I sit watching brown eyes
probe affectionately through the haze
at the mirrors created by close family.
I think the intimacy that is made possible
by the sharing of wine, **** and space
in a dim room full of sad love and smoke
will never ceased to amaze me.
The men see themselves in each other
and are both heartened in their own ways
I am drunk now in my way
and The Mirror is ****** in his
and Brown (Green) Eyes is both at once
Appalachian mouths move in turns
to take a hit or a drink or a shot at wisdom
Suddenly the truth of our three souls is laid bare
on the tiny table there between us.
My heart tightens around the words
as they echo through each chamber
growing louder with each reverberation.
“Happiness is being able to breathe”

Love you, Frank.

Shall I compare thee to a motorway?
Thou hast better surfacing and a softer verge.
Alone we fight our cone wars night and day.
Now with your unrestricted middle lane let me merge.

My central reservation, thus: - will our bodywork survive this amorous collision?
My tailgate does not now rise so high.
My global positioning system points towards oblivion
But could we at least give it a try?

Oh please Give Way and let me in
Don't 'No Entry' or hard shoulder my little furry dice.
I've got the jump leads on, and although emissions are a sin..
I think - oh yesss! - I've hit the red line! - that WAS nice.

So long as men find dangerous curves excite, and fossil fuels breathe other sorts of fire -
So long last all the crazy pile ups of middle aged desire.

The gorse withers on the ground
The Sin is autumnally thin
Silence hithes in blue
Those roughshed days
are scattered with the leaves

Schemes are forgotten
Feelings disposed
Into the chamber of nothingness
do we ascend

Lamenting
Guitars are trickling
And the lamp lightly lit
We have come to dream

Drenched in feeling
Eyes drink the landscape

I could swear that each colour was
emotion-tinted
sorrow-toned
anguish-textured

How many stretched hours of living
made each heavy brush-scar?

What volume of rinsing tears
for each change of shade?

Why did the artist know instinctively that the people
were so small
in such a vast, pigment-thick world?

From this distance they feel like children
But I know that they are grown
At least on the outside

Agony
and aesthetics
amalgamate in
assembled alchemy

Are these thoughts
artist-intentioned
landscapist-birthed
painter-engineere­d?

Or are they my thoughts
reflected
by brush strokes?

Designed to elicit, not instruct
To return, not to teach
To cast-back, not to create

This open canvas
in muddy colours

A perfect, terrible mirror
Helping me gently
in my now softened
sadness

(this is another throw-back - a piece of writing, from high school, used in my Yale applications)

I pound the pillow, curse the clock and mock injunctions to rest.

The sun finally rises and its rays slantwise fall through the curtains as I dry my hair.

A meal, like a forced dose, we soak ourselves in wasted, nervous time.

Finally! We arrive at the competition...

Tension is here and tireless pressure.

The players waiting stiff as straw, tongues playing over dry lips.

Teachers and coaches unapologetic in their pallor.

Music drifts behind us and occasionally gasps, as imperfections play like daring circus tricks.

The sparkling prodigy returns disappointed, grimace of a smile, stricken, he stares away as we search for words, oh! clumsy, unrepairable prince!

Suddenly, its time and I wonder why we are hurrying, feeling weak, momentarily frightened to go there.

On this stage in this great, hushed hall, enormity suddenly dawns with mass enough to crush me.

At last, I sit before this odd Steinway music machine - my dearest mechanical friend.

A tremble resisted - the reward of mortal afternoons - endless practices fruit.

Eyes closed I prepare my best self - pushing all fear, all doubt, to the margins - and begin.

I hope, to recreate, one note at a time, Chopin's ancient impact - with hands flying, like tethered birds, I hammer out his timeless melody explosions, his streams of crazily exact math exam fiery semiquaver motions.. then, almost suddenly, I'm done.

I stand, joyously, nearly crying.. The world hasn't ended.
.
.
Songs for this:
12 Etudes, Op. 10: No. 4 in C-Sharp Minor by Vladimir Ashkenazy
Part of Your World by Emile Pandolfi
We gather together by Emile Pandolfi