Submit your work, meet writers and drop the ads. Become a member
Tiffany Marie Dec 2014
MThis is the month
Momma sets up the christmas tree
Daddy helps string the lights
Brother puts the ornaments on the bright tree
I sip my sweet tea
Sister And I set up the miniture christmas village
The christmas tree and village are created
Warm coco and candy canes await
Across the street the another New York Family
Is setting up their own tree
Back at the gold's
Coco is slurped And candy
Chewn but really all the presents
Under the tree soon to be seen have a happy
Place to be til christmas
*then to come will be a special New Years and it's Eve
Comments and likes plus reposts are for sur welcome This was made when I was thinking of December
Meagan O'Hara Apr 2014
I love that I immediately know that you are mine
with your belly swollen with my textbooks
and throwing up discarded papers.

I love the smell of the alcohol from rotting pears
that fills my nose
when that four month old container falls
onto the floor and explodes into a pungent flame.

I love not being able to get my worn out
book bag into your thin frame
and the music my moans and grunts create.

I love how you resemble a museum
full of old tests and gym shorts
and chip bags and chewn up pencils

I love how you block my view
of the people next to me and
how you always make me late.

         Please don't change
        For God knows I wont make you.
¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯
Sing of my deeds,
dearest viceroy,
and I'll think as always thought:

"What a tune—
a flightless bird what's
wings were chewn and apt to rot!
"

For 'neath red skies
from the dawn of day
to eves a'marred in the brine of May,

you're e'er and o'er
and ebbed in rays—
a serendipitous luster!

O prithee, Lord,
this heart's desire!
Allay the mint in minds of men

and grant the
steadfast lee-side
of truly terrifying ends.


Consume the wounds
a'peak the pate
and **** the Lion's pride asunder—

*fetch your lantern by the dint
of thunder!


∘ ⊱‧⌍  ⌈✞⌋  ⌌‧⊰ ∞
﹋﹋﹋﹋﹋﹋﹋﹋
Lexander J Nov 2016
Herbert O' Doyle was a very simple man. Simplistic in his ways, simplistic in his tastes, he believed all good things in life were earned, rather than gained. You would think a rich man of his stature in his early 60's could sit back, put his feet up and relax. But Herbert despised the idea, for he was one to never be seen doing nothing - as he often quotes, doing nothing 'made his teeth itch'.

No, Herb was always doing something; from building new furniture to tending to the gardens, he was up and about 24/7. So much so, people who visited his Manor grounds surmised he ran on clockwork, an unfeeling machine unable to do nothing but grind on methodically through the day. Sadly, what the people didn't realise is that he was, in fact, at the mercy of his obsessive compulsive disorder - his own snarling little demon he'd had to live with for his whole life. If the hedges were not trimmed perfectly, the demon would snarl. If one of the visitor rooms looked too empty, the demon would snarl. If, goodness, a spoon was laid out of line, the demon would snarl, make his head whirl, only in correcting the anomaly would stop it gnawing at his stomach.

There was one advantage to having OCD, however, and that was he knew every corner and cranny of both the O' Doyle Mansion and the gardens outside. Well, that was what he'd thought, anyway.

For upon the morning of Saturday the 2nd August 2016, Herbert discovered a secret his predecessors had hidden, even from himself. A secret that defied common knowledge and that had probably brought about his late family's considerate wealth.

A secret that he would later come to wish he'd never known.

- - -

It was by sheer accident he'd discovered the shed. Upon clearing out the weeds and grasses that had started clogging the miniature river that ran through the gardens, he had slipped, tumbled into the water, and been left facing the back end of the river. The fall wasn't severe enough to hurt him, but enough to dislodge a few rocks in the river bank's side.

At first he saw nothing but dead leaves, mud and moss covered sandstone, but upon further inspection his eyes came across a sharp glint that caught in the sun's glare. To him it looked like a metal plate, or maybe a blade, rusted up and stained near beyond recognition. But, it was unmistakably metal. And whatever it was, it was horrifically out of place.

To say that it had been purely compulsion, not curiosity, that had led Herb to clear off the mud and rock from the bank could possibly be a lie - but to say that curiosity had not proceeded him to open the metal door behind definitely is. For as soon as Herb saw the sand chewn handle his mind immediately wanted to know what was beyond. And before he even knew what he was doing, the door was open and he was climbing inside.

- - -

It turned out the door led directly to a series of catacombs beneath the Manor grounds - something Herb had been completely oblivious to. Ever since a child he had lived here, brought up with his parents, shown the many secrets that hid within the grounds by his late father.

All apart from this one.

His father had disappeared long ago, his mother explaining that he'd found another woman and had left. Herb hadn't believed that, from the almost desperate plea in his mother's eyes to the fact he knew his father had loved his family, he couldn't help but think of it as a lie. And up until now, he had dismissed that thought - for if his father hadn't run away, where was he? But finding this cavern of wandering tunnels, he realised maybe his gut instinct had been right all along; could his father have got lost in these tunnels, unable to escape and subsequently died?

Or maybe he was still here, alive but not quite living.

Herb had shivered at that point. Thinking such thoughts in a dimly lit place like this would only cause his minds to play tricks. If he lost his head, or his way, he would never get back.

There was a very real danger he would suffer the same fate others down here probably had.

He shook his head, cleared the thoughts, and walked on - tirelessy trundling along until he finally came to a dead end where the rocky walls collided together.

- - -

What he'd found was far beyond amazing. Where the walls had closed together someone had crudely chiseled out a door way, 6ft high with a curved arch reminiscent of victorian architecture. The method was clumsy, the jagged stone sharp and even dangerously dagger-like in places. Just like teeth guarding a gaping mouth.

When Herb had finally gone through that doorway he had entered a vast hall, supported by limestone pillars, half eroded, and a floor lined with smooth granite slabs. The air inside was musky, almost miasmic, and stale. The very atmosphere itself was of death, as if the very oxygen that it consisted of had deceased. Even the stone walls resembled long abandoned corpses.

But these things Herb quickly disregarded, for lined in two perfect rows down both sides of the hall were twelve golden statues, sun-kissed and glinting amber in the light of his torch.

There were six on either side, some missing arms, other devoid of heads, but what tied all these masterpieces together was the deliberate attention to detail. And that they were all female.

He could pick out the minute hairs upon their bare arms, the slight bumps under the skin where the arteries knotted around their wrists. For those with heads, their hair flew out around them, as if caught in a summer breeze, and, most fascinatingly, Herb could gaze into their eyes and see the brushed lines of the iris and the miniscule veins around the edge of their sockets. The attention was precocious, compulsively perfect, and the result was dazzlingly beautiful.

When he'd eventually torn his eyes away from the statues, Herb's gaze fell upon the dankly lit shed sat right at the back of the hall. It was ugly, falling apart in places and obviously riddled with wood rot. Surrounded by the statues of gold, it looked sorely out of place, like a stray dog that's wandered onto a Crufts show.

Not even realising, he started towards it, by-passing the statues and their grimacing faces, instinctively seeking to open the shed door and peer inside. Why would this be down here? The sculptures are unexplainable but having a garden shed locked deep in some catacombs is even stranger. Maybe it's owner forgot about it... or wanted no one to ever find it.

And that's when he realised something was stuck to the bottom of his shoe, stopping him merely a few yards from the shed. Reaching down, he ripped it off and opened it up, the sprawling hand writing instantly denoting it was a note of some kind.

Ignorant to the sudden wind behind him that wheezed through the archway, Herbert started to read the final words of his long lost father.
- - -
1st story of my 'Tales from the Otherside' book - it's not finished yet.
anilkumar parat Feb 2023
Friends! Remember my camel,
that loafer with a permanent grin?
he's been a-chewing a-ruing, ruminating,
upon the yonder and beyond a-pondering

His reins hang loose, his saddle's dusty
his bit is chewn his blanket's musty
his coat's crusted with the scars of Time
he's forlorn for no real reason or rhyme
he's footloose as ever, he just has to wander
in search of all the oases of the yonder

You should see his gait as he kicks up the clods
when he plods, he plods and plods and plods
and when he saunters, it's quite a canter
he and I, we argue, disagree and banter
I think I'm his master but he thinks otherwise
I wish i could rein him in but i know it's unwise
and so i let him have his wayward ways,
together we tread this crazy maze.


(Just last week I tightened his saddle
and he took me to a land
all-green-and-no-sand
where it rained and sploshed
and we both got sloshed...
when the clouds parted and clear was the sky
he was much younger and so was I
he sprang in the air like a kid newborn
there was spring in the air, I too was airborne
the grass was washed, so was the moss
gone from his hair was all the dross
he stopped grunting, he sang instead,
full of Malayalam thoughts in his head
we went to gaze at elephants
(loved their finery but not their chained legs)
we heard drums in their elements
well into the nights we pranced
in ******* raptures we tranced
and woke up  lazy by mid-afternoons
with heads so hazy and postpartum blues)

He and I, we've had many a fight
o'er who's the one wrong and who's right
he's been calling every oasis a mirage
I say none of them's a camouflage
he's adamant that it's all an illusion
that I'm tripping and under a delusion
I say I hear him bleat like a goat,
I touch his rain-washed mangy coat
I see him, like a ship, heave and sway
I smell him from quite a mile away
yet I ask myself if all this is not Maya,
if even mirages weren't of realms higher.

— The End —