why do the white gulls call? (everyday must have its poem)*


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the cries are intelligible,
each a separate story of:
patient waiting, of seas
unending waving, unchanging,
cycling, waiting, prophesying,
propelling history, retaining a
staining past, future similar...

why do the white gulls call?

for evening tide rapid approaching,
we may even have a decent sunset,
first worthy of being drunk toasted,
all reminders that this ordinary Monday,
has nearly escaped without an extraordinary
composition, you prone position negates
inspiration, so rouse yourself, rise taller

tribute due, tribute demanded, tribute needed,
that is why the gulls screech, fearful of lapse,
that poet will suppress what is compelled, no,
compulsed! the senescent days offer no excuse,
indeed, the time of limitation is nigh, is here,
the gulls know their history human, its lore,
needs foretelling, retelling, and keeping

humans come and go, but gull generations require
the prescient precision of their words, to define,
to record each day’s unique way of living/dying,
so they can become forebears of the future,
the passers down, of that they cannot exclaim well,
we humans are their heroes, living close by,
we carry the gulls thanks given, for skilled appreciation

so they cry out, is our poem be readied, for the day’s end
comes closer and every day must have its poem!

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“I hear bravuras of birds, bustle of growing wheat,
gossip of flames, clack of sticks cooking my meals,
I hear the sound I love, the sound of the human voice,
I hear all sounds running together, combined, fused or following,
Sounds of the city and sounds out of the city, sounds of the
day and night”

Song of Myself (1892 version) by  WALT WHITMAN

                                                   §§§

Irony great, some say unto delicious, for my writing,
be a fusing of surroundings of silences, admixture of
inconsequential noises, atomic horn and geese honking,
sun rays speaking in tongues, my skin translating, both,
the sounds of the city, those of out of city, merged, both,
accessible, instant recall, stored for tongue tasing upon

these blank pages below, needy for wordy fulfillment,
copy and place these mishmash of cacophonous,
on a single page, simmer, blend and sauce, of course,
salt to taste, mine, author of this recipe being born,
born in the night, prepped by day, the lovely sounds,
kettle or pan, broiler, fryer, slow cooked on full flame

they are the melted butter sweetness crossing the span
between the body of the heartbeat, the ache of the brain,
shot out in rapidity, error’d and stain’d, their state natural,
for this mess of beans, collection of noises, stir my soul
where they contain’d, aromatic, fanatic, exotic, sticky hot,
only a singular harsh invades, the shrill of the voice human

this piece, this poem, a flavoring, a dish-not-to-be-repeated,
once consumed, spoiled milk, molded with Jello mold green,
back to hiding in place of unseen, of bravura masked as cowardice,
when crackle of easy wasted word cowards, daily spewed,
so precious these ingredients, these artful sounds, easy ruined,
chitchats of nothingness, parlous blasé wastrels, seize! cease!

take thy tongue, let it memorize all the oddities that fill your ears,
ecrivez! the cooing, smacking, the alliteration of snap, crackle, and
yes, pop! and if you can love the human voice, of that too, tho not me,
more beloved, the exterior symphony of kettle drum, soft cry of violin,
timpani tingling, guitar plucking, the voice of men, too oft abusing and abused by untruths, emboldened lies, they are the sounds
I love least, love to hate.  a shrill disease, the TV liars...

                                                     §§§§§



May
Manhattan Island

when there is no one there to disagree or temper your eyes appetite,
or bring you café with heart designs in caramel and white, or inquire
howz it taste so you nonetheless reply out loud with tears while wondering how memories live-on, in drinks and catch phrases,
you answer when she no longer, not here to ask, to gentle reprimand,
but answer the answer to everything, with an all encompassing

    crémeux à délicieux                           creamy unto delicious,

reminder to David, you now King of nothingness, Shepherd of no one,
no longer need a real voice to answer unto anything

did this poem just write itself, is more needed?

every day is holy, you just need to reason why!

could it be:

laundry day, a fresh starting, a new cleansing sparking

stroking her face, squeezing her apple cheekbones, smile extracting

making kissing her forehead, caressing her thumb knuckle, into a weapon of holy war

early to rise, coffee maker man, a saint she declares, from night risen

tracing her heart’s shape with a memorizing fingertip, transferable
to your own graying forested chest

happy new day, an everyday celebration; Happy Lockdown Day!

the strangeness that is realized when the words,
scattered and smattered, hardly useful enough to
com-paste/post a poem together, scrabbled letters
on a dining room table, ripe with possibilities,
ripe with the stink of inutility, for the
industrial-military complex of
mind-eye-tongue refuse to work together,
the letters, yes, scattered and smattered,
come on a regularly irregularly schedule,
not put together...

why should I write of this?
write of this of now?

my man-ifesto of inspirations loved and lost,
poems that arrive while I drive unable to record them,
for days now, a poem lay inert in my brain but just on the tip of
my rounded, tongue, the title knew me, knew it was mine to write,
but the man/poem coming together in mystical simultaneousness,
was nope, not conceivable,  
thus be advised somewhere in my body decaying
lies a decaying poem.

the title is
The *****, Dimples and Dents Upon My Body.

Perhaps this is that poem; but I suspect not.

This one was written in five minutes in one sitting, a run-on,
run-though
out of control.


so easy to write when out of control!