you learn it the hard way, you actually can drink warm shots of *****,  provided,  you have a brisk, Icelandic chaser, notably white European Bison *****, and apple juice infused with mint...

pije, pali, konia wali...

it has been agreed, a drunk man is half
the miserable sight of a woman...
no wonder a woman *******
is more appealing than a man,
who shines.., like Louis XIV,
******* in a lightbulb...
            ha ha... ******* want *******...
and there I was, thinking that
bottle of alcohol also ought to have
warnings about any *******,
other than oral with a pregnant woman...
wonder... does alcohol really harm
foetuses, or does the constant banging
of a cockrel do more harm than
awaiting sunrise good?

hence the question, i don't know.

pije, pali, konia wali...

as a drinker, in company?
i can have a social drink,
my grandmother had a nostalgic
hallucination of a taste that
provoke memory, so I bought her
a porter beer...
and we drank it together...
książęce: aromas of honey,
coffee, rührkuchen und
bitterschokolade...

grandfather simply replied:

koniec świata;

now the IVF part quest for ****** chills...
citation granny, is no citation
worthy of the urban lawyer,
frozen egg + spe4m donor factory...
the part where I'm cited as "******"...
urban mongrels contra
                  rural pedigrees.

pije, pali, konia wali...

there are but three ways to clear the head
before the excavation of a blank
page... rarely it involves addressing a delayed
slightly constipated dump...
but sometimes it does...

pije, pali, konia wali...

           then it also takes doing no.
1, no. 2 (as mentioned above)...
and no. 3...
                 i have no idea where ****
additiction comes from...
i'm more of a claccisist in this field...
moving pictures do not really
stimulate the mind to work off
a stattic picture...
    if you never did no. 3 i. e.
****** off on the toilet...
                 because you never bought
a ***** mag with your casual take
on the metaphor of smithfield market...
or you've never been,
driving to it at 1am in the morning...
coming back with half a porky corpse...

pije, pali, konia wali...

I think people are confusing objectivity
with ***** subjectivity...
like any clean cut of a scalpel...
or like eating a soft boiled egg...
you crack the shell, leaving the papist
yolk, intact...

pije, pali, konia wali...  

at leat objectifying a woman
does not subject her to the cring worthy
labyrinths of emotional men,
or whatever the hell cheating is...
   or juggling...
        ****** off at fine art,
only once did I bother to explore
the ****** extension of latex...
a kinda of bedroom niqab fetish...
but most of the time...
static images, blood down below,
paths of imagination in the head...
not to mention that ***-mad mongrel
that **** my leg...
luckily I didn't kick him,
but politely asked... are you finished,
and ready, to hunt a mare?

pije, pali, konia wali...

******* what?!
   classical *******...
whatever happened to the tabloid
page 3?
   apparently men with recoding hairlines
have more testosterone...
apparently watching a woman's breast
releases, whether dopamine
serotonin, or... as the cigarette quote
goes... Oscar Wilde?
    the most pristine five minutes,
that leaves one (mm  hmm...
a royal pronoun,  both singular,
and plural, for a pleb that's minus
the entourage of leeches...
mind you... why not the common
slang of sycophancy in syco...
that Y... not tree not serpent splits...
hollowed out... to differentiate
from the other,  crude grafitti of
******pathy, shortening)
    most disatisfied...

pije, pali, konia wali...

perhaps j. c. is the king of kings,
but i sit on the, throne of thrones...
no. 1, 2 and 3...
    no scented candles,
no... god... cursed the theistic joke...
a woman has to *** squatting...
a man just stands...
than again: bigger bladders?
*******, easing analysis muscles,
jerking off to static nudes...
how is it on the other side?
moods, scented candles, lying back...
literature that ought to be
read with one hand?
        d'uh and the *****...
sure... g. i. Joe of a boy aged 8
when Barbie burned in th stash...
out comes Ken 2.0...

pije, pali, konia wali...

easier for a man to stomach a hand
as if it were done ****...
than explore beyond the floral pouch...
than... getting a manicure...
and... not using the Vizzz...
the Vizier... hardly a comparison to
encapsulating... snoring...

i always ask the intrigued relic of
dating... so... you want to hold
my hand, or is male maturation
so grotesque that it has no...
voyeuristic appeal?
   well... thank **** for that!
with my little finger I served
poached, a former hydra behemoth...

the knowledge of, good and evil...
                                                X
which isn't exactly a mistery of +...
   the conjunction translates as X,
cross-eyed... not +...

pije, pali, konia wali...

                      it's easier calling it
the no. 3, considering how...
sitting on the throne, apparently
masages the prostate...
hence the stigma it would seem...
no scented candles...
no grand whizz of faking headache
and snoring of excavating dodos...

pije, pali, konia wali...
    
ah... back into the syco contra
****** and the hollowed out
Y question...
                         σý-co...

         'sigh-co...

hence not so much the hollowed-out
Y... but rather, akin to gnome gnostics...
the particular instance of
surd letters,
not being clothed in surd attire...
     elsewhere diagnostic...
otherwise in the already given example:
   'nome...         'nostics...

yes, i know, the borderline 'sigh-co...
psst... as happens, when letters
ignoring greco-semite
        stubbornness,
remain syllable amputees looking
for torsos of words....
magnetised limbs mechanic...
letters primitive, bound to syllables...
not the greco-semitic
construct of names...
       shortcuts with the NATO
alphabet is the curse of 15...
   a ******* worth of a telephone
conversation will not craft
an originality of either Aleph,
Omicron, Ayin, or Omega...

       may i remin you the greco-semitic
stubborn ram... ploughing
constants in science?
aha! ****** music thought...
no one really heard of
rotting christ or
         mícháel greilsammer...
last of the Roman sons...
sang arias of castratos!

pije, pali, konia wali...

     finally! ad the title implies...
what's the diffrence between
a man buying shoes,
and a woman buying shoes?
probably the packaging,
or more to the point...
a man walks into a shoe shop
wearing old shoes...
he buys a new pair,
buys them, puts them on,
packs his old pair into
the newly bought pair's shoebox...
and walks out with
his new: economic sketch
and the concept of recycling...
primarily because i've never seen
a woman buy a pair of shoes,
and walk out of a shop
wearing them...
   not once....
      and thank **** it rained hail
and razor rain today,
after post-noon greenhouse
suffocating toffee sun...
and the sky was painted a continental
grey & plum as the earth gave
its first, authentic breath of spring...
not once, have i seen a woman
buy shoes... and walk out
in them, putting the ones she
wore walking into the shop,
among the moosehead trophies,
skinned furrs,
and her, other,
      hunting expedition catches...
into the insomnia and iron
forest, of foraging for sales.

thank **** i had an existential
****** looking at me,
as I put the newly purchased shoes
onto my feet, and the old shoes
into a carrier bag...
    in those rare instances,
as true as: mould the iron while
it's lukewarm...
          come to think of it...
this is french existentialism
in the open... unable to encompass
a voyeurism with a guilt
of a peepingtom or Cambridge Analitica...
pure existential voyeurism...
guised Edenic...
     out in the open...
       bound to the habits of
man shopping, for shoes...
                 rather than a woman...

hell, hades and the high-water mark
of a tide...
      
     (he) drinks, (he) smokes,
   (he) smacks the monkey...

     if you didn't know, already.

Parents live in the shadow of the pali,
watching the young ones play.
They are reminded of the ones they left behind
in the world on the other side of the mountains.
And as they shut their eyes each night they know
their existence in the child's life is fading.
Can you hear them weeping?
All they do is live in the past.

The keiki live in the shadow of the pali,
tumbling around like rushing of water.
Running, twirling, and jumping;
They learn to dance in the shadows.
And as their eyes shut each night,
their quilt embraces their cold, shaking body.
They have long forgotten the touch;
their mother's lips on their foreheads,
and the warmth of their father's arms.
Can you hear them sleeping?
All they do is live in the present.

The old live in the shadow of the pali,
sitting on the chairs we have built
when we arrived so very long ago.
We have watched the young boys grow into men,
and the babies grow into young girls.
Storytelling and singing songs,
wishing to make a mark before we leave.
The best we do to create a better ohana.
Can you hear us teaching?
All we do is live in the future.

We are the people of Kalaupapa living in the shadows of the pali.
We are the forgotten, the left behind.
We watch as souls leave a lifeless body each day,
but our cheeks are no longer stained with tears.
No longer do we waste these tears that create an ocean.
A great love has created within our community.
Intertwined fingers connect the past, present, and future,
We are of a great diversity.
We have learned to enjoy the time we have left
and learned to love people no matter who they are.
Tonight we gather around the fire, dancing.
We live in the shadows, but we are the ones shining.
Can you hear our singing?

Udd jayegi ek din chiraiya chhodhkar babul ka ghar,
Basane ek naya aashiyana sabhi ke aankho ko bhar,

Vidai ka hota hai ye kaisi bela,
Kyu hamesha jana padta chhod us kali ko hi akela,

Beegh jati hai mata-pita ki palkein vidai ke pal,
Jab aata us baag me chahchahane wali chidiya ki judai ke pal,

Bahut si yaadein  chhoti aankho me sajaye hue,
Ro rhi hai maa pari ko gale lagaye hue,

Papa ki pyari gudiya aaj sazkar sasural chali,
Tham ke hath humsafar ka ek nye dwar chali,

Jahan  pali badi wo pyari gudiya chali hai aaj us ghar ko chhod,
Karke suna ek aangan ko pita ki aankhon ko bhar,

Na jaane kyu beti ko janam se hi paraya btaya ,
Aakhir kisne ye  riwaz banaya ,

Nikalkar apne **** se ek pita apni jaan ,
Bahut bada dil hai ek pita ka jo kar dete hain kanyadaan ,

Waqt ka kaisa hai ye dastoor 
Na jaane kyu ek beti ko jaana hota hai dur ,

Chali hai aaj papa ki gudiya ,
Chhodhkar apne aangan ki nindiya, 

Yaadon ki jhadi dil mein basakar chali hai maa ki jaan ,
Chhod ke sabkuch apna Banane ek nayi pehchaan,

Babul ki laadli kab ** gayi badi,
Aayi hai dil ko chhune wali ghadi,

Jis  ghar me pali,us ghar ko alwida kaise kahegi,
Maa baba behan bhai bin wo gudiya kaise rahegi,

Vidhata ne ye kaisa niyam hai banaya,
Chhod ghar babul ka,ek naye ghar ko basaya,

Dekh tyad ek bitiya ki us khuda ki bhi *** aankhen bhar,
Udd jayegi ek din chirraiya chhodkar babul ka ghar,
Babul ka ghar.........

Composed by
Sonia Paruthi & Shrivastva MK

The key to the lock
to the door to the room
with the chest that encases
your heart

is buried just off
the Nā Pali Coast
in the sands of the
Pacific.

Changing Names and Changing Faces
Changing Times and Changing Places

The emptiness remains the same

The Sunna Sutta,
Part of the Pali canon,
Relates that the monk Ananda,
Buddha's attendant asked,

"It is said that the world is empty, the world is empty, lord.
In what respects is it said that the world is empty?"  
The Buddha replied, "Insofar as it is empty of a self
Or of anything pertaining to a self: Thus it is said,
Ananda, that the world is empty.

Form is emptiness
Emptiness is form
Emptiness is not separate from form,
Form is not separate from emptiness
Whatever is form is emptiness,
Whatever is emptiness is form

One time to the next time
That is all it is
Try to be a good person
Be kind to others
Show others the love that Jesus showed

I just want a good friend is all
That would be nice
Someone to share my life with

Talk to me more about miscommunications.

Tell me more about
These jumbled lips,
Misshapen teeth,
Boxed-off smiles you're carting around.

Convince me one more time that you're so perfect,
Please.

Cut my wings and ask me to take flight,
Again, I dare you.

I was strong
And in need of redemption
I was lost
And deserved a response -

Craft another elegant lie about how you loved me
And I'll use it as fuel for these flames.

(Translation below)

Kulupu kulupu
Lon li pona pona
E suno li pona
E *** kin li pona

En mi sijelo kin
sina sijelo kin
telo e kasi en
e kili li pona



Moku mute li pona
Lape mute li pona
Olin li pona pona
mi olin e mi mije

tan o ona li pona
Ona li pona mute
Unpa musi li pona
Unpa mute li pona



Pali pona mama mama
pali pona pona
E suno li pona
pona pona pona

Lon li pona pona
pali pona pona
Mi olin e sina
tan e sina li pona

----------------------------------------------------

Peopl­e people
It's very good to live
The sun is good
Clothes are good too

And my body too
your body too
water, the plants and
the fruits are good



Eat a lot is good
Sleep a lot is good
Love is very good
I love my man

because he is good!
He is very good
The joy of *** is good
Often *** is good



Thank you mum dad
thank you very much
The sun is good
very very good

It's very good to live
thank you very much
I love you
because you are good

Laggiù, ad Auschwitz, lontano dalla Vistola,
amore, lungo la pianura nordica,
in un campo di morte: fredda, funebre,
la pioggia sulla ruggine dei pali
e i grovigli di ferro dei recinti:
e non albero o uccelli nell'aria grigia
o su dal nostro pensiero, ma inerzia
e dolore che la memoria lascia
al suo silenzio senza ironia o ira.
Da quell'inferno aperto da una scritta
bianca: " Il lavoro vi renderà liberi "
uscì continuo il fumo
di migliaia di donne spinte fuori
all'alba dai canili contro il muro
del tiro a segno o soffocate urlando
misericordia all'acqua con la bocca
di scheletro sotto le doccie a gas.
Le troverai tu, soldato, nella tua
storia in forme di fiumi, d'animali,
o sei tu pure cenere d'Auschwitz,
medaglia di silenzio?
Restano lunghe trecce chiuse in urne
di vetro ancora strette da amuleti
e ombre infinite di piccole scarpe
e di sciarpe d'ebrei: sono reliquie
d'un tempo di saggezza, di sapienza
dell'uomo che si fa misura d'armi,
sono i miti, le nostre metamorfosi.

Sulle distese dove amore e pianto
marcirono e pietà, sotto la pioggia,
laggiù, batteva un no dentro di noi,
un no alla morte, morta ad Auschwitz,
per non ripetere, da quella buca
di cenere, la morte.