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                                  Asphalt Man
                                  Phantasm La
                                  Shaman Plat
                                  Asthma Plan
****** Hast
****** Hats
****** Shat
Napalms Hat
Plasma Than
Sampan Halt
Sampan Lath
                                                            ­        Manta Plash
                                                           ­         A Plasma Nth
                                                             ­       A Ham Plants
                                                          ­          A Hams Plant
A Mash Plant
A Sham Plant
A Maths Plan
A Math Plans
A Than Palms
A Than Lamps
A Than Psalm
Aha Plant Ms
Alpha Tan Ms
Alpha Ant Ms
Lama Pas Nth
Lama Asp Nth
Lama Spa Nth
Lama Sap Nth
Lamas Pa Nth
**** Path Ms
**** Phat Ms
Natal Hap Ms
Alas Amp Nth
Alas Map Nth
Ha Lam Pants
Ha Palm Tans
Ha Palm Ants
Ha Lamp Tans
Ha Lamp Ants
Ha Palms Tan
Ha Palms Ant
Ha Lamps Tan
Ha Lamps Ant
Ha Psalm Tan
Ha Psalm Ant
Ha Lams Pant
Ha Alms Pant
Ha Slam Pant
Ha Malts Nap
Ha Malts Pan
Ha Malt Pans
Ha Malt Snap
Ha Malt Naps
Ha Malt Span
Ha Plan Tams
Ha Plan Mast
Ha Plan Mats
Ha Plans Tam
Ha Plans Mat
                               Ha Plants Ma
Ha Plants Am
Ha Plant Sam
Ha Plant Mas
                               Ha Slant Amp
Ha Slant Map
Ha Splat Man
Ha Plats Man
                               Ha Plat Mans
Ah Lam Pants
Ah Palm Tans
Ah Palm Ants
Ah Lamp Tans
Ah Lamp Ants
Ah Palms Tan
Ah Palms Ant
Ah Lamps Tan
Ah Lamps Ant
Ah Psalm Tan
Ah Psalm Ant
Ah Lams Pant
Ah Alms Pant
Ah Slam Pant
Ah Malts Nap
Ah Malts Pan
Ah Malt Pans
Ah Malt Snap
Ah Malt Naps
Ah Malt Span
Ah Plan Tams
Ah Plan Mast
  Ah Plan Mats
   Ah Plans Tam
    Ah Plans Mat
     Ah Plants Ma
      Ah Plants Am
       Ah Plant Sam
        Ah Plant Mas
         Ah Slant Amp
          Ah Slant Map
           Ah Splat Man
            Ah Plats Man
             Ah Plat Mans
              Plash Ma Tan
Plash Ma Ant
Plash Am Tan
Plash Am Ant
Plash Man At
Plash Tam An
Plash Mat An
Lash Ma Pant
Lash Am Pant
Lash Man Tap
Lash Man Apt
Lash Man Pat
Lash Amp Tan
Lash Amp Ant
Lash Map Tan
Lash Map Ant
Lash Tamp An
Lash Tam Nap
Lash Tam Pan
Lash Mat Nap
Lash Mat Pan
Laths Ma Nap
Laths Ma Pan
Laths Am Nap
Laths Am Pan
Laths Man Pa
Laths Amp An
Laths Map An
Halts Ma Nap
Halts Ma Pan
Halts Am Nap
Halts Am Pan
Halts Man Pa
Halts Amp An
Halts Map An
Shalt Ma Nap
Shalt Ma Pan
Shalt Am Nap
Shalt Am Pan
Shalt Man Pa
Shalt Amp An
Shalt Map An
Halt Ma Pans
Halt Ma Snap
Halt Ma Naps
Halt Ma Span
Halt Am Pans
Halt Am Snap
Halt Am Naps
Halt Am Span
Halt Man Pas
Halt Man Asp
Halt Man Spa
Halt Man Sap
Halt Mans Pa
Halt Amp San
Halt Map San
Halt Maps An
Halt Amps An
Halt Sam Nap
Halt Sam Pan
Halt Mas Nap
Halt Mas Pan
Lath Ma Pans
Lath Ma Snap
Lath Ma Naps
Lath Ma Span
Lath Am Pans
Lath Am Snap
Lath Am Naps
Lath Am Span
Lath Man Pas
Lath Man Asp
Lath Man Spa
Lath Man Sap
Lath Mans Pa
Lath Amp San
Lath Map San
Lath Maps An
Lath Amps An
Lath Sam Nap
Lath Sam Pan
Lath Mas Nap
Lath Mas Pan
Ham La Pants
Ham Plan Sat
Ham Plans At
Ham Plant As
Ham Slant Pa
Ham Alp Tans
Ham Alp Ants
Ham Lap Tans
Ham Lap Ants
Ham Pal Tans
Ham Pal Ants
Ham Laps Tan
Ham Laps Ant
Ham Pals Tan
Ham Pals Ant
Ham Alps Tan
Ham Alps Ant
Ham Slap Tan
Ham Slap Ant
Ham Splat An
Ham Plats An
Ham Plat San
Ham Las Pant
Ham Slat Nap
Ham Slat Pan
Ham Salt Nap
Ham Salt Pan
Ham Last Nap
Ham Last Pan
Hams La Pant
Hams Plan At
Hams Alp Tan
Hams Alp Ant
Hams Lap Tan
Hams Lap Ant
Hams Pal Tan
Hams Pal Ant
Hams Plat An
Mash La Pant
Mash Plan At
Mash Alp Tan
Mash Alp Ant
Mash Lap Tan
Mash Lap Ant
Mash Pal Tan
Mash Pal Ant
Mash Plat An
Sham La Pant
Sham Plan At
Sham Alp Tan
Sham Alp Ant
Sham Lap Tan
Sham Lap Ant
Sham Pal Tan
Sham Pal Ant
Sham Plat An
Maths La Nap
Maths La Pan
Maths Alp An
Maths Lap An
Maths Pal An
Math La Pans
Math La Snap
Math La Naps
Math La Span
Math Plan As
Math Alp San
Math Lap San
Math Pal San
Math Laps An
Math Pals An
Math Alps An
Math Slap An
Math Las Nap
Math Las Pan
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Than La Amps
Than Lam Pas
Than Lam Asp
Than Lam Spa
Than Lam Sap
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Than Lamp As
Than Lams Pa
Than Alms Pa
Than Slam Pa
Than Alp Sam
Than Alp Mas
Than Lap Sam
Than Lap Mas
Than Pal Sam
Than Pal Mas
Than Laps Ma
Than Laps Am
Than Pals Ma
Than Pals Am
Than Alps Ma
Than Alps Am
Than Slap Ma
Than Slap Am
Than Las Amp
Than Las Map
Hap Lam Tans
Hap Lam Ants
Hap Lams Tan
Hap Lams Ant
Hap Alms Tan
Hap Alms Ant
Hap Slam Tan
Hap Slam Ant
Hap Malts An
Hap Malt San
Hap Slant Ma
Hap Slant Am
Hap Slat Man
Hap Salt Man
Hap Last Man
Hasp Lam Tan
Hasp Lam Ant
Hasp Malt An
Haps Lam Tan
Haps Lam Ant
Haps Malt An
Paths La Man
Paths Lam An
Staph La Man
Staph Lam An
Path La Mans
Path Lam San
Path Lams An
Path Alms An
Path Slam An
Path Las Man
Phat La Mans
Phat Lam San
Phat Lams An
Phat Alms An
Phat Slam An
Phat Las Man
Has Lam Pant
Has Palm Tan
Has Palm Ant
Has Lamp Tan
Has Lamp Ant
Has Malt Nap
Has Malt Pan
Has Plan Tam
Has Plan Mat
Has Plant Ma
Has Plant Am
Has Plat Man
Ash Lam Pant
Ash Palm Tan
Ash Palm Ant
Ash Lamp Tan
Ash Lamp Ant
Ash Malt Nap
Ash Malt Pan
Ash Plan Tam
Ash Plan Mat
Ash Plant Ma
Ash Plant Am
Ash Plat Man
Hast Lam Nap
Hast Lam Pan
Hast Palm An
Hast Lamp An
Hast Plan Ma
Hast Plan Am
Hast Alp Man
Hast Lap Man
Hast Pal Man
Hats Lam Nap
Hats Lam Pan
Hats Palm An
Hats Lamp An
Hats Plan Ma
Hats Plan Am
Hats Alp Man
Hats Lap Man
Hats Pal Man
Shat Lam Nap
Shat Lam Pan
Shat Palm An
Shat Lamp An
Shat Plan Ma
Shat Plan Am
Shat Alp Man
Shat Lap Man
Shat Pal Man
Hat Lam Pans
Hat Lam Snap
Hat Lam Naps
Hat Lam Span
Hat Palm San
Hat Lamp San
Hat Palms An
Hat Lamps An
Hat Psalm An
Hat Lams Nap
Hat Lams Pan
Hat Alms Nap
Hat Alms Pan
Hat Slam Nap
Hat Slam Pan
Hat Plan Sam
Hat Plan Mas
Hat Plans Ma
Hat Plans Am
Hat Alp Mans
Hat Lap Mans
Hat Pal Mans
Hat Laps Man
Hat Pals Man
Hat Alps Man
Hat Slap Man
A Ha Plant Ms
A Ah Plant Ms
A Halt Nap Ms
A Halt Pan Ms
A Lath Nap Ms
A Lath Pan Ms
A Than Alp Ms
A Than Lap Ms
A Than Pal Ms
A Hat Plan Ms
A La Maps Nth
A La Amps Nth
A Lam Pas Nth
A Lam Asp Nth
A Lam Spa Nth
A Lam Sap Nth
A Palm As Nth
A Lamp As Nth
A Lams Pa Nth
A Alms Pa Nth
A Slam Pa Nth
A Alp Sam Nth
A Alp Mas Nth
A Lap Sam Nth
A Lap Mas Nth
A Pal Sam Nth
A Pal Mas Nth
A Laps Ma Nth
A Laps Am Nth
A Pals Ma Nth
A Pals Am Nth
A Alps Ma Nth
A Alps Am Nth
A Slap Ma Nth
A Slap Am Nth
A Las Amp Nth
A Las Map Nth
Ha La Pant Ms
Ha Plan At Ms
Ha Alp Tan Ms
Ha Alp Ant Ms
Ha Lap Tan Ms
Ha Lap Ant Ms
Ha Pal Tan Ms
Ha Pal Ant Ms
Ha Plat An Ms
Ah La Pant Ms
Ah Plan At Ms
Ah Alp Tan Ms
Ah Alp Ant Ms
Ah Lap Tan Ms
Ah Lap Ant Ms
Ah Pal Tan Ms
Ah Pal Ant Ms
Ah Plat An Ms
Halt An Pa Ms
Lath An Pa Ms
Than La Pa Ms
Hap La Tan Ms
Hap La Ant Ms
Path La An Ms
Phat La An Ms
Hat La Nap Ms
Hat La Pan Ms
Hat Alp An Ms
Hat Lap An Ms
Hat Pal An Ms
La Ma Pas Nth
La Ma Asp Nth
La Ma Spa Nth
La Ma Sap Nth
La Am Pas Nth
La Am Asp Nth
La Am Spa Nth
La Am Sap Nth
La Amp As Nth
La Map As Nth
La Sam Pa Nth
La Mas Pa Nth
Lam Pa As Nth
Alp Ma As Nth
Alp Am As Nth
Lap Ma As Nth
Lap Am As Nth
Pal Ma As Nth
Pal Am As Nth
Las Ma Pa Nth
Las Am Pa Nth
A La Pa Nth Ms
Nat Lipstadt Sep 2023
The Hardest Forgiving Slant

<|>
9:19am Fri Sept 22 2023 ~ 8:02am Fri Sep 29 2023
commenced during the Ten Days of Awe

<|>

we debase our language daily,
robbing the spectacular majesty [example]
of awe with the common overusing
vernacular of “awesome”

especially forgiveness is degraded,
we utter “I’m sorry” trippingly,
costless, less than cheap, with even the
snap-on veneer (1) of sincerity discarded,
but move on to the next rudeness

but today I will not permit myself
an easy letting-off-the-hook, no shifting
of blame to anonymity, or fast forward to tomorrow,
when we can obfuscate our intrepid
dishonesty one more time…again

to forgive those who have injured us,
not that hard, or the judging deities,
who silently wink and nod, but offer
no certitude beyond trying, itself a
maybe, maybe not, truly tiring this
trying tacking the constant requests

so first an etymology explication on
the tension inherent that very word,
f o r g i v e

As a word, as a sensed,
intuitively-
it is a
Perfect Continuous Infinitive! (2)

to
forgive is
perfect,
to forgive is
continuous,,
to forgive is
infinite!

what a marvelous, perpetual
past, present and always futuristic
word (alas)

The Hardest Forgiving?


to forgive oneself
so nearer to impossible,
the first responders doing triage,
leave people like me for last,
as it a unconditional condition
with no cure that can be effected

indeed, by our very affect,
they instant diagnosis seeing our
very gestures, body language, or ****** expressions,
all reveal the hopelessness of
the never-to-be-given-grace,
among us

for a thousand years,
I have tried and failed to forgive myself
for the worst I’ve done,
and there is no sword or club,
blood-letting,
that can dispatch the onerous burden I carry

so I write poetry,
a salve that offers
temporary relief,
while I write,
imposed a
momentarily distracting,
a kind of dusting of self~spin,
that chills myself
just until
the, this!
poem is finished,
the slant is drawn


<§>

Tell all the truth but tell it slant —

BY EMILY DICKINSON
Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —
(2)
Perfect Continuous Infinitive
The regular present perfect continuous tense structure follows the “to” and makes it perfect continuous infinitive - “to + have + been + Present Participle.” The sense of continuation is added to the perfect infinitive without the obligation to state the time frame as in the perfect continuous tense structure.

(1)
Snap-on veneers are removable plastic trays that cover tooth imperfections. Also known as reusable, fake, clip-on, or pop-on veneers, snap-on veneers are relatively cheap and available without a dentist.Jan
Courtney O Jul 2018
There is a slant of dark
leaking, dripping to my heart
There is an obscure chest pressing feeling
I can't seem to kick off

My fear is harboured inside
My slant of dark never leaves
It can be distracted but never flees
I have to think carefully about this

Why the slant of dark is pressuring me?
Taking away my glee
I have reasons to laugh, to breathe
But the slant of dark curbs my bliss

I feel like I have fell too deep
for you
I feel helpless
because I can't stop

The slant of dark drowns me in night
Makes me cry, feel unloved, feel bad
What is the secret to handle
the slant of dark
is it warning me? is it ******* me up?
is it wisdom? is it dumb words from mom?
At angle moonlight of permutative slants— it a system to all systems a
          system of permutative slants is as a slanted angle it to all lasting slants
          is it a angle it a slanted angle it to all lasting slants is as a system of
          permutative angle an angled moon as a slanted angle a system to all
          systems a system of permutative slants angle it a system to all lasting
          slants is it to slant a slanted angle a system to slant a system to slant a
          slanted angle an angled moon of permutative slants is as a slanted
          angle it to all lasting slants is it a angle it a slanted angle it to all lasting
          slants is as a system of permutative angle an angled moon as a slanted
          angle a system to all systems a system of permutative slants angle it a
          system to all lasting slants is it to slant a slanted angle a system to slant
          a system to slant a slanted angle an angled moon.
Kyle Kulseth Dec 2014
Head start on a frozen night
we'll trickle slow down blighted
                                  street ways
and mix our crunching footsteps
with our ever-rougher laughs.

Grab a drink
too tired for sleeping.
Work weeks pile up, getting deep and
I don't think apartment walls
can contain us one more night.

So save a drink for me,
and meet me out on Longstaff Street

I've got all night and an axe to grind
You've got a case of cold friends
                                 and a troubled mind
so let's pace
                    this neighborhood.
Pull up my roots, we'll untangle yours
from Knowles Street, right on Marshall
                            walk and drink for hours
'til we sink
                  that slant street moon

Transplants grafted to this town
we'll spread roots in these downer
                                      regrets
and spill our gravel laughter
on the sidewalks with these beers.

South, back home,
a handful got it:
rotten nights pave paths to coffins
I don't know how many steps
it'll take to cool our heels.

So grab a drink for me
and we'll go walking Longstaff Street

We've got these drinks, we can disappear
into a slant street night
                      where no one'll hear
how ****** up
                       these days become.
I still think back on Emerson Park
that Summer night we fled from
                   the cops through the dark
when the Russell
                     Street traffic hums...
This one's for one of my best buds.
ConnectHook Feb 2016
by John Greenleaf Whittier  (1807 – 1892)

“As the Spirits of Darkness be stronger in the dark, so Good Spirits which be Angels of Light are augmented not only by the Divine Light of the Sun, but also by our common Wood fire: and as the celestial Fire drives away dark spirits, so also this our Fire of Wood doth the same.”

        COR. AGRIPPA,
           Occult Philosophy, Book I. chap. v.


Announced by all the trumpets of the sky,
Arrives the snow; and, driving o’er the fields,
Seems nowhere to alight; the whited air
Hides hills and woods, the river and the heaven,
And veils the farm-house at the garden’s end.
The sled and traveller stopped, the courier’s feet
Delayed, all friends shut out, the housemates sit
Around the radiant fireplace, enclosed
In a tumultuous privacy of storm.


                                       EMERSON

The sun that brief December day
Rose cheerless over hills of gray,
And, darkly circled, gave at noon
A sadder light than waning moon.
Slow tracing down the thickening sky
Its mute and ominous prophecy,
A portent seeming less than threat,
It sank from sight before it set.
A chill no coat, however stout,
Of homespun stuff could quite shut out,
A hard, dull bitterness of cold,
That checked, mid-vein, the circling race
Of life-blood in the sharpened face,
The coming of the snow-storm told.
The wind blew east; we heard the roar
Of Ocean on his wintry shore,
And felt the strong pulse throbbing there
Beat with low rhythm our inland air.

Meanwhile we did our nightly chores, —
Brought in the wood from out of doors,
Littered the stalls, and from the mows
Raked down the herd’s-grass for the cows;
Heard the horse whinnying for his corn;
And, sharply clashing horn on horn,
Impatient down the stanchion rows
The cattle shake their walnut bows;
While, peering from his early perch
Upon the scaffold’s pole of birch,
The **** his crested helmet bent
And down his querulous challenge sent.

Unwarmed by any sunset light
The gray day darkened into night,
A night made hoary with the swarm
And whirl-dance of the blinding storm,
As zigzag, wavering to and fro,
Crossed and recrossed the wingàd snow:
And ere the early bedtime came
The white drift piled the window-frame,
And through the glass the clothes-line posts
Looked in like tall and sheeted ghosts.

So all night long the storm roared on:
The morning broke without a sun;
In tiny spherule traced with lines
Of Nature’s geometric signs,
And, when the second morning shone,
We looked upon a world unknown,
On nothing we could call our own.
Around the glistening wonder bent
The blue walls of the firmament,
No cloud above, no earth below, —
A universe of sky and snow!
The old familiar sights of ours
Took marvellous shapes; strange domes and towers
Rose up where sty or corn-crib stood,
Or garden-wall, or belt of wood;
A smooth white mound the brush-pile showed,
A fenceless drift what once was road;
The bridle-post an old man sat
With loose-flung coat and high cocked hat;
The well-curb had a Chinese roof;
And even the long sweep, high aloof,
In its slant spendor, seemed to tell
Of Pisa’s leaning miracle.

A prompt, decisive man, no breath
Our father wasted: “Boys, a path!”
Well pleased, (for when did farmer boy
Count such a summons less than joy?)
Our buskins on our feet we drew;
With mittened hands, and caps drawn low,
To guard our necks and ears from snow,
We cut the solid whiteness through.
And, where the drift was deepest, made
A tunnel walled and overlaid
With dazzling crystal: we had read
Of rare Aladdin’s wondrous cave,
And to our own his name we gave,
With many a wish the luck were ours
To test his lamp’s supernal powers.
We reached the barn with merry din,
And roused the prisoned brutes within.
The old horse ****** his long head out,
And grave with wonder gazed about;
The **** his ***** greeting said,
And forth his speckled harem led;
The oxen lashed their tails, and hooked,
And mild reproach of hunger looked;
The hornëd patriarch of the sheep,
Like Egypt’s Amun roused from sleep,
Shook his sage head with gesture mute,
And emphasized with stamp of foot.

All day the gusty north-wind bore
The loosening drift its breath before;
Low circling round its southern zone,
The sun through dazzling snow-mist shone.
No church-bell lent its Christian tone
To the savage air, no social smoke
Curled over woods of snow-hung oak.
A solitude made more intense
By dreary-voicëd elements,
The shrieking of the mindless wind,
The moaning tree-boughs swaying blind,
And on the glass the unmeaning beat
Of ghostly finger-tips of sleet.
Beyond the circle of our hearth
No welcome sound of toil or mirth
Unbound the spell, and testified
Of human life and thought outside.
We minded that the sharpest ear
The buried brooklet could not hear,
The music of whose liquid lip
Had been to us companionship,
And, in our lonely life, had grown
To have an almost human tone.

As night drew on, and, from the crest
Of wooded knolls that ridged the west,
The sun, a snow-blown traveller, sank
From sight beneath the smothering bank,
We piled, with care, our nightly stack
Of wood against the chimney-back, —
The oaken log, green, huge, and thick,
And on its top the stout back-stick;
The knotty forestick laid apart,
And filled between with curious art

The ragged brush; then, hovering near,
We watched the first red blaze appear,
Heard the sharp crackle, caught the gleam
On whitewashed wall and sagging beam,
Until the old, rude-furnished room
Burst, flower-like, into rosy bloom;
While radiant with a mimic flame
Outside the sparkling drift became,
And through the bare-boughed lilac-tree
Our own warm hearth seemed blazing free.
The crane and pendent trammels showed,
The Turks’ heads on the andirons glowed;
While childish fancy, prompt to tell
The meaning of the miracle,
Whispered the old rhyme: “Under the tree,
When fire outdoors burns merrily,
There the witches are making tea.”

The moon above the eastern wood
Shone at its full; the hill-range stood
Transfigured in the silver flood,
Its blown snows flashing cold and keen,
Dead white, save where some sharp ravine
Took shadow, or the sombre green
Of hemlocks turned to pitchy black
Against the whiteness at their back.
For such a world and such a night
Most fitting that unwarming light,
Which only seemed where’er it fell
To make the coldness visible.

Shut in from all the world without,
We sat the clean-winged hearth about,
Content to let the north-wind roar
In baffled rage at pane and door,
While the red logs before us beat
The frost-line back with tropic heat;
And ever, when a louder blast
Shook beam and rafter as it passed,
The merrier up its roaring draught
The great throat of the chimney laughed;
The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat’s dark silhouette on the wall
A couchant tiger’s seemed to fall;
And, for the winter fireside meet,
Between the andirons’ straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October’s wood.

What matter how the night behaved?
What matter how the north-wind raved?
Blow high, blow low, not all its snow
Could quench our hearth-fire’s ruddy glow.
O Time and Change! — with hair as gray
As was my sire’s that winter day,
How strange it seems, with so much gone
Of life and love, to still live on!
Ah, brother! only I and thou
Are left of all that circle now, —
The dear home faces whereupon
That fitful firelight paled and shone.
Henceforward, listen as we will,
The voices of that hearth are still;
Look where we may, the wide earth o’er,
Those lighted faces smile no more.

We tread the paths their feet have worn,
We sit beneath their orchard trees,
We hear, like them, the hum of bees
And rustle of the bladed corn;
We turn the pages that they read,
Their written words we linger o’er,
But in the sun they cast no shade,
No voice is heard, no sign is made,
No step is on the conscious floor!
Yet Love will dream, and Faith will trust,
(Since He who knows our need is just,)
That somehow, somewhere, meet we must.
Alas for him who never sees
The stars shine through his cypress-trees!
Who, hopeless, lays his dead away,
Nor looks to see the breaking day
Across the mournful marbles play!
Who hath not learned, in hours of faith,
The truth to flesh and sense unknown,
That Life is ever lord of Death,
And Love can never lose its own!

We sped the time with stories old,
Wrought puzzles out, and riddles told,
Or stammered from our school-book lore
“The Chief of Gambia’s golden shore.”
How often since, when all the land
Was clay in Slavery’s shaping hand,
As if a far-blown trumpet stirred
Dame Mercy Warren’s rousing word:
“Does not the voice of reason cry,
Claim the first right which Nature gave,
From the red scourge of ******* to fly,
Nor deign to live a burdened slave!”
Our father rode again his ride
On Memphremagog’s wooded side;
Sat down again to moose and samp
In trapper’s hut and Indian camp;
Lived o’er the old idyllic ease
Beneath St. François’ hemlock-trees;
Again for him the moonlight shone
On Norman cap and bodiced zone;
Again he heard the violin play
Which led the village dance away.
And mingled in its merry whirl
The grandam and the laughing girl.
Or, nearer home, our steps he led
Where Salisbury’s level marshes spread
Mile-wide as flies the laden bee;
Where merry mowers, hale and strong,
Swept, scythe on scythe, their swaths along
The low green prairies of the sea.
We shared the fishing off Boar’s Head,
And round the rocky Isles of Shoals
The hake-broil on the drift-wood coals;
The chowder on the sand-beach made,
Dipped by the hungry, steaming hot,
With spoons of clam-shell from the ***.
We heard the tales of witchcraft old,
And dream and sign and marvel told
To sleepy listeners as they lay
Stretched idly on the salted hay,
Adrift along the winding shores,
When favoring breezes deigned to blow
The square sail of the gundelow
And idle lay the useless oars.

Our mother, while she turned her wheel
Or run the new-knit stocking-heel,
Told how the Indian hordes came down
At midnight on Concheco town,
And how her own great-uncle bore
His cruel scalp-mark to fourscore.
Recalling, in her fitting phrase,
So rich and picturesque and free
(The common unrhymed poetry
Of simple life and country ways,)
The story of her early days, —
She made us welcome to her home;
Old hearths grew wide to give us room;
We stole with her a frightened look
At the gray wizard’s conjuring-book,
The fame whereof went far and wide
Through all the simple country side;
We heard the hawks at twilight play,
The boat-horn on Piscataqua,
The loon’s weird laughter far away;
We fished her little trout-brook, knew
What flowers in wood and meadow grew,
What sunny hillsides autumn-brown
She climbed to shake the ripe nuts down,
Saw where in sheltered cove and bay,
The ducks’ black squadron anchored lay,
And heard the wild-geese calling loud
Beneath the gray November cloud.
Then, haply, with a look more grave,
And soberer tone, some tale she gave
From painful Sewel’s ancient tome,
Beloved in every Quaker home,
Of faith fire-winged by martyrdom,
Or Chalkley’s Journal, old and quaint, —
Gentlest of skippers, rare sea-saint! —
Who, when the dreary calms prevailed,
And water-**** and bread-cask failed,
And cruel, hungry eyes pursued
His portly presence mad for food,
With dark hints muttered under breath
Of casting lots for life or death,

Offered, if Heaven withheld supplies,
To be himself the sacrifice.
Then, suddenly, as if to save
The good man from his living grave,
A ripple on the water grew,
A school of porpoise flashed in view.
“Take, eat,” he said, “and be content;
These fishes in my stead are sent
By Him who gave the tangled ram
To spare the child of Abraham.”
Our uncle, innocent of books,
Was rich in lore of fields and brooks,
The ancient teachers never dumb
Of Nature’s unhoused lyceum.
In moons and tides and weather wise,
He read the clouds as prophecies,
And foul or fair could well divine,
By many an occult hint and sign,
Holding the cunning-warded keys
To all the woodcraft mysteries;
Himself to Nature’s heart so near
v That all her voices in his ear
Of beast or bird had meanings clear,
Like Apollonius of old,
Who knew the tales the sparrows told,
Or Hermes, who interpreted
What the sage cranes of Nilus said;
A simple, guileless, childlike man,
Content to live where life began;
Strong only on his native grounds,
The little world of sights and sounds
Whose girdle was the parish bounds,
Whereof his fondly partial pride
The common features magnified,
As Surrey hills to mountains grew
In White of Selborne’s loving view, —
He told how teal and loon he shot,
And how the eagle’s eggs he got,
The feats on pond and river done,
The prodigies of rod and gun;
Till, warming with the tales he told,
Forgotten was the outside cold,
The bitter wind unheeded blew,
From ripening corn the pigeons flew,
The partridge drummed i’ the wood, the mink
Went fishing down the river-brink.
In fields with bean or clover gay,
The woodchuck, like a hermit gray,
Peered from the doorway of his cell;
The muskrat plied the mason’s trade,
And tier by tier his mud-walls laid;
And from the shagbark overhead
The grizzled squirrel dropped his shell.

Next, the dear aunt, whose smile of cheer
And voice in dreams I see and hear, —
The sweetest woman ever Fate
Perverse denied a household mate,
Who, lonely, homeless, not the less
Found peace in love’s unselfishness,
And welcome wheresoe’er she went,
A calm and gracious element,
Whose presence seemed the sweet income
And womanly atmosphere of home, —
Called up her girlhood memories,
The huskings and the apple-bees,
The sleigh-rides and the summer sails,
Weaving through all the poor details
And homespun warp of circumstance
A golden woof-thread of romance.
For well she kept her genial mood
And simple faith of maidenhood;
Before her still a cloud-land lay,
The mirage loomed across her way;
The morning dew, that dries so soon
With others, glistened at her noon;
Through years of toil and soil and care,
From glossy tress to thin gray hair,
All unprofaned she held apart
The ****** fancies of the heart.
Be shame to him of woman born
Who hath for such but thought of scorn.
There, too, our elder sister plied
Her evening task the stand beside;
A full, rich nature, free to trust,
Truthful and almost sternly just,
Impulsive, earnest, prompt to act,
And make her generous thought a fact,
Keeping with many a light disguise
The secret of self-sacrifice.

O heart sore-tried! thou hast the best
That Heaven itself could give thee, — rest,
Rest from all bitter thoughts and things!
How many a poor one’s blessing went
With thee beneath the low green tent
Whose curtain never outward swings!

As one who held herself a part
Of all she saw, and let her heart
Against the household ***** lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed in the unfading green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago: —
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod
Whereon she leaned, too frail and weak
The hillside flowers she loved to seek,
Yet following me where’er I went
With dark eyes full of love’s content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June’s unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life’s late afternoon,
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?

Brisk wielder of the birch and rule,
The master of the district school
Held at the fire his favored place,
Its warm glow lit a laughing face
Fresh-hued and fair, where scarce appeared
The uncertain prophecy of beard.
He teased the mitten-blinded cat,
Played cross-pins on my uncle’s hat,
Sang songs, and told us what befalls
In classic Dartmouth’s college halls.
Born the wild Northern hills among,
From whence his yeoman father wrung
By patient toil subsistence scant,
Not competence and yet not want,
He early gained the power to pay
His cheerful, self-reliant way;
Could doff at ease his scholar’s gown
To peddle wares from town to town;
Or through the long vacation’s reach
In lonely lowland districts teach,
Where all the droll experience found
At stranger hearths in boarding round,
The moonlit skater’s keen delight,
The sleigh-drive through the frosty night,
The rustic party, with its rough
Accompaniment of blind-man’s-buff,
And whirling-plate, and forfeits paid,
His winter task a pastime made.
Happy the snow-locked homes wherein
He tuned his merry violin,

Or played the athlete in the barn,
Or held the good dame’s winding-yarn,
Or mirth-provoking versions told
Of classic legends rare and old,
Wherein the scenes of Greece and Rome
Had all the commonplace of home,
And little seemed at best the odds
‘Twixt Yankee pedlers and old gods;
Where Pindus-born Arachthus took
The guise of any grist-mill brook,
And dread Olympus at his will
Became a huckleberry hill.

A careless boy that night he seemed;
But at his desk he had the look
And air of one who wisely schemed,
And hostage from the future took
In trainëd thought and lore of book.
Large-brained, clear-eyed, of such as he
Shall Freedom’s young apostles be,
Who, following in War’s ****** trail,
Shall every lingering wrong assail;
All chains from limb and spirit strike,
Uplift the black and white alike;
Scatter before their swift advance
The darkness and the ignorance,
The pride, the lust, the squalid sloth,
Which nurtured Treason’s monstrous growth,
Made ****** pastime, and the hell
Of prison-torture possible;
The cruel lie of caste refute,
Old forms remould, and substitute
For Slavery’s lash the freeman’s will,
For blind routine, wise-handed skill;
A school-house plant on every hill,
Stretching in radiate nerve-lines thence
The quick wires of intelligence;
Till North and South together brought
Shall own the same electric thought,
In peace a common flag salute,
And, side by side in labor’s free
And unresentful rivalry,
Harvest the fields wherein they fought.

Another guest that winter night
Flashed back from lustrous eyes the light.
Unmarked by time, and yet not young,
The honeyed music of her tongue
And words of meekness scarcely told
A nature passionate and bold,

Strong, self-concentred, spurning guide,
Its milder features dwarfed beside
Her unbent will’s majestic pride.
She sat among us, at the best,
A not unfeared, half-welcome guest,
Rebuking with her cultured phrase
Our homeliness of words and ways.
A certain pard-like, treacherous grace
Swayed the lithe limbs and drooped the lash,
Lent the white teeth their dazzling flash;
And under low brows, black with night,
Rayed out at times a dangerous light;
The sharp heat-lightnings of her face
Presaging ill to him whom Fate
Condemned to share her love or hate.
A woman tropical, intense
In thought and act, in soul and sense,
She blended in a like degree
The ***** and the devotee,
Revealing with each freak or feint
The temper of Petruchio’s Kate,
The raptures of Siena’s saint.
Her tapering hand and rounded wrist
Had facile power to form a fist;
The warm, dark languish of her eyes
Was never safe from wrath’s surprise.
Brows saintly calm and lips devout
Knew every change of scowl and pout;
And the sweet voice had notes more high
And shrill for social battle-cry.

Since then what old cathedral town
Has missed her pilgrim staff and gown,
What convent-gate has held its lock
Against the challenge of her knock!
Through Smyrna’s plague-hushed thoroughfares,
Up sea-set Malta’s rocky stairs,
Gray olive slopes of hills that hem
Thy tombs and shrines, Jerusalem,
Or startling on her desert throne
The crazy Queen of Lebanon
With claims fantastic as her own,
Her tireless feet have held their way;
And still, unrestful, bowed, and gray,
She watches under Eastern skies,
With hope each day renewed and fresh,
The Lord’s quick coming in the flesh,
Whereof she dreams and prophesies!
Where’er her troubled path may be,
The Lord’s sweet pity with her go!
The outward wayward life we see,
The hidden springs we may not know.
Nor is it given us to discern
What threads the fatal sisters spun,
Through what ancestral years has run
The sorrow with the woman born,
What forged her cruel chain of moods,
What set her feet in solitudes,
And held the love within her mute,
What mingled madness in the blood,
A life-long discord and annoy,
Water of tears with oil of joy,
And hid within the folded bud
Perversities of flower and fruit.
It is not ours to separate
The tangled skein of will and fate,
To show what metes and bounds should stand
Upon the soul’s debatable land,
And between choice and Providence
Divide the circle of events;
But He who knows our frame is just,
Merciful and compassionate,
And full of sweet assurances
And hope for all the language is,
That He remembereth we are dust!

At last the great logs, crumbling low,
Sent out a dull and duller glow,
The bull’s-eye watch that hung in view,
Ticking its weary circuit through,
Pointed with mutely warning sign
Its black hand to the hour of nine.
That sign the pleasant circle broke:
My uncle ceased his pipe to smoke,
Knocked from its bowl the refuse gray,
And laid it tenderly away;
Then roused himself to safely cover
The dull red brands with ashes over.
And while, with care, our mother laid
The work aside, her steps she stayed
One moment, seeking to express
Her grateful sense of happiness
For food and shelter, warmth and health,
And love’s contentment more than wealth,
With simple wishes (not the weak,
Vain prayers which no fulfilment seek,
But such as warm the generous heart,
O’er-prompt to do with Heaven its part)
That none might lack, that bitter night,
For bread and clothing, warmth and light.

Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the light sifted snow-flakes fall.
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams,
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores.
Of merry voices high and clear;
And saw the teamsters drawing near
To break the drifted highways out.
Down the long hillside treading slow
We saw the half-buried oxen go,
Shaking the snow from heads uptost,
Their straining nostrils white with frost.
Before our door the straggling train
Drew up, an added team to gain.
The elders threshed their hands a-cold,
Passed, with the cider-mug, their jokes
From lip to lip; the younger folks
Down the loose snow-banks, wrestling, rolled,
Then toiled again the cavalcade
O’er windy hill, through clogged ravine,
And woodland paths that wound between
Low drooping pine-boughs winter-weighed.
From every barn a team afoot,
At every house a new recruit,
Where, drawn by Nature’s subtlest law,
Haply the watchful young men saw
Sweet doorway pictures of the curls
And curious eyes of merry girls,
Lifting their hands in mock defence
Against the snow-ball’s compliments,
And reading in each missive tost
The charm with Eden never lost.
We heard once more the sleigh-bells’ sound;
And, following where the teamsters led,
The wise old Doctor went his round,
Just pausing at our door to say,
In the brief autocratic way
Of one who, prompt at Duty’s call,
Was free to urge her claim on all,
That some poor neighbor sick abed
At night our mother’s aid would need.
For, one in generous thought and deed,
What mattered in the sufferer’s sight
The Quaker matron’s inward light,
The Doctor’s mail of Calvin’s creed?
All hearts confess the saints elect
Who, twain in faith, in love agree,
And melt not in an acid sect
The Christian pearl of charity!

So days went on: a week had passed
Since the great world was heard from last.
The Almanac we studied o’er,
Read and reread our little store
Of books and pamphlets, scarce a score;
One harmless novel, mostly hid
From younger eyes, a book forbid,
And poetry, (or good or bad,
A single book was all we had,)
Where Ellwood’s meek, drab-skirted Muse,
A stranger to the heathen Nine,
Sang, with a somewhat nasal whine,
The wars of David and the Jews.
At last the floundering carrier bore
The village paper to our door.
Lo! broadening outward as we read,
To warmer zones the horizon spread
In panoramic length unrolled
We saw the marvels that it told.
Before us passed the painted Creeks,
A   nd daft McGregor on his raids
In Costa Rica’s everglades.
And up Taygetos winding slow
Rode Ypsilanti’s Mainote Greeks,
A Turk’s head at each saddle-bow!
Welcome to us its week-old news,
Its corner for the rustic Muse,
Its monthly gauge of snow and rain,
Its record, mingling in a breath
The wedding bell and dirge of death:
Jest, anecdote, and love-lorn tale,
The latest culprit sent to jail;
Its hue and cry of stolen and lost,
Its vendue sales and goods at cost,
And traffic calling loud for gain.
We felt the stir of hall and street,
The pulse of life that round us beat;
The chill embargo of the snow
Was melted in the genial glow;
Wide swung again our ice-locked door,
And all the world was ours once more!

Clasp, Angel of the backword look
And folded wings of ashen gray
And voice of echoes far away,
The brazen covers of thy book;
The weird palimpsest old and vast,
Wherein thou hid’st the spectral past;
Where, closely mingling, pale and glow
The characters of joy and woe;
The monographs of outlived years,
Or smile-illumed or dim with tears,
Green hills of life that ***** to death,
And haunts of home, whose vistaed trees
Shade off to mournful cypresses
With the white amaranths underneath.
Even while I look, I can but heed
The restless sands’ incessant fall,
Importunate hours that hours succeed,
Each clamorous with its own sharp need,
And duty keeping pace with all.
Shut down and clasp with heavy lids;
I hear again the voice that bids
The dreamer leave his dream midway
For larger hopes and graver fears:
Life greatens in these later years,
The century’s aloe flowers to-day!

Yet, haply, in some lull of life,
Some Truce of God which breaks its strife,
The worldling’s eyes shall gather dew,
Dreaming in throngful city ways
Of winter joys his boyhood knew;
And dear and early friends — the few
Who yet remain — shall pause to view
These Flemish pictures of old days;
Sit with me by the homestead hearth,
And stretch the hands of memory forth
To warm them at the wood-fire’s blaze!
And thanks untraced to lips unknown
Shall greet me like the odors blown
From unseen meadows newly mown,
Wood-fringed, the wayside gaze beyond;
The traveller owns the grateful sense
Of sweetness near, he knows not whence,
And, pausing, takes with forehead bare
The benediction of the air.

Written in  1865
In its day, 'twas a best-seller and earned significant income for Whittier

https://youtu.be/vVOQ54YQ73A

BLM activists are so stupid that they defaced a statue of Whittier  unaware that he was an ardent abolitionist 🤣
1129

Tell all the Truth but tell it slant—
Success in Circuit lies
Too bright for our infirm Delight
The Truth’s superb surprise

As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind—
Fanfare of northwest wind, a bluejay wind
announces autumn, and the equinox
rolls back blue bays to a far afternoon.
Somewhere beyond the Gorge Li Po is gone,
looking for friendship or an old love's sleeve
or writing letters to his children, lost,
and to his children's children, and to us.
What was his light? of lamp or moon or sun?
Say that it changed, for better or for worse,
sifted by leaves, sifted by snow; on mulberry silk
a slant of witch-light; on the pure text
a slant of genius; emptying mind and heart
for winecups and more winecups and more words.
What was his time? Say that it was a change,
but constant as a changing thing may be,
from chicory's moon-dark blue down the taut scale
to chicory's tenderest pink, in a pink field
such as imagination dreams of thought.
But of the heart beneath the winecup moon
the tears that fell beneath the winecup moon
for children lost, lost lovers, and lost friends,
what can we say but that it never ends?
Even for us it never ends, only begins.
Yet to spell down the poem on her page,
margining her phrases, parsing forth
the sevenfold prism of meaning, up the scale
from chicory pink to blue, is to assume
Li Po himself: as he before assumed
the poets and the sages who were his.
Like him, we too have eaten of the word:
with him are somewhere lost beyond the Gorge:
and write, in rain, a letter to lost children,
a letter long as time and brief as love.

II

And yet not love, not only love. Not caritas
or only that. Nor the pink chicory love,
deep as it may be, even to moon-dark blue,
in which the dragon of his meaning flew
for friends or children lost, or even
for the beloved horse, for Li Po's horse:
not these, in the self's circle so embraced:
too near, too dear, for pure assessment: no,
a letter crammed and creviced, crannied full,
storied and stored as the ripe honeycomb
with other faith than this. As of sole pride
and holy loneliness, the intrinsic face
worn by the always changing shape between
end and beginning, birth and death.
How moves that line of daring on the map?
Where was it yesterday, or where this morning
when thunder struck at seven, and in the bay
the meteor made its dive, and shed its wings,
and with them one more Icarus? Where struck
that lightning-stroke which in your sleep you saw
wrinkling across the eyelid? Somewhere else?
But somewhere else is always here and now.
Each moment crawls that lightning on your eyelid:
each moment you must die. It was a tree
that this time died for you: it was a rock
and with it all its local web of love:
a chimney, spilling down historic bricks:
perhaps a skyful of Ben Franklin's kites.
And with them, us. For we must hear and bear
the news from everywhere: the hourly news,
infinitesimal or vast, from everywhere.

III

Sole pride and loneliness: it is the state
the kingdom rather of all things: we hear
news of the heart in weather of the Bear,
slide down the rungs of Cassiopeia's Chair,
still on the nursery floor, the Milky Way;
and, if we question one, must question all.
What is this 'man'? How far from him is 'me'?
Who, in this conch-shell, locked the sound of sea?
We are the tree, yet sit beneath the tree,
among the leaves we are the hidden bird,
we are the singer and are what is heard.
What is this 'world'? Not Li Po's Gorge alone,
and yet, this too might be. 'The wind was high
north of the White King City, by the fields
of whistling barley under cuckoo sky,'
where, as the silkworm drew her silk, Li Po
spun out his thoughts of us. 'Endless as silk'
(he said) 'these poems for lost loves, and us,'
and, 'for the peachtree, blooming in the ditch.'
Here is the divine loneliness in which
we greet, only to doubt, a voice, a word,
the smoke of a sweetfern after frost, a face
touched, and loved, but still unknown, and then
a body, still mysterious in embrace.
Taste lost as touch is lost, only to leave
dust on the doorsill or an ink-stained sleeve:
and yet, for the inadmissible, to grieve.
Of leaf and love, at last, only to doubt:
from world within or world without, kept out.
  
IV

Caucus of robins on an alien shore
as of the **-** birds at Jewel Gate
southward bound and who knows where and never late
or lost in a roar at sea. Rovers of chaos
each one the 'Rover of Chao,' whose slight bones
shall put to shame the swords. We fly with these,
have always flown, and they
stay with us here, stand still and stay,
while, exiled in the Land of Pa, Li Po
still at the Wine Spring stoops to drink the moon.
And northward now, for fall gives way to spring,
from Sandy Hook and Kitty Hawk they wing,
and he remembers, with the pipes and flutes,
drunk with joy, bewildered by the chance
that brought a friend, and friendship, how, in vain,
he strove to speak, 'and in long sentences,' his pain.
Exiled are we. Were exiles born. The 'far away,'
language of desert, language of ocean, language of sky,
as of the unfathomable worlds that lie
between the apple and the eye,
these are the only words we learn to say.
Each morning we devour the unknown. Each day
we find, and take, and spill, or spend, or lose,
a sunflower splendor of which none knows the source.
This cornucopia of air! This very heaven
of simple day! We do not know, can never know,
the alphabet to find us entrance there.
So, in the street, we stand and stare,
to greet a friend, and shake his hand,
yet know him beyond knowledge, like ourselves;
ocean unknowable by unknowable sand.

V

The locust tree spills sequins of pale gold
in spiral nebulae, borne on the Invisible
earthward and deathward, but in change to find
the cycles to new birth, new life. Li Po
allowed his autumn thoughts like these to flow,
and, from the Gorge, sends word of Chouang's dream.
Did Chouang dream he was a butterfly?
Or did the butterfly dream Chouang? If so,
why then all things can change, and change again,
the sea to brook, the brook to sea, and we
from man to butterfly; and back to man.
This 'I,' this moving 'I,' this focal 'I,'
which changes, when it dreams the butterfly,
into the thing it dreams of; liquid eye
in which the thing takes shape, but from within
as well as from without: this liquid 'I':
how many guises, and disguises, this
nimblest of actors takes, how many names
puts on and off, the costumes worn but once,
the player queen, the lover, or the dunce,
hero or poet, father or friend,
suiting the eloquence to the moment's end;
childlike, or *******; the language of the kiss
sensual or simple; and the gestures, too,
as slight as that with which an empire falls,
or a great love's abjured; these feignings, sleights,
savants, or saints, or fly-by-nights,
the novice in her cell, or wearing tights
on the high wire above a hell of lights:
what's true in these, or false? which is the 'I'
of 'I's'? Is it the master of the cadence, who
transforms all things to a hoop of flame, where through
tigers of meaning leap? And are these true,
the language never old and never new,
such as the world wears on its wedding day,
the something borrowed with something chicory blue?
In every part we play, we play ourselves;
even the secret doubt to which we come
beneath the changing shapes of self and thing,
yes, even this, at last, if we should call
and dare to name it, we would find
the only voice that answers is our own.
We are once more defrauded by the mind.

Defrauded? No. It is the alchemy by which we grow.
It is the self becoming word, the word
becoming world. And with each part we play
we add to cosmic Sum and cosmic sum.
Who knows but one day we shall find,
hidden in the prism at the rainbow's foot,
the square root of the eccentric absolute,
and the concentric absolute to come.

VI

The thousand eyes, the Argus 'I's' of love,
of these it was, in verse, that Li Po wove
the magic cloak for his last going forth,
into the Gorge for his adventure north.
What is not seen or said? The cloak of words
loves all, says all, sends back the word
whether from Green Spring, and the yellow bird
'that sings unceasing on the banks of Kiang,'
or 'from the Green Moss Path, that winds and winds,
nine turns for every hundred steps it winds,
up the Sword Parapet on the road to Shuh.'
'Dead pinetrees hang head-foremost from the cliff.
The cataract roars downward. Boulders fall
Splitting the echoes from the mountain wall.
No voice, save when the nameless birds complain,
in stunted trees, female echoing male;
or, in the moonlight, the lost cuckoo's cry,
piercing the traveller's heart. Wayfarer from afar,
why are you here? what brings you here? why here?'

VII

Why here. Nor can we say why here. The peachtree bough
scrapes on the wall at midnight, the west wind
sculptures the wall of fog that slides
seaward, over the Gulf Stream.
                                                       The rat
comes through the wainscot, brings to his larder
the twinned acorn and chestnut burr. Our sleep
lights for a moment into dream, the eyes
turn under eyelids for a scene, a scene,
o and the music, too, of landscape lost.
And yet, not lost. For here savannahs wave
cressets of pampas, and the kingfisher
binds all that gold with blue.
                                                  Why here? why here?
Why does the dream keep only this, just this C?
Yes, as the poem or the music do?

The timelessness of time takes form in rhyme:
the lotus and the locust tree rehearse
a four-form song, the quatrain of the year:
not in the clock's chime only do we hear
the passing of the Now into the past,
the passing into future of the Now:
hut in the alteration of the bough
time becomes visible, becomes audible,
becomes the poem and the music too:
time becomes still, time becomes time, in rhyme.
Thus, in the Court of Aloes, Lady Yang
called the musicians from the Pear Tree Garden,
called for Li Po, in order that the spring,
tree-peony spring, might so be made immortal.
Li Po, brought drunk to court, took up his brush,
but washed his face among the lilies first,
then wrote the song of Lady Flying Swallow:
which Hsuang Sung, the emperor, forthwith played,
moving quick fingers on a flute of jade.
Who will forget that afternoon? Still, still,
the singer holds his phrase, the rising moon
remains unrisen. Even the fountain's falling blade
hangs in the air unbroken, and says: Wait!

VIII

Text into text, text out of text. Pretext
for scholars or for scholiasts. The living word
springs from the dying, as leaves in spring
spring from dead leaves, our birth from death.
And all is text, is holy text. Sheepfold Hill
becomes its name for us, anti yet is still
unnamed, unnamable, a book of trees
before it was a book for men or sheep,
before it was a book for words. Words, words,
for it is scarlet now, and brown, and red,
and yellow where the birches have not shed,
where, in another week, the rocks will show.
And in this marriage of text and thing how can we know
where most the meaning lies? We climb the hill
through bullbriar thicket and the wild rose, climb
past poverty-grass and the sweet-scented bay
scaring the pheasant from his wall, but can we say
that it is only these, through these, we climb,
or through the words, the cadence, and the rhyme?
Chang Hsu, calligrapher of great renown,
needed to put but his three cupfuls down
to tip his brush with lightning. On the scroll,
wreaths of cloud rolled left and right, the sky
opened upon Forever. Which is which?
The poem? Or the peachtree in the ditch?
Or is all one? Yes, all is text, the immortal text,
Sheepfold Hill the poem, the poem Sheepfold Hill,
and we, Li Po, the man who sings, sings as he climbs,
transposing rhymes to rocks and rocks to rhymes.
The man who sings. What is this man who sings?
And finds this dedicated use for breath
for phrase and periphrase of praise between
the twin indignities of birth and death?
Li Yung, the master of the epitaph,
forgetting about meaning, who himself
had added 'meaning' to the book of >things,'
lies who knows where, himself sans epitaph,
his text, too, lost, forever lost ...
                                                         And yet, no,
text lost and poet lost, these only flow
into that other text that knows no year.
The peachtree in the poem is still here.
The song is in the peachtree and the ear.

IX

The winds of doctrine blow both ways at once.
The wetted finger feels the wind each way,
presaging plums from north, and snow from south.
The dust-wind whistles from the eastern sea
to dry the nectarine and parch the mouth.
The west wind from the desert wreathes the rain
too late to fill our wells, but soon enough,
the four-day rain that bears the leaves away.
Song with the wind will change, but is still song
and pierces to the rightness in the wrong
or makes the wrong a rightness, a delight.
Where are the eager guests that yesterday
thronged at the gate? Like leaves, they could not stay,
the winds of doctrine blew their minds away,
and we shall have no loving-cup tonight.
No loving-cup: for not ourselves are here
to entertain us in that outer year,
where, so they say, we see the Greater Earth.
The winds of doctrine blow our minds away,
and we are absent till another birth.

X

Beyond the Sugar Loaf, in the far wood,
under the four-day rain, gunshot is heard
and with the falling leaf the falling bird
flutters her crimson at the huntsman's foot.
Life looks down at death, death looks up at life,
the eyes exchange the secret under rain,
rain all the way from heaven: and all three
know and are known, share and are shared, a silent
moment of union and communion.
Have we come
this way before, and at some other time?
Is it the Wind Wheel Circle we have come?
We know the eye of death, and in it too
the eye of god, that closes as in sleep,
giving its light, giving its life, away:
clouding itself as consciousness from pain,
clouding itself, and then, the shutter shut.
And will this eye of god awake again?
Or is this what he loses, loses once,
but always loses, and forever lost?
It is the always and unredeemable cost
of his invention, his fatigue. The eye
closes, and no other takes its place.
It is the end of god, each time, each time.

Yet, though the leaves must fall, the galaxies
rattle, detach, and fall, each to his own
perplexed and individual death, Lady Yang
gone with the inkberry's vermilion stalk,
the peony face behind a fan of frost,
the blue-moon eyebrow behind a fan of rain,
beyond recall by any alchemist
or incantation from the Book of Change:
unresumable, as, on Sheepfold Hill,
the fir cone of a thousand years ago:
still, in the loving, and the saying so,
as when we name the hill, and, with the name,
bestow an essence, and a meaning, too:
do we endow them with our lives?
They move
into another orbit: into a time
not theirs: and we become the bell to speak
this time: as we become new eyes
with which they see, the voice
in which they find duration, short or long,
the chthonic and hermetic song.
Beyond Sheepfold Hill,
gunshot again, the bird flies forth to meet
predestined death, to look with conscious sight
into the eye of light
the light unflinching that understands and loves.
And Sheepfold Hill accepts them, and is still.

XI

The landscape and the language are the same.
And we ourselves are language and are land,
together grew with Sheepfold Hill, rock, and hand,
and mind, all taking substance in a thought
wrought out of mystery: birdflight and air
predestined from the first to be a pair:
as, in the atom, the living rhyme
invented her divisions, which in time,
and in the terms of time, would make and break
the text, the texture, and then all remake.
This powerful mind that can by thinking take
the order of the world and all remake,
w
CharlesC Sep 2014
his glassworks
of enflaming color
do not display as
central balance..
vertical symmetry
reserved for more
sturdy times..
we might ask
is truth best told
as slant
Emily so in-formed..
the creation we muse
is always slant
slant color shading light..
for without color
beauty fades...
Tell all the truth but tell it slant —
Success in Circuit lies
Too bright for our infirm Delight
The Truth's superb surprise
As Lightning to the Children eased
With explanation kind
The Truth must dazzle gradually
Or every man be blind —
Emily Dickinson
258

There’s a certain Slant of light,
Winter Afternoons—
That oppresses, like the Heft
Of Cathedral Tunes—

Heavenly Hurt, it gives us—
We can find no scar,
But internal difference,
Where the Meanings, are—

None may teach it—Any—
’Tis the Seal Despair—
An imperial affliction
Sent us of the Air—

When it comes, the Landscape listens—
Shadows—hold their breath—
When it goes, ’tis like the Distance
On the look of Death—
Praise to the emptiness that blanks out existence. Existence:
This place made from our love for that emptiness!

Yet somehow comes emptiness,
this existence goes.

Praise to that happening, over and over!
For years I pulled my own existence out of emptiness.

Then one swoop, one swing of the arm,
that work is over.

Free of who I was, free of presence, free of dangerous fear, hope,
free of mountainous wanting.

The here-and-now mountain is a tiny piece of a piece of straw
blown off into emptiness.

These words I'm saying so much begin to lose meaning:
Existence, emptiness, mountain, straw:

Words and what they try to say swept
out the window, down the slant of the roof.
Gossamer Jul 2013
I'd always thought you were just a pretty face

a beautiful smile gone to waste

hooked on drugs

and lost from love

I'd always known you were a runaway



I'd always thought that you were a tease

'till I read those words that terrified me

because they were incredible

and beautiful

and they were written by a runaway



You're so close to perfect

and I'd tell you why

but right about now

you're probably high

a beautiful disaster

you're like a slant rhyme

and no matter how hard I try

I can't let myself get away from you

you teenage runaway

I want to run away with you



Shame on me for assuming you weren't smart

now i'm dodging the danger, the poison darts

'cause you're so close to everything

that i think i might need



Shame on me for writing this song

it doesn't feel right, and I know that it's wrong

and i wouldn't dare to believe

that what I dream could be a reality



you're so close to perfect

and I'd tell you why

but right about now

you're probably high

a beautiful disaster

you're like a slant rhyme

and no matter how hard I try

I can't let myself get away from you

you teenage runaway

I want to run away with you



I don't understand you

but I want to

and I want you to know

that I don't give a ****

what you do when you're alone

because I don't want you to be alone



You're such a mystery

you've got a hook on half of me

I'm not sure what i'm seeing when our eyes meet

but i'm praying, i'm praying that it could be

the chance i promised i'd take one day



You're so close to perfect

and I'd tell you why

but right about now

you're probably high

a beautiful disaster

you're like a slant rhyme

and no matter how hard I try

I can't let myself get away from you

you teenage runaway

I want to run away with you



You and your contradictions

you imperial affliction

you teenage runaway

I want to run away with you

— The End —