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spysgrandson Jun 2013
the old stone walls are still standing
though they no longer echo with sounds
of cornball jokes, bottle caps poppin’ off cokes
and the happy humming of a repaired motor
  
the old man was there when
the first car pulled in for gas  
28 cents a gallon, all fluids checked for free
spotless windshield guaranteed  
he hired that Mexican boy because he was polite
yes sir, and was the best **** 20 year old
grease monkey in the county
(hell, the state)
boy had one leg shorter than the other  
and had him a twin brother
whose two fine legs carried him that place,
somewhere between honor and complete disgrace,
called Vee-et-nam
but those strong legs couldn’t bring him home  
he come back in a box,
both his good legs blown clear off  

he hired Lolo the day before
his brother come home      
was hot as Hades at that graveside  
but he went and stood by the boy,
his sobbing mama, his sober father
and the hot hole in the caliche
where his brother was gonna spend
forever    

business was good  
the boy spent most of his time
under the hood
of Riley’s ‘51 Ford
or Miss Sampson’s Impala,
(white 1962, with red interior, clean as the day she bought it)  
Nixon beat that old boy from Minnesota  
told everybody he would end that crazy Asian war  
the right way  
but the old man had been
in those foul trenches in France,
killin’ krauts when he was 18  
and he knew there was
no “right” way  

he and the boy had many a good day
with the register cling-clanging,
mechanical mysteries being solved  
and a good hot lunch now and then
when the boy’s mama brought  
fresh tortillas and asada
or the old man would spring
for chicken fried steak sandwiches from the café

yes, many a good day

until
that hot July afternoon  
the day after we landed on the moon
when “they” came  
not from some lunar rock  
but from an El Paso *******  
where graffiti were their psalms
and switchblade knives their toys  
“they” came,
parked their idling ‘57 Chevy in front of the bay,
and bust through the front door
with a gun and a ball bat  
both had hair slicked back
with what looked like 30 weight oil,
“they” smiled, and smelled
of beer and sweat  
“Dame el dinero! Give us the money!
Give us the money old man, cabron!”  
the old man glared at them  
the bat came down and grazed his head,
cracked his shoulder  
“they” did not see the boy with the wrench
who laid the bad *** batter out
with one righteous swing  
the one with the gun did not aim
but pulled the trigger three times  
and two of those hot speeding streams
sliced through the boy’s throat  
the shooter was through the door and burning rubber
while the boy lay bleeding red blood
on the green linoleum floor  
the old man knelt over him, helpless  
saw his eyes close a final time
while the sting of the burned rubber
was still in his nose, and the hellish screech
of the tires still in his ears  

the old man had seen the dead before
piled in heaps in the dung and mud
of those trenches, faces bloated
with their last gasps from the nightmare gas  
but he hadn’t shed a tear
in the pale pall of the dead  
until that hot July day, with a man on the moon, all those miles away
and the best boy with a wrench in the whole state, Lolo,  
silent on the floor in front of him  

they caught the shooter
(sent him to Huntsville for a permanent vacation)
the one Lolo laid out with a wrench died
on the way to Thomason Hospital in El Paso
the ambulance driver was Lolo’s cousin  
and he may have been driving a bit slow    

Lolo was buried the day they came back from the moon
right beside his brother in that ancient caliche
his mother sobbed softly, “mi hjos, mi hijos”  
both boys now cut down
her left with prayers
and memories…  
the boys at the ballpark
their first communions
the grandchildren she would not have  
and the gray graves where they
would return to dust  

the Saturday after, the old man turned 69  
when he flipped his open sign to closed that day, he  
climbed the ladder slowly, painted over his store bought sign
with new white wash,
and red lettered it with “Lolo’s”  
not a person asked
about him using the dead boy’s name  
and things would never be the same    

the old man lasted another nine years  
until the convenience store started sellin’ gas
(they wouldn’t even pump)  
his hands were stiff with arthritis
and his shoulder stilled ached from the crack of the bat  
he closed on a windy winter Friday  
yet painted the sign
a final time that very day  
nearly falling, as he made the last red “S”  
but he made it down the ladder that last time  
and saw the boy’s name in his rear view
as he drove into the winter dusk
Inspired by a picture of  a long abandoned filling station in a small west Texas town--please note, though the name of the station is real, the characters and events are completely fictional creations of the author
LARISSA LOU McCASKY female 40 years of age 5’7” lanky physique stitched old pillowcases random fabric homemade knee length wrap skirt tight brown velvet vest no shirt camping sandals subtle smile

CLYDE ELI MOSKOWITZ male 52 years of age 5’9” athletic build yet signs of age white painter’s pants rolled up to mid-shin light blue vintage cowboy shirt wet black high-tops

act 1 scene 1

Sky bar 4th Avenue Tucson Arizona 6:30 PM actors sit 3 seats away from each other at bar bartender approaches Larissa

BARTENDER can i help you?

LARISSA (she looks up from cell phone) yes thank you may i please have a glass of sauvignon blanc or reasonable facsimile and tall ice water

BARTENDER we have a California pinot grigio $5 a glass

LARISSA is it good? i’ll try a glass (bartender serves wine and tall ice water Larissa sips) oh yeah this is good thank you

CLYDE excuse me i was considering switching from this Spanish red to what you ordered you like it huh?

LARISSA yes it’s quite good funny coincidence i just switched too from pinot noir last week i decided it’s unseasonably heavy you look familiar have we met?

CLYDE we’ve almost met on several occasions i’m a fan of your beauty (raises hand appealing to bartender’s attention) hi may i please try what she’s having

BARTENDER no problemo señor

LARISSA oh that’s sweet i thought for a moment you were going to say you’re a fan of my writing

CLYDE you’re a writer huh what kind of writing?

LARISSA whim fancy poetry fiction essays critiques i like to experiment with different formats

CLYDE hmmm what are you currently reading?

LARISSA aren’t you the inquisitive one i’m currently reading Yukio Mishima’s Madame de Sade it’s a play

CLYDE wow i’m a fan of Yukio Mishima and the Marquis de Sade yet unaware of the work are you enjoying it? i’m Clyde what’s your name?

LARISSA Larissa i just began reading it so far so good

CLYDE may i move closer?

LARISSA yes

CLYDE thank you (he picks up glass and sits next to her) hello

LARISSA is the mustache recent?

CLYDE still growing in

LARISSA i like you better without it

CLYDE got a razor on you?

LARISSA it makes you look sad

CLYDE hmmm (long pause he looks away then into her eyes)

LARISSA are you ok?

CLYDE yes

LARISSA what’s your profession?

CLYDE i’m a painter sometimes writer and i teach yoga when i can find work otherwise i scrape out a living house painting restoration whatever pays

LARISSA a painter what do you paint besides houses?

CLYDE i’m old i’ve painted everything figurative representational abstract symbolism you name it i’ve painted it

LARISSA you’re funny

CLYDE you think so?

LARISSA Clyde why are you sad?

CLYDE oh Larissa i don’t know what to say in a way i feel i was sent here to do a different job i don’t understand why i'm here or what i’m doing do i sound crazy? life throws a lot of hardballs at you few are good enough to make the big leagues the rest of us struggle day to day no i don’t mean to express that thought i’m grateful for the opportunity of this life in my own little way i try to make a better difference

LARISSA you’re not crazy Clyde you’re wise well spoken words you’re a sweetheart i’m glad to finally meet you

CLYDE oh god Larissa you have no idea how good that makes me feel i am such a fan of your beauty the way you dress your voice gestures everything i look forward to reading your work

LARISSA chill on the flattery Clyde my dog is dying (tears well up in her eyes)

CLYDE i am so sorry for you (he reaches into back pocket) here’s a tissue i know what it’s like to lose a precious friend i lost my baby 12 years ago and still carry her picture in my wallet i’m probably not someone you want to talk to i totally freaked out (tears well up in his eyes)

LARISSA Clyde you are so sweet can i buy you a drink anything what do you desire please

CLYDE uhh thank you but no not tonight i think i’ve had enough i need to go home Larissa you’re an angel my precious angel thank you my heart flames for you (he stands up)

LARISSA you’re being dramatic Clyde please stay and talk with me i won’t ask you again why you’re sad i like your mustache it’s growing on me please hang out with me

act 1 scene 2

9 PM they are walking back to her place

CLYDE (looking up at sky) the moon Larissa the moon

LARISSA you’re so dramatic Clyde

CLYDE you think i’m a drama queen?

LARISSA i don’t know you well enough yet Clyde are you?

CLYDE sometimes i think i’m a woman trapped in a man’s body

LARISSA shut up Clyde

CLYDE i’m definitely a man but way too sensitive for this world

LARISSA i need to *** (she squats and pees)

CLYDE (he looks up and down street keeping guard) you’re the coolest girl in the world

LARISSA you think so?

act 2 scene 1

cell phone conversation

LARISSA i’m taking Sweeny to the vet i can tell he’s hurting bad

CLYDE i’m coming with you

LARISSA no this is too personal

CLYDE shut up Larissa i’ll see you there

LARISSA i don’t know i need to do this by myself i feel so sad Sweeny’s eyelids are half closing I’m losing him

CLYDE i love Sweeny for adoring you the joy he brought to you please don’t shut me out Larissa i’ll meet you at the veterinarian’s we’ll figure this out write paint practice yoga work it out somehow

LARISSA ok alright see you at the vet’s

act 2 scene 2

they are shoveling a hole in her backyard deep enough so no creatures can intrude both are crying Larissa is in a daze

CLYDE that caliche is a ***** to shovel through

LARISSA yup

CLYDE oh baby let me have the shovel

LARISSA i can do this i need to do this i think it’s deep enough let’s go look at Sweeny (tears pouring out of her eyes they go back into house Sweeny is lying wrapped in blanket on table)

act 2 scene 3

he is lying next to her sniffing smelling her underarm kissing her neck hair she is lifeless coming to consciousness crying hysterically

CLYDE rest easy darling Sweeny is up in heaven waiting for you

act 2 scene 4

Thai restaurant

LARISSA i’m not hungry can’t focus on the menu order for me

CLYDE i love you Larissa more than anyone anything else in this whole world i love you

LARISSA i feel sick tired

CLYDE shall i drive us home

LARISSA no let’s eat in an unforeseen surprising way Clyde i love you too deep down stay with me Clyde don’t ever go away
Annie Jan 2010
In the land of the practical
There lived an ornamental
A desert rose.
A farmers wife
Planted her
To break up
The graveled nap
Of gray caliche
And from the time
She pushed her first shoot up
She knew she
Didn’t look like
The other plants.

The land could not
Be farmed
There was no oil
So the farmer and his wife
Moved On
Leaving the rose alone
Amongst the desert cabbage
And the other wild succulents.

At first she tried
To blend
Curl her velvety leaves
Into a cabbage
Fodder
For the desert fauna
But the animals avoided her
Because she looked odd.
They worried that she was poisonous
So she crawled back
Underground.

But still she longed
For light on her face
So she stuck another shoot up
Conserving all her energy
For her stems
She didn't want to frighten anyone
But her stems grew thick and woodsy
Like a thorny fig vine
And after a hiker
Cut his leg
She curled up
And crawled underground.

Years passed
Until she was as frozen
As the ground
Then one day
She sensed movement
Above her.
She pushed a shoot up
And standing above her
Smiling
Was a young woman
- There you are
The woman cried
- Why are you hiding away
My grandmother told me
All About you.
You were the one bright spot
Of color in her garden
She could smell your perfume
From her window
And it reminded her that
Beauty could survive
Even in such
A drab place.

And the rose blossomed.
spysgrandson Aug 2013
I claim to know the wolf,
tracking scents in the high country  
though half truth requires I confess  
one has never been in my sight    
though in silent night,
in snow weighted pines
and fir, doubtless one
has eyed me in my folly    
I have seen the coyote  
scratching in the caliche  
on the stingy prairies,
crouching in the mesquite
ready for the ****,
whilst the hare hops by  
when chase ensues  
and mammal hearts race  
I have yet to see
the canine succeed  
the hare hides in Alice’s hole  
while the mangy hunter
settles for field mice  
or makes bargains with buzzards
while the flies yet crawl
on the ****
Lendon Partain Apr 2013
They call it crude.

The dessicated then carboxilated, carbonified,
****** of dead Permian flesh.

This is the reason the salamanders die.
Corporeal concreted, mummified, fossilized.

This is the reason we dance.
Dirges of West Texas dirt romances.
Lost in the flares,
Caught in the gases blaring making nostrils glare.

Requiescat in pace.

All these women.
Dancing through the caliche,
Giving a reason to taste the air.
Through one breath of speechless.

The loam is never settled where boots tread and weather.
Destroying bedrock through hydrolic fracking to the earths core.

I land my toes in the sand of the Llano.
I ******* Mexicans, greasy, with cheese,
With.



Hot.
Sauce.



Dorthy never went to the fest of Oil.
But there's no place like home.
Her silver slippers or prosthesis feet placed instantaneously upon me.
Would bring me directly into a thorny,
Patch of Mesquite.
It is a warm summer night
I am 8 years old
My bare feet are stained
Caliche rock white
A remnant
Of hide-and-seek
I am alone
In my room
My sisters and cousins
Are playing games
In the room next to mine
My family is outside
Papa's laugh
Infectious
Through the open windows
The scent of barbecue
Permeates the air
I am still full on sopapillas
Shared with Mimi
After soccer practice
And smuggled candy
It is a warm summer night
I am 8 years old
And I am happy

©KNL
spysgrandson Apr 2017
coyote yelping helps;
the winds, too, distract him
from the now

the Comanche who
put the arrow in his back
lays beside him

gone before him;
that is condign comfort
to him

he cannot speak, nor move
his tongue, but he smells the
*****, the creosote

he sees the clouds,
stingy white whiffs in a hot
summer sky

as good a day to die
as any he reckons, and
he feels no pain

again the yelping,
closer now -- are they talking
about him?

will they beat the buzzards
to his body? would they begin their
feast while his eyes are yet open?

he closes them; the flapping of
the wings does not arouse him--he
knows they are on the Comanche

beaks and talons at work
he lets himself drift, content the
vultures are choosing the dead

but they fly off; the coyote pack
approaches--the pads of their paws
patter on the hard caliche

he lets himself sleep
dreaming now of sweet green grass
and good water

and the coyotes begin their work:
the ***** and he now a solitary offering
for the ravenous dogs
Caitlin Smith Apr 2014
I am here in Suburbia.  It is easy here, watered lawns and life like the weather is mundane...perpetually perfect,  monotonously sunny, and manufactured.  The people too.  They are afraid of rain, of cold and the beauty in discomfort.  They are afraid of pain and so while their facade is approachable they are distant.  

Men fall in love with me for the same reason.   They say, "I have never met a woman like you."  And I know this is true at least for these bearded boys confined to a radius of conformity.  

But women like me, we are everywhere we allow our rebellious selves to flourish in expression.  These are the women who not only raise warriors, but are warriors.  

There is an old city, a city of faith... weathered with the age of monsoons and dry heat.  Her wrinkles in crumbling adobe.  She offers a sunrise and sunset with colors that do not have names but are emotions.  And in the open sky, her thoughts have no hindrance.  The high desert has tested her and her offspring.  And unlike suburbia, water is scares so when it rains...people remember to dance.  

She has a history but does not hide her history because she is authentic.  Without her past, the dirt of the land would never have been fashioned into Great Cathedrals, humble churches and miraculous staircases.  It is her tribulations that ground her, for the winds of March uproot those delicate spirits, consuming them in a cloud of yellow pollen.  

It is her authenticity that saved her.  Liberated her from the fate of materialism, feckless white paint on the perimeter of social confines.  No, the fences she builds are sturdy, deep into the hard caliche.  Mismatched in height and beautiful…beautiful in their practicality…not only keeping cayotes out, but standing tall for what she stands for.  She liberates herself from the fate of the living dead.

She is the real woman who men love.  A woman of grit.  The woman I want to be.
Caitlin Smith Apr 2014
I am here in Suburbia.  It is easy here, watered lawns and life like the weather is mundane...perpetually perfect,  monotonously sunny, and manufactured.  The people too.  They are afraid of rain, of cold and the beauty in discomfort.  They are afraid of pain and so while their facade is approachable they are distant.  

Men fall in love with me for the same reason.   They say, "I have never met a woman like you."  And I know this is true at least for these bearded boys confined to a radius of conformity.  

But women like me, we are everywhere we allow our rebellious selves to flourish in expression.  These are the women who not only raise warriors, but are warriors.  

There is an old city, a city of faith... weathered with the age of monsoons and dry heat.  Her wrinkles in crumbling adobe.  She offers a sunrise and sunset with colors that do not have names but are emotions.  And in the open sky, her thoughts have no hindrance.  The high desert has tested her and her offspring.  And unlike suburbia, water is scares so when it rains...people remember to dance.  

She has a history but does not hide her history because she is authentic.  Without her past, the dirt of the land would never have been fashioned into Great Cathedrals, humble churches and miraculous staircases.  It is her tribulations that ground her, for the winds of March uproot those delicate spirits, consuming them in a cloud of yellow pollen.  

It is her authenticity that saved her.  Liberated her from the fate of materialism, feckless white paint on the perimeter of social confines.  No, the fences she builds are sturdy, deep into the hard caliche.  Mismatched in height and beautiful…beautiful in their practicality…not only keeping cayotes out, but standing tall for what she stands for.  She liberates herself from the fate of the living dead.

She is the real woman who men love.  A woman of grit.  The woman I want to be.
spysgrandson Mar 2017
two standing on the prairie,
shovels in hand--a third at their feet;
he knows no haste, but the diggers do,
for the sun is rising higher, hotter

the herd, the other hands
are plodding north, only their dust
left in the morning sky; the caliche
is baked hard, waiting

for the shovels to dig
a shallow grave, unmarked,
though there is a lone flower,
yellow against a gray plain

the blossom will be his headstone, until
its roots take their last drink, its stem withers,
its petals fall to the earth, and a wild
wind song becomes their dirge
The Fire Burns Oct 2016
I watch as the sun sets
ceramic shadows cast
on the valley
waiting to be shattered

The headlights shine
dispersing darkness
caliche road
shines like a porcelain dream

Rolling gravel sparkles
quail and cottontails
scatter on my approach
jackrabbit zig zags in front of me

Starlight now
primordial night
the animals prowl
ancient memories sparked

Nights power prompts
fear, excitment and lust
my awareness drifts
becoming one with the night
The Fire Burns Sep 2016
Now gather around and listen to this
This is something that you don’t want to miss
A song about, fishing, shooting and hunting deer
I imagine we will mention some beer

Might even talk about whiskey and coke
Forty creek and Seven and maybe a smoke
Might quote the Doors, and even The Who
Ask, WWJD, What would Jed do

Well since you ask its time to cast
A top water out and work it back fast
Zara ***** on an ABU 5500C3
St. Croix rod as good as it can be

Fishing some pads on the south side of Fork
Waiting to set the hook, and reel with some torque
10 pound bass, explodes on my lure
Up from the depths, an attack that’s pure

Count to 3 set the hook in her lip
She comes up, tail walks and backflips
Pulls lots of drag, it’s a hell of a fight
But I’m gonna win, try as she might

Tournament lift into the floor of the boat
Make my buddy take my picture, while I gloat
Post it to Facebook, not telling how many likes
Its chorus time now, gonna sing in the mic

My buddies and me, man we love the outdoors
Say let’s go and listen for the slamming doors
Gear being loaded and Pickup trucks crank
Gravel flies down the drive, hear it click and clank
Off the fenders and bumper we’re on the way
Boys with toys headed out to play

This time though were at the caliche pit
Shooting pistols and talking ****
Brought every gun in the arsenal to shoot
12 gauge muzzle on the toe of my boot

Hollering pull, let the clays fly
From over my head they whizz by
Draw a bead and slap the trigger
Next guy in line is really eager

Clay turns to dust, he is out of luck
It’s still my turn, so he’s stuck
I finally miss and its on to the next
Pull out the .50 muscles flexed

Way down range bucketful of water explodes
Underneath it the grass and dirt erodes
One shot one **** those rounds cost
Out come the AR’s, everyone’s bossed

Shoot a few more rounds, its getting dark
Loaded it all back up in the truck that’s parked
Get it all on home, its dinner time
Give my wife a kiss, man is she fine
White tail stew and some home fries
Had a good time hanging out with the guys

My buddies and me, man we love the outdoors
Say let’s go and listen for the slamming doors
Gear being loaded and Pickup trucks crank
Gravel flies down the drive, hear it click and clank
Off the fenders and bumper we’re on the way
Boys with toys headed out to play

Its November, and you know what that means
Headed to the lease in my camo jeans
Up in the morning, out to the stand
13 inches wide is what the state demands

Binos around my neck, 270 leaned
In the corner of my stand, hear the corn fling
Feeder went off like mornings alarm
Grab the rifle throw it up on my arm

Muzzle out the window, not long to wait
9 point buck and his cute little date
My freezer is empty, time to refill
They finally line up and stand still

One shot two kills, both through and through
My buddy call, asks, hey was that you
I tell him yes, and we have work to do

Rack was so big, didn’t need a ruler
Deer all quartered, cleaned and in the cooler
Time for a cigar, and some Whiskey and coke
Sit around and celebrate enjoy the smoke

Steak on the grill, fire burning in the pit
Buddy says this is the life isn’t it
I just nod and take another sip
He nods back sticks in a dip

Morning comes pack it up and go
Back to the house where the love flows
For the wife and kids and the **** dog
Its where I am the boss hog
Make time for your family and friends
You just never know when it will end

My buddies and me, man we love the outdoors
Say let’s go and listen for the slamming doors
Gear being loaded and Pickup trucks crank
Gravel flies down the drive, hear it click and clank
Off the fenders and bumper we’re on the way
Boys with toys headed out to play
spysgrandson Jul 2017
lone falcon high in flight, what grid of ground
is magnet to your sight?

what engrams form in fine folds
hidden in your skull?

do you recall all that passes below
on a fleeting flat earth?

do you see my shovel fighting
the stubborn caliche?

to put my wife and child in dead dirt,
before you or your brethren dive

perhaps you will take pity on me, and see
you have other places to light:

the parched prairies around me,
where I pray the creator has left
you more tantalizing temptations
for your talons
Ken Pepiton Sep 28
Theandric
Relating to, or existing by,
the union of divine and human
operation in Christ, or the joint agency
of the divine and human nature…

in any ever after, timeless nature is thinkable,
first peaceable, gentle, easily made easy with,
free as the wind
true rest in coincidence, yes, the actual idea,
yes in opposition to no, and working together,
stirring in whole new precepts to judge with,
chaos and beauty, stormy weather and calm,
tobe ra', post internet literate inventory bots,
aiaiai
what could I have known,
had I read then what I read today, had it been
thinkable back in the times we made order,
made muscles remember qwerty gestures, ai,
as if we have a genius for testing best easy ways,
we build on each easier way, we meander theandric,
- as it is written whosoever is a grand inclusion
androautomatical informational intelligence leg-ends
collections of meaningful reasons for faith usage.
Garbs of right uses,
lose all value,
naked.
True.
Idleness at days end, gloaming sophist tries,
means of matching first impressions, is it real,
or Memorex, tell me wordless window watcher.
Watching infants gain first order for search
oh how happy we shall be, when we know our
ABC-DE
mmmmhmm four square frame of reference,
Hollies, look through any window/

now, I am the grandfather, proud, with no hubris,
as salt with no savor, good for preserving old paths.

Leave it be, today, I made these remarks,
at the same time something happened everywhere.

And now, these times of constant entertaining
information acquisition with intention
expand
to graphically appear in the mind of any ever
who ever rewatched "My Octopus Friend"

and American Utopia, and the Last Waltz,

Class action inclusive bubble develops, but now,
we stretch, was my grand father low or middle brow?

How long was America MAGA ablized, rooted

Caliche, soft lime, left deep ruts where braked
wagons ground recessed groves, we could see,

those mostly got eroded away after a century.

My grandfather rode from Sweetwater to Williams,
on horses he tamed and made useful,
on horses his father shod, and taught him to shoe,

such knacks as smith's must grow to feel known,
to any degree as fine as tempering spring steel,

using modified fires of inner solar ovens,
the size of the point of the smallest star you see.

Spot welding aitia precepticonical connection,
where chata left a gap open to chabad concoctions.
The itch to be read once, is almost addictive... but we are the first humans with this degree of global agreement starting whims of why not just say it like this...
David Lessard Mar 2019
Walking on the slick and slippery trail
mud was ******* at my sneakered feet;
on caliche ground and crumbling clay
more obtrusive with the morning's heat.

Dappled sunshine played its hide and seek
my quiet, smallish terrier trotted by my side;
and as we broke through the forest glade
we entered grassy meadows high and wide.

The wild, west wind, was blowing very strong
hanging, stratus clouds showed promised rain;
here, the way ran almost razor straight and true
with very little elevation and hardly any gain.

If it wasn't for the slippage and the sliding
this earthly path would be a pleasant walk;
an outing, generally agreeable and grand
without need of conversation or silly talk.

In the distance, long low clouds are crying
with tears formed, from ending winter's cold;
yet I'd not hesitate to come back here again
to but be a lonely vagabond, if truth be told.
Insipid ingurgitating
it never hurt
I needed that it was never pain worthy memories

mine are
Cheap
like a gew-gaw,
Shiny and strong like a dark horse
lathered in the sun
Shallow as a caliche grave

you are fearless when it's nighttime
dragging the corpse of my voice
by the knot in that bag of bones
You've been throwing around
like dice
That never play fairly

Always with a sharp tongue
a new plan and borrowed bad words
You'll find all that back for you awaiting the threshing
While here you reap

I have that
The narrows have been sounded
The depth plumbed
and only by the skin of my teeth
Did I slip from that
shallow grounding.

No!
Coddle me,
Laissez-faire
Installment plan living,
while leaking vitality
my unused limbs
become no longer
tools
of expression
but of badly pretended
emotion


Madame caterpillar,
Your butterfly brilliance
is now
patina still life,
Sepia celluloid memory clips
from some
Dark cutting room floor
of your own imaginings.

wicked worded one,
Leave my voice untouched
by the wind from your acid lungs
Return to your wilderness
Refuge is yours only there.

— The End —