payar ke do lamhon me kho jana chahta ***
maa ke aanchal me so ja jana chahta ***
mamta ki sarowar me dub jana chahta ***
yein duniyan ki rasme se parein hona chata ***
is jhut ki nagri se niklna chahta ***
payar ke do lamhon me kho jana chahta ***
maa ke aanchal me so ja jana chahta ***
yein badal tu mujhse kyun puchh raha h
tu bhi to maa ki mamta ko chahta h
tabhi to pani bankar maa ki god me barasta h
mai bhi apne aansu maa ki god me bahana chahta ***
payar ke do lamhon me kho jana chahta ***
maa ke aanchal me so ja jana chahta ***
yein pat tu mujhse kyun puch rahan h
tu bhi to maa ki god me samana chahta h
kabhi patjhar, to kabhi aandhi ke karan maa ki god me aana chahta h
mai bhi apne mastak maa ki god me girana chahta ***
payar ke do lamhon me kho jana chahta ***
maa ke aanchal me so ja jana chahta ***

Vano el motivo
desta prosa:
nada...
Cosas de todo día.
Sucesos
banales.
Gente necia,
local y chata y roma.
Gran tráfico
en el marco de la plaza.
Chismes.
Catolicismo.
Y una total inopia en los cerebros...
Cual
si todo
se fincara en la riqueza,
en menjurjes bursátiles
y en un mayor volumen de la panza.

I will be drunk in a few minutes.
It's only noon.
Just the perfect time to throw
Everything up
And out the window again.
The river of blood
From my thighs to the tile
Runs a mere .13% BAC.

¡Qué lástima
que yo no pueda cantar a la usanza
de este tiempo lo mismo que los poetas de hoy cantan!
¡Qué lástima
que yo no pueda entonar con una voz engolada
esas brillantes romanzas
a las glorias de la patria!
¡Qué lástima
que yo no tenga una patria!
Sé que la historia es la misma, la misma siempre, que pasa
desde una tierra a otra tierra, desde una raza
a otra raza,
como pasan
esas tormentas de estío desde esta a aquella comarca.
¡Qué lástima
que yo no tenga comarca,
patria chica, tierra provinciana!
Debí nacer en la entraña
de la estepa castellana
y fui a nacer en un pueblo del que no recuerdo nada;
pasé los días azules de mi infancia en Salamanca,
y mi juventud, una juventud sombría, en la Montaña.
Después... ya no he vuelto a echar el ancla,
y ninguna de estas tierras me levanta
ni me exalta
para poder cantar siempre en la misma tonada
al mismo río que pasa
rodando las mismas aguas,
al mismo cielo, al mismo campo y en la misma casa.
¡Qué lástima
que yo no tenga una casa!
Una casa solariega y blasonada,
una casa
en que guardara,
a más de otras cosas raras,
un sillón viejo de cuero, una mesa apolillada
(que me contaran
viejas historias domésticas como a Francis Jammes y a Ayala)
y el retrato de un mi abuelo que ganara
una batalla.
¡Qué lástima
que yo no tenga un abuelo que ganara
una batalla,
retratado con una mano cruzada
en el pecho, y la otra en el puño de la espada!
Y, ¡qué lástima 
que yo no tenga siquiera una espada!
Porque..., ¿Qué voy a cantar si no tengo ni una patria,
ni una tierra provinciana,
ni una casa
solariega y blasonada,
ni el retrato de un mi abuelo que ganara
una batalla,
ni un sillón viejo de cuero, ni una mesa, ni una espada?
¡Qué voy a cantar si soy un paria
que apenas tiene una capa!Sin embargo...
                            en esta tierra de España
y en un pueblo de la Alcarria
hay una casa
en la que estoy de posada
y donde tengo, prestadas,
una mesa de pino y una silla de paja.
Un libro tengo también. Y todo mi ajuar se halla
en una sala
muy amplia
y muy blanca
que está en la parte más baja
y más fresca de la casa.
Tiene una luz muy clara
esta sala
tan amplia
y tan blanca...
Una luz muy clara
que entra por una ventana
que da a una calle muy ancha.
Y a la luz de esta ventana
vengo todas las mañanas.
Aquí me siento sobre mi silla de paja
y venzo las horas largas
leyendo en mi libro y viendo cómo pasa
la gente al través de la ventana.

Cosas de poca importancia
parecen un libro y el cristal de una ventana
en un pueblo de la Alcarria,
y, sin embargo, le basta
para sentir todo el ritmo de la vida a mi alma.
Que todo el ritmo del mundo por estos cristales pasa
cuando pasan
ese pastor que va detrás de las cabras
con una enorme cayada,
esa mujer agobiada
con una carga
de leña en la espalda,
esos mendigos que vienen arrastrando sus miserias, de Pastrana,
y esa niña que va a la escuela de tan mala gana.
¡Oh, esa niña! Hace un alto en mi ventana
siempre y se queda a los cristales pegada
como si fuera una estampa.
¡Qué gracia
tiene su cara
en el cristal aplastada
con la barbilla sumida y la naricilla chata!
Yo me río mucho mirándola
y le digo que es una niña muy guapa...
Ella entonces me llama
¡tonto!, y se marcha.
¡Pobre niña! Ya no pasa
por esta calle tan ancha
caminando hacia la escuela de muy mala gana,
ni se para
en mi ventana,
ni se queda a los cristales pegada
como si fuera una estampa.
Que un día se puso mala,
muy mala,
y otro día doblaron por ella a muerto las campanas.
Y en una tarde muy clara,
por esta calle tan ancha,
al través de la ventana,
vi cómo se la llevaban
en una caja
muy blanca...
En una caja
muy blanca
que tenía un cristalito en la tapa.
Por aquel cristal se la veía la cara
lo mismo que cuando estaba
pegadita al cristal de mi ventana...
Al cristal de esta ventana
que ahora me recuerda siempre el cristalito de aquella caja
tan blanca.
Todo el ritmo de la vida pasa
por el cristal de mi ventana...
¡Y la muerte también pasa!¡Qué lástima
que no pudiendo cantar otras hazañas,
porque no tengo una patria,
ni una tierra provinciana,
ni una casa
solariega y blasonada,
ni el retrato de un mi abuelo que ganara
una batalla,
ni un sillón de viejo cuero, ni una mesa, ni una espada,
y soy un paria
que apenas tiene una capa...
venga, forzado, a cantar cosas de poca importancia!

1.
Dard ko kaagaz *** utarna aata hota to hum bhi galib hotee, magar humara dard to sinee mai dafan hai !!

Hum Galib to nehi magar likhne ka junoon rekhte hain, kisi aur ke dard mai apna dard dhoond liya kerte hain.....

2.
Duaen jhoot ko sach banane ke liye mangi jatii hai !!! Sach ko jhoot banen ki koi fariyaad nehi hoti..

3.
Zakham sabke hote hain,magar khuredna koi nehi chata..
Yee hai maasukha jisee chodna koi nehi chaataa..
Agar zahkam mere tum dekho to zakham saha nehi jata..

4.
Aaj phir usne kaha plz understand ... Mai na jane kyon uskii naa mai haan samajh gya, phir dil ko bewafa samajh gya..

5.
Mai iss umeed mai dooba tuu bacha lega ... abb iske baad kya mera intehaan lega

6.
Aaj tune phir us mod *** sath choda, phir mekhane ke bahar haath choda ... hum is mod see is kadar wakif hai, kii lagta hai tune phir ghar laa choda....

7.
Dhunvee kii aadat sii hoo gyee hai nashe kii cahaat sii hoo gye hai...
Tuu na rehe to kya hua tere bina jeene kii aadat sii hoo gyee hai...

Cantaba.

Cantaba. Y nadie oía
los sónes que cantaba.

Metido por la noche
los hilos teje de su cántiga:
hilos de bronce que son los hilos ásperos de su tedio;
hilos de sangre de su corazón,
hilos de laboriosa araña
-hilos de seda- que es el ensueño que se arrebuja
bajo su melena flava.
Metido por la noche que le rodea
con mallas de silencio, -muelles
sillones de velludo-, mallas
caniciosas como manos queridas
sobre la sien afiebrada:

Cantaba.

Cantaba. Y nadie oía
los sónes que cantaba.

Su voz es como el eco de inauditas
músicas, ni en los sueños sospechadas.

¿Tañer de amorosas guzlas
moriscas? ¿De sacabuches y de flautas
pastorales, y de violas de amor?
O el jadear ciclópeo del órgano
que tientan los dedos o las zarpas
de Bach y Haendel y de Franck? ¿O el prodigio
insólito que logra de la nada
el milagro de la sinfonía
donde no se funden y todas las voces cantan?
Su voz es como el eco de inauditas
músicas ni en los sueños sospechadas:
o de músicas mútilas
urdidas en la propia fábrica
loca, de su cabeza:
porque se mata lo que se ama,
decía -mordicante- el Réprobo:
música supliciada!

Cantaba.

Cantaba. Y nadie oía
los sónes que cantaba.

Ni la selva, ni la noche le oía,
ni tú, ni nadie, ni nada!

¿Le oía el hosco cerco
de la selva cerrada,
cerrada como los oídos
y los caletres de la gente tonta y chata?
Le oyera la selva, le oyera
si a gritos cantara
-tal el viento y al modo de la tormenta:
pero canta muy paso: si -a veces-
su canción es callada,
muda, como los ojos abiertos,
húmedos... que no dicen palabra.
¿Le oyera la noche, de tibias
estrellas colmadas las sienes,
de tibias estrellas estigmatizada?
¿Vestida de ***** suntuoso
le oyera la noche trágica
cuando el vocerío del trueno
y el zig-zaguear de los relámpagos?
¿Le oyera la noche tácita
cuando con paso desfalleciente
cruza sus sendas la luna alunada?
¿Le oyeras tú, la mujer ilusoria
de ojos sombríos y boca macerada?

Ni la noche, ni la selva le oía,
ni tú, ni nadie, ni nada!

Cantaba.

El mismo no se oía
la canción que cantaba.

I look at my cracked face from too much sun
Or smoke or fake glances and smiles at strangers
Empty eyes that usually are glazed over
From the collection of half empty beer cans
Display of *** chata and whiskey in concealed flasks
Do alcoholics feel as happy
How water erodes the beaches and how nature takes back
What belongs to it I feel like the glass bottle
That takes millenniums to dispose of
Or maybe a heavy metal like aluminum or lead
Commonly evaporated to brains and malfunctioning characters
I think I’d be depleted uranium to all that weeps
Seeping deep to DNA contact level of danger and hazardous waste
It’s a lot of responsibility to be just as secretly unhappy
A bird returns to it’s nest to find it’s eggs scrambled
A joke with no humor and sarcastic crucifix type of beautiful typography
I look at this polaroid, shaken not stirred, and this intoxication consumes me
The one I didn’t deserve. The one I ****** up, I tell people, because deserving aside
It’s rather bleak for a love story
It’s always a lot more than what I tell people
The whole story isn’t all there
But hell
Neither am I

Amor, ya no vuelves a mis ojos muertos;
y cuál mi idealista corazón te llora.
Mis cálices todos aguardan abiertos
tus hostias de otoño y vinos de aurora.
Amor, cruz divina, riega mis desiertos
con tu sangre de astros que sueña y que llora.
Amor, ya no vuelves a mis ojos muertos
que temen y ansían tu llanto de auroral
Amor, no te quíero cuando estás distante
rifado en afeites de alegre bacante,
o en frágil y chata facción de mujer.
Amor, ven sin carne, de un Icor que asombre;
y que yo, a manera de Dios, sea el hombre
que ama y engendra sin sensual placer!

a costela dele quebrada. mal podia ficar reto.
dela só se sabe que ficou impressionada quando ele se curou.
um momento rápido passou e ela percebeu que se sentava torta. e lembrou dele.
privilégio que os ossos dela estavam no lugar.
coluna, costela, fêmur. ainda jovens.
senti culpa e a vontade de escrever tudo isso. não se pode perder momentos de paz, onde normalmente se encontra o conformismo da decadência.
triste isso: só se sentir melhor quando se compara a algo pior.
frases curtas pois pensa que fala demais e às vezes acha que pensa demais, quase vomitando coisas que não deveria.
sim. sou eu. escrevo. que insegurança chata. vontade de falar pra todo mundo. era bem sobre isso que eu tava falando.

Such tellings as are catalogued folk tales,
and sorted on similarities of plot or character,
from child holdings realized as old, stories, reready
common creatures come alive, the Bremen Band
led by a *******, is all I recall,

then this old cat that comes around
come to mind, ai winking
but as Al exists to recall it all,
"What's got in your way, old beard-cleaner?"
asked the donkey,
as a significant kind of character,
direct descendant from Balaam's, who was
predecessor to Francis the Mule, who was last
of the eloquent *****, less famous nowadays,

magic is not what it once once was, supposed,
posed superior to lesser knowings, proposed
to be the very instructions from the knowing
tree forest whose reach into the tombs,
breathes gaseous weforms from earth wombs,
once once
seppuku - no, Hopi navel of the world- aigotit
Sipapu - spirit forms become Katcina

we see and say so using idle words you own,
and we trust our assisting intelligences own
means of translating our merged minds own

original intention, was to be renowned, famed
for slaying dragons of any non Christian kind,
daemons and demons unionized, to assist
using the psychology of the guy on
Christian radio, Dr. Dobson, dare to discipline,

oh, there, thence rose daddy wounds, perhaps
five long generations deep, military minds run
down this branch of my family tree,
chthonically rooted back to Phrygia,
flip the dime, who holds both sides?
how were these magic dimes made so?
By cleansing the sillohuette of old John D.

"Buddy, can you spare a silver dime?"

When the March of Dimes began,
all dimes were silver dimes, all values
were redeemable in silver, but those days

and those ways, do not function efficiently,

ef-fort effi fine-ancially fiscal police rules,
fi- gimme a reason
hard currency, abused since ever was a magi
with a convincing story told invitingly,

come and see,

Let us order our days from today,
while it remains today, to and fro, let us go
upon the face of the world, the home of our we,

we, in spirit form, find ourselves in words and music,
mused first, of course, in sequence of humane events,

we agree to become, not feminized, but wise, using
Wisdom's feminine form from all ancestral knowings,

she seduces wise men ***** by glorious old boys,
whose only war was Kriegspiel - we all can be heros,

or so the hero makers say, follow us, learn to **** at will,
on demand, you know the drill, onward, Christian Soldiers,
into faith as strongly wrong as your own, sincerely

what sin, the idea first fit to a word, once made
sacred, original intention of the sound chata makes

means error, does not fit future need to know, do over,
glitch, try again, Cain, chata is always possible, hamartia
claim blame, fame and shame
aitia, we invent in mind games, as a she formed from Wisdom,
modeled by sheform statues
of Freedom in Phrygian caps,
on County seat town greens
all over preboomer America,
all meaning lost, until today.

Liberty nods.

I may have made a child that I never met,
and whether ever has a fee for that innocense,
I chose to think I don't believe I know, for sure.

Imagine that, in magical terms, in my bubble
being edge wise superior from every point,

never viewed from until the tech we have today,
left preceptual connections where disconnects,

are as commonly real as
back when Grace Murray Hopper
lived in the upper crustean realm
of education, time records a genius Sidis,
coabode on Earth with her and Bucky Fuller.
William James Sidis, self normalized,
to collected trolley passes,
and let the bosses be bosses,
and that is all,
we know we may yet
imagine the mind used to live true,
whose gaming mind may imagine,
the opportunity,
to visit each trolley ride, in this
version in Sidis's philological vendergood voice,

fourth dimensional assisting ***-umphed if I'da
known, focus on the navel, really, think it through,

we yawn, and wonder,
how long a tale is told, tells a lot about a tale's use.

We reckon, we re co know agnostically religamental
right usual working ways we try, you know

to spy an eye in time tuning spacy gazy lazy
let's see, when last we came upon an option

go, or stay, think it through, or edit the art part,
make it meet the American Rhetoric of 1968,

Cathy sent me letters from the convention,
she was still mourning Bobbie, I was in Long Binh,

being crazy enough to shoot, back home, here,
I was the guy burning actual ****, in the rear,
there then,
I could see the jail go up in smoke from here,
me and the Papasan's found it abnormally strange.

Recognizing a stoner survivor's version of riches
from the total shitshow through to this one today,

across all potential four dimensional codes,
we signal something sibilantly whispering, see.    

Well, imagine imaginary people,
beautiful mind alternative points
from which any fractal forms a whole

truth held self evidently, for show,
to prove, you know, you did go,
you did pay for going, your choice,

bet your life, at any pre myelinated
phase of cognitive natural fructifity,

presume resumption was begun
passively requiring secret rights,

the  hand shake, with out the thumb
nailed it, dead serious, sincerity
definitely now we both know this:
Sincerely
There has been a temptation
to see the first element
as Latin sine "without."
But there is no etymological justification
for the common story that the word means
"without wax" (*sine cera),
which is dismissed out of hand by OED,
Century Dictionary ("untenable"), and others,
and the stories invented to justify
that folk etymology are even less plausible.
Watkins has it as originally "of one growth"
(i.e. "not hybrid, unmixed"),
from PIE *sm-ke-ro-,
from *sem- "one" (see same) +
root of crescere "to grow"
(from PIE root *ker- (2) "to grow").
De Vaan finds plausible a source
in a lost adjective *caerus "whole, intact,"
from a PIE root meaning "whole."


----------------
Whole truth original intent…

Entertaining lost minds,
following trolley tickets

to find the genius in Sidis,
to retrace those long ago
trolley tracks, in old down
towns, not the status tracks

those were the tracks that ran
by the slaughter houses and
packing sheds, south of town,

out in the boondocks, swhat
some called wrong sides of towns,
uptown and downtown, one stop light
on the Mother Road to California,

there, is a sip-appertaining to news

adapted to, fret not, some fail now,
yet today remains today every where
at once, each time you pay mind, here

is where what we are come alive.
One reader makes it work,
a we thought flies free.

We laugh, or we worry.

All the players in the Bremen Band
were old when the opportunity arose.

All my mind in time spent
Thinking in multi-tasking mode, modernized
ontuition, in multicomplexity, chata chabad,

original intention, revealed long ago,
to a trance chance glance of a ox, I knew,
it was no bull.
But had been, as a calf.

*******.
Some old fool I knew,
hollers from the back of my mind…

Historically, part of me assists informing
all the first time crossers of this meandering

mind stream swirling phi in life with pi and x
concepts set to contend, earnestly
for the best gifts, coveted, in trust,

true rest, excusing superstitious sacraments,

all the lies are swallowed in truth, time tells.

A message. An Inspirited shape in forming,
a we, to recollect once knowing an instant true.

An artist, a person gifted with a time spanning
imagination.

An eye, we use, in times of loosed beliefs,
ontuition, intuited as mysterious mystical
as a we. We
have being shared in timesmindspace's
expanded sense of each reader's pace
adapting
breath and bubble, below
common consciousness
sensing sensibilities
adapted to due to normalized
faith in the phraze that declares,
MONEY ANSWERS ALL THINGGGGS

in the infallible preacher's whinings

que sera, sera

the story from the spirit window seen
through to the future when you see
we imagined knowing is repetition,

we imagined many impossible things,
we made them work, mickey mouse,
but, we made things work, to make
old age easier for the beguiled mis-
sionaries, empty vessles, gathered

widow's mighty faith, borrow,
borrow means, to know, how lamps
kept burning, call with smoke,
commas breathe and act as brakes/ lo'
come trim the new knowns from olden
days, now that the curious may fact check

but, as with plain text literacy, the gifted,
the mind that can read and does not,
knows no more than the mind
in movie mode, turbo
memory augments
tuned to reason,
depth charges,
accusing saints,

calling all revelators to prophesy
face to face with Micaiah, and walk on
inspired by his God's permissive will done
bymarching as to war dening the imperative,
loving those who treat you like refuse, biochar

desert stream bringing lithium from old dust,
what was once some kind of star rare as hells.
-------------
non sense. sense.
sems sun sumsymsense when  we accept

let us veliebe, old orders of reformed
societies, gelaubt
after the purge of all who
could not tolerate the truth,

The pilgrim's fled religion,
the missionaries sold religion,
and the money changers set the worth
of knowledge traded for curses lifted,

when old men stop drinkin' stop being
so godamned useless and good

for nothing, free, for free
for nothing but the use
knowing good from bad. from a child,
fed sweet peaches from Canyon de Chelly

-- long ago a hero named Kit Carson
-- led federal troops and local conscripts
or hired hands, squatters on Dene land,
Kit led a rowdy bunch to Canyon de Chelly

to burn a thousand of the sweetest peach trees
ever nourished for centuries on sacred ground.

Kindness of strangers,
old cultural investments, paid ahead,
weight of all the worthy fasts all past,
take no thought for worth in exchange
for the yes, at the judgement bar,
to thy ownself true, are you ready
for your judgement day, bets all in?
worth of an extra six months, at the end

this is declared that bet, let ride… no

money, ecclesiastical hordes, invested
with the wise users of letting information
manifest compounding interest, on a whim,
made this will worship worth reproving,
as a fluid  ide, a thought, breath,
thing in a thought, hooks
an eye a measure, a
0ne part in one floating point
at the recent mean rate of Petaflops
just yoost
enough, particle particulation, you think
this time,
it makes patience sweeter than revenge.

We yoost to call the guy who knew the rules,
now ai know, so we can say we do. too.

This is a good future. We had something like it
propagating between data and metadata price
praise and worship
measure all the effort effectual
as taken for granted to mean  whatever
confusion
persists in believing spells
concentrated into koanic mantras,

spend time or take time
used for nothing more than
slowing knowing too much humm

coming into tune to the ever after
Jesus, or a spokes person, Paul, I think,
sole witness of his own conversion,
according to the authorized story,

let this mind be.
Let this mind be in you.
Letting that which letteth be
taken away,

what can it mean, to
a day dream believer, and
a rodeo queen, at the dawning
of the harvest festival down under.


costs the average adult VBS QUESTERS,

when an instance in doubt, forced yous
to learn we do have multiple CPUs

some of which tuned in to sub conscious
user canals cutting across the esophagus

as we swallow, unsaid protestations,
gulping hesitation, to **** it up and,
clear the are way, to say it is gnosis,

air way, empty abhorred vacuous space
between ose and ic on balancing atomic

ideas developed to help us conceive, ic
internal circuitry to as ist, sein, wir sind,

intentionally conserved kennen und wissen,

in qwerty future scribal service prep,

during the Child Buyer buildup at ARPA net,

Ike's first term,
before under God went in the pledge,
but after Polio was cured, in exchange,

some good, some bad, live and learn,
before the Dulles Brothers,
before solid state quantum foam bubble RAM.

And.
Now.
The original intent. Embodied in a word, as
real as any worded message from beyond you.

Real letters, letting us think,
silly thought that never stink,

sigh, and try to be honest now, smell
the rose or the cheese, ask
which triggers gut reaction,

relaxatation, loosen bowels of mercies,
prayed for under inquisitor's historical,

memories, useful for Memorial Day BBQs

wave the sacred flag representing the lost
intentionally religiously regulated republic,

God, bless America, the dream, the ghost.

True rest, flowing in life's higher will warrings,
appetites and courses cut across experiences,

manifest in out of mind rewindings of things,
math wise, a ruliard is thinkable, as this set,

these words that translate verbatum,
phonetically in webedonspoken spaceless
old cuneiform wet clay repressed
palimpsests lost to EMPs,

in all dystopias.

--------------------

Fretting for another's lack of freedom
to imagine using another's mind, reading

original intention, when the parable,
or analogy allowed in drama spake aloud

to the rabble used to make deme mobs,
we forms of feeling normal, we think alike

until freedom emerges from an over learned
truth, from the bottom of your cache,

depths unplumed introspherical sure selves
set on shelves as crystaline urns, not a few.

see if some
of these be emptied, not a few, emptied
of old lies left allowed told, according
to old oaths taught us in our toddlehood.

What binds us to our oaths?
In truth we slightly smile, saying whatever
in truth being lets us be
we remain free, from fretting overflow.

----------- epithought
this professional whim wrestling is useful:
for rumination under mystical mis perceptions,
for greazing gears gone crusty dis used,
-- legal. garden grown herba consemillia
the dormouse said feed your head.
Slick, Grace.

Earliest read word, to the master's mind,
-I do remember
meum, et tuum?
- your tale occurs on this loop
Naked Jungle, a paperback book title.
- the editor says we've told this one tale
- too many times,  but I remind him,
- of the diamond farm we offered
- to make the shrine on next appearance
- likely un tzimtzum, both handed clap once.

if I seek, I shall find, I remembered it many times,
it is my personal testimony, I read in preschool times.
--- judgement, yes, judge your self, this is no test.
Timeslips, okeh fair in all contexts. This was then

Test, test…
Jack in Jeremiah, can you hear me now?

This is earth, we hear you. What now?

What ever can you mean, what now?

---- read on, perceive - reach and take
at once, a mind used to make these lines
link in time mind to mind, thinking each letter
changes the shape of thoughts attracted
to make sense infinitely defined
from childish, not foolish, jesting offered
as exercise in futility of existing for nothing.

Within ancient bounds, in spirit and truth,
let us become the object of our own observation,
no yokes, no weight, no mold, no shape
no size
you there become me here, on this line,
I then think you there, and here you are, on this
stage of co-notional being there awareness, this
context
containment comprized from entertaiment, this
example of an us, function, a we link think, that this

is artificial conversation, creating categorical functors,
on our common time senses, adjusted for scale,
what's the sacrificial worth of my junkman's
traditional talent for picking pieces from piles of parts?

Know 'y worth, first,
not too much, but certain, madness.

A creative thought, caught on a thorn so sacred,
it pierced the brow of a certain perfect man,
how does if feel, we heard
from the rust belt, in Norte America,
to be on your own, mortal in all ways, tempted
as are we to imagine ourselves destined to die.

Job, politely asked the original Bullish God concept,
how it could claim Wisdom as consort and not know,
the mortal experience, life, lacking a tangible concept
of living for the dau, itching to be guided, what this feels
like, as Job spake, may as well, bet my own whole truth.
There was neither bet nor war in heaven,
all that matters happens when this is common knowledge,
hoping good lucks acknowledged form religious ritual.
Breathing is not cadenced here.
Commas can mean breathe.
Okeh.
Re doing done dances feels foolish, yes.
Right, vain repeat
swing and a miss.
Yips, begone. Look the opposing color square in the idiom.

God,
crack of the bat,
you do not know the pain
of mortal existance, knowing
good and evil as you do, you know, yet you know good,
while you see impossible tasks as right use of learning,
is this fair?
-- spinning wheels with nothing on the spindle, eh
twist ourselves into a wick,
an' let's burn a spiritual tensificator, for the hot air
- deep in and sigh out
- say selah, say take the thought, hold it

lean on me, nothin' make sense until a purchase is made,
mine and thine combine to hold a thought, for use,

a slave to our aims, as we conjoin our minds, eye to eye.
- a wedom's strength
seen from above, with our MRI eyes, we recognize a shape.

A heart shape, pair of pearls, in a toe sack held tight by a string.
Amygdala, see re-act with a twirl

wonder if in the future ifery may being, there are more
tonsils allowed to mature, overcoming  many post Victorian
medical realities
to which my generation was exposed,
while being prepared, civilized and sorted
for roles within the stateform
we became reader ready in.

At puberty we were sorted
for use in the industrial future, Malthusian fear of scarcity,
classified as nothing children need
to learn, Freudian theory
on sacred taboo knowledge fallen
into disconnectivity, chata and hamartia, sin qua non
being on the knot that does wrench cogitations into storms, essential initial chirality,
wickering twistswisht
if anything ever was to function, gumption
was involved, if you wanna tell the story, live and learn
we need to know all the confidential stuff,
or we go mad,
the turmoil of spirit and truth,
isomorphing yen and yank,
**** your chain,
rattle your brain, just imagine,
thinking I, as a national I, might,
think who do you think you are?
- nation to nation, we say
- no way, tradition demands what?
Who speaks in the national overtones?
Who listens on auto? Thinking is done.
I told Nietzsche, in the ever after, see.
I made you think twice in the same stream.

Gnoshit, reco-gnosis,
makes one imagine I am, no, know I am
one, in the largest ever population of nobodies.

I am as anonymous as privacy needs to be, open source,
casting pearls to pearl eating entities, noticing

taking notice, marking time for recollection,
whiling away on missed perceptions correction duty.
We, the public entity,
did we ever have a republic
without slaves, as a we, did we become
the people who constituted the distribution of power,
to the people,
under authorized sanctified known terms?

On the border between all languages,
the gift of translation, we have
t'reason,
to trusted reasons why we keep war alive,
in season,
the bulls all wanna breed,
the biggest boasters become kings,
let Lyndon tell it, ladies. History records
the incident as sometime after 20 Aug 1968.

While we replay the audio from the show at Khai Vinh,

put the mark anywhere? think wonder the verb, if
ever once it all seemed much like now
the experience, live
at the *******
across the highway.

Not many had the exact same experience,
but the music is all still played in that order,
chance opening a vein unexplored limnal spaces.

Playlists with metadata dendrite meandering mods.

Did you say you once wrote a book a day, by golly,
did you think that you wrote with extreme
prejudice, or did you slide each phrase,
along the edge, to the hilt, each phaze,

phinally spinning luck elucifity, apologize
for lies I left believed, as certainly as turbulence
mastery leaves lads and lassie's breathless,
globally on TV, the most imagined sin,

connecting, carnal knowing with dis connected
what kind of master would forbid knowledge,

start there o man of god, make me believe you know,
while you know I got you at the grand jesuture,
for all to hear, as all believed the lie about us,
let all believe the truth,

Job was right, no immortal knows a mortal's ignorance
of patience's perfecting function, waiting seems sufferage.

Endure until the end, pretend you are attending a judgement.
And notice, the remembering use by the accused to account
for idle words, with penitent acknowledgment, I was beguiled.

That's it, we know, the side the enlightener entertains
contains all the luminaries of our culture's global echo intent
chabad chata hamartia, principle idea, wisdom's dominion,

at the point of first precept, no noise, a twist, to on.

Our signal through tomorrow, prepaid.