At harbour’s entrance, a mile or more away
beyond high water, hunkered down
the old Quarantine station
on a flat patch of land
etched from the tangles of coastal heath.
The Barrack buildings besieged
by brooding sky and sea
and choking landscape – bush
thickets clambering the steep isthmus
backdrop of granite tor.
Chaotic angled peaks everywhere
indecisive stony sentinels
offering no certainty in the grey cloud
chiffonade of morning.
Slow, lingering clouds
wandering in confused circles
or passing over, casually
bringing squalls and showers.
Washing the pock-picked stone
to glistening newness of a palette
of fresh browns – tan, taupe, fox-brown
chestnut to black murky sludge
as if recently erupted
from earth’s muddy tender skin.
A cluster of cottages
a settlement of sorts with cannon ports
and flagpole and a fenced graveyard
still telling stories of pathos
pity and waste filling this place
with a strange, pressing silence
an atmospheric numbness felt
in dread and gravity.
© M.L.Emmett
This poem refers to an Australian prison settlement