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I love the evenings, passionless and fair, I love the evens,
Whether old manor-fronts their ray with golden fulgence leavens,
In numerous leafage bosomed close;
Whether the mist in reefs of fire extend its reaches sheer,
Or a hundred sunbeams splinter in an azure atmosphere
On cloudy archipelagos.

Oh, gaze ye on the firmament! a hundred clouds in motion,
Up-piled in the immense sublime beneath the winds' commotion,
Their unimagined shapes accord:
Under their waves at intervals flame a pale levin through,
As if some giant of the air amid the vapors drew
A sudden elemental sword.

The sun at bay with splendid thrusts still keeps the sullen fold;
And momently at distance sets, as a cupola of gold,
The thatched roof of a cot a-glance;
Or on the blurred horizon joins his battle with the haze;
Or pools the blooming fields about with inter-isolate blaze,
Great moveless meres of radiance.

Then mark you how there hangs athwart the firmament's swept track,
Yonder a mighty crocodile with vast irradiant back,
A triple row of pointed teeth?
Under its burnished belly slips a ray of eventide,
The flickerings of a hundred glowing clouds in tenebrous side
With scales of golden mail ensheathe.

Then mounts a palace, then the air vibrates--the vision flees.
Confounded to its base, the fearful cloudy edifice
Ruins immense in mounded wrack;
Afar the fragments strew the sky, and each envermeiled cone
Hangeth, peak downward, overhead, like mountains overthrown
When the earthquake heaves its hugy back.

These vapors, with their leaden, golden, iron, bronzèd glows,
Where the hurricane, the waterspout, thunder, and hell repose,
Muttering hoarse dreams of destined harms,--
'Tis God who hangs their multitude amid the skiey deep,
As a warrior that suspendeth from the roof-tree of his keep
His dreadful and resounding arms!

All vanishes! The Sun, from topmost heaven precipitated,
Like a globe of iron which is tossed back fiery red
Into the furnace stirred to fume,
Shocking the cloudy surges, plashed from its impetuous ire,
Even to the zenith spattereth in a flecking scud of fire
The vaporous and inflamèd spaume.

O contemplate the heavens! Whenas the vein-drawn day dies pale,
In every season, every place, gaze through their every veil?
With love that has not speech for need!
Beneath their solemn beauty is a mystery infinite:
If winter hue them like a pall, or if the summer night
Fantasy them starre brede.
The artichoke
of delicate heart
*****
in its battle-dress, builds
its minimal cupola;
keeps
stark
in its scallop of
scales.
Around it,
demoniac vegetables
bristle their thicknesses,
devise
tendrils and belfries,
the bulb's agitations;
while under the subsoil
the carrot
sleeps sound in its
rusty mustaches.
Runner and filaments
bleach in the vineyards,
whereon rise the vines.
The sedulous cabbage
arranges its petticoats;
oregano
sweetens a world;
and the artichoke
dulcetly there in a gardenplot,
armed for a skirmish,
goes proud
in its pomegranate
burnishes.
Till, on a day,
each by the other,
the artichoke moves
to its dream
of a market place
in the big willow
hoppers:
a battle formation.
Most warlike
of defilades-
with men
in the market stalls,
white shirts
in the soup-greens,
artichoke field marshals,
close-order conclaves,
commands, detonations,
and voices,
a crashing of crate staves.

And
Maria
come
down
with her hamper
to
make trial
of an artichoke:
she reflects, she examines,
she candles them up to the light like an egg,
never flinching;
she bargains,
she tumbles her prize
in a market bag
among shoes and a
cabbage head,
a bottle
of vinegar; is back
in her kitchen.
The artichoke drowns in a ***.

So you have it:
a vegetable, armed,
a profession
(call it an artichoke)
whose end
is millennial.
We taste of that
sweetness,
dismembering scale after scale.
We eat of a halcyon paste:
it is green at the artichoke heart.
SJ Sullivan Feb 2016
I'm in the current review of
everything right now.
When my lungs have told me enough
already
and I taste of foul
consequences that seep into taste buds.

The walls were gushing water,
as they often seemed to do, and
I always lay on my side,
left leg crossed over right.
Nothing irregular.

The tinge, spark, of pain from a
resting avocado, I can feel it in the
tip of my thumb. The right one.
You were supposed to be soft,
and full of the good fats.

I can't look at a cupola without
seeing "SEWN". But I guess that's
just what happens when someone
intercepts your point of view.
BOOK I

     Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung above his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.

     Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since.  Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.

     It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep ***** tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!---though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:---O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."

     As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.---I am gone
Away from my own *****: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.---
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must---it must
Be of ripe progress---Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he ******'d
Utterance thus.---"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"---That word
Found way unto Olympus, and made quake
The rebel three.---Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.

     "This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.

     Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;---
Blazing Hyperion on his orbed fire
Still sat, still *****'d the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he---
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache.  His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,---
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came ***** upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.

     He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire?  It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.---
Fall!---No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."---
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might.  Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,---hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.---Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:---No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire.  I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.---This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:---I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:---
But thou canst.---Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.---To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."---
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.

BOOK II

Just at the self-same beat of Time's wide wings
Hyperion slid into the rustled air,
And Saturn gain'd with Thea that sad place
Where Cybele and the bruised Titans mourn'd.
It was a den where no insulting light
Could glimmer on their tears; where their own groans
They felt, but heard not, for the solid roar
Of thunderous waterfalls and torrents hoarse,
Pouring a constant bulk, uncertain where.
Crag jutting forth to crag, and rocks that seem'd
Ever as if just rising from a sleep,
Forehead to forehead held their monstrous horns;
And thus in thousand hugest phantasies
Made a fit roofing to this nest of woe.
Instead of thrones, hard flint they sat upon,
Couches of rugged stone, and slaty ridge
Stubborn'd with iron.  All were not assembled:
Some chain'd in torture, and some wandering.
Caus, and Gyges, and Briareus,
Ty
Ted Scheck Nov 2014
You would think that
Light is always bright,
Shining, Luminescent,
Searing, burning, illuminating,
Perpetual dawn rolling across
Earth's lopsided expanses.
You would think.

Light and Darkness
Were once perfectly melded-
Minded-
Molded together, in the
Time before time,
In the cusp of God's hands
Pressing together and
Held apart in infinite
Pressure and density and love.
They were one yet separate,
Filling the mindless firmament between
The Left and Right Hand of God,
Before He created Earth.

You know the Beginning:
When the Heavens came into
Being
(So that the minds
Of men and women could
Acknowledge their existence)
And then the Earth was
Created

God moved His hands
(And Spoke through Them)
The earth, formless, void:
The Light in God's Hands
Marveled at the Living Light,
The Source of all things
Whom the light had dreamed about,
In its cupola that it thought to be
Infinite, but was somehow, beyond;
God, it seemed, had more,
A Higher Purpose for The Light

And The Darkness, seeing his
Brother distracted and occupied,
And uncomprehending the why
And how of God’s Light and
The Light (his brother?) standing
Close, so close, in perfect
Conversation, and why?
Why was not The Darkness a
Part of His Conversation?

Darkness, in the infinitesimal moments
After Creation had begun,
Turned his back on God and
Saw what was beneath him.
He
Streaked blackly down to the new
Thing God had made simply
By Speaking.

“What is The Darkness doing,
God?”
The Light asked, confused
For the first time.
“I don’t understand.”
God spoke, a gentle,
Soothing whisper.
LOOK FOR YOURSELF,
LIGHT.
And The Light looked,
Shining the barest part of
Himself down, so that
The Darkness could see.

The Darkness saw itself
Hovering over the waters.
The round globe that
God created was covered,
Filled with something
Mysterious and liquid
And like itself, Dark,
Deep, and brooding.

Dark and Void
Were now one.
Away from the Presence
Of God.
The Darkness had never
Flown, or streaked, or
Zipped like lightning before.
And Darkness saw that it was
GOOD.

Now Darkness was doing it.
Darkness was all OVER this
Planet-thing. Darkness had
The WHOLE
THING COVERED.
And Darkness saw that it
Wasn't moving. It had never
Been so big, so
EXPANSIVE before.
It circled the entire planet,
A giant ring of Itself,
For thousands and thousands
Of miles. Looking at the deep
Dark wet stuff,
Darkness saw its face
For the first time.
Not GOOD, Darkness thought
To Himself.
GREAT.
But before The Darkness
Could get a longer
(And much more detailed)
Look, becoming more and more
Connected with the Void…

Four of God's Words
Split the whole of existence
In TWO

'LET THERE BE LIGHT'

The Light of Creation
Exploded outward and
Simultaneously
Imploded inward
Scalding Darkness' eyeballs black
And God took The Darkness
In His Hand and Threw
Him to the other side
Of Earth,
12 hours
And 12,500 miles away.

God favored the "Light"
And called it "Good"
Darkness wanted to hear that
Spoken about himself.
But God further divided
And delineated them
By changing their natures.

The Light, now powered by a nearby
***** Yellow Star
Almost a hundred million
Miles away
(So as to not cook or
Freeze them to death)
God explained cryptically
Who is THEM
(The Light wondered)
There are OTHERS
Besides God?
And us?

But when God was doing His
Business, and it involved you,
YOU PAID ATTENTION

SOL IS EARTH’S STAR
YOU ARE NOW A SOURCE
OF LIFE. YOU WILL RULE
THE FACE OF THE PLANET
HALF OF AN EARTH DAY.
And God's Pure Light
Was now intimately linked with,
Among other things, the creatures
That God was even now filling the
Seas and the Land.
The Light’s new name was
"Day"

The Darkness changed simply
By God Willing It.
The Darkness liked his new name,
Closer to Light's old one
(Night)
And Night thought he might be
Happier, after all, since
God placed so much
MORE of him, far, far out
In the Heavens, in the
Unfathomably
(Though fathomable to him)
Empty spaces between the
Stars that gave birth to
Day every single itself.

But God punished The Darkness
For being Prideful, and marveling
At the beauty of his face
So God banished The Darkness
To reside alongside, and
Even, with, the Void
Who had been cast down
An Eternity before, waiting,
Waiting for just such a planet
To come along, so that Void
Could rule the air
(Like a Prince,
Deposed to his
New kingdom).

The Dark had never before
Felt something so different,
So ‘Off-Natured’ from God
Almighty.
Night was afraid, so Night
Kept his head down and
Out of sight and
Did his job.
The Light shone through
A tiny yellow orb, and
This light bathed the planet
In a veil of brightness.
Night was only one
Aspect of The Darkness, like
A Cousin created to do a
Very specific job, which
Left The Darkness to explore
Earth and the Surrounding
Heavens.

The Light had other aspects,
A nickname, if you will:
“Daylight” and
Daylight, in spite of
All he could see
(But Daylight praised God for this,
And knew God was the Source of All Things)
And all the creatures and
The Man and The Woman
Saw,
Daylight missed his brother,
The Dark.
But the Stars would only shine
Him in the Way God Intended,
And not a little brighter more.
So Daylight did his job, too.

One itself, as Day again
Chased Night away
(Always on Night's heels,
But never EVER catching him!)
Day was shining on a patch
Of water that seemed familiar.
But the water was, well,
Watery, and diffuse, and it
Slowed down Light's usually
Terminal Velocity, and bent and
Diffracted and distracted his
Straight-line nature. Light asked
God to tell Night he was sorry.

YOU’VE A VOICE
YOURSELF, DAY.
TELL NIGHT YOURSELF.

Thank You, Light of Heaven,
Day said, feeling the Star
Sol going into a brief and
Exciting supernova,
A thin yet ultimately powerful
Ray of Sol’s tremendous
Energy shining down
On that little familiar patch
Of water.

Day shouldered its
Way through thick clumps of
Seaweed (now dead) and down,
Ever down,
Deeper than any light had
Ever penetrated the Dark
Ocean.
Down, the light went, down,
To its breaking point,
Where Daylight was barely
Discernible as itself.
It got to the place
Where He ended,
And his brother began.
With its last photon of energy,
Daylight gave itself to
His long-lost Twin.
"I'm sorry, Dark"
A patch of exceptionally black
Darkness wobbled a nod.
(Me too, Light)
It seemed to say.
"I miss you, brother,” sobbed
The Light.
And God have Light his request,
Allowing him to shine just
A little more brightly,
And the Light gave of himself
To his Brother Darkness.
“God, may I please
Keep this little light
Of mine
To remind me of
My Brother Daylight?

Dark was no longer so very
Lonely
As God put a bit of
Himself
In the strange, strange
Creatures who lived with
And in total
Darkness.
And the Dark
Loved those creatures
So much so that when
You
(Or I)
Capture a Dark
Creature,
It cannot,
Will not
Survive the Light
On the Surface
Of the Ocean
I have enough treasures from the past
to last me longer than I need, or want.
You know as well as I . . . malevolent memory
won't let go of half of them:
a modest church, with its gold cupola
slightly askew; a harsh chorus
of crows; the whistle of a train;
a birch tree haggard in a field
as if it had just been sprung from jail;
a secret midnight conclave
of monumental Bible-oaks;
and a tiny rowboat that comes drifting out
of somebody's dreams, slowly foundering.
Winter has already loitered here,
lightly powdering these fields,
casting an impenetrable haze
that fills the world as far as the horizon.
I used to think that after we are gone
there's nothing, simply nothing at all.
Then who's that wandering by the porch
again and calling us by name?
Whose face is pressed against the frosted pane?
What hand out there is waving like a branch?
By way of reply, in that cobwebbed corner
a sunstruck tatter dances in the mirror.

Leningrad, 1960
c quirino Jan 2011
We walk to it in silence, passing over earthen layers of leaf and twig, never once touching dirt en transit.

Then it escapes vertically from a jungle less than ninety years old.

The Beautiful Monolith.

At one point when the jungle was young, it was an integral bridge of some great scheme of railroads but is now a cement Taj Mahal only undiluted, uninhibited youth could create.
 
Where alabaster paint found in post cards and archival footage had once been, several layers of outsider art, scratchings, bible verses and amateur-drawn genitalia are the monolith’s primer, base and top coat.
 
We walk past two crosses next to the river, one for a young man who had jumped into the three foot deep river from the monolith’s former train tracks, another carries no name but is nailed to a neighboring tree.

An unnaturally yellow tulip lies beneath this cross.
 
At the Monolith’s feet are vines with sprouts of two-or-three leaves each pointing arbitrarily in directions they can grow.

“And my, how they grow,” she whispers.
 
My Sunday dress, a former ivory table cloth of mother’s imagination is consumed by the jungle.

It is not tarnished, but given life. An existence it would not have known under mother’s elbows rained upon by her cigarette’s ashes. It is ‘colored-in’ life, like these are some vanilla pages of little nephew's coloring book.

I try to tell him, but he does not understand, and says that I shouldn't talk about things being “colored' because it makes me sound like a racist.

I laugh, plucking leaves from the tree bearing the unnamed cross and rub them across the Flat of my torso, leaving green streaks across the former tablecloth.
 
He whispers into my ear about taking me to the top of the Monolith. I nod and attempt to rest my chin on his shoulder, but he starts swiftly up the hill.

He tells me to “lose the prissy mary-jane’s” on my feet saying it would be easier to climb without them.
 
I do this, and my bare feet touch the leaves and twigs. The feeling is *******, but in real life, I don’t even know this word exists. We climb, resting halfway on an embankment in one of the Monolith’s Roman arches. The second half of the climb is slightly more difficult, but we reach the top.
 
The tracks are gone, replaced by a coating of gravel, rocks and beer bottles. And then I see it, the reason why the Monolith is beautiful. Two states converge on this spot where I stand, my tablecloth dress begins to take flight as I spread my wings. His mismatched eyes look at me with something close to amusement as he takes out a bright yellow acetate stencil.
 
The cupola of Animal Mansion pokes out from the jungle like my ***** right ****** in this former table cloth.  
 
A thin veil of red paint meets my waist. He gasps and his eyes widen, allowing me to see every individual real life pixel of his unmatched eyes, the hazel left, and the kelly-green right.
 
He mutters some kind of apology I cannot understand.
 
I respond by slipping off the tablecloth. They bounce slightly. You know which ones I speak of…
 
His eyes remain wide as he comes closer to me, telling me that I have to put my clothes back on. In his hands is the crumpled , grass stained, table cloth dress.
 
I ask if this is what he wants. He manages to say “yes” but apparently…not under these circumstances…or at least not on the Beautiful Monolith. I drop to my knees, and am able to unbuckle his belt before he pulls me up by my forearms.
 
My tears make it hard to see what is happening now…I feel my arms pushing him back from me, and then the sound of rocks tumbling out of place.

He is over the ledge now, flying through the portion of damaged railing where no fence stands. His mismatched eyes, the left hazel and right kelly-green stare warmly into mine.

In his hands is the crumpled, grass stained, tablecloth dress.
This, is see perfectly.
© Constante Quirino
Diego Scarca Dec 2010
Nevica a Parigi
sugli alberi di carta,
sugli addobbi di Natale sgonfi,
sui bambini di plastica
e sui castelli di latta.

Nevica a Parigi una neve fiacca
che s’incolla ai cappotti della gente
che si trascina per strada
con aria distratta.

Nevica nei caffè,
attraverso i vetri,
sui boulevards deserti
e sui nostri sguardi tetri.

Si colorano di bianco
la cupola dell’albergo di lusso,
il tettuccio dell’edicola senza giornali,
il carretto delle castagne arrosto,
il marciapiede su cui scivola una dama
e cerca un cantuccio il barbone.

Nevica a Parigi, senza ragione,
sulle donne e sugli uomini.



Nevica nei grandi magazzini,
nelle chiese vuote
e nelle nostre stanze.
Sulle autostrade inondate di fango
che corrono sopra la città,
sulle scarpate coperte d’immondizia
e sulle nostre frasi lasciate a metà.

Nevica a Parigi sulla terra
del parco in cui non attecchirà
più l’erba, sulla nostra visione
acerba delle cose.
Nevica a Parigi come per illusione.



Nevica perché non ha
nessun senso che nevichi,
perché siamo in inverno
ma non è detto che torni
il bel tempo.

Nevica sul cemento
di chi ha avuto il coraggio
di costruire i grattacieli per i grandi
e le cabine di comando
per gli uomini d’affari
dagli occhi stanchi.



Nevica sui ghetti e sulle città satelliti,
sulle lampade al neon
dei luna park abbandonati.
Nevica, in televisione e al cinema,
per i negri, i bianchi,
le persone sole e gli alcolizzati.

Nevica e le cose si perdono
in un pulviscolo.
Da un vicolo sbuca
un autobus senza autista,
da un altro una carrozza
trainata da elefanti.
In un carosello di fiocchi di neve
impazziscono le immagini.

Nevica a Parigi sui camposanti.



Nevica nei bordelli e nelle bettole,
nei salotti alla moda,
nei negozi degli antiquari
e nei quadri che i pittori
non hanno fatto a tempo
a terminare…

Nevica sugli operai stanchi
di non lavorare,
sulle matrone che si abbandonano
alle braccia dei drogati.
Nevica sugli ospedali e sugli ammalati.



Nevica sugli aeroplani e sulla notte,
sulle navi e sul vento,
sull’eco delle stragi,
sul pianto dei feriti
e sul rantolo dei moribondi.

Nevica a Parigi
sul tempo che finisce
in un’esplosione di secondi.



Nevica sulla neve
e nevicherà ancora.
E’ una neve che a tratti ci sferza
e a tratti ci ignora.
E’ una neve che spazza via tutto,
una neve spietata.
Perché a Parigi da oggi nevica
nella nostra mente annebbiata.
Diego Scarca, Architetture del vuoto, Torino, Edizioni Angolo Manzoni, 2007
Natasha Teller Dec 2013
I. the breathing of human nature

her poetry weaves a chimera
through ontario maples,
ghostlike songs intoned in late november breath:
*i don't really want to be a pretty girl... *

whispers of woodsmoke fall from sky
(sky, pink as cochineal, pink as avarice
sky, blue as bruises, as jazz, as tropical waters)
she steps from the fog and ash into the beckoning trees,
seduced by leaves,
an autumn saturnalia of honey, flame, amber,
nectar, pistil, anther.

she is cupola and chalice,
budding fuchsia and iron cherry--
but she writes and breathes
as if something more than a woman
who knows all the names for the ocean
stirs and struts inside her.

II. the statue and sobriquet

piano wires melt into statues,
heat steals rusty bottle caps
and bends them eerily into muses.
butterflies perch astutely on their shoulders,
violet, violent, a mosaic of shredded lilies and shellac,
paris in flames, flowering tea-houses,
the mariana trench, a thicket of morning glory.

nature sculpted this metaphysical tribute to her
for all that she has done, for all that her bent fingernails
and snow-covered lips have given
to inspire solstice and equinox--

in the night-songs of the crickets,
crystal bells and rustic chirps,
she was lauded.


III. declaration

she feels the songs in her eyelashes
and writes of wine and palest bone,
fragments of bashful moon,

roots her fingernails into the tarnished canadian willows
and finds her way through magnolia clouds and sea-spray sky;
after all, she can soar.
Edna Sweetlove Jul 2016
Romantic moonlight edges over the mighty cupola;
I stroll enchanted by the timeless beauty of St Peter's Square;
I casually enquire of a passing nun whether she would consider
Going down on me behind the marble columns.

After a brief but heated haggle over the price
(I hitherto thought nuns were generous sisters of mercy)
She gobbles me professionally but rather noisily
Causing me to leave a generous donation on her dental plate.

I hear a half-strangled cry of "Bejasus" from a passing Paddy priest
As he gives himself a quick one off the wrist
Into his already badly stained cassock
Before hurrying off to keep a hot date with a choirboy.
Curt Jurgens, a German actor and idol, had a negative experience when his heart stopped during much of the four hours it took Dr. Michael Debakey in Houston to replace part of an aorta (the main blood vessel):

Soon I had a feeling that life was ebbing from me. I felt powerful sensations of dread. I had been looking up into the big glass cupola over the operating room. This cupola now began to change. Suddenly it turned glowing red. I saw twisted faces grimacing as they stared down at me.

I tried to struggle upright and defend myself against these ghosts, who were moving closer to me. Then it seemed as if the glass cupola had turned into a transparent dome that was slowly sinking down over me. A fiery rain was now falling, but though the drops were enormous, none of them touched me. They spattered down around me, and out of them grew menacing tongues of flames licking up about me.

I could no longer shut out the frightful truth: beyond the faces dominating this fiery world were faces of the ******. I had a feeling of despair … the sensation of horror was so great it choked me.

Obviously I was in Hell itself, and the glowing tongues of fire could be reaching me any minute. In this situation, the black silhouette of a human figure suddenly materialized and began to draw near. It was a woman in a black veil, a slender woman with a lipless mouth and in her eyes an expression that sent icy shudders down my back.

She stretched out her arms toward me and, pulled by an irresistible force, I followed her. An icy breath touched me and I came into a world filled with faint sounds of lamentation, though there was not a person in sight. Then and there I asked the figure to tell me who she was. A voice answered: “I am death."

I summoned all my strength and thought: “I’ll not follow her any more, for I want to live.”

("To Hell and Back" by Dr Maurice Rawlings, pg. 76-77)
Cody Edwards Feb 2010
Startling, simply.
***** form of white;
Pillar of morals
Tied to fables
That are taller still
Than even he.
And yet the sight
Takes wind from
The watcher.
Rapt eyes stroll
Languorously across him.
Form unconcealed
And no appendage
Draws undue focus.
Stale cupola air
Becomes spring in his repose.
His smirking dead eyes
Mock spectators.
He leaps and vaults
Through the deadened vaults,
Then furrows his brow, opens his mouth.
Mute shouts ring terribly here like slung stones.
Were he out in the elements, the earth itself might
Gape monstrously to sputter out, "Startling, certainly."
© Cody Edwards 2010
Nico Julleza Jul 2017
The sky...

A canvas of blue
as I climb up
-on the roof
laying beside you
∙∙∙◦◦•◎•◦◦∙∙∙
I counted more-
than one to ten,
dreaming of oriels
till all is well

Up a Hill...

Were I gaze
towers of cupola,
a heavens place
were we dreamed,
∙∙∙◦◦•◎•◦◦∙∙∙
To Venus, to Mars
of dancing stars
a wishful reverie,
circling above thee

Then I blink...

Twice to think,
and opened freely
seeing all of You
in tangled vines
∙∙∙◦◦•◎•◦◦∙∙∙
Coasting up above
loosing mimes,
an aurora night
on New York's sky

Time traveled...

As eyes passes-
to were it humbled
on fountain trails
and bluish vales
∙∙∙◦◦•◎•◦◦∙∙∙
Horizon unwinds
hands that bind
etude punctuates
'twas a circa of mine

Morning rung...

A fadeless runic,
I fell out of flung
following sheets
my bedding's reap
∙∙∙◦◦•◎•◦◦∙∙∙
A story unsung
lips were unkissed
wondering why
Love was not found
#Love #Sky #Dream #Roof #Aurora #Nature #Moment

A Moment With Someone, Just a moment... And It Didn't Last
and I Left with no one..

(NCJ)POETRYProductions. ©2017
Farook Suyarov Aug 2018
My view is constricted by experience,
of which, i supposedly have none.
I am challenged by every senior of every rank
for words i've said and things i've done.
But lo and behold,
this very world,
there is something to be told.
I've never touched the cupola of heaven,
but i've seen the face of God
in every tree and every flesh,
across the seas and hot dry lands
i've found the reason and the source of change,
that breaks the shells and sifts through air
with pure wisdom and gentle care,  
spreading traits of life,
that got us here.
brandon nagley Jun 2015
I do not,
Let me repeat,
Do not seeketh a (live-in) roommate as the world hast created,
I seeketh a soulmate,
A queen
One of ethreal belated..
One to whom to be related in marital stature!!!

For these ending times
Everyone's a roomie
Living with one, yet being strangers in their mist!!!
Get the gist?
Reader of so called loving words...

I seeketh not to be under the same cupola,
To only be one's guest!!!!
I seeketh a domain,
One of endless nest!!!!

Not as thou oh world!!!!!

Forgot love didst thou oh stranger?
Raw truth about lovers these days!!! Lots of you write love poems on here! Though doth thou know love? Would thou walk for it? A mile ? Two? Ten? Or drive or fly for it across your globe? Everyone well lots these days live in a palace under a roof where thy own lover you've forgotten! You are to busy with materials! Your phone! Technology addicted!!! Threw out your wife husband or bf or gf!!!and has forgotten to let god guide you both to be as one!!to many these days as poem said are live in roommates!end quote!! You have lost yourself and lost them to.. And two people who lost themselves can't find eachother in the middle road because technology and self wants desires and lusts has blinded one!!!! If you are in love or with a lover!! Push the roommate nonsense aside and become a soulmate!! As one I seeketh!! I seek not to be a presence or guest in ones home!! I seek to be ones apple of their eye!!not the phone in front of them to be their apple!!! We'll if this makes sense hope you like!!! Just truth!!! Wake up!! And one more ? For you! Would you die for that love? As the verse goes the greatest love one can give is to lay down their life for another? Now would you!?!!
I poeti lavorano di notte
quando il tempo non urge su di loro,
quando tace il rumore della folla
e termina il linciaggio delle ore.

I poeti lavorano nel buio
come falchi notturni od usignoli
dal dolcissimo canto
e temono di offendere Iddio.

Ma i poeti, nel loro silenzio
fanno ben più rumore
di una dorata cupola di stelle.
(Curt Jürgens, 13 December 1915 – 18 June 1982)
Curt Jürgens, a German actor and idol, had a negative experience when his heart stopped during much of the four hours it took Dr. Michael Debakey in Houston to replace part of an aorta (the main blood vessel):
Soon I had a feeling that life was ebbing from me. I felt powerful sensations of dread. I had been looking up into the big glass cupola over the operating room. This cupola now began to change. Suddenly it turned glowing red. I saw twisted faces grimacing as they stared down at me.
I tried to struggle upright and defend myself against these ghosts, who were moving closer to me. Then it seemed as if the glass cupola had turned into a transparent dome that was slowly sinking down over me. A fiery rain was now falling, but though the drops were enormous, none of them touched me. They spattered down around me, and out of them grew menacing tongues of flames licking up about me.
I could no longer shut out the frightful truth: beyond the faces dominating this fiery world were faces of the ******. I had a feeling of despair … the sensation of horror was so great it choked me.
Obviously I was in Hell itself, and the glowing tongues of fire could be reaching me any minute. In this situation, the black silhouette of a human figure suddenly materialized and began to draw near. It was a woman in a black veil, a slender woman with a lipless mouth and in her eyes an expression that sent icy shudders down my back.
She stretched out her arms toward me and, pulled by an irresistible force, I followed her. An icy breath touched me and I came into a world filled with faint sounds of lamentation, though there was not a person in sight. Then and there I asked the figure to tell me who she was. A voice answered: “I am death."
I summoned all my strength and thought: “I’ll not follow her any more, for I want to live.”
("To Hell and Back" by Dr Maurice Rawlings, pg. 76-77)
building for events
cupola of a building
upper car roof, dome
journeying through
the landscape of the soul
a snow-capped knee
brought me into crisis
a thigh gently covered with wild-flowers
struck a chord of lightning
the desert hearted cactus flowers
once in a single lifetime
your river-bed is made
to be drenched in the raw moonlight
by a cupola of vanilla frosting

I am weeping in a willow’s arch
at the foot-hills of a mountain
two streaks of colorful music that became trees
and infinite magical branches
the size of slender fingers
counted for all the sleepless nights
spent upon bottomless pools of nectar
at the center of your star-mirrored navel

stumbling down a trail
of ear-shaped spirals
then falling into a tiny nest
of moistened shadows
ten lips, one eye, and two hearts
a dozen celestial bodies
beyond form and function
you are a masterpiece so beautiful
the impossibility of reproduction
is only slightly more mysterious
than the absurdity of the lack of instruction
The darkness folds in outside here
not to lighten
before nine in the morning
slowly turning to light again

nights are pitch black
beautiful onyx nights
that carry on their cupola
stars
just as the ceilings
in ancient Egyptian graves

silence fills the void
almost an uncanny silence
that makes one stop up
to listen

in the woods
the moss has grown so thick
and green
it almost resembles snow
passing through the many trunks of trees
we marvel at its coat

some beautiful rounded stones
making imaginary secret chests
a tiny fir growing on their velvet tops
one stone is the shape
of a pointed kind of pyramid
with moss at its summit
looking like a miniature mountain
with clouds on top
Today, Christmas Day, we walked here, when most Britons were roasting their turkey, we celebrated yesterday evening in Norway. langvann-longlake.
aurora kastanias Oct 2017
The bold cupola at his summit reflects
neon lights from bulbs above, crowned
by precious thin silver hair, barely cascading
over a wide and wrinkled forehead.

Two dense detached bushy arches linger
to their original dark brown tone, only a few
white brow hairs are longer, magnified by opaque
thick lenses of plastic orange glasses,

resting on a disproportionately big red nose,
outshining round green eyes in venous sclera.
Falling cheeks of sad old dogs, Dumbo ears
hearing only through pale hi-tech gadgets.

Rotten teeth, some lost to empty spaces,
concealed by infolded arid purple lips,
in the midst of an unshaved beard tobacco
stains, where arch crumbs hide in disguise.

A bloated stomach denotes long lasting
faithfulness to a wife married ages before,
a ring castrating a swollen left annular
as he speaks on an archaic phone.

Dressed in an azure shirt meticulously
ironed, beige corduroy trousers, a maroon
jacket on his forearm, a worn out bowler hat
on the counter. I stare at his hunchback.

He stirs his coffee for much longer
than necessary in search of eye contact,
someone physical to talk to, furtively
swallowing a tablet or two gulping water.

Bringing his handkerchief to the mouth to be
proper, he drinks the boiling hot Italian brew,
with an air of surrender as drops inevitably fall
on his nice and shiny polished burgundy shoes.
On random portraits
Gregory Genovese Jan 2019
(Sea of Roses)

Just standing on top of the world
Looking at life from a different view.
Angelic thoughts natatorial.
Smile radial, open doors
Allowing me to be a watcher,
Sentry.
Encyclopedic arms luscious
A cupola for the desolate eyes
That fray for true love and acceptance.
My ears are split for their voice of
Unanswered dreams.
I swim in their silent cries.
I sleep on a bed of Rose thorns
A young heart with an old soul.
Kurt Philip Behm Nov 2018
The house is now quiet,
  the children have gone

My beard they’ve left ruffled,
  as memories grow long

With trains and dolls scattered
  where last they played

Their love remains buried
  inside of the maze

The cupola harkens
  a last candle there burns

As the attic sits waiting
  for the toys to return

The old house is silent
  but deep from within

Their laughter still hides
  —and my searching begins

(Thanksgiving: November, 2016)
Yes, believe me you,
I (also considered the best karaoke singer
for the go-go's)
putting Shabrina Leonita to shame
back in two thousand and twenty one
once flew high as the eagles
a grateful dead foo fighting,
earth wind and fire, beastie boy adult,

thus hopefully explaining why
I joined blue oyster cult
begetting the following rhyme I exult
while exuding angelic,
beatific, electric, fantastic,
idyllic, Judaic, kaleidoscopic
halo shimmering galt
garnering heavenly indault.

Without wearing a helm mitt on my head,
yet did suffer inxs
of welts the size of cranberries
amidst talking heads, whose traffic
mishap of cars unable to stp,
thus this passenger indistinguishable from
avast metallica skidrow populated
with heart shaped pearl jam wreckage
upon smashing pumpkins everywhere
with an evanescence shimmering
like spilt midnight oil, which dire straits

charged the super ***** ping
man-made debacle into kiss
from grateful dead village people whose
beatle brows scrunched tight
creating black crows imprimatur
resembling little feet easily mistaken
for hair line fractures,
which strongly appealed to the goo goo dolls,
who lived three doors down
purportedly within which

resided a queen latifah
(an iron maiden ruling america and europe)
plus when asked for bread, she point
in one direction, mere rolling stones away
the black eyed peas, whose ac/dc power
crowded house did feel as if 10,000 maniacs
did squeeze into a tiny black hole,
thus forsaking experiencing nirvana,
with near asphyxiation attributable
to lack of air supply so carpenters got called

to expand and golong
with a gilt emblazoned cupola –
just for kix, and to lure
a silly rabbit doing trix
any wonder full stevie adore,
which teamsters included
skilled one tradesman
roof WinWrite, these collective souls,
a veritable culture club unto themselves
off phish shill lee within the a similar
reo speedwagon as sly and the family stone
choosing king crimson to manage the influx

qua motley crue, which jane's addiction
kept ideal bad company for alice n chains,
the latter whose enslavement
akin to cinderella deprived such indigo girls
to jet set with their sought after
prince charming (even resigning themselves
to a Jethro tull type), or a chap
similar to the garden variety allman brothers,
who didst serve as Lumineers
doobie brothers morale booster

to an imaginary dragon (which beastie boy
foo fighting animals owned
by the legendary kings of leon),
whose mythic storied
BuzzFeed  incorporated their encounter
with blondie (who donned a golden earring),
which Dixie chick happened to be hail a van
driven by the everly brothers,
which latter escaped be combing caged
like monkeys in a zoo,

and carved out a niche
as beach boys blessedly banished,
where they fed on red hot chili peppers
dredged via bay city rollers
to sustain their being a survivor,
and welcomed by experiencing rebirth
viz genesis, whar
mambo kings proffered palliative
to smooth kinks concomitant with cast off
as a foreigner on maroon 5.

Zealousness yowled x wise,
venturesomely urged viz thighs
sensuousness roared qua prize of nascent
marvelous libidinal kisses jeweled iridescent
hides genital fulfillment
explodes delicious capacious brides’
atonement breathtakingly conceding conception
decides elopement fashions gustatory hoopla
insides jot kickstarter
latching mightily nourishing oxides
maids visited  unmet
testosterone satiation roared.

The brothers Gibb
lit roches ****** madness
jumpstarting, mustering puckering,
snickering at barenaked lady
male fraud betraying faithful missus,
(a veritable madonna)
meowed lamentably
analogous to cat stevens
kindling joyousness indeed.

Hotmail garnered fingerhut egghead
drew capitalone BuzzFeed amen.
Kurt Philip Behm Jun 2019
The house is now quiet,
the children have gone

My beard they’ve left ruffled,
as memories grow long

With trains and dolls scattered,
where last they played

Their love remains buried,
inside of the maze

The cupola harkens,
a last candle there burns

As the attic sits waiting
for the toys to return

The old house is silent,
but deep from within

Their laughter still hides
—and my searching begins

(Thanksgiving: November, 2016)
Seven Nielsen Jun 2021
with jewel-box vistas
the hopeful heart thrills
of amethyst giants
behind emerald hills

a carpet of lavender
blooms all around
while tourmaline waters
echo the sound

the sapphire shadows
on high-mountain snows
melt into diamonds
of glittering flows

from halcyon gold
on cupola domes
to pearl-pink love
in Bulgarian homes

the heart of the land
is bejeweled and complete
with tender devotion
both precious and sweet
of scorpion stinging poison us marriage,
whereby the missus and I
experienced genesis as
mama and papa respectively.

(jest kibitizing)

thus explaining why I
(a sixty five year young adult,
albeit beatle browed)
joined blue oyster cult
to live out my dream as
a Norwegian bachelor farmer
yours truly doth exult.

Without wearing a helm mitt on my head,
yet did suffer inxs
of welts the size of cranberries
amidst talking heads, whose traffic
mishap of cars unable to stp,
thus this passenger indistinguishable from
avast metallica skidrow populated
with heart shaped pearl jam wreckage
upon smashing pumpkins everywhere
with an evanescence shimmering
like spilt midnight oil, which dire straits

charged the super ***** ping
man-made debacle into kiss
from grateful dead village people whose
beatle brows scrunched tight
creating black crows imprimatur
resembling little feet easily mistaken
for hairline fractures,
which strongly appealed
to the goo goo dolls,
who lived three doors down
purportedly within which

resided a queen latifah
(an iron maiden ruling america)
plus when asked for bread, she point
in one direction, mere rolling stones away
the black eyed peas, whose ac/dc power
crowded house did feel
as if 10,000 maniacs
did squeeze into a tine hole,
thus forsaking experiencing nirvana,
with near asphyxiation attributable
to lack of air supply
so carpenters got called

to expand and golong
with a gilt emblazoned cupola –
just for kix, and to lure
any wonder full steve adore,
which teamsters included
skilled one tradesman
roof WinWrite, these collective souls,
a veritable culture club unto themselves
off phish shill lee within the a similar
reo speedwagon as sly and the family stone
choosing king crimson
to manage the influx

qua motley crue, which jane's addiction
kept ideal bad company for alice n chains,
the latter whose enslavement
akin to cinderella deprived such indigo girls
to jet set with their sought after
prince charming (even resigning themselves
to a Jethro tull type), or a chap
similar to the garden variety allman brothers,
who didst serve to Lumineers
doobie brothers morale booster

to an imaginary dragon
(which beastie boy
foo fighting animals owned
by the legendary kings of leon),
whose mythic storied
BuzzFeed  incorporated their encounter
with blondie (who donned a golden earring),
which Dixie chick happened to be hail a van
driven by the everly brothers,
which latter escaped be combing caged
like monkeys in a zoo,

and carved out a niche
as beach boys blessedly banished,
where they fed on red hot chili peppers
dredged via bay city rollers
to sustain their being a survivor,
and welcomed by experiencing rebirth
viz genesis, whar
mambo kings proffered palliative
to smooth kinks concomitant with cast off
as a foreigner on maroon 5.

Zealousness yowled x wise,
venturesomely urged viz thighs
sensuousness roared qua prize of nascent
marvelous libidinal kisses jeweled iridescent
hides genital fulfillment
explodes delicious capacious brides’
atonement breathtakingly conceding conception
decides elopement fashions gustatory hoopla
insides jot kickstarter
latching mightily nourishing oxides
maids visited  unmet
testosterone satiation roared.

Queefer madness puckering of naked missus
(a veritable madonna)
meowed lamentably kindling joyousness indeed.

Hotmail garnered fingerhut egghead
drew capitalone BuzzFeed amen.
I poeti lavorano di notte
quando il tempo non urge su di loro,
quando tace il rumore della folla
e termina il linciaggio delle ore.

I poeti lavorano nel buio
come falchi notturni od usignoli
dal dolcissimo canto
e temono di offendere Iddio.

Ma i poeti, nel loro silenzio
fanno ben più rumore
di una dorata cupola di stelle.
I poeti lavorano di notte
quando il tempo non urge su di loro,
quando tace il rumore della folla
e termina il linciaggio delle ore.

I poeti lavorano nel buio
come falchi notturni od usignoli
dal dolcissimo canto
e temono di offendere Iddio.

Ma i poeti, nel loro silenzio
fanno ben più rumore
di una dorata cupola di stelle.

— The End —