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Damian Acosta Apr 2010
Far below the watermark, it’s really all the same…
A Youth screams in truth—Bloated tongue and footloose—for her father, underwater;
While her mother lifeless too, floats along the Grimy hue, face disguised with ****** blue, down the bank-- about a mile or two…
But these words are all in vain, because it’s really all insane, that

Far Below the watermark, it’s really all the same…
Names next to X’s, Signed by anyone of your nagging Exes, haunt your dreams like shapeless hexes--
Reminding you that to succeed, you need to feed from their luscious Platinum ****-- which you learn to love by, first, ******* on their feet.
So, climb that money ladder! Gadgets! Gizmos, all galore! Stab this back with small “e-chatter”, and raise your wallet up one soulless person more…

Because these words are all in vain, and it’s really not all insane, that
Levees break, Truths are fake, and X’s, Exes, Fears and Hexes on their own, do write your fate.
So worry not! All your dreams make sure you maim, for
Far Below the watermark, it’s really all the same.
2009
Tammy Boehm Sep 2014
So this is the watermark
The stranding after the deluge
Tidal storms recede
And I am wreckage on your shore
Gulls hover
Strident cries they scrabble
For cast off sparkling trinkets
Dead flesh
Winging requiem for a life unlived
Slip the yellow tape boundary
Drape daisy chains and platitudes
Across my fractured hull

Would you find wild beauty
In weathered wood
Barnacle scars
And the echo of measured surf
Set this longship by the sunstone
Radiant light when skies are heavy
Sullen with winter chill
Would you cleave to the beat
Aegir’s heavy hand on your prow
The moon pull of open water
The tease of salt spray
On full lips whisper my name
One more time
Quiet
Voice across the deep
And I will breathe

Will you simply wreath
My memory
“ see the line of my people back to the beginning
Lo, They do call to me”
Cast the fire and plot the stone ship
Pebbles skipped cross brackish water
My legacy sinks
Little rippled terminus
Wont shred butterfly wings
Or froth the wild tides
To the maelstrom
So this is the watermark
Strand my heart
With one spilled tear
TL Boehm
09/03/2014
Aegir is a norse sea god
the sun stone was a viking navigational tool - a stone that reflected light even in cloudy weather
The quote is from a Viking Burial Prayer. Contrary to myth - vikings were often buried in the earth with the grave outlined in stones in the shape of a ship.
I don't write pretty poetry - and this is a lamentation of sorts for my lack of ability to write something beautiful.
imai  Apr 2018
watermark
imai Apr 2018
I love you
only in ways
I am allowed to.

I admire you
only from afar,
where I cannot touch you.

I dream of you
only in the deepest of nights,
an unconscious rendezvous.

I wish for you
only in silence,
not one desire, untrue.

I love you
only in the dark,
‘cause under the sunlight,
I’d be reminded of your
watermark—

you are not mine,
though I am yours.

I love you
alone
it is the only love
I’ve ever known.
SøułSurvivør Oct 2014
<><><><♡><><><>



as i lay here in the dark
i held your letter
white and stark
a lover you were
flame and spark
your kiss It was
a watermark

though on the page
no writing sweet
that kiss was burned there
warm and deep
as i pressed it to my cheek
i began to sob and weep
what i sow i do not reap
i can talk, but talk is cheap.

a reminder of my pain
the watermark becomes a stain
how i wish that you'd remained
the friend who i
at first had claimed
now my heart is
torn and maimed
i listen to it's
sad refrain

now in the morning
comes and hark!
I hear the sweet sound
of the lark
the sun is rising
o'r the park

the stain of
tears now
my own mark

now with the page
in morning light
i sit down

that's right

i write


soulsurvivor
catherine jarvis
(C) october 5, 2014
A writer always needs
Blank pages!
Nat Lipstadt Sep 2017
~for lovejunkie~

"a watermark is a faint design made in some paper
during manufacture, which is visible when held
against the light and typically identifies the maker"

<•>

But you knew that...

in each, and *every
poem,
intentional stains faint revealed

Here,
a 2:03am watermark,
a time stamping of time, place,
a self-notification of "you were here,"
hid under the writing wrist,
or in a favorite verse,
(invisibly interspersed, blinking a winking,)
the very now of this poems
incanting, decanting formation,
by the neo natal baby warmers,
heating filaments of glowing incandescence

Perhaps this one, to be completed, come the sabbath,
when the eastern suns rising glow
over the North Fork must, demands it,
de jure, by natural law,
provoke and parole my soul
unto confession,
ordering a performance review of my
yellowed journalism revelations,
by the halo's fresh sunlight,
revealing all the watermarks
of the scrivener

These words, these toyed crumbs,
these human droppings, what is remaindered,
post ablutions, pre-morning prayers
the washing away of the mid-of-night
cappuccino-colored night frights

To new day light,
hold up my skin to any and all effervescent sources,
even the electronic red light, low resolution room dots,
all to see if still yet,
the coursing river run red beneath the
blue veined body's arterial roadmap,
exposing the rents, the cracks,
where, yes, Rebecca,
"the light gets in,"
fresh tracks, new watermarks

This then,
best viewing time of the
impermeable, impermanent, perpetual moving
below and above watermarked inscriptions,
eclipsing, barely just visible
above the eye lined brow,
etchings upon the forehead,
like my Cousin Cain,
standing out outstandingly,
imprimis:

ex libris (from the library of)
the eyes now reading these verses


One of you a-muse-ds,
gave me this title,
one of you used by me,
you gave me the inspiration,
you undid me into this doing
of my undoing

Connecting the unworthy audience,
that's me,
to the masters of my poor souls survival,
that's you, all,
into admitting, rinsing, repeating,
for have I not once before
affirmed
my scores, my marks,
way back in '13

The heretofore
of all my flaws,
you call them scars,
I call them
my prima facie
needled watermarks,
my poems

When once I wrote:

I am both,
and nothing but,
addict and dealer,
a ****** poet...
a ****** poet ******


<•>
8/17/17 1:49am ~ 9/4/17 5:56am
Manhattan Isle ~ North Fork L.I.

<•>
https://hellopoetry.com/lovejunkie/read


https://hellopoetry.com/poem/392109/yo-yo-my-drug-of-choice-****-poets/
<•>

the sabbath comes
<•>
some members on the site,
give such visceral. detailed, and poetic reactions to my writings that it almost always
provokes, seeds, the next new poem.
This crosses many lives,
the survivors.
LJ- I hope your daughter does read your work someday; on that day, give her this one as a preface, so to speak...<•>
Terry O'Leary  Sep 2013
Boa's Ark
Terry O'Leary Sep 2013
MORNING HAS BROKEN
The men, in lines, ***** two by two,
forgetting all the women who
indulged them through a night of tricks
(their lips designed with crimson sticks,
their eyes a wild mascara mix)

and think instead on times ahead
when they’ll be gone, their bodies dead
(some rotting slow’, some mummified)
though once they were their mummy’s pride.

Attired bright in uniforms,
they strew their bombs in desert storms -
like melting sands, the sky deforms
with darkness, death - and doomsday swarms
through ravished lands where fires warm
the corpses, cold and puriform.

Their eyes flash forward towards the backs
of lucky ones who have the knack
of never being in the way
of bursts of bullets as they stray
(effacing phantoms faraway)
and dodging doom’s Redemption Day.

They’re wishing for a foggy morn
or best of all to be unborn,
and peering down to mark the sway
of wings in webs while spiders prey,

they wonder when their time will come
and they can cease their fleeing from
the sights they’ve seen, the deeds they’ve done,
the life they’ve lost, the death they’ve won,

then muse a while upon the child
they killed today when they went wild,
and when they’re finally reconciled
with broken bodies stacked and piled,

they ponder, does she have a kin
to curse them for their burning sin?

And if she does, will god reply
with tooth for tooth and eye for eye?

Or will her clan be mild and meek
and simply turn the other cheek?

2. MIDDAY MUSINGS
They’re counting steps to pass the time
and puzzle if they’ll reach their prime
or if instead they’ll serve the worm
their carnal flesh and aching *****

when soon, perhaps, they sleep in berth
provided by the chilling earth,
and fret about the fate they’ll find
below the stones that slowly grind.

And once or twice will come to mind
a sultry smile they left behind
(the distant past - a tepid trace –
another time, another place),
reflected in the gray grimace
that paints a frightened fading face.

And on they trek through guilt and gloom
to track their own and others' doom
and soon they’ll  grace another pool
with blood of other beings who’ll

inhale no more the evening airs,
unlike the wily Functionaires
who brutalize the fighting men
and send them far away and then

(relaxed, unwound, with victories made)
confer with sword an accolade
on those who’ve lopped bowed heads, with blade,
so someone bent must turn a *****

to hack a hole which then is filled
with all the cloven bodies killed
then cloaked with clay or loamy dirt,
as if to hide the pain and hurt.

3. TEATIME INTROSPECTION
Amongst the many are the few
who maim and **** and think it’s true
that purple war’s a parlour game
when really they’re submerged in shame
for crimes for which they are to blame
and can’t expunge with searing flame

while plodding through an endless time,
or pealing bells with holy chime,
or posing in a paradigm
where paradox and riddle rhyme.

And when they die (as die they must),
forevermore their putrid dust,
still soaked with gore and carmine lust,
will conjure thoughts of cold disgust.

And even though torrential rain
(which tastes at times like cool champagne)
can wash away the scarlet stain
which soaks the sands of god’s terrain,

it cannot ever cleanse the hands
that work the guns and burning brands,
or purge the throats that give commands
to him who never understands.

Nor can the raging hurricane
from blackened souls the white regain,
rescind the sins or void the banes
or loose the ****** from Satan’s chains
who line the pits of hell’s domains.

4. EVENING REFLECTIONS
When through the day to night they pass,
their eyes avoid the looking glass
displaying dim a pale phantasm
plunging deeper down a chasm,
surging through a blood ******,
smiling thin unveiled sarcasm

for the chances lost to taste
the many fruits that went to waste
when each was still a joyous lad,
who went to school and learned to add
and danced in rivers, barefoot clad,

attended church with mom and dad
(which tends the poor and cheers the sad),
to pray for good and curse the bad,
before, in war insanely mad,
he fought the fight (no Galahad)

by flinging flames and slashing throats,
immersing bods in  midnight moats
between the broken battered boats
where babes and booted bodies float,

and leaving bags of bones to bloat
in bullet-ridden overcoats,
and wondered if the goblins gloat
or spot (behind his eyes, the motes),

then strode away without a thought
that mortal lives had come to naught,
sedated by his conscience brought
to nothing more than dripping snot,
while Others sit upon a yacht
and pluck the eyes of fish They’ve caught,

for, when they die, fish seem to see
The Ones behind the tyranny
(with bellies round from gluttony)
in future dangling from a tree
(with leaves as black as ebony),
for that’s, They fear, Their destiny.

5. MIDNIGHT DREAMS**
At night the soldiers sometimes dream
of many things which make them scream,
like
                      floating down a gelid stream
             with burning flesh and cold ice cream
             upon their lips, which makes it seem
             as though their salt they can’t redeem
             when looking back at bold extremes
             of valiant warriors’ victory schemes.

Or ofter yet,
                      they sometimes meet
             a broken skull upon the street
             with gaping eyes, its mouth replete
             with swollen tongue that can’t repeat
             mere words of joy when lovers greet,
             or yell aloud or indiscreet’,

             or talk about the grand deceit
             of Those Who live on Easy Street,
             Who plot, destroy and overeat,
             while others bide beneath a sheet
             on bed of steely cold concrete,

             with final gift a flag or wreath
             that soon will wither like their teeth
             when once they’re settled underneath
             a mound of muck on mouldy heath,
             to lurk in Limbo Land beneath.

And ever more before they wake,
appear quaint dreams not quite opaque,  
like
                      upside down upon a lake
             keeps popping up a pregnant Drake
             who says “there must be some mistake,
             I only have a bellyache”,
             while high above’s a flying Snake,
             (a sight to make a killer quake).

             She cries aloud “for mercy’s sake
             your foresight’s blind, your wisdom’s fake
             the fragile bodies that you break,
             impale or burn upon a stake,
             then stack in layers like a cake,
             reflect a lust that death can’t slake”.

             And turquoise Turtles on the make
             (though taking time to overtake,
             each slurping down a chocolate shake)
             rev up to plead “let us explain,
             we think you men are all insane
            with morals thin as cellophane;

             for, peering through god’s window pane,
             we see quite clearly those you’ve slain,
             enough to fill the Dim Domain
             with blood and guts and tears and pain,
             Chimeras of a frenzied brain.”

             A worn and weary weather vane
             announces floods of claret rain
             that forty days and nights sustain,
             submerging mountains, raising Cain,
             while flushing mankind’s acid reign
             down nature’s evolution drain.

             The Serpent hails a hydroplane
             “because”, she hissed, “we can’t remain;
             behind the hill, the atom’s spark
             has vaporized the palace park,
             reduced to dust the Meadowlark
             and nullified the Rainbow’s arc”.

             And while the others hush and hark,
             a feline Toad begins to bark
             “This plane is certainly Boa’s Ark.

             Let’s flee the Human hierarch,
             forsake all Men to sate the Shark
             which swim within the Waters Dark,
             and purge all traces of the Mark
             in Eden when we disembark.”

             The beasts, in lines, by twos embark.

The dreamers wake, they’re staring, stark,
behind their eyes, a watermark.
J Ames  Feb 2017
Watermark
J Ames Feb 2017
The time we grant each other is like that of a  
   syndicated movie
Not that anyone is watching
Might catch the end of it
For old time sake

   It's no mystery why there's this feeling on a
   Tuesday
Just like any other day
It all runs together
A watermark on a watercolor

    And with the way things are going who    
    knows
I might find a way out
If it pans out
If my luck doesn't
Doesn't run out

    So on that note I might see you at next years
    ball
Maybe watch it drop
Maybe midnight
Maybe I won't drop the ball
https://youtu.be/FWAnCFpFynw
Hannah Southard Sep 2012
The tides have fallen,
but the waters keep rising,
choking out the remaining few who struggled to retain their homes.
Shotgun houses,
long abandoned when the levees broke,
and the ocean crashed through the streets,
leaving a wake of more than just sand.

X's
marks on doors,
spray-painted numbers depicting the body count,
telling you if it was safe to go inside,
if you will be poisoned by gases,
or memories.

Volunteers,
thousands of them,
rushed to the scene,
quick, for their moment in the spotlight,
while the house were still damp,
helpful only in the attraction they brought with them,
where are they now?
Now that the houses and the people have dried themselves off,
where are they?
Those who lost nothing,
those who have everything,
where are they?

Out of sight,
out of mind,
out of the way,
locked away,
a secret,
kept tight,
except for the occasional whisper of the waves.

New Orleans,
a broken city,
still fractured,
held together by hope,
and help,
from the few who still venture down
to help put the pieces back together.
The select few
who still care
about the forgotten city,
the cracked town,
a city that's been down on its knees for seven years.
Pagan Paul Oct 2018
.
Like a watermark through crisp white vellum
a face appears through the veil of dreams,
to colour wash away a montage of image
and decorate a mosaic of sleep dust seams.

As halcyon lakes waterfall into prism nebulae
and the courtesan face evades its emotions,
inevitably slipping between the chasms of space
like golden dolphins through plasmic oceans.



© Pagan Paul (01/09/17)
.
Old poem, rewrite. PPx
Sunlight

There was a sunlit absence.
The helmeted pump in the yard
heated its iron,
water honeyed

in the slung bucket
and the sun stood
like a griddle cooling
against the wall

of each long afternoon.
So, her hands scuffled
over the bakeboard,
the reddening stove

sent its plaque of heat
against her where she stood
in a floury apron
by the window.

Now she dusts the board
with a goose's wing,
now sits, broad-lapped,
with whitened nails

and measling shins:
here is a space
again, the scone rising
to the tick of two clocks.

And here is love
like a tinsmith's scoop
sunk past its gleam
in the meal-bin.

2. The Seed Cutters

They seem hundreds of years away. Brueghel,
You'll know them if I can get them true.
They kneel under the hedge in a half-circle
Behind a windbreak wind is breaking through.
They are the seed cutters. The tuck and frill
Of leaf-sprout is on the seed potates
Buried under that straw. With time to ****,
They are taking their time. Each sharp knife goes
Lazily halving each root that falls apart
In the palm of the hand: a milky gleam,
And, at the centre, a dark watermark.
Oh, calendar customs! Under the broom
Yellowing over them, compose the frieze
With all of us there, our anonymities.
Keith J Collard Dec 2013
Hey *******, I  like what you did
Just not what you do,
Hey *******, dropping tears
On letter " its me not you"
clever letters, clever watermark,
Still smitten whats written ,
signed with a fake teardrop on top,
Oh I clutch and claw,and still you part.

Hey boy all play, playing your life away,
I like what you do, not what you did,
He plays like you, you should see,
he makes then rakes his sandbox family
And not too far from that ****** tree,
Oh *******,
Your words and smile,
Make me hope for a breeze that took your apple far,
But it took you away from me.

Hey player, playing in your own play,
thought you would perform everyday,
driving and paying to see it,
you will never know the feeling,
When the curtain went to the ceiling,
Family, friends....your play I rave,
I CURSE THE DAY I STARED INTO YOUR DARK DESERTED STAGE.

Hey *******, hey actor of "everafter,"
Busy writing a new play?
I like your acting--playing is laughing,
but he has a future and fortune,
My **** man I knew that nothing was after,
but I need to see you one more time,
you make future and fortune not matter.


Will the show return one day?
I understand,
The thrill and never still changing name playbill
Assures a girl, it never will.

"Ahh, the charm, laughing, acting--
The searching strobes from the overhead tracking,
Minute ripples in the curtain upon the stage?
The violins warming up that will never play,
the curtain ascends,
the lonely echos of your nervous clapping,
Now the future they warned would happen,
Real tears well up,  
Ushered out by my saline sadness."
Written from phone, cannot find apostrophe and dash.
AJ  Feb 2014
Stupid White Girl
AJ Feb 2014
Stupid white girl.
We are not allowed to do anything.
We're prim and proper, white girls.
We are not allowed to fight back.
Put us in our place, white girls.
We are not allowed real work.
We still want our twenty three cents back.

The child of fair skin and blue eyes.
But with all my female privilege,
Came a nasty stamp on my body.
Like a watermark.
FEMALE.
I have heard that when a woman looks in the mirror, she sees a woman.
But when a man looks in the mirror, he sees a human.

Even with that watermark, our pale skin is used as a canvas.
And everyone else has been handed the tools to color in our curves.
Covering us in blue and black and purple and red.
Redrawing our minds so they cannot process the discrimination,
Painting over our tears so our feelings can be buried,
Manufacturing open legs when you want them,
Closed when you don't.
Erasing the lips we use to speak out,
Erasing the eyes we use to see all of this.

You think just because you held the brush,
Just because you created this monstrosity of a "masterpiece"
You get to claim ownership of this piece of artwork
That you blatantly disregard
Is my BODY.

The "fe" you tack onto "male"
Does not stand for Free Entry.
The "wo" you tack onto "man"
Does not stand for Wipe Out.

Women are barely able hold a pencil.
I was lucky to hold one long enough to draw myself
A conscience, a backbone, legs to stand on, and a mind.
We were only taught how to use the back end of that pencil
To erase our mouth and keep the secrets.
But these days the secrets are keeping themselves.

I will not be put in a glass case
You will not charge admission
To have people come and analyze me.
Buy me.
Give me value.
Categorize me.
Preserve me the way you created.

You are no artists.
You are vandals.

— The End —