of Freedom hath not shewn to thee his face,
And thou hast caught no flambeau in the race.

Yet wake not from thy slumbers,—rest thee well,
Amidst thy fields of amber asphodel,
Thy lily-sprinkled meadows,—rest thee there,
To mock all human greatness:  who would dare
To vent the paltry sorrows of his life
Before thy ruins, or to praise the strife
Of kings’ ambition, and the barren pride
Of warring nations! wert not thou the Bride
Of the wild Lord of Adria’s stormy sea!
The Queen of double Empires! and to thee
Were not the nations given as thy prey!
And now—thy gates lie open night and day,
The grass grows green on every tower and hall,
The ghastly fig hath cleft thy bastioned wall;
And where thy mailed warriors stood at rest
The midnight owl hath made her secret nest.
O fallen! fallen! from thy high estate,
O city trammelled in the toils of Fate,
Doth nought remain of all thy glorious days,
But a dull shield, a crown of withered bays!

Yet who beneath this night of wars and fears,
From tranquil tower can watch the coming years;
Who can foretell what joys the day shall bring,
Or why before the dawn the linnets sing?
Thou, even thou, mayst wake, as wakes the rose
To crimson splendour from its grave of snows;
As the rich corn-fields rise to red and gold
From these brown lands, now stiff with Winter’s cold;
As from the storm-rack comes a perfect star!

O much-loved city!  I have wandered far
From the wave-circled islands of my home;
Have seen the gloomy mystery of the Dome
Rise slowly from the drear Campagna’s way,
Clothed in the royal purple of the day:
I from the city of the violet crown
Have watched the sun by Corinth’s hill go down,
And marked the ‘myriad laughter’ of the sea
From starlit hills of flower-starred Arcady;
Yet back to thee returns my perfect love,
As to its forest-nest the evening dove.

O poet’s city! one who scarce has seen
Some twenty summers cast their doublets green
For Autumn’s livery, would seek in vain
To wake his lyre to sing a louder strain,
Or tell thy days of glory;—poor indeed
Is the low murmur of the shepherd’s reed,
Where the loud clarion’s blast should shake the sky,
And flame across the heavens! and to try
Such lofty themes were folly:  yet I know
That never felt my heart a nobler glow
Than when I woke the silence of thy street
With clamorous trampling of my horse’s feet,
And saw the city which now I try to sing,
After long days of weary travelling.

VII.

Adieu, Ravenna! but a year ago,
I stood and watched the crimson sunset glow
From the lone chapel on thy marshy plain:
The sky was as a shield that caught the stain
Of blood and battle from the dying sun,
And in the west the circling clouds had spun
A royal robe, which some great God might wear,
While into ocean-seas of purple air
Sank the gold galley of the Lord of Light.

Yet here the gentle stillness of the night
Brings back the swelling tide of memory,
And wakes again my passionate love for thee:
Now is the Spring of Love, yet soon will come
On meadow and tree the Summer’s lordly bloom;
And soon the grass with brighter flowers will blow,
And send up lilies for some boy to mow.
Then before long the Summer’s conqueror,
Rich Autumn-time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see it scattered by the spendthrift breeze;
And after that the Winter cold and drear.
So runs the perfect cycle of the year.
And so from youth to manhood do we go,
And fall to weary days and locks of snow.
Love only knows no winter; never dies:
Nor cares for frowning storms or leaden skies
And mine for thee shall never pass away,
Though my weak lips may falter in my lay.

Adieu!  Adieu! yon silent evening star,
The night’s ambassador, doth gleam afar,
And bid the shepherd bring his flocks to fold.
Perchance before our inland seas of gold
Are garnered by the reapers into sheaves,
Perchance before I see the Autumn leaves,
I may behold thy city; and lay down
Low at thy feet the poet’s laurel crown.

Adieu!  Adieu! yon silver lamp, the moon,
Which turns our midnight into perfect noon,
Doth surely light thy towers, guarding well
Where Dante sleeps, where Byron loved to dwell.

They loosed the moorings from Cala Cogone prematurely, when the tide seemed to be lifting over the separate lumps in the dews of the hailstorms, and on the head of the Cyclops distancing itself from its corporeal organism. On a lavish and romantic day, they went to Genoa, to continue with their travel logistics to Piacenza. During the displacement Etréstles was contemptuous in the prow under the Shemesh that seemed to be a fearsome specimen, before an embroidered intestinal being stirred in his own dream, perhaps more longed for than a dual itinerary. While they slept, at the helm Etréstles argued ringing dressed in his black cyclamen tunic, the comrades were also sleeping with their rhapsodic physiognomic dreams, coloring mutinous gestural jaspers, on some faded signs that were deteriorating.

A chimera of Etréstles: “His off-center memory of him ..., was still in Izzana, the capers rumbed through the pathetic clouds over the gray tulles, and the layers of the sky tried to stop being a reign emeritus for a prince without a crown. The paradisiacal layer "kyklámino stémma", was glimpsed melted in the scattered limestone Nuraxis, turning into sticky aeroliths agglutinated in the deployment of the Conjuration, laying the rye species in the jaws, and on the head of Vernarth himself. As they continued with their abstract journey, they remained to parade with the legal aid in his own mirage. He tells her that: "I see them beyond from where their ceremonies collide, they cross eroding the vanished reason of their itinerancy." They get up and take the ship's moorings and attach them to the neck. Then they all cooperate to walk along the edge of a tracontero's sooty ship, moving them all barefoot…, waking up at once! Vernarth, try to wake them up, shake them off, but they don't wake up. And when he tried to evade him from sleep, he saw that he had the ropes on his neck, along with two Unicorns who were escorting him and looking at the infinity of the uni-****** between them tied to infinity itself, supporting that Genoa was already coming in front of its antlers. The others began to wake up and ate reclined, almost without any desire to rasp the cover full of self-sliding and unctuous linen, which allowed them to pass each one their own aperitif from Apollo's head, surrounding them in their cohorts inclusively, being semi dissipated and rolling down the hatch cover. Etréstles transferred the dream to Vernarth, once he went to his bedroom to rest before they touched the roadstead. At the foot of the homonymous promontory, 36 km from Genoa; Portofino could be seen, close to some spiral planks that floated in their hydro form, with Apollo's eyes narrowed and circumscribed in the radius of his orbital process, with submerged herrings that frolicked from Apollo's zygomatic, and in the regional natural garden of Portofino. They found different entrance gates through San Rocco, Portofino Vetta, and Nozaregoino, entering with the agaves on the way with different levels of accessibility and auriferous perspective escape. The path traveled from northwest to southwest on the same promontory that was hidden, communing with all beauty the Mediterranean vegetation, with its beautiful pine forests, and bluish scrubs in the waters of the Mediterranean, filling them with itching lungs, and especially in the offshoots of the Kardiá , silencing the peaceful companions by the suggestive Natural adonis in the indigo abyssal eyes.

Vernarth wraps himself in two linen cloaks and a spárgana for Etréstles, then intervenes, eclipsing each of the Unicorns from his uni-******. They frank him with their antlers on their pectoral, loving him with the subtle hint of attachment that is born from a primal genesis. His gesture softened the expectation that crowned the Empire of his cohort, with the impetus of Arbela, and in the semi-precious Onyx Crowns in chalcedony ..., lightening the gavels of the semi-precious sleep that awakened them before reaching the shores of Genoa. The land in Genoa, all descend in separate fractions and say goodbye, distantly gesturing their signs and making retro gestures with their hands dressed in the mineral encrusted with their rapacity. The ramblings showed on multiplex-rays at the levels of a growling aura, which instigated them to the enclave's inn among the algae that levitated on the ear tags of the ducks, and of some ruminant bluish unicorns, to reinsert themselves into the world of the adjacent daily chores of the cornucopia. The ship luridly hovered in the indigo bay, where it spurred on the Unicorns that were returning back to Sardinia, positioning itself in the bow bulb and in the stern the other to lighten the sails and return to Izzana.

The Scarabaeidae sing: “The Vernarthian tenor of Kaitelka carried them behind her with another Ballenid, this one carried the Demiurge Ezpatkul, with his prominent Augrum or Gold teeth that turned on the backs of all the borer beetles, delimiting towards a dialectic, and paraphrase of a qualitative satirical, especially in the form of Vernarth's sub-mythological genre. The sacredness of the unicorns was the winner of all the dull fantasies, pretending to raise the rainbow over their senses, delegating them remnant spatiality from the growing infinity. To praise the hypothesis of this whale, she sang native arias and cephalization ultrasounds in Genova, where she continued to harmonize the media in her cranial cavity, and in the muzzles that reached the larger fins, transmitting waves of parapsychological regression towards Vernarth.

This is my modern English translation of Paul Valéry's poem “Le cimetière marin” (“The graveyard by the sea”). Valéry was buried in the seaside cemetery evoked in his best-known poem. From the vantage of the cemetery, the tombs seemed to “support” a sea-ceiling dotted with white sails. Valéry begins and ends his poem with this image ...

Excerpts from “Le cimetière marin” (“The graveyard by the sea”)
from Charmes ou poèmes (1922)
by Paul Valéry
loose translation/interpretation by Michael R. Burch

Do not, O my soul, aspire to immortal life, but exhaust what is possible.
—Pindar, Pythian Ode 3

1.
This tranquil ceiling, where white doves are sailing,
stands propped between tall pines and foundational tombs,
as the noonday sun composes, with its flames,
sea-waves forever forming and reforming ...
O, what a boon, when some lapsed thought expires,
to reflect on the placid face of Eternity!

5.
As a pear dissolves in the act of being eaten,
transformed, through sudden absence, to delight
relinquishing its shape within our mouths,
even so, I breathe in vapors I’ll become,
as the sea rejoices and its shores enlarge,
fed by lost souls devoured; more are rumored.

6.
Beautiful sky, my true-blue sky, ’tis I
who alters! Pride and indolence possessed me,
yet, somehow, I possessed real potency ...
But now I yield to your ephemeral vapors
as my shadow steals through stations of the dead;
its delicate silhouette crook-*******, “Forward!”

8.
... My soul still awaits reports of its nothingness ...

9.
... What corpse compels me forward, to no end?
What empty skull commends these strange bone-heaps?
A star broods over everything I lost ...

10.
... Here where so much antique marble
shudders over so many shadows,
the faithful sea slumbers ...

11.
... Watchful dog ...
Keep far from these peaceful tombs
the prudent doves, all impossible dreams,
the angels’ curious eyes ...

12.
... The brittle insect scratches out existence ...
... Life is enlarged by its lust for absence ...
... The bitterness of death is sweet and the mind clarified.

13.
... The dead do well here, secured here in this earth ...
... I am what mutates secretly in you ...

14.
I alone can express your apprehensions!
My penitence, my doubts, my limitations,
are fatal flaws in your exquisite diamond ...
But here in their marble-encumbered infinite night
a formless people sleeping at the roots of trees
have slowly adopted your cause ...

15.
... Where, now, are the kindly words of the loving dead? ...
... Now grubs consume, where tears were once composed ...

16.
... Everything dies, returns to earth, gets recycled ...

17.
And what of you, great Soul, do you still dream
there’s something truer than these deceitful colors:
each flash of golden surf on eyes of flesh?
Will you still sing, when you’re as light as air?
Everything perishes and has no presence!
I am not immune; Divine Impatience dies!

18.
Emaciate consolation, Immortality,
grotesquely clothed in your black and gold habit,
transfiguring death into some Madonna’s breast,
your pious ruse and cultivated lie:
who does not know and who does not reject
your empty skull and pandemonic laughter?

24.
The wind is rising! ... We must yet strive to live!
The immense sky opens and closes my book!
Waves surge through shell-shocked rocks, reeking spray!
O, fly, fly away, my sun-bedazzled pages!
Break, breakers! Break joyfully as you threaten to shatter
this tranquil ceiling where white doves are sailing!

*

“Le vent se lève! . . . il faut tenter de vivre!
L'air immense ouvre et referme mon livre,
La vague en poudre ose jaillir des rocs!
Envolez-vous, pages tout éblouies!
Rompez, vagues! Rompez d'eaux réjouies
Ce toit tranquille où picoraient des focs!”



PAUL VALERY TRANSLATION: “SECRET ODE”

“Secret Ode” is a poem by the French poet Paul Valéry about collapsing after a vigorous dance, watching the sun set, and seeing the immensity of the night sky as the stars begin to appear.

Ode secrète (“Secret Ode”)
by Paul Valéry
loose translation/interpretation by Michael R. Burch

The fall so exquisite, the ending so soft,
the struggle’s abandonment so delightful:
depositing the glistening body
on a bed of moss, after the dance!

Who has ever seen such a glow
illuminate a triumph
as these sun-brightened beads
crowning a sweat-drenched forehead!

Here, touched by the dusk's last light,
this body that achieved so much
by dancing and outdoing Hercules
now mimics the drooping rose-clumps!

Sleep then, our all-conquering hero,
come so soon to this tragic end,
for now the many-headed Hydra
reveals its Infiniteness …

Behold what Bull, what Bear, what Hound,
what Visions of limitless Conquests
beyond the boundaries of Time
the soul imposes on formless Space!

This is the supreme end, this glittering Light
beyond the control of mere monsters and gods,
as it gloriously reveals
the matchless immensity of the heavens!

This is Paul Valery’s bio from the Academy of American Poets:

Paul Valéry
(1871–1945)

Poet, essayist, and thinker Paul Ambroise Valéry was born in the Mediterranean town of Séte, France, on October 30, 1871. He attended the lycée at Montpellier and studied law at the University of Montpellier. Valéry left school early to move to Paris and pursue a life as a poet. In Paris, he was a regular member of Stéphane Mallarmé's Tuesday evening salons. It was at this time that he began to publish poems in avant-garde journals.

In 1892, while visiting relatives in Genoa, Valéry underwent a stark personal transformation. During a violent thunderstorm, he determined that he must free himself "at no matter what cost, from those falsehoods: literature and sentiment." He devoted the next twenty years to studying mathematics, philosophy, and language. From 1892 until 1912, he wrote no poetry. He did begin, however, to keep his ideas and notes in a series of journals, which were published in twenty-nine volumes in 1945. He also wrote essays and the book "La Soirée avec M. *****" ("The Evening with Monsieur *****," 1896).

Valéry supported himself during this period first with a job in the War Department, and then as a secretary at the Havas newspaper agency. This job required him to work only a few hours per day, and he spent the rest of his time pursuing his own ideas. He married Jeannie Gobillard in 1900, and they had one son and one daughter. In 1912 Andre Gide persuaded Valéry to collect and revise his earlier poems. In 1917 Valéry published "La Jeune Parque" ("The Young Fate"), a dramatic monologue of over five-hundred lines, and in 1920 he published "Album de vers anciens," 1890-1920 ("Album of Old Verses"). His second collection of poetry, "Charmes" ("Charms") appeared in 1922. Despite tremendous critical and popular acclaim, Valéry again put aside writing poetry. In 1925 he was elected to the Académe Francaise. He spent the remaining twenty years of his life on frequent lecture tours in and out of France, and he wrote numerous essays on poetry, painting, and dance. Paul Valéry died in Paris in July of 1945 and was given a state funeral.
Along with Paul Verlaine and Stéphane Mallarmé, Valéry is considered one the most important Symbolist writers. His highly self-conscious and philosophical style can also been seen to influence later English-language writers such T. S. Eliot and John Ashbery . His work as a critic and theorist of language was important to many of the structuralist critics of the 1960s and 1970s.

#VALERY #MRB-VALERY #MRBVALERY

Keywords/Tags: Paul Valery, French poem, English translation, sea, seaside, cemetery, grave, graves, graveyard, death, sail, sails, doves, ceiling, soul, souls, dance, sun, sunset, dusk, night, stars, infinity

NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,
By flickering lamplight,—only saw, as yet,
White, misty palace-portals here and there,
Pillars, and marble steps, and balconies,
Along the broad line of the Grand Canal;
And, in the smaller water-ways, a patch
Of wall, or dim bridge arching overhead.
But I could feel the rest. 'Twas Venice!—ay,
The veritable Venice of my dreams.

I saw the grey dawn shimmer down the stream,
And all the city rise, new bathed in light,
With rose-red blooms on her decaying walls,
And gold tints quivering up her domes and spires—
Sharp-drawn, with delicate pencillings, on a sky
Blue as forget-me-nots in June. I saw
The broad day staring in her palace-fronts,
Pointing to yawning gap and crumbling boss,
And colonnades, time-stained and broken, flecked
With soft, sad, dying colours—sculpture-wreathed,
And gloriously proportioned; saw the glow
Light up her bright, harmonious, fountain'd squares,
And spread out on her marble steps, and pass
Down silent courts and secret passages,
Gathering up motley treasures on its way;—

Groups of rich fruit from the Rialto mart,
Scarlet and brown and purple, with green leaves—
Fragments of exquisite carving, lichen-grown,
Found, 'mid pathetic squalor, in some niche
Where wild, half-naked urchins lived and played—
A bright robe, crowned with a pale, dark-eyed face—
A red-striped awning 'gainst an old grey wall—
A delicate opal gleam upon the tide.

I looked out from my window, and I saw
Venice, my Venice, naked in the sun—
Sad, faded, and unutterably forlorn!—
But still unutterably beautiful.

For days and days I wandered up and down—
Holding my breath in awe and ecstasy,—
Following my husband to familiar haunts,
Making acquaintance with his well-loved friends,
Whose faces I had only seen in dreams
And books and photographs and his careless talk.
For days and days—with sunny hours of rest
And musing chat, in that cool room of ours,
Paved with white marble, on the Grand Canal;
For days and days—with happy nights between,
Half-spent, while little Katie lay asleep
Out on the balcony, with the moon and stars.

O Venice, Venice!—with thy water-streets—
Thy gardens bathed in sunset, flushing red
Behind San Giorgio Maggiore's dome—
Thy glimmering lines of haughty palaces
Shadowing fair arch and column in the stream—
Thy most divine cathedral, and its square,
With vagabonds and loungers daily thronged,
Taking their ice, their coffee, and their ease—
Thy sunny campo's, with their clamorous din,
Their shrieking vendors of fresh fish and fruit—
Thy churches and thy pictures—thy sweet bits
Of colour—thy grand relics of the dead—
Thy gondoliers and water-bearers—girls
With dark, soft eyes, and creamy faces, crowned
With braided locks as bright and black as jet—
Wild ragamuffins, picturesque in rags,
And swarming beggars and old witch-like crones,
And brown-cloaked contadini, hot and tired,
Sleeping, face-downward, on the sunny steps—
Thy fairy islands floating in the sun—
Thy poppy-sprinkled, grave-strewn Lido shore—

Thy poetry and thy pathos—all so strange!—
Thou didst bring many a lump into my throat,
And many a passionate thrill into my heart,
And once a tangled dream into my head.

'Twixt afternoon and evening. I was tired;
The air was hot and golden—not a breath
Of wind until the sunset—hot and still.
Our floor was water-sprinkled; our thick walls
And open doors and windows, shadowed deep
With jalousies and awnings, made a cool
And grateful shadow for my little couch.
A subtle perfume stole about the room
From a small table, piled with purple grapes,
And water-melon slices, pink and wet,
And ripe, sweet figs, and golden apricots,
New-laid on green leaves from our garden—leaves
Wherewith an antique torso had been clothed.
My husband read his novel on the floor,
Propped up on cushions and an Indian shawl;
And little Katie slumbered at his feet,
Her yellow curls alight, and delicate tints
Of colour in the white folds of her frock.
I lay, and mused, in comfort and at ease,
Watching them both and playing with my thoughts;
And then I fell into a long, deep sleep,
And dreamed.
I saw a water-wilderness—
Islands entangled in a net of streams—
Cross-threads of rippling channels, woven through
Bare sands, and shallows glimmering blue and broad—
A line of white sea-breakers far away.
There came a smoke and crying from the land—
Ruin was there, and ashes, and the blood
Of conquered cities, trampled down to death.
But here, methought, amid these lonely gulfs,
There rose up towers and bulwarks, fair and strong,
Lapped in the silver sea-mists;—waxing aye
Fairer and stronger—till they seemed to mock
The broad-based kingdoms on the mainland shore.
I saw a great fleet sailing in the sun,
Sailing anear the sand-slip, whereon broke
The long white wave-crests of the outer sea,—
Pepin of Lombardy, with his warrior hosts—
Following the ****** steps of Attila!
I saw the smoke rise when he touched the towns
That lay, outposted, in his ravenous reach;

Then, in their island of deep waters,* saw
A gallant band defy him to his face,
And drive him out, with his fair vessels wrecked
And charred with flames, into the sea again.
“Ah, this is Venice!” I said proudly—“queen
Whose haughty spirit none shall subjugate.”

It was the night. The great stars hung, like globes
Of gold, in purple skies, and cast their light
In palpitating ripples down the flood
That washed and gurgled through the silent streets—
White-bordered now with marble palaces.
It was the night. I saw a grey-haired man,
Sitting alone in a dark convent-porch—
In beggar's garments, with a kingly face,
And eyes that watched for dawnlight anxiously—
A weary man, who could not rest nor sleep.
I heard him muttering prayers beneath his breath,
And once a malediction—while the air
Hummed with the soft, low psalm-chants from within.
And then, as grey gleams yellowed in the east,
I saw him bend his venerable head,
Creep to the door, and knock.
Again I saw
The long-drawn billows breaking on the land,
And galleys rocking in the summer noon.
The old man, richly retinued, and clad
In princely robes, stood there, and spread his arms,
And cried, to one low-kneeling at his feet,
“Take thou my blessing with thee, O my son!
And let this sword, wherewith I gird thee, smite
The impious tyrant-king, who hath defied,
Dethroned, and exiled him who is as Christ.
The Lord be good to thee, my son, my son,
For thy most righteous dealing!”
And again
'Twas that long slip of land betwixt the sea
And still lagoons of Venice—curling waves
Flinging light, foamy spray upon the sand.
The noon was past, and rose-red shadows fell
Across the waters. Lo! the galleys came
To anchorage again—and lo! the Duke
Yet once more bent his noble head to earth,
And laid a victory at the old man's feet,
Praying a blessing with exulting heart.
“This day, my well-belovèd, thou art blessed,
And Venice with thee, for St. Peter's sake.

And I will give thee, for thy bride and queen,
The sea which thou hast conquered. Take this ring,
As sign of her subjection, and thy right
To be her lord for ever.”
Once again
I saw that old man,—in the vestibule
Of St. Mark's fair cathedral,—circled round
With cardinals and priests, ambassadors
And the noblesse of Venice—richly robed
In papal vestments, with the triple crown
Gleaming upon his brows. There was a hush:—
I saw a glittering train come sweeping on,
From the blue water and across the square,
Thronged with an eager multitude,—the Duke,
And with him Barbarossa, humbled now,
And fain to pray for pardon. With bare heads,
They reached the church, and paused. The Emperor knelt,
Casting away his purple mantle—knelt,
And crept along the pavement, as to kiss
Those feet, which had been weary twenty years
With his own persecutions. And the Pope
Lifted his white haired, crowned, majestic head,
And trod upon his neck,—crying out to Christ,
“Upon the lion and adder shalt thou go—
The dragon shalt thou tread beneath thy feet!”
The vision changed. Sweet incense-clouds rose up
From the cathedral altar, mix'd with hymns
And solemn chantings, o'er ten thousand heads;
And ebbed and died away along the aisles.
I saw a train of nobles—knights of France—
Pass 'neath the glorious arches through the crowd,
And stand, with halo of soft, coloured light
On their fair brows—the while their leader's voice
Rang through the throbbing silence like a bell.
“Signiors, we come to Venice, by the will
Of the most high and puissant lords of France,
To pray you look with your compassionate eyes
Upon the Holy City of our Christ—
Wherein He lived, and suffered, and was lain
Asleep, to wake in glory, for our sakes—
By Paynim dogs dishonoured and defiled!
Signiors, we come to you, for you are strong.
The seas which lie betwixt that land and this
Obey you. O have pity! See, we kneel—
Our Masters bid us kneel—and bid us stay
Here at your feet until you grant our prayers!”
Wherewith the knights fell down upon their knees,

And lifted up their supplicating hands.
Lo! the ten thousand people rose as one,
And shouted with a shout that shook the domes
And gleaming roofs above them—echoing down,
Through marble pavements, to the shrine below,
Where lay the miraculous body of their Saint
(Shed he not heavenly radiance as he heard?—
Perfuming the damp air of his secret crypt),
And cried, with an exceeding mighty cry,
“We do consent! We will be pitiful!”
The thunder of their voices reached the sea,
And thrilled through all the netted water-veins
Of their rich city. Silence fell anon,
Slowly, with fluttering wings, upon the crowd;
And then a veil of darkness.
And again
The filtered sunlight streamed upon those walls,
Marbled and sculptured with divinest grace;
Again I saw a multitude of heads,
Soft-wreathed with cloudy incense, bent in prayer—
The heads of haughty barons, armed knights,
And pilgrims girded with their staff and scrip,
The warriors of the Holy Sepulchre.
The music died away along the roof;
The hush was broken—not by him of France—
By Enrico Dandolo, whose grey head
Venice had circled with the ducal crown.
The old man looked down, with his dim, wise eyes,
Stretching his hands abroad, and spake. “Seigneurs,
My children, see—your vessels lie in port
Freighted for battle. And you, standing here,
Wait but the first fair wind. The bravest hosts
Are with you, and the noblest enterprise
Conceived of man. Behold, I am grey-haired,
And old and feeble. Yet am I your lord.
And, if it be your pleasure, I will trust
My ducal seat in Venice to my son,
And be your guide and leader.”
When they heard,
They cried aloud, “In God's name, go with us!”
And the old man, with holy weeping, passed
Adown the tribune to the altar-steps;
And, kneeling, fixed the cross upon his cap.
A ray of sudden sunshine lit his face—
The grand, grey, furrowed face—and lit the cross,
Until it twinkled like a cross of fire.
“We shall be safe with him,” the people said,

Straining their wet, bright eyes; “and we shall reap
Harvests of glory from our battle-fields!”

Anon there rose a vapour from the sea—
A dim white mist, that thickened into fog.
The campanile and columns were blurred out,
Cathedral domes and spires, and colonnades
Of marble palaces on the Grand Canal.
Joy-bells rang sadly and softly—far away;
Banners of welcome waved like wind-blown clouds;
Glad shouts were muffled into mournful wails.
A Doge was come to be enthroned and crowned,—
Not in the great Bucentaur—not in pomp;
The water-ways had wandered in the mist,
And he had tracked them, slowly, painfully,
From San Clemente to Venice, in a frail
And humble gondola. A Doge was come;
But he, alas! had missed his landing-place,
And set his foot upon the blood-stained stones
Betwixt the blood-red columns. Ah, the sea—
The bride, the queen—she was the first to turn
Against her passionate, proud, ill-fated lord!

Slowly the sea-fog melted, and I saw
Long, limp dead bodies dangling in the sun.
Two granite pillars towered on either side,
And broad blue waters glittered at their feet.
“These are the traitors,” said the people; “they
Who, with our Lord the Duke, would overthrow
The government of Venice.”
And anon,
The doors about the palace were made fast.
A great crowd gathered round them, with hushed breath
And throbbing pulses. And I knew their lord,
The Duke Faliero, knelt upon his knees,
On the broad landing of the marble stairs
Where he had sworn the oath he could not keep—
Vexed with the tyrannous oligarchic rule
That held his haughty spirit netted in,
And cut so keenly that he writhed and chafed
Until he burst the meshes—could not keep!
I watched and waited, feeling sick at heart;
And then I saw a figure, robed in black—
One of their dark, ubiquitous, supreme
And fearful tribunal of Ten—come forth,
And hold a dripping sword-blade in the air.
“Justice has fallen on the traitor! See,
His blood has paid the forfeit of his crime!”

And all the people, hearing, murmured deep,
Cursing their dead lord, and the council, too,
Whose swift, sure, heavy hand had dealt his death.

Then came the night, all grey and still and sad.
I saw a few red torches flare and flame
Over a little gondola, where lay
The headless body of the traitor Duke,
Stripped of his ducal vestments. Floating down
The quiet waters, it passed out of sight,
Bearing him to unhonoured burial.
And then came mist and darkness.
Lo! I heard
The shrill clang of alarm-bells, and the wails
Of men and women in the wakened streets.
A thousand torches flickered up and down,
Lighting their ghastly faces and bare heads;
The while they crowded to the open doors
Of all the churches—to confess their sins,
To pray for absolution, and a last
Lord's Supper—their viaticum, whose death
Seemed near at hand—ay, nearer than the dawn.
“Chioggia is fall'n!” they cried, “and we are lost!”

Anon I saw them hurrying to and fro,
With eager eyes and hearts and blither feet—
Grave priests, with warlike weapons in their hands,
And delicate women, with their ornaments
Of gold and jewels for the public fund—
Mix'd with the bearded crowd, whose lives were given,
With all they had, to Venice in her need.
No more I heard the wailing of despair,—
But great Pisani's blithe word of command,
The dip of oars, and creak of beams and chains,
And ring of hammers in the arsenal.
“Venice shall ne'er be lost!” her people cried—
Whose names were worthy of the Golden Book—
“Venice shall ne'er be conquered!”
And anon
I saw a scene of triumph—saw the Doge,
In his Bucentaur, sailing to the land—
Chioggia behind him blackened in the smoke,
Venice before, all banners, bells, and shouts
Of passionate rejoicing! Ten long months
Had Genoa waged that war of life and death;
And now—behold the remnant of her host,
Shrunken and hollow-eyed and bound with chains—
Trailing their galleys in the conqueror's wake!

Once more the tremulous waters, flaked with light;
A covered vessel, with an armèd guard—
A yelling mob on fair San Giorgio's isle,
And ominous whisperings in the city squares.
Carrara's noble head bowed down at last,
Beaten by many storms,—his golden spurs
Caught in the meshes of a hidden snare!
“O Venice!” I cried, “where is thy great heart
And honourable soul?”
And yet once more
I saw her—the gay Sybaris of the world—
The rich voluptuous city—sunk in sloth.
I heard Napoleon's cannon at her gates,
And her degenerate nobles cry for fear.
I saw at last the great Republic fall—
Conquered by her own sickness, and with scarce
A noticeable wound—I saw her fall!
And she had stood above a thousand years!
O Carlo Zeno! O Pisani! Sure
Ye turned and groaned for pity in your graves.
I saw the flames devour her Golden Book
Beneath the rootless “Tree of Liberty;”
I saw the Lion's le

I wandered through Scoglietto’s far retreat,
The oranges on each o’erhanging spray
Burned as bright lamps of gold to shame the day;
Some startled bird with fluttering wings and fleet
Made snow of all the blossoms; at my feet
Like silver moons the pale narcissi lay:
And the curved waves that streaked the great green bay
Laughed i’ the sun, and life seemed very sweet.
Outside the young boy-priest passed singing clear,
‘Jesus the son of Mary has been slain,
O come and fill His sepulchre with flowers.’
Ah, God!  Ah, God! those dear Hellenic hours
Had drowned all memory of Thy bitter pain,
The Cross, the Crown, the Soldiers and the Spear.

The Phantom of Genoa

Along the docks of Genoa, a man with bent shoulder walks
he is thin and pale like he hides under his winter coat
it can be very cold in Genoa, for him the winter is everlasting.
Few people recognize him, those who do to avoid him
of this huddled figure of cowardice; they see in him themselves
the humiliation of weakness buried deep within their soul.
Once he had been a popular captain on a cruise liner, he
failed, shamed by his nation and worst of all himself.
“Vada a Bordo Cazzo.” Rings in his ears.
Shouted in his whenever he appears in public.
Unforgiven he walks the street night street; he is our ghost.

Some time ago in the furnace below
Grew restless the ruler of sin;
He dug through His closet
Composed a composite
Consisting of a violin.

The underworld rang with
Delectable twang
As Lucifer plucked on His strings;
E'en angels flew down
Allured by the sound
Til Cerberus plucked off their wings.

Eventually Satan grew bored of this, too;
That thrill-seeking ******* must capture the new;
So up to the land of the living He flew;
Disguised as a figure whom everyone knew.

First on the agenda of any pretender:
Extinguish the genuine soul;
He arrived in Genoa
Disguised as a boa
And silently swallowed him whole.  

With Europe His playground
The Devil, He made sound
That no one alive had yet heard;
He fiddled and plucked,
Gambled and ******,
Until inside Him syphilis stirred.  

His physical shell He now had to retire;
Back to the depths of the black and the fire;
Forever above will the humans admire;
The legend of strings; the king; the sire.

This is the church which Pisa, great and free,
Reared to St. Catharine. How the time-stained walls,
That earthquakes shook not from their poise, appear
To shiver in the deep and voluble tones
Rolled from the *****! Underneath my feet
There lies the lid of a sepulchral vault.
The image of an armed knight is graven
Upon it, clad in perfect panoply--
Cuishes, and greaves, and cuirass, with barred helm,
Gauntleted hand, and sword, and blazoned shield.
Around, in Gothic characters, worn dim
By feet of worshippers, are traced his name,
And birth, and death, and words of eulogy.
Why should I pore upon them? This old tomb,
This effigy, the strange disused form
Of this inscription, eloquently show
His history. Let me clothe in fitting words
The thoughts they breathe, and frame his epitaph.

  "He whose forgotten dust for centuries
Has lain beneath this stone, was one in whom
Adventure, and endurance, and emprise
Exalted the mind's faculties and strung
The body's sinews. Brave he was in fight,
Courteous in banquet, scornful of repose,
And bountiful, and cruel, and devout,
And quick to draw the sword in private feud.
He pushed his quarrels to the death, yet prayed
The saints as fervently on bended knees
As ever shaven cenobite. He loved
As fiercely as he fought. He would have borne
The maid that pleased him from her bower by night,
To his hill-castle, as the eagle bears
His victim from the fold, and rolled the rocks
On his pursuers. He aspired to see
His native Pisa queen and arbitress
Of cities: earnestly for her he raised
His voice in council, and affronted death
In battle-field, and climbed the galley's deck,
And brought the captured flag of Genoa back,
Or piled upon the Arno's crowded quay
The glittering spoils of the tamed Saracen.
He was not born to brook the stranger's yoke,
But would have joined the exiles that withdrew
For ever, when the Florentine broke in
The gates of Pisa, and bore off the bolts
For trophies--but he died before that day.

  "He lived, the impersonation of an age
That never shall return. His soul of fire
Was kindled by the breath of the rude time
He lived in. Now a gentler race succeeds,
Shuddering at blood; the effeminate cavalier,
Turning his eyes from the reproachful past,
And from the hopeless future, gives to ease,
And love, and music, his inglorious life."

555

Trust in the Unexpected—
By this—was William Kidd
Persuaded of the Buried Gold—
As One had testified—

Through this—the old Philosopher—
His Talismanic Stone
Discernéd—still withholden
To effort undivine—

’Twas this—allured Columbus—
When Genoa—withdrew
Before an Apparition
Baptized America—

The Same—afflicted Thomas—
When Deity assured
’Twas better—the perceiving not—
Provided it believed—

Says Vernarth: “Khaire to my beloved beings that surround me, including my ***** that move their tails to the rhythm of my awakening. To you my dear Brother, I stayed with my ceramic asleep and I could not sip from the last harvest of ideas and its temporary forks, which came from my parapsychologies. I am delighted among these blankets that smell like cornfields that prevented me from seeing him closer when I already had them in my hands. Now I not only see beyond what my arm measures in its omega, where my own estimating what flower I have to carry and see what it will have to carry in me!

Once upon a time, seven donkeys woke up, the first one who did it went to look for bread, milk, and honey, the second played the tambourine for his master, the third sprinkled the flowers with holy water, the fourth was vernacular in the others, the fifth was in charge of carrying stones and logs in bundles to make the elbows and the masts of the beams, the sixth reconciled the morning with the sun to have a clear day, and the seventh brought the akratismós on a tray, which brought a colt on its back and in a wineskin, bringing juice from the Procoro winepress and Akratos wine, which the colt eventually moved with its leg so that it could be served. Seeing that he gave signs of awakening and opening his bleary eyes, the seven of them laughed and brayed when they saw that he could not hold himself, but when he saw one of them who had had temporary amnesia, he faced him in the sunny morning so that he would face to the wind from the coast that began to bring them figs, like an Ariston or early lunch to strengthen him on his head, more remote of all because he thought too much. The third donkey would make two tortillas from neighboring cornfields that had just been baked, these he used as plates or trays to roll the fruits, vegetables, and barley bread. Vernarth laughs along with them and hugs them again. The containers that accompanied him had the solidity to fill with a few liters of water enough to bathe, after having fiddled with the ******, which reminded him of Orion, but of the meatus that would now be used to ink the thread of the spindle, which pretended to be divine. with hemp and cotton to rub the woods that he had destined for the main timber of the façade. Then he puts on his himation and on it the fibula that protected the serum from his right shoulder. He takes some pieces of logs and lights a bonfire to cook infusions and chalks of his personal medicine, from the collection of his private demiurge, Borker. He placed his tools behind a florilegium, where he received his astragalus by means of his jumping donkeys, and sometimes they would turn around him for hours to soften his immediate floor so that he would not be bothered by the rubbing of the grass and his pectoralis would over-sensitize. But in the end, they traced with him as seven divine golden numbers, which were added one next to the other, for each birth of his mother having to use a third of the womb to shelter them, like equid specimens in their 14 months of age. gestation. As if they were pollen sacs that were the origin of the androecium of all creation in the gynoecium sector. The morphology of this analogical floral relationship alludes to the anthos or flower that matures in the expression of the animals that surrounded Vernarth, and its filaments that derived from the spindle and its promised threads that connected with the fertile connection of the donkeys, making present the cellular magnetism of father and mother for them. Almost like a sordid weight that could not be supported in his genome, it was the serum that sweetly emerged from the nectary of his shoulder, rather close to the sternum, but his burritos produced good moments of the company for him, knowing that if he ran his hands over his satin back, he also longed to ***** the bristles of his stiff hairs, which decided his species, like bristly donkeys only pending his immunity.

Saint John and Etréstles approach and they say to him:
Etréstles comments: “It is said that I must be near you, just as I was in the forests near Piacenza, or after setting sail from Sardinia or Hylates. Then arriving on the coasts of Florence, La Spezia and finally Genoa, it is said that not far from here in Messolonghi, there are books that are written for you, they are wonderful, and everyone reads it, it is called Vernarth Alexandri Magni Macedonis officer Primum "Vernarth First Commander of Alexander the Great." It is said that there is a dispute over the guarantee of your magical verses for those who write it and for those who read it, as an experience that most pleases those who transcribe it because when you stop your verses, they mention that their infantry tale has not reached them. , which is being reborn in all necropolises, such as the Koumeterium of Messolonghi. It is said that there is an extreme reason for unity in the Divine Number of Gold that extends through the seas of Troy and Athens, in the patronage of Fidas for his agora of with the disciple of Agoracritus. It is said between June 21 and 24 the Sun or Shemesh for you, it begins to move away and flushes in its suspicious perihelion, it is said that we will dance in the sacred space, and Archimedes will dance together with us with his Elves, and it is said because I say it! We will have Mother Nature knocking her down at our melted feet, full of ****** Bern olive trees and rotten grasses that announce the freedom to be united, together with all the books in the world, under her great Hellenic library that will never stop going and running after the last leaves of the apocalypse "

Saint John intervenes: "My half reason, is my whole heart, my whole heart is my extreme half, which totalizes the segments of the magic of always surviving and resurrecting in the golden number, thus its length squeezes the shortest way to go behind of the donkeys and lose their memory, if not half sheep of my reason and my heart guiding them "

Neither the Oniros duo nor the third would impede Verrnarth to embrace them, but he was in his purging, behind a severe veil, but from the ductile ectoplasm that already separated them from their ethereal physical plane, it was only possible with donkeys to pass from one dimension to another. other. Thus the arcs of the circle of the sun surpassed the rule of being contained in the supreme analogy from above and below, only the points of ab / cb went beyond the spiritual eclectic portal, to attract them to ab / ac, hinting at the midpoint of the Equidae that brayed to thank Saint John for the Apostle who could be close to him and caress his ears, which were the highest and golden point of his omega garden.

The Genoa Bridge
engineer was dead
and buried long
before his creation
collapsed.

The same fate is in
store for Peter, just
a matter of time and
his Year in Provence
will be antonym-ed.

              <>

29th November 2018.

I can see three skies
on the interior of my eyelids,
and I just got a text from
my friends at a party; it's
well past dark and it feels like
Genoa and Home and London
all in one. I keep
waking up and
dozing off again;
******* fits and
trazodone dreams.
I feel like I'm trapped
in a time loop; Groundhog Day,
but every day I love a new
person,
but you
always come around,
always on my mind
and I
do not know how to keep you
out of my brain, how to
keep you near me.

Just promise to give the keys to the gates, but
Not only to Apollinaire. Just be like Jerusalem,
Opening the gate to the king coming. Kind
David is on the way. He is coming to the gate.

You are a holy person, keeping the keys to the gate
Of Jerusalem. Behind this gate, there is the garden,
Where is the apple the king wants to eat, he has
To consume. Fresh juices of life and being.

Before the dawn of Time, you were chosen
By the king and you have already chosen him
As well. You, a person from the Cossacks,
A post-Scythian phenomenon with Talmud roots.

You saw seagulls in the European north in
The front of the Tallinn synagogue, you saw
Seagulls in the European south in the front of
The endless sea, where Columbus started his trip.

You saw the seagull. You are the seagull. The seagull
Is in you. ”Yes, you are going for a seagull”, you said.
”The mystical unity with the seagull of Genoa”, I said.

The most beautiful. The most attractive. The most
Intelligent. The wisest. The most moral. The most
Feeling. The seagull. There is only the seagull, neither

The world nor people. It is a belief in the seagull.

11.2.23

Everyone knows magic dolphins don't have dorsal fins -
it's a well documented fact.
The Bedouins who discovered super salmon have done extensive research on that.
Every mating season,
they swim up the sides of a tsunami
to rain roe upon unsuspecting salami salesmen.
It's a hard business to get into,
unless you're from Genoa.

explode the greenness within the container of life
mortar and pestle. occipital lobe. throbbing. crasha banga booma the scent of garlic
infusing the innocent air
basil, burning. keep going keep going keep going
wear goggles to avoid the pain of the onions
cut chop slice creal
mortar. pestle. mortal & pestle.
slice
pulverize smash
o the pain
take the basil and mix it


take the nuts


mash em all up

then, mix it all together
diversity
melting ***
jellybeans? no
genoa
pesto pesticide pesto
pesto.

Elegy I

“Behold, I tell you my prince Meton, that my Steed is coming bringing Zeus, I truly tell you that the shadows move on the plasma of the Duoverse and that the lunisolar cycles pose what could never arrive and where it has to go... that It awaits you if I say..., if from the threshold of 331 bC. What will be my own...? If tertians experience without pain that can resemble everyone else that it is!

Etréstles; My debt comes from the Kronia of Saturnalia and Aries, lifting him up from Gea... he is noble in the laws of his geometrical prose calling him from Attica and trying to know if I can take the corner of Stratonx, without a lesser degree of hierarchy and whatever, more than finding Theseus...! If it is of his necessity to hear us through the labyrinths that will approach him of the birth of a new Vernarth, who alone fears for some icy sting that afflicts Alikantus, coming as an Athenian steed on Zeus and on the protectorates of Polia that are plausibly bringing nights of fever in the cold solitude by not possessing them.

Whatever my lord, behold, a polis will have great merit when it occurs in the misgivings, hallucinations, and lightness that are abstracted after twenty-eight days without knowing which will be the next one that will contain it like the kindling of the fire that does not stop burning... nor the magnitude of everything that stops me from being the spoil of a new sprout, but that does not stop me from being superior to the flames that possess their hell. The official acts make me a trophy of hostile anxieties with their dying fire, however, Zeus makes the Duoverse move mounted on my steed that takes him on snows that fight in the contest, and in contests of my Elegy with his equestrian reverie. I tell you that for this they can still loot the feminine beauties that besiege me between ruinous eyes that only see from the attic towards his disjointed daily Odeon.

The sensitive attachment of my Cretan horse neighs resounding from the Odeon, carrying the waters that will be his visionary flowers on female beauties that acclaim him with a womanly voice, which lashes out at him as the bearer of a God, entering into sentences manly beauties that come off the blood Hellenic of Alikantus by Evandria; full and provided with manly arcana resembling a steed made an Adonis. For everything that seems ruinous to you, a head that wishes to be wounded is offered, for everything that seems diaphanous to you like a People in the female physiognomy, a figure consigned in his virginity, who opens doors in which they are semi-open... Seeming that nothing hurts as it runs through the corner of my yearning, with honey and milky emulsion in its porticoes and in the evasion of the Diplon bringing my guests from the Opistódomos, with menus that will be superior to all the vessels where it will take them their delicacies, incontinent. Of the Hydor, that flows from the mancebía and the damp staircase of the Nimbus. Unknown values of insecurity made me attached to the Acropolis, rather knowing that Zeus was on his way to his amnesty and was floating in prose of gaseous clay, and iridium that reopened the double door of the Diplon as it closed abruptly from the canopy tops. Where is it that so much warm wind runs in the colors of the gods who rule the Exile...? So he will continue to be all that he is and will be in what I observe him..., if he stops to look at himself, and not at me who no longer consumes him...!

I tell you with its illustrious shadow that it hides in its untamed ephebos, wanting to make precocious its illustrated cavities that serve an eternal heart, which pours out what pulses and reverses what it repels from the flesh that is distributed convex of the divine soul, making succulent darkness of the apotheosis of the Symposium… burning where they always are, I tell you they are lit in the saddles of time!

How much phobic rogue can tell you what my imperialism binds to say if my beloved were here, seeing her close by like any glow that syndicates her odd sacrifices, with excessive raised and scheduled glasses that speak of a restless being, who cannot tell you that the Christic continues to observe ride from Alikantus, on embers of the Khristúgenna, observing him in pageantry, attempts, and lands of Patmos with a loaf of unleavened brimming with pietism and a new millennium that ends in the pyx of her memories...

Currently, doors are slapped through which my steed will pass with Zeus..., and I will not hear them, because only I have to open their double door Dipylon weeks later... from the agon that has to carry me against Zeus as his relief comrade, clinging to anger in agons that fight each other for ferocious tendons, and herculean verbal incarnations, immersed in irrepressible loquacity... conceiving his heroic chance and submitological feats that are located at the precipice of the heel, and in the breathlessness of his steps that take place in those that are not! "

Elegy II

By what dark decline of Smyrna will my rib complain, and have to move its hanging from here of Selçuk that will consist in its protocols that guarded my lost head, and of corny demigods that surrounds soothing feats that do not hurt, instantly that we all offer the same incarnations of the cult and his victory with Saint John the Evangelist... I tell you that I know about this and I say that I preside and founded the condition of his sacred agonal, from his divine glory in Arbela according to how common it seems to them... if they are to get lost in its decline...! That they do not fight with what is not dexterity and nothing that is not brooding if nothing knocks on the arched door?

The purse that will remain beyond Alsancak in that residence is moth-eaten, I always hoped, I always had to say..., as I have told you that my tongue tells truths that you are tempted to see in the darkness of a dissolute courtyard in Helleniká, but between portages of Smyrna and rubrics that wave in streets that are bordering the extraverted Dipylon... in which instance I peek into the interior wine presses..., seeing its esplanades because if I have to tell you... it will be something that can satisfy you and that takes me to Eleusis...!

So many times I sighed for the stinging hinge and its memento, opening itself up like this, and if it must be wherever it compresses its resonance, here it is what I was going to condescend with dump trucks that transpose to the stage with their marbled misgivings, I beg you with my hands convulsive that I am not fortified, the tribal rain and the Xiphos phosphorus from the southwest, seeming to surpass with their longitudinal footage as if they were laws of the horizontal with twisted millennia that bring according to what should be...? For a long time, it takes the form of an imperfect and vile being by the inverted "V" from Ephesus, towards the intersection of the edge of Pergamum approaching Laodicea.

Guess where the deposit of the Sun of Smyrna derives with its long time-lapse, and with various stony that are attached to masonry typical of the diamond plinth, showing off the docile sacramental of its high shoulders and crowned partitions like those that hurt if my eye everything! Assesses, closing angles of the sovereign challenge, here my sovereign Meton presents me the sacramental infer to the Nymphaeum or a rhomboid arcade lost in his Domus!

Where do paradises shrink from, if all this was being hidden with so many truths between tributaries and conifers that have to be disposed of in their turrets? Its precarious sinister face only restrains the Eminences of the Lycabeto, daring to adorn themselves with Lykavittós, rising among longings that are lost in my Elegy from heights that howl for peaks that have not been besieged, only resided by those songs that shelter themselves obstructed with wide domains, with trainers that guide you, not coexisting lights, that scrutinize your shelter to become your owner!

What makes you of tribulation if my consort is made eternal, now that he shields between his worries for causes and lexical testimonies with my Eggelos, who do not hear the galloping of Alikantus but if the hieratic rocky snorts descending for what their prior does not know... only my chaste unit has to be with its talented polygonal patchwork, unlocking only what it contains in its earthly litanies, softening the sclerosis of a raging carat, being or not defensive of a judicious Eggelos in rocks of fortune...! Only if you have to restrain yourself before they exceed the rate, and of everything that stops you and greases the cranks of what is not worthy of rest without a deponent cheer!

I urge you, oh confreres that your streets and stones expand like runners and cobblestones that have never been able and never will be able to pass through colonnaded atriums surrounded by those who live in Smyrna! And from there I exhort you to serve your faithful hoarseness whose rest adheres to his unconscious reality... Where then only laughs the annoyance and its ominous deities that carve defenses that are arranged for him to house in Skelos or of the legs that are born and die on his heels...? And from where does it only lead him to the vault of the mystery that lies in his opportune vow?

I will mention to you when no one ascribes or praises you with compliments that tempt the supine harassment of whose silhouette it is not, and that it is only the Selçuk catafalque, where the chapel of its neighbors and rye burns that divide the age of the Duoverse, leaving him desolate if my verses disgust those who have secreted and listened to my unheard reflections... Yes, you have to hide in burial mounds that descend from heights that are unknown to you..., you will only have to unravel from your baseness and fading scratches of the factions, with ties and dizzying failures from which Olympians survive and without crowned laurels!

Everything is already commemoration and mischievous funerary daring with portable fluorophores mourners, dressed in crowded slags elongations, and slants where nothing can grasp it of prosapies and past or subsequent lives, where its spits will be of the advantageous parallel that is noticed of a Mycenaean mob. What decorum above all in that setback, that only sees imploring, that they stop behind everything that protects them by the force of the black aura, that hurts and that devastates their vibrations in the triggering footsteps of Alikantus, “He who has hearing and not words that he hears what a stained glass window is in all that he knows and reflects it ”.

What was devouring you by the ardor and his horse countenance with his swift piercing in all that this crusade means... Loading Aerse finesse with herons to tie and perpetuate only those who must not be lacking..., before the supreme preference of a man who errs more than a god, and who was the gift of a PanHellenic fiddling with thirteen shady places, lacerating everything that inferred him, and everything that was an intruder from the earrings of happiness hanging him like an azure earring..., all harassment coming from Smyrna Towards the iridescent Nimbus of Patmos for the puzzles of Pergamum!


Elegy III

I can call all twilight nights princesses in Croesus's scolding, between floods where pseudo warriors who expedition before me, and undivided in Alexander the Great where everything comes from him hiccupping with the Chrysanthemum of Cyrus and Darius. I can make you Persians again if all your history bustled between comfortable Zeroes! And if this besieged crossbow circulates faster than the treasures of Pergamum... thus it would flee with legions and Talents that surpass the treasures of Heaven and its contingent consort.

Third episodes to my teacher Saint John the Apostle placed him a few hours from the Aegean in the lower parts of Pergamum, whose Trojan sons I tell you that I follow the course of his dynasty, perpetuating and touching the scaphoid and serving him with the Lutrophorus! Oh, azure comes with the team of oxen from Thrace that guaranteed the Theologian, and the treasury of his holy angels for this entire mandate and go walking your tired feet carrying the ghosts of Lysimachus? Of your own veracity naming them kings who will truly serve his laudable reign!

I tell you that I have really learned about this and about my own custody that speaks when seeing the victors and the vanquished pass by in the fragment of Ephesus overflowing with despicable arteries of Pergamum, and buskin that was not worthy of a scene of tragedy; between jocular that captivate Jezebel and syllogisms that slice the servants and their harvests. Oh, what a bag it can tackle if they are the dreams of a demigoddess of Sambate, believing to ruin the journeys of the Apostle Saint John by a Vee that unites my own oppression just being in Pergamum very prone to the fourth letter of the Apokálypsis... if these hermits they are confused with my discredit!

In the Symposium Journey, I saw the bewilderment only in the fiftieth fight after 331 BC, since the retreats of my brother and Lord Alexander the Great, dividing belligerents between Lysimachus and Seleucus lying in 280 BC! Behold, I tell you that no novel has to say it... that daring and ****** sleeplessness will be understood with parapsychologies, Magnus battered in blood and having to condone in life the thirtieth cosmopolitan station that will wander without string or staff, only in realms of horror!

“Protervas works repeat from Balaam, perhaps in perjury of those who are not devoted to the ancient expertise of Elijah and idolatrous pagans on Mount Carmel. Days of full consent have decided me to be the observer of an inferior garden no greater than Pergamum, with finery and gibberish of a roasted Faith, and of embellished offshoots that are of the miserable Asmodeus. I tell you that I know of these vicissitudes of tremolos and tarsi that are exuberant of the supra Hellenic Maximus of the west and the east, defeating victorious incredulous who believe they see my retreat from someplace in the west of the Aftó and the east of the Dyticá... all from here henceforth that is not sullied by troops of the Phalanges, they will supply the desecrated foreign troops...! With Roman tropes, levies that will liberate the tetrarchies, the libatum, and their free uncontested successors, repaying Augustus' fratricides and Caesares in the insectary quagmire!

The ill-fated awaits the exquisite court that casts fateful offspring, none attend the charred Symposium and the burning broth, being insubordinate to Parchmentians and aristocracies that get tangled up in the rune of Leviathan, far from a so-called Lord Abraham gifted in the circles! of the power of Yahveh assigned by the Father, and the sleepless sleeplessness of a son, who does not expropriate in wanting songs or children to sleep awake! That makes them consular! I have been caulked in the excuses of Ephesus and Smyrna, where the Hellenic and Roman are lost in the lavish gnosis of a doctor, rub considered among thrushes and blackbirds lacerated from the other infinite... in the absence of Crows and Sisellas dying in their enormous sides and the hemicycle of the Mashiach!  

“Everything that is promoted after the beginning and that was never started has already begun… where the corrections have diluted what the river conforms to the edges of the Silinus, with silverware and Gobelins that are made holly in the refined hands of a maiden. How will I not manage your anxieties proportionate to their sets, if the feelings are greater than the last floor of Babel... and if I had to descend one more, it would never resemble the graceful hands of a maiden talking to me about the next prop? What says more than the plot and its new, different breeze in ****'s indissoluble totality; subsisting with his carpals and with those random scraps of cloaks in the hydromel freshness that the Lord has entrusted him to pour!

What neat heights and challenges I have given you with light half-locutions... that flatter in the acrobatic gazebos of Demeter! With the following high-pitched white dots that are probed from the sunset and the desire of Athena Nikéforos, with travertine arsenals that are the tingling of an Elegy that flees from Pergamum with her feet incinerated and prostrate! What lack of ornament speaks to the adjoining trepanned ear, devoid of ornaments longer than vast, and wider than long when reaching the limit of Thyatira where Attalid kings and ants await me who will carry on their backs the rubble desolations of Pergamum!

Elegy IV

As you have offered what stops me to think about all the horizons that are guarded by agons and Kerveros, what virtues will they make of those who are dispossessed of the rescue and vicissitudes of the underworld of Thyatira! What has to intimidate the senses if the doors are for those who have never possessed a Soul... What has to dispossess us if the soul matter is Thyatira under Akhisar!

You complain of being moaning inks of arid lands where rivers are tributed that have to wade through octogenarian routes, holding on to the necks of the obfuscated Kerveros, and of the henchmen who trembled by the vicinity of the extreme of Mysia, whose urges released elements that mixed with river shelters of the Lycus and the navigable ones of the Marmara! I must point out that the elements are cliffs of Hydor that sink into the seas of Mysia.

That I must tell you of a formidable strait that tried to possess Heles, and that I went to the lower point of its flow to rescue him! That the formidable flash of Pluto infringed what was flashing in pro-Kerveros, not allowing Hades to enter Heles..., that formidable daring would be done if Heracles had twisted such a destiny by allowing it to enter, Or what death throes of the earth did not take him through this darkness where I mostly saw Venus in crimson eyes, rather than borders where the speed of light of their gazes welcomed them with their beings called Mysios?

I am Vernarth and I have arranged that Thyatira and her shallow wayward Nymphs shall rule me in your rod and go with their swifts, hoarding fine silverware that will shine from the heavens, and offer the worthy brotherhood by statutes that are controversial in the friendship of Arganthone and his I wonder if by some hiding place I have to see the black string of Jezebel and supposed regions contrary to Bethany. What a brave ****** has to dominate in full preservative principles, called from where they were punished by the dogs, thus allowing me to purge and follow advances that cleared the way to Mysia and Thyatira. Be clear that the insurgents in this region were chasing my Lord Alexander the Great, and he made the floors of Mysia tremble by crossing the Hellespont where my Heles almost had to get lost in the sea of his senses..., make me be the Ionian blaze that never it has not ceased and will not cease to burn on the Seleucid headboards!

"That you can see if the Lycus and Hellespont are from the same tributary, which hardens its waters to make a firm footing to the steeds and Hoplites venerating their gods and horsemen, seeing my teacher Saint John piously riding on the pagan temples stoning on stony tombstones with the interstices of the New Testament that offers the sacrifice of the Areté, Or of the most excellent eloquent alleys and sacrileges challenging what must never be glossed in the functionality of the file that it is urgent to define if I have died or never Die "

What capital letters are to be taped from the others that are from the Areté, and from its prominent fertility that rehearses the postulates of my Purgation? In everything that is prophesied in the ruggedness of those who boast that they can wander forty millennia with guilds that gather their litters..., all of them doubtful and giving rituals that owe to paganisms that were colonizing Hellenistic nuclei and my help..., closing my Hetairoi's pectoral tail, and then forge more confreres than they ever were.

The regrets of my teacher are scarred in the science of the Lycus valley, as Christians who grow with their sons separated from their daughters, and from the debtor parents of the metropolis of Thyatira, what fortune to be spared if the damages are greater than the reparations, And of the various secrets of the staining of the sky with its purple oblations and antiquities that refused to the progress of time, being discolored by the Adom and the Red blood cells. Here is where they flow through my arteries circling the hills of Messolonghi's Koumeterium, with natural basilicas that smoothly whitewash the candor and licenses.

I tell you that I know this is what constitutes the forge of the being that is capable of leaving Hades alive, do penance together with me Yes...! At twelve o'clock of the full moon where we become fierce Eleusines, since Battles more than hundreds of all, and we will know if we will be children of the Kerveros or Kerberos canes custodians of the inframundis who discover us like fish and cormorants on lagoons that run through us mutilated... which are decreed in the ecliptic, and in the stratum where Thyatira sleeps under the meters of Hades and Tevel, several meters from the underworld passing through its lost Shemesh beyond the western… under the hulous ecliptic of Akhisar!

You should not fear the suspicion or the courage associated with the three heads of the Keveros, because the three of them brood with me in the same way, for when I run away from them and they feel my loneliness...!, Each of their heads think by themselves, but the gentle Levantine sea is arranging them were groups of stars that are rubbing and washing their ******, prone to marine monsters that dress the mane of the humpbacked Hindhead of the Cerberus. Knockdown what nothing is born of damage and that is born of its permanent movement if the beasts are men with strings of impious men that make their portholes enter more light than beings with phalanxes and armies that come and go... being portals of one eternity from where Etréstles comes with his weary stride.  

How can you tolerate that the hands stained with some Tintoretos splash my Himation? And what is still chromatic with a caged torpor, is the Himation of Theseus that revolts the constellations of history that began from the abject sinkhole, fading the virtue since my sacrifice is offered in the religious and its offertory. You know that I have been able to walk through waters that are solid if I put my heels distillates in classic sounds where they are written with the latent prawns of the Aegean! That you nurture a past that hangs from the immediate future with sacrosanct pilgrimages inaugurating hybrids lapses, and classic smithies that distance themselves from Hephaestus and humanoid persecutions that could be undertaken from a section of the new period, mixing darned meat that is released from the principles of the Energeia, and that they sway in the millennial dizziness of the Olive Tree Bern or of any fistula that would not cease of prosaic oracular ones!

Everything makes oracular sense since my prior agon and his lingual accent deny what I will not reach in its sacred connotation, but if its secular insertion to create the deserved and victorious dew that falls and will fall from the bilge of the iridescent nimbus. I have deposited from their marshes where nothing already contains them..., only a pure divine light that is confused with opposite festivals of lights of an unknown victory that was not always mine, but it took light-years with its traveling mass to reach my thunderstorms with treacherous gods who did not allow theological musculations and derivatives of being refined to emerge from their extreme internal and external beauty who prayed for me, entering their Seventh Heaven and then with the Merkaba doing its venerable kalokagathia; or prototype that does not fade every day to take hold of the inner and outer beauty of it, the fruit of the Olive Tree Bern and the countless algorithmic winds that could be counted since I had joined its Falangist ranks!

I know that four Seraphim will have to take me and that your Charioteer will medicate with thrifty speed from where the day dares to attend me with real locations in the Andromeda wagon. It all to dig into the dark and bizarre hollow of my wound knew that it could have been the Holy Spear of Longinus...! What could happen if my chest did not stop bleeding from the indigo and crimson of my Dorus?

Elegy V

You must feel satisfied with the erected statues that were made bearable on the basis of cults and curative powers, but not of precognitions that were the object of Sardes since she was nearing the penultimate station of the inverted "V". The satyr's stratagems of 476 BC were congenial. And the pilgrimages to it would destroy the entire sacred precinct that it once presumed to be!! Theagenes of Thasos resorted with all his strength to move the stars and his impassive silences, seeing that Sardes was becoming a courtier of a network of unarmed victories that were never for him, but for pilgrims who roamed the roads surrounding Sardes. Oh that more crowns of him exceed fourteen hundred, if only one more will suffice to access the investiture of the Himation of my departure!

Continue along the Pactolo River and you will get entangled with vegetal lines on the northern ***** of the Tmolo. Know that Proserpina runs through the flower coffins of the autumn dead, that Persephone makes her shudder in the Ionian polis, and that it will be if she decided to do so, if Aphrodite captured the Cimmerians who would plunder Sardis, more than any voluptuous! And despite everything, it would continue to be a satrapy that does not lead to Patmos through Xerxes who still burns in Hades in the haze and canine of a Kerveros!  

"Follow those worms who claim mesnades with more blood on their fingers, and there is no doubt that they swirl in Pergamum with more blood than their creeds." And that of those who survive in earthquakes and typhoons that stand for generations of the Conventus and an agora that only relapses in Pergamum and in desolate legions that only devastate, and are built on ruins that they praise, just like Thyatira suffocated in Akhisar. Do you imply that the battles of Alikantus strike the silica plundering tyrannical idolatries and sacrileges, ravaging only hapless evils to come and unrecovered pious revelations from Byzantium? I know very well that Alikantus is coming, I could even dare to say that he is coming very close to the fortnightly reclusive citadel of Sparda..., being able to hear that Alikantus is riding from the ready insolent time and I even think I see that he is coming alone... and that Zeus he went ahead for necessities in the barcarole of Charon! I know that matters of the underworld are palatial stews and prostitutes that flank in kettles that announce tinsel falling from the apocryphal clouds and the adjacent Iridescent...!

Like a helical serpent, everything that my dimension swallows is retro-translational with turns about my own age that is not the deed of another than the axial one that vomits imperceptible years that are not memorized and that deal with each other with the ruins of the dogma of Sardis. Come Oh granaries and settlements that squander synagogues and compendiums of ****** ruins, whose altar is exploded in liquid gold on Artemis's hair in Hellenic theaters, where nothing remains, only traces of olive roots that kindly allow them to enter through its cracks. But what did scare the enclaves, if seven churches fell scattered from the corollary of seven manes that only resided among themselves, differing primitives and incisors, nailing their rapiers into the dead Sardes before becoming an Apokálypsis! In its seventh season… I Vernarth revive her and ennoble her from the secret day of her curse, as she says of herself to survive on her ruins, not as akin to Thyatira lying asleep under Akhisar's holocaust!

The images will be there to bring you in my arms, believing to be myself who brought myself spacing and surviving from a fifth posthumous church..., to save my fifth life in Sardis, but far from the Barcarolle del Charon, eating roots that were attached to the keel in case they poisoned my soul..., at the same time as a failed levitate that would solidify like the crest of Thasos, throwing draconian and grotesque seas that within me asked for a license to revive. Everything was whipping on me wanting to be Theagenes with lugubrious ostracisms that from now on should be cut and sliced into parts of my coexistence, leaving only the pre-existing erectness of me..., except the head that impelled me to take the extrinsic path of Hades with distinctions of a cult that only worked in the hands of a Patmian victor, all by counting one by one those fragments of the victorious minute hand of 476 bC!

The city woke up and tried to ***** obligations that were imposed on them, to remove like polis around a sacred precinct that was proud as a bond of centuries that are of the androgen of centuries that are forbidden from millennia found in double eyes, ears, and nostrils. Which was scared away from inscriptions dating back to the 1st century BC thus I continue to establish a superficial status that did not replace any similar or equal future, which is governed by forty-four victorious miracles and all parallels that establish what surrounds my mortal outer clothes..., as well as perpetual belongings and internal endearing to be created from its probity..., even at the end of the factual powers that succinctly stipulated a Zeus, who would be trying to imbibe himself in the possession of a great competitor who will sacrosanctly raise the arena of agon, allowing me to overcome by not ringing the chime of the Paidotribo or the tutors of impulsive eternal effects, and children divos like Raeder challenging the maximum of the stars of God and his contenders! I tell you that I know of these assertions and that the keys are not left hanging, nor will they be prepared to their verbal agility so that they can be taken off the hook and startled to open the Homeric heaven!

Disappear shady Kefalonias or those heads that are empty crypts in me...! And that the children are greater spirits than those who are not without heads who will spend the night on the east coast, where all the burning days are seen as snowy scarves moving from afar..., together with my Falangist militias who do not stop I have to move their hands and his siege with four encirclements of princes. Behold and hear... what I declare to those leaders who raised the lost darkness in a fortunate Kefalonia that tried to adopt seven churches, but not in Sardis!

As you have noticed… the edges of the "V" of Lacedaemonia are already being touched that come out through the stephanite competitions of the interior and exterior of the Kosmous, and everything dies metallic and with stale stenches granted by the polis and the winners! That specializes in the divine gifts of each submithological deity. You realize that the education of appreciation is in the arena of those who propose you wise tyrants and ignorant democrats, who bind the diet and pantry of those who promote great value at the expense of models that, are impossible to fulfill. Oh, that underlies the organic unity with the appearance of a soul that is vicious meat of bait, and of agonistic parts in the fringes and primal that fall from Ephesus and from the tip of Thyatira hanging like vines from where the true god of sin is born. unconfessed!  

Oh, what a diatribe for those who triumph in the land subjugated to the departure of a triumphant of life over it, and that their high dignity will extend beyond life and lash the decadent values improper of piety before the Mashiach that will be there! to rule us! The cults and the first ones that do not reach their contemplation with a soul that lies of useless pleasure in the suburbs of Euripides. What do I say to you that I know about these struggles, and it satisfies you more to drink with Elpenor falling from the staircase that was not on dry rubble, nor of harlequins who avoided the string of their zithers on and under the formula that makes contain the ethyl with the mean to say...; "That one day he was in The tetraconter Eurídice, and that the swordfish was his desire to beat bites and pots of wine that we have drunk for millennia together...!

Who could or will refute it, I tell you that I know about this, because I narrate what I write and sing his first fall near Circe, but falling on my arms... and from here I take him through the strings of Sardis when his buoyant hologram enters for its main stained glass window, taking us from Aorion very close to Barnard's Loop. Hear that I still fall hard next to him getting drunk together in Eleusinian mourning, free from buskin and funerals that are not the best friend that appears to him, and unless they combine us both with haggard browns before leaving the island of Eea.

The torrent of the Pactolo crosses our heads with its trunks like a sophistic beast... also penetrating my harangues from the Aegean when the pale shadows of Sardis are drizzled with third-degree liquor by the ancient pinch of the Hermo, a tributary that sadly hopes to wash the impious feet from Elpenor and mine. "I do not mention what I never tire of defining, that nothing and no one will hear what a voice would sing to a drunken ear, when its abstinent drops of mead are incubated in aristocratic and Hellenic ethics of my youth that stand out in the lips of Apollo and with telling you Hoplite angels who are more decidedly than learned Greek-ignorant, who do not know what it is to die from being drunk, even beyond the Elysees "

Elegy VI

The youthfulness of the Kosmous was defragmented in the inevitable..., leaving important men to take care of the darkness that was only spoils of themselves, on top of the fierce flames that still continued in the competitive souls with their glorify, where another tradition began to break out of the subtle approach that was attributed to Vernarth's homage, as an inter-Patmian genre praising all that is whole to conform the individuality of the holistic whole, which is not yet consumed by the flamboyant and immeasurable images that expanded in times more than what a Colosso from Apsila is, or a thought that forges ophthalmic trifles. I must tell you that denial is a factual point or hindrance in the denial of skepticism and the subtle embargo… if it is not moderate in the face of crowds!

I believe that summers will trigger the passing of Kairos in all the points and means that make the Sun's degree retroaction insightful, and less than what makes a divergent moral behavior, only endowed with the finesse of applicability, If you declare yourselves visionary **** like Critias! If you are in remixes of the Hellenic universal global warming! I want you to know that the warming began from the Kassotides when it was closed and from there d the abrogations abstracted by the Pythias... If from their ocular cranial and the Kosmous that became opaque, and deviated into the tetrarchy or leadership of the four Cardinal points! Oh, what kindness must pass from their semicircular flying buttresses of the world when nothing falls under their orbits... not even a segment of Patristic light the inevitable will be to ignore what falls under the sphere of the world and what rises to his own, from where Ha-Shatan does not pronounce himself in the nubile flowers of Eden!

The Apokálypsis groans, rolling up its sleeves in Leviathan's pouches, reviling the bends of Philadelphia and its Delphic oceans! With requisitions of verses that do not have and will not scribble on the trailing lines of the serpent that wears jewels that are not of this world, but seek whether to fit them in appendages and on the necks of future martyrs. Or bags under the hocks of the serpent, you will see that its optics are in the wrong and that it blows in the goodness of its victimized ones!

Brotherly love was announced as a final omen, Philadelphia was praised in the Ecclesiastical, where everything mellifluous was civil property and each eye would be the same as it will observe it, it would be before the later and the inferior of the superior of the grace of the Lord, in ethical outrages and tribulation spells that sweat in open fields far from the Dypilon, closing the opposite gates of the darkness of Sardis and Thyatira! I tell you that I know in this icy way of seeing how nothing was nothing more than the revival of free will left by the cobbler's caulking and the keys that will open and close storm doors, that only the golden hand will know if one will be a carrier or not. of new hardwoods.

Hagio is real... and what closes and opens his hand will be a guideline for what does not open and does not close! The key of the Angel of David comes from Patmos with a hatbox that proves who is capable of warning for all those who are capable of sustaining the aura of the Mashiach…! That through narrow mountainous areas they will sow the temple of God with hosts from Jerusalem.

Leading them to the valley of Cógamo and soon to the simile valley of *** Bei Himnom and Hermus himself, where everything happens and everything is nihilism in the mainline of the passion of a loved one in its secant line and of the great inverted "V", and its Monarch Attalo's constrained ties and his deliberate missions that collate the penultimate station of my Elegy. “I am Vernarth; My fraternal passion makes these seven churches only one, each one in my Opistódomos... where perhaps I will have to ignore their lustful language of Lydia and Phrygia ”all are my rivals if I do not follow the honorable mention of my Mashiach and all his subjects, who are mine and I theirs... I must confer that the letters are conspicuous literature that escaped from Smyrna, and what vanishes from the lay verb that becomes all the bearer hands with their punches, which are keys to the openings of what rises parsimoniously and falls equivalently..., and what becomes absolute of error and its restrained evil "

My attributes are the Sun that separates from another section, which is the Venerable deliberator of one who is still attached to the sacred. You must stay away from dies that are typical of scalding nightingales that have steel legs, and that if they were from a Hellene, they would be the copy of "Alezinós, which is True and unconventional", everything is manifested in the best arrangement from where I can install my head on the best flank where everything is well accommodated, and what is symbolic in the authority that is finally of our Mashiach, supplying with King David every twenty-one kilometers lamenting, and spilling what he loves and cannot contain in the caverns…, if I know that they still remain closed for prophetic fulfillments, but if all those that the universe will dare to open soon in the paradises that are pertinent will open, which are from the bias of Isaiah sprouting from himself!  

You must understand that Sybilla's electorates will be kidnapped from the anguish of a famous attack, and every prophecy that makes us live in the transparency of the entire material world and its monochord sense that unites the earth with the Kosmous! Oh, what space between everything that is unspaciable will be able to reverse what is arranged in the upper fraction of the rope… and in the omega that everything makes her feel the last sob…!

I know that you know it..., I know that you will miss it..., and that the last day of our Kosmous will come when the Mashiach makes us wake up with the gift of the hexameter, that everything will come along long correct paths, whose streams of the paradisiac Hydor will come from the trance of the last cycle, the last second-born and the last interval where everything will be the same fractional time. The advent of this period of great apogee will give us the intrinsic poetics that seems close to the Dies Irae if Tomás de Celano tells you like this:  

“It will be a day of wrath, that day when the world is reduced to ashes, as predicted by David and Sibyl! How much terror there will be in the future when the judge will come to make strict accounts! The trumpet will sound terrifying throughout the realm of the dead, to gather all to the throne. Death and Nature will be amazed when all that is created rises to answer before its judgment.

The written book will open that contains everything by which the world will be judged. Then the judge will take a seat, everything hidden will be revealed and nothing will go unpunished. What will I allege then, poor me? From what protector will I invoke help, if not even the righteous will feel safe? King of tremendous majesty, you who save only by your grace, save me the source of mercy. Remember, pious Jesus that I am the cause of your Calvary; don't miss me that day. Looking for me, you sat down exhausted; for redeeming me, you suffered on the cross, may not so much effort be in vain! Just judge of punishments, grant me the gift of forgiveness before judgment day.

I sob because I am guilty; guilt flushes my face; forgive, oh God, this supplicant. You, who absolved Magdalena and listened to the thief's plea, that gives me hope too. My prayers are not worthy, but you, who act with kindness, do not allow me to burn in the eternal fire. Place me among your flock and separate me from the wicked by placing me on your right.  

The ****** confused, thrown into the bitter flames, call me among the blessed. I beg you, contrite and on my knees, with a contrite heart, almost to ashes, to take care of me in the end. It will be tears that day, when the guilty man rises from the dust, to be judged. Forgive him then, O God, Lord of mercy, Jesus, and grant him rest Amen"  

I Vernarth, call on you to tear your hearts beyond the last door of the Elysees, the apologies will divide what is like the last syllable of salvation, tomorrow we will be primal feelings of how or which selfless person has to tell you that we are all children of parents that they will always live beyond you, and that the ****** will fall into the bitter flames, if everything is the end in the contrite, make tragedy the daily bread... whose brands taste like the spews of the first registered individuality as bread and healing body angelic, which allows to protect it..., but it remedies the entities of the Garden!

“Among the red mists of Philadelphia, Ha-Shatan's gall lies lost, believing that he has to be a cape of rest and prostration so that the empyrean will grant him rennet and singing honey in his shattered hole..., the typhoons will ignite with his ruse and what expires from the seizure of an unhappy particle emptied by the idolatrous hand. Make the adversary time the habitation of the world that will impiously be infected with the cream that is made the opposite fraction of a vermilion mist, that walks with pride among hostiles when ferocious satiety of God occurs. I tell you that I know what I am saying and that there will come an end with a non-existent verse, or rather held in the arms of an Eggelos asleep in my arms, with Justin's milk teeth from the disturbed circuit breaker of the catalectic verse, which is rolling on Patmia swing doors. Oh, flints of Alexandria, you will know how to illuminate my scrolls and the Canaanite palenques, you will know that Heylel is like a morning star marinating milk with gunpowder and harvests that plague Ithobaal of Tire. Oh, culminate Zoroastrian who sneaks through giant camels and hers King David, very close to Bethlehem, very close from where every angel-like Heylel moves with cloying feet trying their traces from a crushed Latin voice. Both tanned by the rennet that strikes their stomachs... with the vigor of blood, and falsetto between muscles attached to the back of both, I tell you that they are "Ha-Shatan and Heylel"

Elegy VII

“I propose to you a Vulgate and mutilating calamus in the blood of the Mashiach, that would be born here in the metaphorical festivals of the Himathion in my own geodesy, and of all that has been thrown on Gaia and hers Titans of her. You will see that I have learned to walk with lacerated feet and mutilated arms, headless and no apostille that says that my brooding no longer exists in her indolence about Me… the darkness is Laodicea; where it rains the shepherds who by unknown wisdom capsize before the Gods that are to come, all of them from the crippled sky through passages of time, rickety of their colonnades and acroteria that all alluvial splices, where the needy will provide to eat sap that they will recover from their powers, with black wool from the cops and nests of Heylel, and from the under-reigns of Pergamum with annals and diasporas in less wealthy hamlets, without hindrance from the Spolia Opima as rich spolies or trophies I will be reborn, referring to my Aspís Koilé, with blazons and other effects that a general of ancient Rome kept as Apollo's laurel, now I will dispossess them after defeating them with my hulous hand of eternity, incontinent to defeat them with my legion in the Battle of Patmia, and the Triplos Kosmous  Lymphoma "

The Zoroastrian radicality will have to carry out wanderings and limits when nothing was ever to begin... and what becomes noisy in the face of evil ingenuities will make dualisms that polarize the influence of making the day only darkness, and for the faithful the light of day when they were summoned by Ezekiel, and that he must know better than fragments of the day that will contain the night and the portions of the night, the light of day and the resurrection, which is based on eternity carrying the Mashiach above all the infinities of homage twilight that was expiated in chiaroscuro..., thus enslaving the stunning afternoon, which departed from trances in earthly conjunctions, where the usufruct by the Kosmous exorcised the ages that are subjected to its heritage of commemoration You must know that the power of the night about the day as a possession that bills rows of apprehensions that narrow your transit without repatriation...!

Tenure is an inclination during all premature periods, where the day is not ascribed to breadths of unconditional freedom of execration, cruelly leading to the zephyr of the Thuellai with granules mounted on the Malatia, and frolics that engender the life of a Pallid! Superstition in what appears as a multitude of fallen bodies, but without a contracted soul. "Make the even potential morbid that repels the horrendous and terrifying that persecutes the most praiseworthy and kind, who abjures that not everything is good, but rather it will be charitable and you must make efforts from the haze of Theosképasti, extending the relief of not to be classified as a non-living being when it comes to dialoguing with the shadows of Horror!  

The convital substance became too annoyed after counter-vitals that are nothing more than the apparent substance of my speculations, under all the powers that are faithful to it if they make me possess the cosmo-vice of everything hyper-ethyl and of its tempting. Since the cousin and puritanical elixir is disseminated throughout the air that is no more oxygen like a calender that does not bear the vileness of his captive servility, and of the feet that subdue him in the three claws of his shadowy darkness! Oh, what new light will it make of awakening with the preceding light that speaks of genealogies and native ceremonies where evangelical surveyors raise the leafy, that from the dark submission and the unethical fear make us weak martyrs of enslavement of the few frigid hordes and warm Laodicea!  

If my strength is to shelter myself from impudence and Hellenic-Hebraic transcendence, it does not express its ministry in all the children of Hashem, as captives carrying the constituent seed of the perched hands of the Calandria, which despite having wings she is the spokesperson of prophecies that do not have tangible historical records..., you must understand that the Calander has an autonomous and leading flight from Tuscany, but its flight radius is more than an eagle without stopping in those invisible spaces, where the legend can only transmit it..., although someday there will be no birds in the only begotten sky. You already know that I have carried chiaroscuro for their glorification that surround me..., like all that imperishable possession in cycles, they are coupled to cruel and fateful destinies, but always towards an end that for the most part becomes apprehensive of the intellectual aging verb, where their mysteries and they inhabit disembodied contents of the identical globular cycle, where the prostration of their weary skills and wrathful doors will appear from the last eagle that was seen flying free in the hands of Saint John the Apostle, and from other non-resident farewells by their claws of the Gerakis. Why not the Ceremonial Katapausis in the Profitis, or the metatarsal of the eagle that carries last discharges of discouragement in punitive inspiration, if only the calendars free man from captivity, and of unquestionable eagles in the fires of exaltation that will be able to bear it being seen as a figurative immune from Ophel, and from all the images of the supra existential world, containing volatile images of eagles for all purgative humanity forming heads that vigorously face Ha-Shatan and the Iblis, being more than an erroneous translucent figure of the angel ****** and of the perpetual fire of the incorruptible Calandria of Hashem.

“Without regret, I must tell you that the roots of the infinite began to be lost from the pieces of clay that were or are part of Yahannam's credulity, from here on from the dry and solid clay, making the genius of Laodicea one-sided with the hail of springs and of clouds that never stopped ceasing, thus in this way, I suffocate my burning hands that obeyed forces of more than ten newtons due to the miscalibration of their mass and the gravitational force that the Mashiach who converted from his incorporeal angel's geniuses. Make of fire and light your clay that is made homogeneous with liquid ozone, so ****** will come from paradise designated as solid ozone, replacing the negligent potions, which have not been able to free the divine light that for three years has been badly shaped, and have deteriorated only hundreds of the seven hundred pages of Vernarth's Lent, until today that his personal aptitude is questioned in the bleating of his sheep, who could move the fragile leaves of the disembodied forest with their nails, reciting regrets that would relieve the engraved feet on the limestone liquefied and muddy, where they can only emerge before all the dungeons that are collapsed by newton on his scapula, pouring out the expelled sighs of the eternity of the Ohr Hassadim "  

“Observe that cleaning is delighting in the grandiose erudition of what leads us from our null point of existence to the risky point where our objectives bring us closer to our sustenance; So what is Ohr Hassadim…? It is going towards a posthumous desire that thickens the light that emanates from our null point to the widest limit where every human race receives it from the great flow of Hassadim "or purification that is cyclically generated." My beloved readers who speak are the origin of all ignorance, and what is contained in the body purged of it is the unknown revival of a being that instructs itself as the Perdita Mundis or Lost Mundis! " The superabundance of medium prophetic and philosophical biodiversity creates paraphernalia and cavities where no head fits in the earth that have been honest to receive bodies in its mournful abode... makes of its benefits the great desire to receive the "Kli" so that Let us enjoy abundantly from the transparent cannulas of the wattle, which will make the Celestial Hydor fall, and the Manna that will sustain plexuses and eternal insurrectionary souls from the starvation of those who sob absolved of their soul, more than in its very spectrum that is filled with rootlets and clipping, which manifest the desire to play with drops that fall colliding on each leaf, and then fall into our mouths when they are satisfied manifested. Azure water, and nothing else if I want to live or not! Of that blue water that will fall on our mouths and will satisfy us with anxieties and fears that become imprinted when we are fed up…! And from the Manna, which will come with dissimilar entities, even feeding our soul that must also feed on the Iridescent Hydor in a swift vessel called Kli towards Samos…!

Elegy VIII

The eighth and posthumous baptistery will overwhelm all the mountains that became more exalted than all the peaks of the world, showing that the initial date combined the essences of the absolute with the "V" that began to turn one hundred and eighty degrees to the right. “I, Vernarth, have conceived the other being that will detach itself from myself, lying in the Kli or inverted vessel, on all the higher levels of the Ohr, even in those and all the Solstices where the face that makes its materialization is scarce, up to the Xiphos bronzes that would evoke tons from the Speleothemes that would gradually become implicit in my body, taking root more than the vital unfolding that is in my other sub-iridescent body. What is my soul united to the invisible creatures of this world? Take hold of the dizzy that contract in the wind tunnel of Profitis and your Codex Raeder, in what completely makes the ascent of its epitome by its golden steps, leading me to the occurrence and recreation of myself, but with plenipotentiaries who press in Gethsemane in the trepid angles of the Kli "V", beginning to ascend to Keter!  

“I must tell you that soon the Aurion particles will enter through my septum where they have to depart through the nasal pyramid… and that delegations of hoplites are already waiting for me and will return with me to Sparta and all of Greece. And with a Kli of endangered earthly and macerated light, they will be essenced from all the grasses that the calenders by descendants will make at the end a new sprout within me with my Golden Alikantus. The expansion of my light will expand from the radiance of my burnished steed, leaving within my identical hexagonal torch that will make the multi-spiritual thought of its same influx of light into the munificence of its newly created light, it will be from this constraint the Ecclesiastical stele from Ephesus to Laodicea accompanying me. ! If you watch carefully and take your hand out at this time and I peek through the rose window...! You will see that the magnanimous world is established and is going to receive you next to me, lavishing the herb that makes its clothing that shelters our body, and its own light reflected from Aurion itself… "The profound Light that looks from the candid domes of the Seven Churches to the vaults of the Ohr Hassadim, transferring to the sub-Iridescent Mashiach, but contrite of the total immanence of the detachment of its divine light to deposit it on me..."  

Therefore, when both are together, the greed to receive is canceled in the Radiance within, and it can determine its shape only after the luminosity has departed at least once. This is because after the departure of Light from the Kli, he begins to yearn for it and this greed determines and establishes the form of the desire to receive. Consequently, when the dawn is clothed within the Kli once again, the two are related as two separate notions: the vessel and the Light, or the body and the Life.

Observe this carefully, for it is indeed very profound. And soon I have managed to describe the aureole of Hyperborea with the radiation of the Eygues bringing Wonthelimar; Well, if you know how to pretend that you are certainly emanating from the double V or W, which make up your round trip from Ephesus to Laodicea, and vice versa! You have already managed to understand that the diploid round trip of Wonthelimar emanated from two consecutive Vs, making the spin of Wonthelimar carrying its quantum particles of it and carrying with itself the quantum number of the fifth courtyard of Helleniká which is 5, but represented by ε´ raised to fifty, that is; ν 'which is the value of fifty Hellenic. Thus the spinning spin of 5 to ten times its unit will be indicated, as you perceive many dreams will be discovered where those who wake up will never forget that it is this sub-atomic elementary particle in the episode of contrast and extensive change in molecular physics that will lead Vernarth with him in his heart or Kardiá, which becomes effusive in his multidimensional quantum.  

“I have managed to understand that the rotating spaces have been aligned with Wonthelimar, and what is divided in the angular will reflect the mental image throughout the aerial imaginary geodesy of all Hellenic, generating the sidereal coordinates, leaving the intrinsic nakedness of all embryonic forms that it is a sublime mirror of the nakedness of the sidereal chromosome of all humanity. As loci installed in the shank of the Pythagoras monochord, but making movement the tax of certain movements that are more than anything else links of kinetics and gravitational emotions, making the mechanics of the monochord the analogous value that generates the signs of Ohr or light. Pivot at the omega tip of the monochord, raising the re-transfigured ε´ Penta in the form of A, but then returning with Wonthelimar and his Spin of quantum from Ephesus until arriving at Patmos with the essence of the “W” that will bring by essence refounded the monochord in the figure ε´ or V that will represent the quantum experiential bond, or crossing of the particle transfer threshold through the superior axon of Keter to Malchut, equivalent to the tenth compendium of Vernarth's ε´ to ν´ which is the relativistic oscillation of its final unit of ν´; which is fifty "  

Your duties are yours and mine. Mine, I will be the one who will carry the labarum to bear and admit all the tributaries of the creation of my new world, inclined in the Duoverse, Codex Raeder and of everything distinguishable in the refraction of the light that becomes embodied in Ohr Jaiá, or Light of Life for all created things, all creation, and everything that comprises needs to be created in the candles that become receivable in the natures that multiply the remnants of energies, which hopes to be initiated from the new cosmos of the Zigzag Universe and the Zefian Arrows, being the main bastion of the link between the printed matter and decisive stimuli of mercy from where the Iridescent Hydor is born. In littleness, the rocking of the unbalance of the universe is attributed, and of all the wrong applications of amplifying the Bios of a universe that tired of behaving mournfully, being children of its immortal reply...! Understand that nothing will mean more than the awakening of everything that extends beyond the borders of the Mashiach, being cosmopolitan emanating and merciful bestowal and that nothing resides in the material already broken.  

"All the modes of adaptation ended up differing in each form of adhesion within what it meant to emanate in all equivalences and from impels as fast as the buggy that carried Vernarth and Etréstles from Genoa to Piacenza since Etréstles deserted from the Eighth Cemetery of Messolonghi composing all the wishes of the awakening according to the Kabbalah of Vernarth being largely absorbed by the Apostle Saint John. Everything was going towards the kingdom and the surroundings of the Himation that awaited Vernarth himself, swallowing him with all its lights, which were even ecstatic by his epidermis, knowing that he was separated from the undivided light that awaited him in the Megaron, very close to the Opistodome in the Behina Alef, split from his expanded sub-iridescent body of the Ohr, which in turn was levitating next to him, for the vaporous reason of not knowing if his body was a conclusion or a new kingdom that was brewing before him "  

The final phase of this Elegy VIII gave the consent for the world that does not fit in the reason, nor in the thought that was already being installed in all the balusters and limestone stones that would make up its Tree of Life Sephiroth. Your soul is my soul and mine, and I know very well that everyone awaits me on the Profitis Ilias plain, distinguishing me as a whole in the sense of smell that is rooted in the gastronomic world of the Hellenes, and the absolute that my breathing with a few granules of nitrate, making them a divine cause with potassium that became despotic in living creatures that make their essence mine, like my Spirit that would eventually rescind capturing all the sodium from the iridescent nimbus in the intermittent rest and its multi-life like Nefesh!

Beloved confreres Khaire..., receive all the joy that removes the poisons that pierce tongues that become addicted to the drops as they generate more bodies from mine..., or You will be part of my Guf or body that no longer resists lacerations from swords and spears, which depart from my head and its undetectable body from the passage of Time, and from all the fallen heroes next to me…! I see how they fall into their exile diminishing what purifies the content of Advent, of its four candles, dried fruits, its circle between the hands of the Mashiach, and abundant coniferous branches taking my corporality in all the indifference that exists between cognition and loss of awareness of lucidity beyond the Advent Wreath and its four luminaries staying in the Fifth Candle, like the Fifth Chalice of Elijah, taking me very distant with all their desires to welcome and consider that under my initial "V", they will find the synchronization of the Fifth Candle and the Fifth Chalice, which is my "V" in the fifth dimension of the Fifth courtyard and in the shady Fifth of Helleniká!

As the creation, I have been imbued with the euphonic harmony of creation, from Bethany to Patmos, of all the balms that are more capable than physical receptacles within all the higher entities that are more than the unknown, and of the infinite and imperceptible! Of the essential number of the geophysical height of Delphi, close to the elevation that will occur with my departure at the elevation of 583 whose essential number will be 16 and six plus one is Seven, and the Profitis Elías is 565 adding sixteen, and its number essential is one plus six equals seven. All this makes it prevail that my soul will reverberate from the indigo lights of the Ohr, to be sent between two poles from the altitude of Delphi, making these two spaces the equanimous and providential emanation of climate change, due to the disparity between these two latitudes, But of equal essential numbers, creating the closeness of Vernarth and Apollo as they met in the Kassotides, before departing from their assumption to exalted Aurion.

=======================Costa Concordia========================

you flaunt your glad rags
and taunt me for my shreds
you're a human rainbow
in a riot of colour and style
your shoes are from italy
a rich cobbler's work in genoa
your floral tie is pure chinese
with dainty designs and rich feel
you still speak well of pepsodent
and the wonders of fresh breath
compared to you and your riches
i'm an imitation human being
eating fruit and raw vegetables
while you wax lyrical on lasagna
chilli con carne and and tequila
at some up-market restaurant
in the leafy part of town
where your fleet of cars is a marvel
compared to my lowly fare your affluence
is almost banal in its carefree loudness
you've never worn broken shoes ever
or had a toe peep out of smelly socks
and you've never gone without food
surfeit is your other name, and everything
is a gas; your wild parties are legendary
i see all this from my hole in the ground
safe in the stench of the bad characters
that loiter and swagger in my world
blessed are the rich and famous of our times
for they shall only discover their poverty
when the party is over and it's time to go home

What may be this stormy brilliance
come upon my weary watch
Oh what fresh'ning wind befall me
on this perilous small yacht

Shall I shelter in calm harbors,
set a course for un-adventure,
reef my sails, take in the main,
keep it safe for my debenture

Or is mine the priceless treasure
on some island beach I'll find,
if I rig my weather mainsail,
and prepare my boat for rime

Set the genoa to run out,
shift my rudder to the force,
let the weather take a free turn,
let the helmsman plot the course

So be still my racing heartbeat,
be thee calm my apprehension,
give me over to these winds that blow,
it could only cost pretension

In seventeen sixty nine a child was born
in Corsica, Genoa's former vassal state.
Prior to his birth, his land had been war-torn,
Paoli's resistance did his birth predate.

At school, his geometrical talent was inborn,
and he was tutored by none other than Laplace.
For his accent, his peers at school laughed him to scorn,
but fortune would elevate him from grass to grace.

With his much older heartthrob he tied the knot;
much to the chagrin of his own dear family.
For the heart of Josephine he relentlessly fought,
and at Chateau de Malmaison they lived happily.

Later he would choose a military career
that would take him beyond the Corsican frontier.
France's revolution saw to his glorious rise,
when at Toulon, he took royalists by surprise.

To Egypt he led a dual expedition
of a military and scientific mission.
To France he returned and sacked the directory,
taking charge of the affairs of state and treasury.

Europe did contend with him in seven coalitions;
at Austerlitz he subjugated two nations,
at Marengo, Austria on her bended knees fell,
at Jena-Auerstadt, Prussia to victory bade farewell.

At Borodino, Russia met her nemesis,
as her vanquished forces saw their paralysis.
At Ligny, Blucher like a beaten canine fled
with the terribly smitten forces he once led.

Portugal's sovereign lord to distant Brazil ran,
when like an invincible lord he came to his realm.
The emperor he feared, and made no military plan;
thus he paved the way for him to ascend his helm.

But despite his triumphs, his weakness was exposed.
At Rolica, his troops a major set back saw.
From Leipzig he did to Elba's island withdraw,
from whence in 1815 he returned unopposed.

Russia's wintry plains did his grand armee deplete,
making his troops vulnerable to a future defeat.
After the famous battles in which he gloried,
his great ambition at Waterloo was buried.

Chapter X
Etréstles appears from Lepanto

From Lepanto; Greece. He appeared exhausted with his eyes reddened by the gassed atmosphere that greeted them in Battle. Of whose intraterrestrial castes it was the one that was in his iron spirit and floated in his cape as a gesture of his personality. He arrived cracking the ****** soils of Tel Gómel, when he arrived ... he was assaulted by a soldier who asked for mercy to extend his bad fortune.

Falangist: With his helmet in his hands and the Dorus on his cloak on the ground tells him; every single thing I tried the double edge of my sword stained him. The top sheet notified me that my family in Kalidona was in a state of irregularity, since my two older children were called to serve in the militias. And the second edge of my lower Dorus I bow to the meanest preciousness of that of observing with a good spirit to cooperate, now with the callousness of my soul that overcomes it exploiting and dragging my wife as easy spoil. I know that my descendants were buried under the effect of the cataclysm of Pompeii in the future. All will emigrate and then flee when they are devastated and the unwelcome comrades return to reintegrate into the Santa Mary festival. The patron saint who consoled me, but I prepare myself for the resistance of such bad fortune, that one day I would drop with my crops in the culture of peasant angels in fruits and devotions. I sobbed and sobbed rubbing my animals through my empty eyes day and night. They did it next to me, with the singularity of not affecting me, they went to the nearest stream to sob for me so that I would not be affected by the fatal annihilation.

Etréstles, moved by the tribulations of the Infant of the Phalanx, fell to the ground imposing nonexistence, after his words implored Hera for her benevolence to sponsor him as a parasite and reside with her. Thus they would be immune to progressive lives under the influence of the primary and secondary sharp edges of the Phalanx weapons. Hera's eyes sparkled as the Phalangist's soul entered the Goddess. They were not vanities, but for the advent of his vanity on the Acropolis thus reaching him.

Etréstles reacts and says to the Falangist: You will be able to leave earlier, my horse Kanti stretched him out of one of his legs by neighing in proportion, so from the suffix of Hera he took the comparative stelae of a hunter and manifested to the hunter; You are already a Phalangist, ride your steed, Sail to your lands in search of your wife and children and feel magnanimous, before the phalanx officer's frivolous arrogant whistle makes you feel unconsciously smaller.

Etréstles says goodbye and tells the Phalangist to get ready for the logistical combat letter promptly. After all the event, you will be reported back by Hera's command to your lands, to release the grasses by the vertical odes of the belly of the wet, presiding zephyr, and the germination of the warm aromas of your holy land in Kalidona next to your ***** family.

Etréstles de Kalavrita, cheers on the head, both temples and lavishly kisses the Tupe between Kanti's ears. The hyper beautiful sorrel eliminated sinuous vehemence gleaming through its nostrils, it jumped down the cliffs and ravines. They arrive in a rush to Tel Gomel, and appear before Alexander III the Great and Vernarth of the Reign of Sudpichi. They were fiddling with paragraphs of the strategy before meeting with the fifteenth commanders to review the Falangists, and outline a logistics letter.

Adhesion of love Cattle says: "Think of me, ...", stemming from the indefinite discomfort and outbursts of the undecided. The archaic traditions are only for kingdoms to conquer, to sleep like a peaceful dream that sleeps together with us. Do you know how many wars I have had to endure not seeing any gesture of the undaunted muscles of everyone's face and the Whole ..., if they knew?
Replica of Lost love adhesion: from hidden science I will unravel and unravel all my trades to recover what is lost. The magic was lost between my fingers due to its excessive impetuousness, for handling alchemical essences. After this had happened, any mirage or outburst of immortality vanished from all the cardinal points. In the city of Naupacto or Lepanto, it formerly had the best port on the northern coast of the Gulf of Corinth, whose entrance it dominated. The origin of its name is due to the fact that a heracid had obtained a fleet in this place before crossing the Peloponnese, or because it had been a place used to build ships, so Naupacto would have originated from naûs (ship) and pēgnymi (build). “City of Ships, from where Etréstles de Kalavrita came from the aggressive comparisons of the masked love lost and won. Palafrén, that mounts the destinations of the city with his eternal beloved Drestnia.

During the War of the Satagenisis and Deidagenesis, along with the Heosphoros and the Man of Valplacci with their heart Infarcted they continued to prostrate Lucifer., They refluxed with the wars of the Peloponnese, which was the headquarters of the Athenian fleet in western Greece. The Athenian fleet, led by Admiral Phormio, defeated the Lacedaemonians at Naupacto (Koumeterium Messolonghi, Ch. 45 - Palibrio USA).

From here the austere visions of the Charioteer, the genitals of the animal kingdom, and of the exiled human species, flew over all roofs. With his lasciviousness ambushing the females with his ******* pretension, he started towards his senses in his servitude.
When they approached the province of Nafpaktia, the Nome of Aitoloakarnania, the weightless musks that spread and crushed souls, who do not die with breathlessness or halite that extinguishes it submissive. This is how it could provoke some heartbreak and take it to the underworld of Hades. The castes of gods and semi-gods will free him from his chains and the furious Xenon and Lithium gases. Gasifications that will sneak down the drains spaces where no sword my spear will cross the atmosphere of Gaugamela. Only Vernarth out there has to be channeled through the unscathed pavilions of the immaculate back room of his heroic stock. Without any undulating or blatant blade cutting his sanctified and pure muscles acquired in the aforementioned sessions in the Bumodos with the drugs and potions of Medea.

Ellipsis in the Castle of Horcondising:
His mother Luccica were looking out the stained glass window of his main windowed pavilion. Through her she saw how her sons Vernarth and Etréstles met with the great General, to unravel the mysteries of the immaculate and intact pavilions of Vernarth where she commanded and nothing caused her any injury, neither by the edge of manipulated steel points nor by all the hands wrestling with a transfigured fate change.

Luccica says: Dear shoots. The last night of Solstice I couldn't sleep well. The forest of forests woke me up and I couldn't count its fallen leaves. What obedience to my expatriate will, to liquidate them I would gain strength to the intruder fatigue? I know that when I close my eyes I will dream of you. Hold on to the carnival close to the movements that are indescribable but visible. I look at the acacia trees that do not cause injuries to my night eyes, but they cut the necks of themselves like a sieve to admire them in the pantheon of Morpheus.

I will not move my arms to unsettle any vibrations that hinder my fusion with you, except on the vehicles that oscillate from the War to Peace. I move my feeling through my own numb hand of the uncertain living shadow of Luccica, your mother more than yours, forever presence of the dominance of the absence of my desires. All the others who are undaunted, I will mislead them from my national indulgences, which dispossess my ignoble body by weaving and embroidering here in the linen fibers. Evil beyond the stained glass window I saw abstracted, as the swords and spears misguided wielded each other, as if wanting to slice the air to pierce the curtain that divides reality with sub reality. Prisoners of a post-battle that would come to reopen the curtains on the sub reality of the fleeting children of Luccica, of the naive and dying curtains not yet stained with urgent blood in the unpoured vessels.

Son Etréstles Madalena arrived today from Florence; she arrived tired and very sleepy. I think he will sleep until you come back waiting for you! Arrival with some sisters sent by their mother Catarina de Pazzi, directly from the Chiesa di San Giovannino dei Cavalieri. Here long hours she told us without warning the news of her adventure until we reached Sudpichi to the Reign of Horcondising. Undoubtedly I passed the Apennines before crossing the gory viaduct, it has brought you an immolated Cross from right there. Then from Genoa I sail the seas to Valparaíso, brought directly by the merchant ship that came from Helmsman Strigoi, Vlad Tepes himself. On the surface, the float arrived without interruption or ceaselessly, as it had to be appreciated and done in the vicinity of the Mandragora, before arriving at the horcondising.

For you Vernarth, I know that you enjoy the company of Walekiria, who has surrounded you with the divine verb. That of the yellow grasses that walk along the yellow paths, none will be more path than herself. I will be with you very closely, as well as I will see it and you will revive in Gaugamela.

Hades says: with a human conscience I would like to alleviate the weight that breaks the bottom of the ships that invade foreign lands. But my origin sentences the soft abandonment of the labyrinths of thought and reason. For this I leave my punishments to the one who here with reason let his ideological tendency inhale perpetuate itself in Gaugamela without being supervised by my fury, overshadowing my administration of those who should not live or die in the ancient song, who sleep and sleep, but who my Dark prayer does not distract you.

To be continued / under editing

Corsica, oh my Corsica,
Corsica of a thousand charms,
Corsica of whose fragrance
I can distinguish from France.
I delight in your coat of arms,
with an image the replica
of an emancipated man.
You were my childhood paradise,
in your gardens I played and ran.
Your shores inspired delightful tales
of a land fortified by whales.
Oh Corsica, my Corsica,
I long to inhabit your shores,
to flee Hudson's punitive laws.
There never was a land so dear
as this idyllic island rare.
France did value thee at a price,
and Genoa prospered from thy sale.
Corsica, oh my Corsica,
shall I ever see thee again?
or will my longing be in vain?
Oh, how I love thee Corsica,
heal my protracted home sickness
like a tender loving mistress.

Vernarth's term overage was not exhaustive, as Vernarth would return to Alikantus after his journey to Kanthillana for the Winter Solstice and Patmos in spring. He was collecting each time in the decantation of each corollary of texts, images, narrations, and epigraphs that were being deliberately written on the flames of the Apokálypsis. All the experiences of the tragic characters in Vernarth were embedded in the papyrological Datum once it was detached from the Dragon's snout. This result and action verse became the reconstruction of the cessation of a physical body, whose final living objective was to legitimize everything in which it was uniting in the nomenclature of written prosopography, advanced in all the roles of the ruler of their own history. parapsychological incorporated in its own self-analysis until reaching Everism that reconciles its mythology as something secondary to the Tragedy for all societies that evolve in a focused technocratic aspect and the rhetorical unsaying of attacking the world that was destroyed under a redoubled dose of anesthesia of the disgruntled ideological of being judged by the entire world as a being spawned in the papyrology of Pergamon in ruins. The visibility of him as an actor drags her with the vision of him asleep under hypnosis that allows him to combine the periods of antiquity more than six thousand years ago. C. allowing him to build a person from low to high visibility in a consequence where totalitarianism was exclusive to a millenary East, in pursuit of a nascent South America suffering from the birth of itself from the geological split 120 or 150 million years ago that did not they would be enough to bring about the consequences of Spílaiaus when he allows, hears and tells me to give him the world that only he had been chosen to live in.

Vernarth welcomes and obeys his command to divide N times as a normal body could run and fall into this current maelstrom that would take him throughout Greece, Judea, Central, and Eastern Europe, from a place of origin called Kanthillana which resists the intermodal phenomenon of quantum that would overwhelm him to the point where his entire genealogy would follow him wherever he went if need be. All this was mending and composing itself in those alternating impurities of some paradigm, reinstating the constitution of the random present of Greek mythology already alive in the blood that unites the same rivers that are born of a narrator, always disposed of in the eminence of inspiration either in Olympos, Profitis, Ophel, Kantillana or any tomb that constitutes the format of electric actual mobility where it distills rapidly at the speed of emotions that will always be directed by gods who feel it before they are received by a distant reader. The elaboration design of the works is spaced from the hand of the argument that sometimes tries to hold on to the runaway reins since they are commanded by real emotions provided by unknown forces, generating a great collision and incomprehensible data header for an eye or ear human that needs the neat pause to attend to the discretions that are intertwined and accelerate with solidified sources of extemporaneous mythology diverging from prosopography components of Literature Heritages Sites.

The chattering of the monuments will be of great superiority as an addition to the compiled history never told or narrated where it intertwines with two dissimilar, dissonant geographical zones, distant in such a way that they themselves react to a thunder of life, which makes up those zones that are individualized and inanimate as sources of multidimensional fervor, causing high-sounding narrative imbalances that at times were made as a great source of the power of what makes sense or what could mean at times that could continue progressing in the potential wealth of beings that were never geographically rooted in a system of use or group accent that could be immersed in the biography of that which has never been told, since there is no record. The information that is unknown could not be collected as well as a concept that survives the networks of a shipwreck of the passing of the centuries that run between even and odd centuries of today in the antiquity of the Middle Ages, however, all this traceability leaves us in micro spaces that are not perceptible, nor in the incorporation of chronicles that can be driven by the linear ordering method. Vernarth is in itself a precipitous advance, a quantum of dissimilar interests of civilizations that survive and will survive from where they were forged, perhaps integrating the second face of a life that manages to detach itself from the vital circle, to experiment with its canceled free will and redirect its life. revived canons of a new nuance that concelebrates within the face of an unknown character of prosopography; to the same one who imposes the laws of everything he should for each own individual having the opportune world of him that receives him lavishly.

After the seventh century, the phenomena of the Mediterranean between what simply promotes a turn of the page leaves the hemisphere of each empire more distant from the social phenomena that distinguish us once the stumble of generations cannot count what is not could mend in the subsequent generation. This is why Vernarth's hybrid containing allows you to travel between immemorial times, allowing you to store them and tolerate periods that do not fit the scale of all their wills deployed towards an administration that manages to revitalize their monuments and ally them with other geographical areas that could not strictly speak of the same contemporary, having taken more advantage of them. Such efforts would make a great providence and closeness of all the garments that represented suitable characters who are still looking in their wasteland for the true chronological process that should fit their conditions. Vernarth is a great enlargement of prosopography that he has or ambitions excessively, and that may heavenly tempt him to build vaults that can fit the figure of himself equivalent, of the libertine whims that could stipulate the crosses of the early and late periods, eager and differentiated for everything that could fit in a bunch of flowers like a bunch of verses that would be destined for the available that waits to be presented from the incorrupt mound of Olympus with the chain of being repeatedly presented in the Kanthillana before the god Spilaiaus.

The tool will allow the reconstruction of each elapsed period of time, which is exactly what the submithology intends, to return to live with the villagers who tend to trace their lines of traditions, customs, and much-needed etymology to revive the peripheral description where some manage to to be protagonists, leaving aside those who should be participants in silent actors that intends to expand the euphemism that is only revived in the courts of the emperor that is not even established in an ironclad draconian family monograph, as could be seen with the vast majority of the descendants of the Merovingians. The portrait tends to allocate budgets from the treasury of who should be the budget of the vast majority of true Labrador Hoplites as true ascendants of the great hidden treasure that will provide the eloquent looks of Medousa. This is how much of the vindication of cinnabar must have been established as a burial of many individuals from the Middle Ages in the vast majority of Europe to daub the bodies in sulfur or Cinnabar to try to keep them in the underworld with their entire body in linen shrouds or substitutes, and how to preserve or how to return to an organic chemical environment from which was the union of two beings when they engendered a being by the chemical explosion of a body in the autonomous cycle of procreation. Linguistic guidelines will undoubtedly make the entire Middle Ages the creation of a symbol of faith entrenched in unionized social spheres, made up of guilds of families that were never registered in a regime or corporation to supplement the lack of the Datum that in this work is It aims to decorate, uniting all classes, latitudes, and sectors that could well deserve complete the spaces that should have been executed by intercontinental clans, offering them a history that is part of their emblematic ancestor.

I would dare to name the Hoplithography, as the archaeological social fabric forging the question that establishes the Hoplites as sowing cultures of the significance of their prosopon of military body, contemplating further than all the nations of a way of life that probably would have been perhaps univocal to a pious being of the science that surrounds him, with the loneliness of a being that does not admit that he is overcome by science that submits to autonomous man such as Diogenes of Sinope or Archimedes who join an axial connection in the evidence of the senses, but in the Solstice of Sinope 412 a. C. specifically in the efforts of Vernarth to make them participate that the free man belonged to a Don who was more removed from his gaps of mistakes or successes since the free man was going to be imprisoned in the urn that joins him to his body and not to the illusion of your senses. The gates of truth or otherwise are just a few steps away from this Vernarth Tragedy that asks for a little hint of space-time movement. All the paradoxes that linear time will persevere in great calculation errors that could be an Aporia as speculative logic, followed by the fiction that exceeds reality where the paradoxes will be unresolved inconsistencies, essentially with what untimely arises from an indication of life in a common being that is related to quantum mutes as exhibited by the explosive Parapsychology or "Paraps" that are subdivided from the different scenarios of Aporías or enclaves of logic that are conjugated with the non-existent reality, given to the mechanics of Submythology of heroes, gods, and others coming back to life in a passage of time that is not explained in some expired history book that had more to tell than what its own ruins hid from the truth that could be told. This is a wealth of objectives that this Thesis proposes, to discover in the immensity of the unknown what was and could never be told, and that the past genetically survives in varieties of classes of organic species that continue to be assembled by worlds that tend to clear and rethink what any storyteller, philosopher, historian or archaeologist can interpret.

Physics is made of a servile space or instrument of the paradox, in such a way that the events point to reopen doors that are of the unknown History that could be part of a god that did not exist until the shelves documented him as part of a living culture associating it with its patterns of daily life, politics and the chores of common human life. It would be like the Arrow of Flight with Achilles, perhaps leaving a great inheritance to Alexander the Great in the dichotomy of how it would be Zefian by instituting the balance of the world with the geodesy of the world of Vernarth, not alluding in between the time that dictates it for its governance, but rather the cosmic heart that allows guessing where the thoughts will be directed more than the elliptical of ascent, and descent how far the arrow will arrive because even so whoever finds it will be of the mental times that elapse in different fractions as it is Parapsychology not moving, but more than the time that only moves where it is not or rests to give primary indications of intelligence in which thought must establish the concrete fact that everything takes place in its elliptical, but not in dissociated thought. Perhaps the singularity of this polished rule could show that this Paradox of Zeno that everything that exists could outline that the line that divides Achilles from Alexander the Great is the elliptical of thought because in the rhetoric of parapsychology there are no contradictions if it is that in the Dimension of Hellenic History find in it a distant today that communicates with this faction of the dimensional medium. The infinitesimal calculations of the Duoverse aim to link or reconcile what is being advanced in parallel in the mechanics of neuroscience, without the need to have practical scientific vestiges to determine what inhabits the intersection of a circle of quantum with respect to another that it occupies, a classic example of Vernarth when carrying out the flashing Kenósis of his Kli or Vessel that reunites his independent non-parallel lifelines, but that of belonging to a Hellenic trunk with the mathematics that exceeds infinitesimal numbers moving all the lamps of the Universe when both demi-gods walked through the relevant infinity.

Vernarth is a paradox that begins with the analysis of his initial "V" of Lacedaemon with the intention of traveling in supposed time, more remotely than a word can be subordinated to what could reconstruct an infinite regress, which is what will happen with the Apokálypsis in question where he is the threshold section of analysis of the genesis of this work in the Kanthillana, then with the reissue of the Medico in Piacenza by recognizing the constitution of the area that is more than what any specialist can understand; that is, much further from any speculative stealth before Vernarth or after that other prototypes could arise that are indirectly related to the concretion or invisibility of Non-Visible characters, but with the arrival of the submithology genre, its structure will generate conciliatory physical fields of what that he could never refer to or know if a beginning began when the end of the prototype of an invisible being was just being gestated. Perhaps the genesis of the world is a great paradox that was looking for the beginning of the end that manages to meet with a definitive beginning allied to that of an indivisible that indefinitely and infinitely creates micro spaces where time has no place, only physics links that overlap quantumly and represent the truth of purpose.
The argument goes beyond the linear narration that tends to describe who was or was, supplanting it in that of who will be and will be whenever the bonds of a timeless continuous reality remain in all assumptions. Here it is clear the axiom of the infinity of divisibility that is predisposed by an objective to achieve an unforeseen event that is forceful as much as it is likely to plan, from the Duoverse and its composition of everything including all the magnitudes and tendencies to his feet what will add up and will be charged with what has not been built or discovered making this hypothesis of the conceptual that displaces the historical because the conceptual occurred and occurred in outdated times not altering its objective since parapsychology in its infinity of regression will annex him in every Greek, Hebrew and Western dimension and latitude in an ancient world that will always be composed of addends that incorporate it into the Vernarthian World that in turn dares to challenge that the importance of the world of emotions are not part of the study of this Thesis of Literary Heritages Sites, as an infinite potential to achieve when the Apokalypsis is definitely triggered, prior to the ascension of the Vernarth when it leaves the Megaron and its living vibrating magnetic body. The regimes are not egalitarian with the fall of the determined slave democracy of 404 a. C. It could perfectly have been ruled, making the political destinies of an entire nation that is subjugated to attract and implement political and economic experience unclear, that those who would never be sustained by a regime determined by the inclusion of quantum paradoxes would be migrated more than any political-administrative order, which never led to the development of a new dawn of science of the infinite regressions of Parapsychology that unites everything multidimensionally.

The best choice is the equivalent of Prosopography, which results from an anomaly to the rule where Vernarth's Mythology regulates the organization of prosopography, claiming to demonstrate that there are gods who intercommunicate like Spilaiaus with Zeus, claiming to establish that what is going to happen is what that he wanted for his regency the prolongation of one mythology towards another, but without it being written but "Live" this is a postulate that Submythology proposes, substituting all the method rather experimenting for the superimposition of everything to the lesson of everything that is interconnected, although maintaining the univocal root that represents all the structural, cultural, historical and sociological components that intervene at times as an entity belonging to a reality of legends that border on the reality that must be preserved vividly. The compilation lists of Greek mythology is the product of enormous processes of years that have been developed in their territorial regions, a cultural union since Christianity displaced paganism from the year 391 AD. C. tormenting virgins and nascent creeds from a multi-paganism step that was based on the diversity of their daily lives to a universal expression that surpassed all excessive freedom or nullified free will that contended with the delicate slave democracy or dissuasive militarism based on the Oracles, who never had a real interpretation of what originated from a real god or nature that governed itself, rather than a god that questioned others that only individualized their own dramas to represent them to a god that pro-tradition that he freed them or condemned them to live at the expense of a Dramatis Personae. Here is the prosopography that with the well-formulated passage and sense of defining that the Ardors of the Drama make sense of being systematized from the gods of Olympus, but also in social stratifications in part to the worldview of their own ancestors to be the most faithful interpretive of the wealth that makes up the source that structures those of us who are not destined to be deities, but if we could exist before them with a recognized pattern in average reports that could be placed when Vernarth leaves the confused division of a body that will remain in the Iridescent Hydor of the Mashiaj or when the prophetic appearance of his Mother Luccica is sustained by such a portion of a physical world, rather totally petrified before the hecatomb or end of the world, generating in her a stony and inanimate being, but if sufficiently existing to define her new role in the universe "Ab Initio" of a general objective of uniting eternity of the competo of existing of unifying the geomorphological latitudes of mythological existence with other unknown vertical cultures (Submitology) and hypothetically pool the experience of the elements of the universe as a whole to empower roles among themselves. Then unify everything that can be narrated as an imminent truth to lavish it on those who could not exist at the same time, but rather describe it with the quantum channel, as it is here that Vernarth remains conjugated to his literature, history, theory, and quality of his speech. focused on a fully portrayed and defined system of Patio V of Hellenika as the Fifth Dimension as comparisons that are rationalized with space-time, geographic-chronology submerged in a theme of Political History as the axis of states that exert social change for numerous characters who recently there they come to life, as is the case of the new stage of Zacchaeus and the Sycomoro or Saint John the Evangelist in the Hegira to Judah provided by Vernarth to rediscover its roots, and reduce what could have been but the journey of Judah if there had not been ended in a conclusive in Jaffa where the metaphor that returned to Limassol would exceed the metaphor of Rhodes as an intermediate point that perhaps nu It could never have ended.
The interrelation of conceptions is due to a Primogen of the sixth dimension that was established as it was in Izzana with the Unicorns or Uilef that carried them to Genoa, or of the Giant Camels that were transfigured in Jaffa when the Ghosts of Shiraz had an impartial interference in the successful sea off the eastern sea. The relationships of the primogeniture allow a timeless mobilization led by Eurydice as a living figurehead that structures her Orphic proselytism, further than a conventual desire to compensate for all the unfocused in the elite and the outcome in the Profitis Ilias as the maximum height of reception. Trinitarian back with the ecstasy of Saint John the Apostle as the mobile center of the Hexagonal Primogeniture, the similar inspiration of living images of Ein Karem and its shepherds.

The Birthright is a family that composes them in their faith that guides them by themselves, whose goals are primarily directed by their sacramentals from the first to the seventh Giga Camel. In the imaginary and cultural reference that is delimited by its monotheistic ideology, acquired from a Hebraic-Hellenic scientific connection, whose postulates will survive the unusual phenomenon from generation to generation, but rather infinite inter regressions that could sometimes revolutionize the entire creation from scratch interpolated by an alpha, being the same for its intended end. Behold, the crossover element of this theme alludes to objects, events, or phenomena such as the reopening of the Kassotides as a central element from which the hypothetical support of all faith could be shipwrecked, if it is put at risk of re-raising culture to save the fate of the world at risk from climate change. If two sages met in limits without knowing Schopenhauer or Nietzsche with the relevance of ideologies that would offer more factors, expanding both systems or theories as alternative areas to think free from humanism or intellectualism that somehow reveals itself at the end of the times reconciling all time of action subsequent to his potential periods, more than his written legacies because his potential lies in his social prototype more than his work, given that his virtuosity is deeply rooted as an atheist believer, more separated from any intellectual root of wisdom What if it denotes the non-existence of a Pagan or Divine Enlightened God, what would provoke the indirect means that persists of calling a society whether or not it was a believer? In the specific case of Vernarth, his entire biography revolves around a Supreme Being who appears before him as a god of mythology, and who then takes him to the portal of Saint John the Evangelist as a being of compassion who alternates with him to embrace him and your arms. Everything there is that allows to treasure, store, or interrelate in different social strata uses the divine work that a character that sheds light that can even give more brightness than any star that can be demonstrated in a written work as an essential starting base reliability of an author who is inspired, and is not inspired.

Submithology also replaces prosopography, to say the least, that unites in general circles that cease to be physical until the ethereal limen that converts them into micro translation spaces such as quantum, in the same reciprocity of a point A-B and B-A and vice versa as it stipulates the connectivity of what exalts thought, and its inheritance when rising to the point that would be the “Intellectual Heaven”. Vernarth in the present time of any researcher could attribute that it will depart from the Iridescent Hydor photo-duct by seven channelings of the spectrum of the refracting luminaire but of the concomitance of the observable Vernarth, or rather of what little remains to be able to observe of man after leaving It is sighted by the masks that caustically protect or envelop it as a waste of what is not attributable to a Politai, having conditions of dense interests of a destiny that will never be recognized or belong to it. It is because of this reluctance that the proposal of free will offers greater perspectives in a series of misunderstandings such as Empowering two famous atheists like Nietzsche or Schopenhauer at the service of believers who would never object to the full range of possibilities that they could implement from scratch, to convert a Christian who is like himself to a convert who will purge and reverse all his permissible externally in the farthest destinies that allow him to ascend in freedom of annulled will, not only on the earth with one more differentiated, but as a tender being who saves the world so that the world does not forget him. This thesis offers the man who has been bastardized or discriminated from a social marginal depriving him of alternating with nobles or well-to-do who circulate under the same roof of half humanity that allows the common man to dispense with all humanist beliefs, opposition, syncretic, etc. .) To detach from all vanity that is limited in the abandonment of any of it progressing with all creation that if it is when every living organism ceases to be on Patmos.

The Patmos reef may contain inventories, archives, demographic indexes, religious spheres, congregations as repertoires of those that will form when an external being arrives to build a society that imposes its character of contribution to society, and tends to adapt to particular aspects that the that they will be until today on the island itself, in itself demanding the leadership of an elite of the Passional of Iahvé through Saint John the Apostle in conception of qualifying him with the great stratified of the species that compromises in the optics of converting his followers, as an essay of an illusion made real ad honorum of a residual fragmentary that does little to unify the eras in which the rich and poor will be relatives not because of their genealogy, but because what the poor lead of the other to save him from an end that has another handle of his heraldry and portraits of his game that is deactivated in the collective imagination of all his progeny highlighted as a representative of mutations of numer dark ales, where nothing will be recorded only in this untrammeled probability of granting a life that resides in everything that cannot be seen or named, that transgresses all sources of prosopography as something deductive in this case Deus Ex Machina; as will be embodied in the final tableau of Vernarth's Trilogy III "Like the god who will descend from the machine or in this case from Hydor to Vernarth to take him to Alikantus with his mended golden hooves"
To conclude where it remains to argue that it can attract us from the Intuition of being more than a human who can actually live more than what can be budgeted, without prejudice to common sense that is quiet and distant from the epilogue of this work when whoever looks at it and hold on to a legacy of Heritage Site Literature, and manage to embrace it so that its pulse can be felt in each character it is in, and in each episode of a post-classical story. The derivations of a critical analysis of psychological Vernarth is greatly affected by an independent reaction of a real regime to which his fellow Hoplite Soldier leads him to the event of Arbela in the great battle of Gaugamela, integrating himself into the analysis of a reality that did not belong to him due to because he came from another remote erudition, and was only recognized for defending common acts that reflect the awakening of a new seed of value and temperament of a whole baggage of anthroponymy that could fit in all the spontaneous civilizations that manage to transgress the barriers of time and normal space, here is Vernarth who manages to fit in the names that substantiate in others that revalues them, and could appear as a perfect leadership name to access a Helot, Hoplite or Politai housing space in the same way as It could be transmitted from a leader who, together with Wonthelimar, was able to cross the Pyrenees or the heights of Ida or Kanthillana. as a high descendant of the Arakynthos Mountains of Messolonghi destined for the Koumeterium of the same name where the genealogical table of Vernarth is carved together with his brother Etrestles, under the invisible courtesies of a man when he is condemned being born from here from the numb invincible spirit of the Heroes of the Independence of Greece 1830. Finally, in this penultimate episode that Vernarth qualifies the sense of not being affected by an oppressive cause as being influenced by supremacies of ideas, creeds, philosophies, or governmental order, rather by a divine general scientific exordium that is from where he manages to interpret when the Mashiach or Messiah, will take his hands to carry him to meet the Hydor and dwell in that place with Him. The archivist will have the possibility to investigate and study in situ the paranormal events referred to as mega parapsychology, This way he will allow his vast merciful heart to be a strategist to carry in his inventory everything s the petitions of the living who remain in the land of Greece to take them to those who remain in the land via Patmos. Vernarth from the 6th century AD. in search of his genealogy he can create a meritorious dignity of giving funeral rites to his ancestors, the long-standing family coat of arms became returnable to the Reign of Horcondising: Spílaiaus and Aiónius with the major gods who waited for him to reside in the entire fringe of the invisible beings that in eternity will take chronological charge of a revolving time that will recirculate from all that is not dimensioned like a spiral dragging all the empires that request the renovation of their ruins, and of their beings that cry out for the misuse of this world and new coverage of a new world of replacement; as Vernarth's Strategoi legacy through all the reigns between Justin I and Justinian I of the sixth century, since previously a large part of Vernarth's family was exiled to the South of Spain by the then Roman Empire from the north of Venice to the Mediterranean, from here he transfers all the families of his lineage with his Coat of Arms of Lacedaemon to protect them over the course of more than 700 years. In this way, a large part of those who had to protect the family raft that was protected by Vernarth in the revolt of Constantinople after signing peace with Persia. The Apoinandros preserved all his lineage along the paths of an enthronement ritual that protected the distinctions but also the families of the world in the Mediterranean regions, curiously where a large part of this Trilogy navigates the Triacontero Eurídice together with Vernarth as Strategoi of expeditionary forces in glorious parapsychologies of the Middle Ages moving periodically from south to north of all of Hispania, even alternating with Nordic and German elites, such as Greek-Hebrew nominating Vernarth as a dignitary that will be preserved in the coat of arms Strategikon that managed to be collaborated with the Emperors the century VI, attributing that some of the most robust could be part of the elites of the Roman legions as exclusive Praetorians. In this way, all the family trunk and his insignia were migrated from the north of Venice, then to Lombardy to be redirected to Spain later in the coming centuries to South America. The Strategikon has presented as relevant to the present elaboration thanks to its representativeness regarding the egregious existence, compilation, and hoarding of relevant technical information for the performance of the distinguished tasks of ex-military, being able to be verified with absolute certainty within its family traits with its existence, and continued use as a source of the great Taktika of Alexander the Great and Saint John the Apostle as Magister Militum.

The eighth and posthumous baptistery will overwhelm all the mountains that became more exalted than all the peaks of the world, showing that the initial date combined the essences of the absolute with the "V" that began to turn one hundred and eighty degrees to the right. “I, Vernarth, have conceived the other being that will detach itself from myself, lying in the Kli or inverted vessel, on all the higher levels of the Ohr, even in those and all the Solstices where the face that makes its materialization is scarce, up to the Xiphos bronzes that would evoke tons from the Speleothemes that would gradually become implicit in my body, taking root more than the vital unfolding that is in my other sub-iridescent body. What is my soul united to the invisible creatures of this world? Take hold of the dizzy that contract in the wind tunnel of Profitis and your Codex Raeder, in what completely makes the ascent of its epitome by its golden steps, leading me to the occurrence and recreation of myself, but with plenipotentiaries who press in Gethsemane in the trepid angles of the Kli "V", beginning to ascend to Keter!

“I must tell you that soon the Aurion particles will enter through my septum where they have to depart through the nasal pyramid…, and that delegations of hoplites are already waiting for me and will return with me to Sparta and all of Greece. And with a Kli of endangered earthly and macerated light, they will be essenced from all the grasses that the calenders by descendants will make at the end a new sprout within me with my Golden Alikantus. The expansion of my light will expand from the radiance of my burnished steed, leaving within my identical hexagonal torch that will make the multi-spiritual thought of its same influx of light into the munificence of its newly created light, it will be from this constraint the Ecclesiastical stele from Ephesus to Laodicea accompanying me. ! If you watch carefully and take your hand out at this time and I peek through the rose window ...! you will see that the magnanimous world is established and is going to receive you next to me, lavishing the herb that makes its clothing that shelters our body, and its own light reflected from Aurion itself…; "The profound Light that looks from the candid domes of the Seven Churches to the vaults of the Ohr Hassadim, transferring to the sub-Iridescent Mashiach, but contrite of the total immanence of the detachment of its divine light to deposit it on me ..."

Therefore, when both are together, the greed to receive is canceled in the Radiance within, and it can determine its shape only after the luminosity has departed at least once. This is because after the departure of Light from the Kli, he begins to yearn for it and this greed determines and establishes the form of the desire to receive. Consequently, when the dawn is clothed within the Kli once again, the two are related as two separate notions: the vessel and the Light, or the body and the Life.

Observe this carefully, for it is indeed very profound. And soon I have managed to describe the aureole of Hyperborea with the radiation of the Eygues bringing Wonthelimar; Well, if you know how to pretend that you are certainly emanating from the double V or W, which make up your round trip from Ephesus to Laodicea, and vice versa! You have already managed to understand that the diploid round trip of Wonthelimar emanated from two consecutive Vs, making the spin of Wonthelimar carrying its quantum particles of it and carrying with itself the quantum number of the fifth courtyard of Helleniká which is 5, but represented by ε´ raised to fifty, that is; ν 'which is the value of fifty Hellenic. Thus the spinning spin of 5 to ten times its unit will be indicated, as you perceive many dreams will be discovered where those who wake up will never forget that it is this sub-atomic elementary particle in the episode of contrast and extensive change in molecular physics that will lead Vernarth with him in his heart or Kardiá, which becomes effusive in his multidimensional quantum.

“I have managed to understand that the rotating spaces have been aligned with Wonthelimar, and what is divided in the angular will reflect the mental image throughout the aerial imaginary geodesy of all Hellenic, generating the sidereal coordinates, leaving the intrinsic nakedness of all embryonic forms that it is a sublime mirror of the nakedness of the sidereal chromosome of all humanity. As loci installed in the shank of the Pythagoras monochord, but making movement the tax of certain movements that are more than anything else links of kinetics and gravitational emotions, making the mechanics of the monochord the analogous value that generates the signs of Ohr or light. pivot at the omega tip of the monochord, raising the re-transfigured ε´ Penta in the form of A, but then returning with Wonthelimar and his Spin of quantum from Ephesus until arriving at Patmos with the essence of the “W” that will bring by essence refounded the monochord in the figure ε´ or V that will represent the quantum experiential bond, or crossing of the particle transfer threshold through the superior axon of Keter to Malchut, equivalent to the tenth compendium of Vernarth's ε´ to ν´ which is the relativistic oscillation of its final unit of ν´; which is fifty "

Your duties are mine and yours. Mine, I will be the one who will carry the labarum to bear and admit all the tributaries of the creation of my new world, inclined in the Duoverse, Codex Raeder and of everything distinguishable in the refraction of the light that becomes embodied in Ohr Jaiá, or Light of Life for all created things, all creation, and everything that comprises needs to be created in the candles that become receivable in the natures that multiply the remnants of energies, which hopes to be initiated from the new cosmos of the Zigzag Universe and the Zefian Arrows, being the main bastion of the link between the printed matter and decisive stimuli of mercy from where the Iridescent Hydor is born. In littleness, the rocking of the unbalance of the universe are attributed, and of all the wrong applications of amplifying the Bios of a universe that tired of behaving mournfully, being children of its immortal replica ...! Understand that nothing will mean more than the awakening of everything that extends beyond the borders of the Mashiach, being cosmopolitan emanating and merciful bestowal and that nothing resides in the material already broken.

"All the modes of adaptation ended up differing in each form of adhesion within what it meant to emanate in all equivalences and from impels as fast as the buggy that carried Vernarth and Etréstles from Genoa to Piacenza since Etréstles deserted from the Eighth Cemetery. of Messolonghi composing all the wishes of the awakening according to the Kabbalah of Vernarth being largely absorbed by the Apostle Saint John. Everything was going towards the kingdom and the surroundings of the Himation that awaited Vernarth himself, swallowing him with all its lights, which were even ecstatic by his epidermis, knowing that he was separated from the undivided light that awaited him in the Megaron, very close to the Opistodome in the Behina Alef, split from his expanded sub-iridescent body of the Ohr, which in turn was levitating next to him, for the vaporous reason of not knowing if his body was a conclusion or a new kingdom that was brewing before him "

The final phase of this Elegy VIII gave the consent for the world that does not fit in the reason, nor in the thought that was already being installed in all the balusters and limestone stones that would make up its Tree of Life Sephiroth. Your soul is my soul and mine, and I know very well that everyone awaits me on the Profitis Ilias plain, distinguishing me as a whole in the sense of smell that is rooted in the gastronomic world of the Hellenes, and the absolute that my breathing with a few granules of nitrate, making them a divine cause with potassium that became despotic in living creatures that make their essence mine, like my Spirit that would eventually rescind capturing all the sodium from the iridescent nimbus in the intermittent rest and its multi-life like Nefesh!

Beloved confreres Khaire ..., receive all the joy that removes the poisons that pierce tongues that become addicted to the drops as they generate more bodies from mine ..., or You will be part of my Guf or body that no longer resists lacerations from swords and spears, which depart from my head and its undetectable body from the passage of Time, and from all the fallen heroes next to me…! I see how they fall into their exile diminishing what purifies the content of Advent, of its four candles, dried fruits, its circle between the hands of the Mashiach, and abundant coniferous branches taking my corporality in all the indifference that exists between cognition and loss of awareness of lucidity beyond the Advent Wreath and its four luminaries staying in the Fifth Candle, like the Fifth Chalice of Elijah, taking me very distant with all their desires to welcome and consider that under my initial "V", they will find the synchronization of the Fifth Candle and the Fifth Chalice, which is my "V" in the fifth dimension of the Fifth courtyard and in the shady Fifth of Helleniká!

As the creation I have been imbued with the euphonic harmony of creation, from Bethany to Patmos, of all the balms that are more capable than physical receptacles within all the higher entities that are more than the unknown, and of the infinite and imperceptible! of the essential number of the geophysical height of Delphi, close to the elevation that will occur with my departure at the elevation of 583 whose essential number will be 16 and six plus one is Seven, and the Profitis Elías is 565 adding sixteen, and its number essential is one plus six equals seven. All this makes it prevail that my soul will reverberate from the indigo lights of the Ohr, to be sent between two poles from the altitude of Delphi, making these two spaces the equanimous and providential emanation of climate change, due to the disparity between these two latitudes. , but of equal essential numbers, creating the closeness of Vernarth and Apollo as they met in the Kassotides, before departing from their assumption to exalted Aurion.

“All the modes of adaptation ended up differing in each form of adhesion within what it meant to emanate in all equivalences and from impels as fast as the buggy that took Vernarth and Etréstles from Genoa to Piacenza since Etréstles deserted from the Eighth Cemetery. of Messolonghi composing all the wishes of the awakening according to the Kabbalah of Vernarth being largely absorbed by the Apostle Saint John. Everything was going towards the kingdom and the surroundings of the Himation that awaited Vernarth himself, swallowing him with all its lights, which were even ecstatic by his epidermis, knowing that he was separated from the undivided light that awaited him in the Megaron, very close to the Opistodome in the Behina Alef, split off his sub-iridescent expanded body of the Ohr, which in turn was levitating next to him, before the vaporous reason of not knowing if his body was a conclusion or a new kingdom that was brewing before him "

The final phase of this Elegy VIII gave the consent for the world that does not fit in the reason, nor in the thought that was already being installed in all the balusters and limestone stones that would make up its Tree of Life Sephiroth. Your soul is my soul and mine, and I know very well that everyone awaits me in the plain of Profitis Ilias, distinguishing me as a whole in the sense of smell that is rooted in the gastronomic world of the Hellenes, and the absolute that my breathing with a few granules of nitrate, making them a divine cause with potassium that became despotic in living creatures that make their essence mine, like my Spirit that would eventually rescind capturing all the sodium from the iridescent nimbus in the intermittent rest and its multi-life like Nefesh!

Beloved confreres Khaire ..., receive all the joy that removes the poisons that pierce tongues that become addicted to the drops as they generate more bodies from mine ..., or You will be part of my Guf or body that no longer resists lacerations from swords and spears, that depart from my head and its undetectable body from the passage of Time, and from all the fallen heroes next to me…! I see how they fall into their exile, diminishing what purifies the content of Advent, its four candles, dried fruits, its circle between the hands of the Mashiach, and abundant coniferous branches taking away my corporality in all the indifference that exists between cognition and loss of consciousness. awareness of lucidity beyond the Advent Wreath and its four luminaries staying in the Fifth Candle, like the Fifth Chalice of Elijah, taking me very distant with all their desires to welcome and consider that under my initial "V", they will find the synchronization of the Fifth Candle and the Fifth Chalice, which is my "V" in the fifth dimension of the Fifth courtyard and in the shady Fifth of Helleniká!

As the creation I have been imbued with the euphonic harmony of creation, from Bethany to Patmos, of all the balms that are more capable than physical receptacles within all the higher entities that are more than the unknown, and of the infinite and imperceptible! of the essential number of the geophysical height of Delphi, close to the elevation that will occur with my departure at the elevation of 583 whose essential number will be 16 and six plus one is Seven, and the Profitis Elías is 565 adding sixteen, and its number essential is one plus six equals seven. All this makes it prevail that my soul will reverberate from the indigo lights of the Ohr, to be sent between two poles from the altitude of Delphi, making these two spaces the equanimous and providential emanation of climate change, due to the disparity between these two latitudes. , but of equal essential numbers, creating the closeness of Vernarth and Apollo as they met in the Kassotides, before departing from their assumption to exalted Aurion.

I'm a migrant, but I'm white.
what's it like to be black or
an Arab Gloria? and have you
ever drowned a litter of Kittens?

We know you believe in " Youth
In Asia " even in Italy, so long as
they are white.

Did you ever read the story of
Mirza, The Bridge, like the one
in Genoa?

So you wouldn't have minded if all
those killed were immigrants, how
convenient it would have been if
there was a river underneath, killed
and drowned, perfect Italian solution.

Did you take a Hypocratic Oath?

                       <>

The doctor, from the central Italian region of Umbria, shocked the public when she posted on the 40,000-strong Facebook page ‘Doctors Without Escape’ the incendiary comments. Her profile name appeared as ‘Gloria Burini’. She called for migrants landing on Italy’s coasts to be “drowned” as they do not have any “human rights.

A night for Romance

Wes at on an upturned boat of the type of “the old man and the sea.”
by Ernest Hemingway used, the night had all the ingredients needed
for romance, full moon and glittering stars on blue velvet.
She gave herself to me, how trite and old fashion this sentence sound
nevertheless, it was so, sixty years ago.
I gave her a cheap wristwatch bought in Genoa it was hopelessly slow.
I think it was in some small sea port in Guatemala or some other
the port on the coast of Latin America and the year was 1964.
Then the night paled I could see my ship it was ready to set sail
to some other destination. And so many years later her kisses
still lingers on my lips.

Morandi.


Mirza had a vision, where-
-upon, a bridge, the span of
life, became the metaphor
for the contraction of death.

Falling from the altitudes of
egotistical achievements,
because art imposed its will  
on the practicality of simplicity.

Mirza’s vie-aduct exposed
the flaws of human frailty,
of mediocracy, and of our
poorly constructed minds.

Those great Concordia’s,
squeezed like Melodeons,
on the inclement rocks, by
relentless tides of repetition.

But should I compose a poem,
thus permitting, rhyming metre's
as a means for harmonious
visibility just to appease? If so

It is you traversing my page
It is you following my guidelines
It is you trusting my punctuation
It is I, who is liable for accuracy!


Ryan O'Leary. ©

For the living victims of an
unforgiving dead.

R.I.P. Genoa.

Ps.

My crossings of this bridge
are what my memory is
currently trying to erase.

If some poems were bridges,
let us assume suspension, just
as an example, the safety factor
of 9 (which is the code for such)
would need to be increased.

By increasing the safety factor,
the bridge would need to be made
stronger and heavier, thus defeating
the factor as the supports would be
under too much pressure due to length.

Since the collapse of the Bridge in Genoa,
I am conscious of these structures even as
I pass under them. Poems can be just as
daunting, especially long winded ones which
I never read and I never write due to attention span.

not what you think



as the ship was docked or hidden instead in a small bay
if mother had she known refused to see me go on board
. Along it railing a group of scowling men passing the time by spitting into the water.
In the galley, I met the cook who knew the rudimentary of cooking he was cleaning dirt from under his fingernails using a fish knife — a giant of a man few dared to cross him, a friend for life.
With a crew of murderous ruffians and a million cockroaches
I had to live, yet we wore bandana of grey, and they had as I the pallid skin of poverty no soap can wash away,
in a way I felt a kinship with them and I was accepted.
When the ship birthed in Genoa, I noticed some of
the lads smelling of perfume, the cook told me they were
going to meet older men, who gave them dinner,
a little money and shiny objects, it took me a bit before
I too understood. Not to forget the evil twins who went to
Public loo to beat up gays, the cook would not let them come
Near the galley, they boasted of having put a gay man ‘s head
Down a toilet full of **** and they didn't let go before the man
Stopped resisting. But homosexuality raised its ugly head
a *** was patted someone told the captain and the ****
was arrested and thrown into an empty cabin, in the morning
he was not there, and the captain who was judge and jury said he drowned.

Truth needs no reinforcing
it is a natural structure that
has an ability to span curve
and bend according to what
is demanded of it, but the lie
is no different to the bridge
in Genoa that collapsed with
a payload of people in transit.

Because the lie is composed
of inferior materials it needs
more propping buttracing &
general maintenance in order
to conceal story cracks which
continue to appear in vibrated
tellings of the original scenario
that loses its viscosity in time.


Ps.

This is why the Covid Fable
is becoming a compulsory
belief forcing deniers and
dissenters of the narrative
to accept or be ostracised as
conspiracy theorists. Just as
the word terrorist, remember
it is used by governments to
demean freedom fighters and
patriots. Don't roll your sleeve
up for anyone, if the Government
is involved, be the patriot the
freedom fighter for civil liberties
and when they do brand you a
a potential threat, it is they are
in the need for reinforcing, that
will be their concrete cancer.

.    I can’t see the bridge but I
     certainly hear sounds of
     wheels hitting expansion
     joints, rat a tat tat, 6 times,
     remorseful sounds, Morse’d.

     Myrzah had a vision where
     the depiction of life was
     Illustrated by those who
     made it across but also by the
     many who fell through cracks.

     So as we traverse the torrents
     of life on rickety constructions
     be aware that the word Pontoon
     lent its name to a game of chance,
     just like that shaky bridge at Genoa.