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My father curses at the men in charge,
He tells me they're driving the world into dust,
But doesn't he know,
That we're just not done for yet?

And whether or not they put Coke ads in the sky,
There will never come a day,
When we are too tired to fight for liberty.
I'm born to a new generation of fighters, those prepared to do what it takes to sculpt the world back to it's proper shape.
A heart adrift in the fields of pain, I wander, restlessness as my guide.
Each face tells a story I long to mend, yet my hands feel useless and desperate, tied.
Empathy flows, a river deep, but real solutions feel out of reach.
Their suffering echoes, my own heart weeps, a foolish savior on a lonely beach.

Yet in this shared despair, a flicker might ignite,

A hand outstretched, a voice in the endless night.

Snow is melting beneath my feet,

You and I, unnecessarily meet.
A ghost walking the day
like a spy upon a dream,
she stares out of a window
arrayed in black bombazine.
Hair tinged with a little grey,
such sadness she bears alone,
drifting through the quiet rooms
of a cold and empty home.
Saving her love for loneliness,
wrapped in an airy husk,
night cannot come to soon
and the veil fall with dusk.


© Pagan Paul
.
Maybe I am not assisted by AI,
maybe he is, who am I to ask why?
Maybe in future nobody will try,
we will assist AI, and it will thrive
AI will be me without a life.
the bantering of rain
the insinuation it might snow
the mirage of moonglade
the mountain drink
the desert thirst

everything
resolves with flowers

a withered realm
a crestfallen kingdom
their copper queen withdrawing
from the bitter harvest
in the spirit of Persephone

everything
dissolves into flowers
In the hushed hours before dawn,
When the world holds its breath,
A silent echo lingers,
Reverberating through the stillness.

Whispers of forgotten dreams
Intertwine with the shadows,
Dancing in the corners of memory,
Unseen, but felt deep within.

Time suspends its relentless march,
Pausing to listen,
To the unspoken truths,
In the quiet spaces of existence.

Silent echoes of laughter,
Of sorrow, of love,
Resonate through the corridors of the heart,
Leaving imprints, invisible yet indelible.

In the solitude of night,
When the world is wrapped in silence,
The echo of a sigh,
Of a thought unvoiced, softly resounds.

It is in these moments,
Between the ticking of seconds,
That the soul finds its voice,
In the silent echo of its being.

A reflection of life’s essence,
Captured in the stillness,
An echo that speaks,
Without uttering a sound.

Silent, yet profound,
It spins a web of emotions,
In the spaces where words fall short,
An eternal echo in the void.
Dedicated to silent echo -- a mate met on this platform -- this one is not with a tight rhyme at all.
In a quiet corner, an old man sat,
A pint of beer, a worn flat cap.
The crossword before him, ink-stained and neat,
A puzzle, a riddle, a mental feat.

His glasses perched on the bridge of his nose,
A furrowed brow, as his mind arose.
With every sip, a memory stirred,
Of days gone by, of stories unheard.

The pub around him buzzed and hummed,
But in his world, all was numbed.
The clinking glasses, the lunchtime cheer,
Muffled sounds, far yet near.

His pen hovered, a moment’s pause,
Lost in thoughts of forgotten cause.
A chuckle escaped, a clue made clear,
In that moment, time disappeared.

The crossword, a canvas of black and white,
A dance of words, a silent flight.
Each answer a piece of his history,
Each blank space, a whispered mystery.

In his solitude, he found delight,
In the simple joys, in the midday light.
A life well-lived, reflected in ink,
In the corner, he'd ponder, he'd think.

As the afternoon aged, the crowd thinned out,
The crossword completed, without a doubt.
The old man smiled, a gentle sigh,
Content and peaceful, he closed an eye.

In that quiet corner, he’d sit once more,
A pint of beer, a mind to explore.
For in the puzzles, he found his peace,
A tapestry of life, a sweet release.
am I an observer
or a participator,
this life, a reel or real
am I whole, or partial?
this is all surreal
are we living
or watching time spill
doing nothing
rotating in this cosmic realm,
starting where we started,
ending where we end,
rolling the rock up the mountain
watching it fall
traveling back up again.
what is the deal?
we know the prison,
let's dig up the tunnel.


am I a spectator,
or a perpetrator,
this death, a dream or dire,
am I fractured, or entire?
this is all infernal,
are we decaying,
or watching shadows crawl,
doing something,
descending into this chthonic realm,
starting where we're buried,
ending where we're born,
our remains part of the earth,
watching it crumble,
crawling back down again.
what is the ordeal?
we know the freedom,
Are we combusting chemical?
The snow is thawing on the field
its white perfection turning brown
as mud and sleet become congealed.
The snow is thawing on the field
and ochre footsteps are revealed
from Milley’s paw pads pressing down.
The snow is thawing on the field
its white perfection turning brown
A little triolette on walking our dog, Miley, in an unexpected early (autumn) snow as it begins to thaw.
I've allowed myself a deviation from the meter in line 6 for the sake of alliteration
Lawrence Hall
Mhall46184@aol.com
Dispatches for the Colonial Office

                                    Exposition Kills Poetry

Poem:

Most exposition is an imposition
Like the supervisor who shadows you
Babbling incessantly needless admonition
Blocking your work so that nothing gets through

Respect your verse, how it dreams, how it flows
Your poetry is your will, your work, your way
But if you choose to explain it in prose
Your verse is left with nothing at all to say

Your poem is in itself your exhibition
Of art – so ditch the cluttery exposition

Exposition:

What I’m saying here is we shouldn't talk about our poetry because that’s talking about work instead of getting it done and if we have to explain to the reader what a poem means we’re not allowing the poem to be true to itself and so why attempt the discipline of meter, rhyme, metaphor, simile, narrative flow, and the many other elements of poesy if we’re just going to repeat in prose what the meter, rhyme, metaphor, simile, narrative flow, and the many other elements of poesy should be doing if we have crafted our work with artistry as well as imagination because exposition implies that either we don’t respect your work and our reader or that we have been deliberately obscure in our verse which in the event is pointless because a poem is itself, it is supposed to communicate an idea, a dream, a hope and not simply flounder about as a soup of disconnected words in a sort of the king’s new clothes of deception which is patronizing and not clever at all because if a reader who is reasonably well read and understands an age-appropriate catalogue of literary, cultural, historical, and artistic allusion to make connections then we have failed the reader and, worse, failed our own attempts at poetic art.
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