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 Aug 2018 the other Umi
nish
.era
 Aug 2018 the other Umi
nish
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 \ why is it that time slips /                              
   \she slides and slithers /
     \right through these  /
        \ infinite crevices  /
          \found all over /
             \my greedy /
                \ hands,  /
                   \ like /
                   /    •   \
                 /       s      \
              /            a       \
           /             n            \
        /                 d              \
      /                                      \
    / in the dainty hourglass \
  /sitting aloft my skew shelf.\
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I wanted to try shape poetry again, and I have to say this was MUCH harder than .leafing
https://hellopoetry.com/poem/2633672/leafing/

It took forever to align the slashes to give this poem shape, without them it didn't look like an hourglass.
I hope you liked this poem and I'd love it if you commented some links to any shape poetry you've tried out.
Hope you enjoyed :)
 Jul 2018 the other Umi
The Noose
I learned the architecture of loss
The alchemy of the without
Walked the doldrums
Dragged ghosts to the shore
The drone of madness
The humming of death
In bones
Faded with spring's first bloom
The good heart that it came with
If the moon smiled
it would resemble him
I spoke to my heart
She told me he is home
She told me
she is bursting at the seams
I descended
From the pinnacle of everything
I am still absurd
I'll always be
These atoms of the edge
Will, stay
I learned the architecture of loss
The alchemy of the without
The bare hands
The belly that almost ate itself
I did I did. I did learn
Seasons have bled into each other
I am with, wholly
I will hold, tenderly.
 Dec 2017 the other Umi
The Noose
The night sneaks in
It's grey is less grey
Scattered starlight
Contained therein

Coffee and a pen
Festering
In authenticity
And this ease
Seared into me.
okay so i’m beginning to believe i was born asleep and still haven’t woken up, or caught in a day dream where my name is the answer to all your security questions. okay. a thousand years of wondering and all i can come up with is that you fell in love with me at a picnic in my imagination. the lemonade we always talk about swimming in sugar and tiny handmade sandwiches from my kitchen, your favorite, extra pickle. don’t forget about the pickles. of course the clouds march in stomping out the sunshine, of course. it was dark and there was lightning so much lightning. don’t be scared just now darling don’t be scared. in the middle of the night we only talk about your version of the story. how i’d ask you to stay, asking you to tell me what’s real asking you with my hands asking you with maps, a country called please listen to me, you should know by now that it is an island too far to sail to according to you. i know i know, who dared name an ocean lonely when all the ships are sinking. we can go back we can turn around where the sky is the gentlest shade lavender, we can go back and have a conversation that has never happened before. when everything is the color of day old bruises i won’t let you down. i promise when i get home i will count every freckle every one. when i get home can we open one of those mason jars full of fresh air because i can’t breathe. i remember that day, although i pretend it was more recent than it was. you were there in a swell of green grass in a dress that makes me blush, and there i was blushing. i’m not sure how i made it out alive, skipping the part in the song where you, long gone come busting through a doorway, through the well air conditioned living room and and across the kitchen tile, to the refrigerator where just like in elementary school, my fourth grade heart wrote all your favorite things on flash cards in the blackest magic marker so i could memorize the things that made you happiest. and you turning around in slow motion to see my face, or where my face should be, the only expression i can make anymore, realizing that you realized that i only ever wanted to be something that made you happy. suddenly you’re tired, and i’m tired too, goodnight goodnight, i’m falling asleep because it’s the only thing that doesn’t burn. i’m falling asleep to go back again. everything glitches and i’m underneath your perfect teeth. you say “i would never hurt you” and i say “just like that?” and the layer starts over again, always back to the moment i asked you in my bravest of voices if i could hold your hand. you probably don’t remember that moment, or maybe you do but don’t particularly share the same sentiment over its importance. you see, i’m always fine until the part where i have to say it out loud, and then time stops. i have always wanted to tell you that something happened inside me that night and now i’m not the same me as i was before. so if you ever cross a bridge. if you ever get my voicemail, if you need me, i’ll be sketching up the dramatic parts in my head and they’ll happen just the way i imagined just you wait you wait. the last scene the very last one, the bottom layer, knee deep in mud knee deep in i told you so, you say “i would never hurt you” and instead of saying “just like that” i reach up to kiss you and the room evaporates. so if you want lemonade and bedtime stories, if i can make a believer out of you, if you want bucketfuls of november if you want grace if you want the courage it takes to ask for grace, you’re over the train tracks you’re almost home you’re almost there. what else can you say besides “okay pumpkin okay sweetheart, in my head everything was beautiful" the doorway now filled with people who send you birthday cards saying welcome back welcome home we’ve missed you, hello. hello. the time spent waiting, chorus of rain, i only invited you over so we could make perfect sense. i only gave my hands away because you didn’t want them anymore. and days later a man with a shark tooth necklace asked if i was okay and i lost it i just lost it. all the little red bricks with their little names carved into them, how they don’t feel comfortable under your feet, how there were hundreds of flowers but somehow we took a picture of the same one the very same one, and how we can’t talk about things like that anymore, how i was sitting on a bench and i didn’t hear you call my name, shaking hands on accident with your parents hello sir hello mam, your daughter is my favorite ghost.
my book "down with the ship" is availible for purchase at sanfransiscobaypress.com / Amazon.com
and here i am again
at the intersection
of pedestrian language
& old wives tales
swallowing gum
like 7 year memories
opening umbrellas inside
cause i can't seem get away
from all of this rain
i ******* with my left hand
cause i was told
back in highschool that
"it feels like someone else is doing it"
it gets me wondering
about the difference between
losing you and finding out
that some one else found you
or my sleep
or lack thereof
its starting to tear me apart
i keep having this dream
where you are in
an unfamiliar body of water
trying to wash my poetry
off of your hands
or the one where
something happens in my chest
every time you sit
on someone else's bed
i'm tired of feeling like something you've misplaced
but don't have the heart
to look for anymore
tired of you saying my name
like you're trying to bury it
i'm tired of wondering
if you can tell the difference
between the absence
of my voice & silence
the other day
i almost started sobbing
at work when a woman
asked me about
our equipment
i was explaining how
things come apart
and almost mentioned your name
it made me think
of how you used to say
things like "what would you do
if i showed up on your doorstep
one day?" now, i haunt
the windows in my house
i don't leave for weeks at a time
i sit on the porch like the dog
you didn't shoot behind the shed
the one that refuses to die
until you come home again
i told somebody once, that
you didn't even know
what my voicemail sounded like
i wonder if they thought
it was because you
are so important that i never
let it ring that many times
before picking up
or if you dont know
what it sounds like
because you've never called
you can't be the ****** weapon
and the search party
i'm tired of all the seats
to the ferris wheel in my chest
being empty
tired of your voice
being the one i look for
in abandoned places
that one sound i beg
to bounce back
down vacant hallways
i just seem to stand there
in all of that quiet
like someone looking for a mistake
on an eviction notice
so i guess the hardest part
isn't letting go
it's forgetting
you ever had a grip
in the first place
and since you've been gone
i wonder if when
you pushed yourself away from me
you used your left hand
so it felt like someone else did it
I read that he lost a suitcase full of manuscripts on a
train and that they never were recovered.
I can't match the agony of this
but the other night I wrote a 3-page poem
upon this computer
and through my lack of diligence and
practice
and by playing around with commands
on the menu
I somehow managed to erase the poem
forever.
believe me, such a thing is difficult to do
even for a novice
but I somehow managed to do
it.

now I don't think this 3-pager was immor-
tal
but there were some crazy wild lines,
now gone forever.
it bothers more than a touch, it's some-
thing like knocking over a good bottle of
wine.

and writing about it hardly makes a good
poem.
still, I thought somehow you'd like to
know?

if not, at least you've read this far
and there could be better work
down the line.

let's hope so, for your sake
and
mine.
See the sunken face of nature,
Hear her shrieking, fraught with woe,
At the city's neon hubris,
Giving off its chilling glow.

See the formless mass of people,
Hear the spinning potter's wheel,
Watch the shape of people changing,
As ideas become real.

See them dancing a quick tango,
Hear them whispering sweet lies,
Wearing masks upon their faces,
Wearing mirrors in their eyes

Living life just for survival, and
Pursuit of mindless pleasure,
While amassing status symbols,
Has become the one true measure, of

A culture whose existence,
Works toward its own demise,
Climbing down a burning ladder,
Numb to touch, and deaf to cries.
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