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Julie Grenness May 2016
Here's some homework howlers,
By hilarious pupil terrors,
"An octopus has eight testicles."
Did I read that with my spectacles?
"Mozart sailed to Vietnam." For how long?
Why is there a clavichord in the Mekong?
"Rome is now in Africa." Do tell,
Didn't you learn map-reading too well?
"Mummy and Daddy's fave place is bed."
Do your parents really want this read?
Are these mud-coloured glasses, or what?
How did I survive teaching this lot?
It's hard to take them too serious,
Homework howlers, hilarious!
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I

Oh Galuppi, Baldassaro, this is very sad to find!
I can hardly misconceive you; it would prove me deaf and blind;
But although I give you credit, ’tis with such a heavy mind!

II

Here you come with your old music, and here’s all the good it brings.
What, they lived once thus at Venice, where the merchants were the kings,
Where Saint Mark’s is, where the Doges used to wed the sea with rings?

III

Ay, because the sea’s the street there; and ’tis arched by… what you call
… Shylock’s bridge with houses on it, where they kept the carnival;
I was never out of England—it’s as if I saw it all!

IV

Did young people take their pleasure when the sea was warm in May?
***** and masks begun at midnight, burning ever to mid-day,
When they made up fresh adventures for the morrow, do you say?

V

Was a lady such a lady, cheeks so round and lips so red,—
On her neck the small face buoyant, like a bell-flower on its bed,
O’er the breast’s superb abundance where a man might base his head?

VI

Well (and it was graceful of them) they’d break talk off and afford
—She, to bite her mask’s black velvet, he to finger on his sword,
While you sat and played Toccatas, stately at the clavichord?

VII

What? Those lesser thirds so plaintive, sixths diminished sigh on sigh,
Told them something? Those suspensions, those solutions—”Must we die?”
Those commiserating sevenths—”Life might last! we can but try!”

VIII

“Were you happy?”—”Yes.”—”And are you still as happy?”—”Yes—and you?”
—”Then, more kisses!”—”Did I stop them, when a million seemed so few?”
Hark—the dominant’s persistence till it must be answered to!

IX

So an octave struck the answer. Oh, they praised you, I dare say!
“Brave Galuppi! that was music! good alike at grave and gay!
I can always leave off talking when I hear a master play!”

X

Then they left you for their pleasure: till in due time, one by one,
Some with lives that came to nothing, some with deeds as well undone,
Death stepped tacitly and took them where they never see the sun.

XI

But when I sit down to reason,—think to take my stand nor swerve
While I triumph o’er a secret wrung from nature’s close reserve,
In you come with your cold music, till I creep thro’ every nerve.

XII

Yes, you, like a ghostly cricket, creaking where a house was burned—
“Dust and ashes, dead and done with, Venice spent what Venice earned!
The soul, doubtless, is immortal—where a soul can be discerned.

XIII

“Yours for instance: you know physics, something of geology,
Mathematics are your pastime; souls shall rise in their degree;
Butterflies may dread extinction,—you’ll not die, it cannot be!

XIV

“As for Venice and its people, merely born to bloom and drop,
Here on earth they bore their fruitage, mirth and folly were the crop:
What of soul was left, I wonder, when the kissing had to stop?

XV

“Dust and ashes!” So you creak it, and I want the heart to scold.
Dear dead women, with such hair, too—what’s become of all the gold
Used to hang and brush their bosoms? I feel chilly and grown old.
Sam Hain Oct 2015
A sound like none you’ve ever heard
Is Gulda on the clavichord:
Sublime and strange, the player roasts
The music of the land of ghosts.

O.O

https://www.youtube.com/watch?v=3KD2RlcEkPY
Nigel Morgan Jun 2015
I dreamt my tower before my tower
Arose from oak-treed woods,
And standing far above a sparkling sea
Providing welcome space: a home
From where to think, compose,
Be quite alone.

When becalmed by night, the youngest girl
Of three and yet *****, I sat and pondered
Many silent hours, the house quite still,
(No music sounding out, or I to give it sound)
And sitting so did spin a future for myself:
A castle-keep upon a point of wooded land
With sea to either side and hills behind,
No, mountains surely, and across the water
A sprinkle of isles all shapes and hues,
Their aspect changing hour on hour.

It was not arranged that we should meet,
'Twas a love match made by Cupid’s hand.
At Mrs Morran’s weekly dance he came,
The second son, a slim, dark soul,
Rich in silence and sharp looks
He did at once unlock my heart, so seated
At the instrument my hands did briefly
Falter at the keys to see him frown then look
When I began a *Menuet
from Playford’s book.
I sang, but now cannot remember what,
My voice seemed strangely not my own,
But distant, far away and lacking tone.

Faining not to dance he later came and spoke
Of Mr Handel whom he’d lately seen and heard
On that great man’s brief sojourn in our city.
Masterly playing, he said, rich in invention
And delight. You know his work? Oh yes I cried,
Of course, of course I play his keyboard Canzonets
Until my sisters scold me and my finger sore
With trills and turns and ornaments apace
Such grace this music . . . and he laughed.

Six months later we were wed,
He, a most Honourable son by birth,
I, his Lady came to be.
Through music our love begat
An heir then daughters three
Before five years had passed.
And then . . .
With swiftness hardly comprehending
He became the heir and Laird
Of 20,000 acres in Bendeloch, Mid Lorn,
His father and his brother dead, their ship
The Coral foundering in Atlantic storms.
And so did Lochnell, newly built,
Become our home, its policies
******* broad Archmucknisk Bay
That favoured to the west the Isle of Mull
and to the north Argyll and Bute.

As children grew and wifely obligations
Changed I became again a dreaming soul
Returned by degrees to that first love,
My music, that had brought to me such joy,
Affection, happiness, delight.
My husband busy with affairs abroad,
I filled the house with Mr Handel’s
Strains and finding I could improvise
Upon his grounds, discovered too
That I had tunes a’plenty, and not only
In my fingers, but in my restless mind.
Whilst other ladies write and paint
I scribe the symbols of my art, and then
In music’s script composed and scored
To paper with a draughtsman’s pen.

Each day I went to seek my muse,
Would find her form in nature’s grace.
My garden walled in granite stone
Held leafy treasures safe from wind and storm.
But ascending thence through oak woods
To peninsulary heights I glimpsed afar
A fine, majestic view towards the Highland
Ranges so rich in Gaelic names (and oft in May
Still topped with ice and snow).
Such sublimity I felt when gazing
On the aspect of these distant hills
That music came unbidden to my waiting hand
And, returning to my study, I would play and write
My manuscripts till late at night.

My husband smiled at such full-fancied thought
Then hid from me a brave intent and plan.
Whilst away one spring we travelled south
To Venice and Milan, he ordered built
A tower to rise above the trees
With winding stair and tiny chamber
At its top where my small clavichord
might rest and furnish me with
With gentle sounds to speak of music
On the very peak of Gardh Ards.

Arriving home in burnished autumn’s wake
He led me to the very top, and there
Above the forest sward, rose up a tower,
A tower from whose fine granulated heights
A Lady who wrote music might imbibe
A richer view, and then in silent meditation
Take from landscape’s glory all and more.
And so inscribed upon a plaque reads
*Erected for Lady Campbell anno 1754.
An image of Lochnell Tower can be downloaded here:

https://www.dropbox.com/s/rkp6g6b7koqq3co/Lochnell%20Tower.jpg?dl=0
Sam Hain Oct 2015
The tangents on my clavichord
Were fashion'd from a ****** sword
That slew a man who music made
Which ought like him to be decay’d.

O.O
Tommy Johnson Sep 2014
We have a treat for you all!
It's Captain Obvious and The No-duhs
With their newest hit single, "A picture of a picture"
How existential are they?!

They use a clavichord, a harpsichord
A mellotron along with an autoharp
And of course a theramin to express this song to the universe

I will say no more
Here they are, Captain Obvious and The No-duhs

"Hey, are you free today?"
"Hey are we still on for tonight?"
"Do you live in eternal
Or temporal time?"
"Lets look back on our
illegible live's highlights"

"I got a paper cut from a bookmark"
"But I haven't got a *******'s clue"
"If I should round to nearest tenth"
"Or pop all of the animals made from balloons"

"Now, I'm looking at a picture of a picture"
"And I'm truly the worst for wear "
"You missed the cut off date"
"You're camera shy so there"

"Hey, you wanna chill today?"
"Hey what you wanna do tonight?"
"Want to watch the changing of the tides?"
"Or take in a movie then go and grab a bite?"

"I disregard the label makers"
"And mark all the typos"
"Shorten all the long winded speeches"
"And smelt all the silver idols"

"Now, I'm looking at a picture of a picture"
"And I'm truly the worst for wear "
"You missed the cut off date"
"You're camera shy so there"

"Knit me a sweater of vanity and greed"
"Sew me a lust and sloth tapestry"
"Croshay me a hat of envy and wrath"
"Macramé me a bracelet of gluttony"

"Now, I'm looking at a picture of a picture"
"And I'm truly the worst for wear "
"You missed the cut off date"
"You're camera shy so there"

       -Tommy Johnson
T R S Feb 2018
Bach likened hope to god
Lauding in laurels like a living legend
He's dead, real dead, it's odd
Oddly deadly ditties
Harp on hope and mindful mitigation
Irrigation sows such sounds in fields
Of hearts who can't be found
Fiddled at a clavichord
Fixated on a face
Looking at her clavicle
With music
Sweetness can erase
Erasing dubious dealings
Let them leave my face
I need to forget the girl
Forget my heart and race

— The End —