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ConnectHook Sep 2015
†           †           †    

A quorum of biblical scholars
turned their doubts into thousands of dollars.
Armed with Document Q
they revealed nothing new
but the dirt neath’ the white of their collars.

A proud “health & wealth” Oklahoman
was renowned as a gospel-tent showman.
While the scriptures he twisted,
their tithing assisted
his rise from poor hick to rich Roman.

A sexually diverse professor
(assured he was not a transgressor)
spoke only of openness
glossing sin’s brokenness;
rainbows and tolerance—yes sir.

A Mormon, who lost his own ephod
Realized he was running quite slipshod
and invoked Joseph Smith.
(Yes, it may be a myth—
but it’s not like misplacing your I-pod…)

A Christian whose faith was prophetic
held to views that were truly pathetic.
This crazed Pentecostal,
not quite an apostle,
had taken an End-Times emetic.

A sober and staid Presbyterian
was distrustful of thoughts millenarian.
After smoking some bud,
he awoke with a thud;
in his sleep he’d become Rastafarian.

A preacher who fleeced his disciples
overdrew his own balance of scruples.
He was finally captured
(defrocked and un-raptured)
and rent by his destitute pupils.

A sister who waxed Pentecostal,
mistook herself for an apostle.
Speaking pure glossolalia
she sure could regale ya’
with prophecy; crazy—but docile.
What's wrong? Too hard to LIKE me ?
ha ha ha ha ha ha ha ha  

         †           †           †
Trevor Gates Mar 2013
On a night like this, of full-moon bliss
Of the midnight winds and collecting mists
I remained, forevermore
Chained, to the floor
A victim of joy’s…goodbye kiss

In a dungeon I lie, hidden from the sky
A shadow untamed with vile red eyes
I waited, I hungered
Without proper slumber
In my mistress’ pit, awaiting time

It was from lust and desire to fuel and empower
For whom she wishes for me to devour
I restrained, she teased
I grew hard, to please
The widowed Countess: my dark sire.

Though my story may seem bleak
But not to those, whom morally weak
A tale, a fable
However which label
Entitles this to civilized freaks

I moved from town to town, home to home
In search of a life wherever I would roam.
At last, I came
To an estate of name
Belonging to a Countess of ancestral Rome

Countess Donatella, eyed my work and demeanor
From afar I could tell, I sensed, I smelled her
Her scent, so tempting
Was she attempting…
To allure my beastly form into something beneath her?

One night she called for me, alone in her quarters
She treated me to delicacies from rich exporters
She asked my name
I said none, I refrained
“Mysterious and Strong.” She said in order.

She walked over, to the silk on the bed
Colored in gold and shimmering red
Curling her finger
To me, and eager
“Remove your clothes” the Countess said

I did as I was told. I abide her command.
She seduced like a mistress of the eternally ******
Caressing my skin
Licking my chin
And instructed me to please her demands.

My strength increased as I ripped apart her dress
“Yes, my dear, rough and brute.” She stressed
My *** throbbing
Her head bobbing
She turned into an animal I could not resist

Through the night our lust ignited
Into a furious intoxication, organs united
A symphonic ******
Winds, rain and thunder
Matching the sweltering copulation benighted

In the glow of after, past the ****** she gathered
Breathing deeply she said, “You are mine. I am master”
For too long, I thought
I was ridden of what I sought
One to counter my thirst for lust, the tiring caster.

For many nights I swooned, I pleasured her in ways
No other human could fathom or reclaim
My art was of the flesh
And her succulent *******
Feasting like the dog of Hell’s fame

But in this time I feared
For my secret was severe
To show, to hide
My inner design
Of nocturnal savagery that is devilishly revered.

It was upon a warm night of *******
That the moon left me horrified and shaking.
I ran from the master
To evade disaster
Of displaying my transformational awakening.

I trampled in the woods and screamed into the night
The beast of the void howled under the moonlight
I ventured, I hungered
Awaken from slumber
A slave to Lycanthrope, a feral disease of might

The Countess’ workers hunted; “A monster!” they deemed
But I killed many before I was to be seen
Ripping, tearing, slashing, eating,
Guts, bones, skin, feeding
My viciousness, my curse, my bane and dream.

After my episode of moral slaughter
The workers found me curled in a fetal posture
I would have been killed
But the Countess, sealed
Me away in the cryptic tomb of her father.

I was left to suffer in the underbelly of my sins.
Shadows and demons moaning like the wind
My master kept me
Protected me
In her care I would no longer win

Now I lay, waiting for the my master to show
So the door above me will open and glow
The white orb
That will mourn
The lives I have taken, eaten and in my intestines flow

The tomb dungeon unlocks, creaking loudly with rust
The master, the beautiful Countess that I must
Please and satisfy
Penetrate, rectify
The punishment that was bestowed by the just.

“So you are known by many names.” She utters
I look up at her with eyes of thirst, my lover
“You are unique.
So much to keep
For myself, my beastly treasure and no other.”

She walks to the shadowed wall and pulls down a lever
And stands in front of me, **** and forever
A pale seductress
Her eyes focus
With mine, for I wait for the power that was severed

“Now I will be pleasure by that of a beast, that of a god.”
She says as she massages my erecting rod
“Now, my dear.”
As I hear.
“Enter me and leave me in pleasurably awe.”

With the chains around my wrists, ankles; my neck and waist
She mounts me in the moonlight space
Our sweat collects
Drips and specs
Glossing her pale skin and my ever changing face.

I stare into the moon as I ******, my moans of pain matching her voice
She yells from the seismic endurance, her dooming choice
To unleash my monster
With blood thirst conquered
No, it is not, it is her, growing with every other screaming voice

Moans of pleasure soon turn to moans of distress
The wolf of the night is coming, no less
My teeth protrude
My mind feuds
With reason and passion, where blood replaces the mess

My fur is black, my claws like steel
My fury is lustful, the deeper I feel
The Countess is in fear
I ignore her tears
And devour her, ravish her, take her skin and peel

Her lovely face is first to go, once flawless now disfigured
I tear her arms from her body, her liver in my teeth lingered
Blood, tears, flowing juices
Guts, gore, nail amuses
The laughing jackals and demons in a Hell for me that’s bigger

There is no more Countess. No more Donatella, nor master
The moon reflected in a red pool of suffering disaster
Of the ******* monster in our wake
Of the true one she had forsake
In the whims of lustful pursuit with death proceeding faster

Through the lubrication of excessive blood and ****** fluids
I slipped and broke from my chains and fled from the ruins
I remained the beast
Through the forest at least
And return to the woods, away from the her influence

I left the Countess estate as I arrived
Homeless wanderer who survived
Another full moon night
And devil’s sight
Of my life forevermore, the way of the morally derived

Where my nightmares are revived …

…Beyond my human disguise.
I was once working on a collection of interlocking short stories that detailed personal viewpoints of happening in popular horror stories. It would have gone through the Tale of Frankenstein's monster, to Bram Stoker's Dracula and to the wolfman, Invisible man and Jekyll and Hyde. Now it was only an idea, and now reading that description it sounds like a hash version of League of Extraordinary Gentlemen. But I would have changed it all up so it was different.

I never really got around to writing any drafts for those stories, but the basic outlines were always lingering in my head. This extended poem is base on the Wolfman outline I would've used.

I would be lying if I said that this was the intentional goal or writing this poem. It gradually became that. Sometimes if I have unfinished works that have met road blocks, then I try combining them. I've learned after awhile that it's better to have a few completed stories than several unfinished outlines just waiting for inspiration. The act of revising and combining ideas can really get the creative juices going. So that method pretty much birthed this poem, "Primal Lore"

You can find the other posting of this here: http://fav.me/d5xgbju
And if you like my work, like my FB page: https://www.facebook.com/pages/Trevor-Gates/224601067564715?ref=hl
Seán Mac Falls Jun 2013
Newly painted house,
Clouded windows between us,
  .  .  .  Flowers in glass vase.
Megan Milligan Aug 2011
I. Shining Armor

To all those would-be knights in shining armore:
Make sure you have a goodly supply of silver polish on your person
Because this woman is sick and tired
Of all the tarnish she keeps running into.

Really.

Fakeness gets real old, real quick.

I ‘m looking for a man with manners, grace, respect and class.
Not someone who’ll ultimately turn out to be an ***.
I’m not looking for too much I think.
In fact, I’d given up looking at all
Because the lot of them weren’t worth the flesh
God poured their sorry souls into.

Then, you came along,
Swept me off my feet with your Leo hurricane-force personality.
Fire sign burning through my resolves and inhibitions
Until there was nothing left
But trembling and desires and hidden fantasies

But I thought I saw something behind that solid wall of sexuality
A dark knight in shining armor
Intelligence in every timbered vibration fo your baritone voice,
Smooth like Barry white,
****, I thought, you are the whole package!
Family man, gentleman, talented artistic man
Man who said women were to be respected
As they were God’s gift.

How many men, afterall, would walk you to the bus,
Stand in front of you
So the sun didn’t glare in your face, facing west.
A glowing halo surrounded your head.
My angel, mon amour
My knight in shining armor.


II. Tarnish

Fast forward to today.
Man up,
Or move on out of my life.
I’ve waited a long time
For someone with manners, grace, respect, and class.
I’m not going to waste my time
Waiting on as ***.
Not that you’ve been one, mon amour,
But I’m starting to see a little tarnish on your shining armor.

I try to be up front,
Give you the 411 on what’s going on
Is it too much to expect no less out of a relationship?
Honesty, communication
Lay everything on the line so no misunderstandings.
Maybe I’m setting myself up,
Blinded by the shine of your armor
And your promises spoken.
Soothed, hypnotized by the timbered vibration of your baritone voice.
Smooth like Barry White.
Okay, one more time, I will trust you.
On your knight’s honor,
My knight in slightly tarnished armor.


III. Tinfoil

I’m looking for a man
With manners, grace, respect, and class
Not someone who’ll ultimately turn out to be an ***,
And you crossed that line.
The shine is gone,
And no amount of silver polish is gonna wipe clean your tarnish.

You see, there are two things I hold sacred in relationships:
Honesty and keeping promises,
Both of which you failed miserably at as a man.
Yeah I set myself up for a fall as well,
Expecting no less than what I put in myself.

But what good is being together
If you’re the only one putting for any effort.
A relationship is supposed to be give and take.
Not giving and giving and giving and giving
And getting nothing in return
But a bad player’s broken promises
And a broken heart.

Gum stuck on the bottom of my shoe
Has more integrity than you do.
You lied to me.
You put things off.
I would’ve had more respect for you
If you gave me straight talk about flings
Or things like “This isn’t working out”
Instead of sweet talk that left a bad aftertaste in my mouth like saccharin.
The only part of you that ever told me the truth
Was more than happy to stand at attention
And speak volumes
Without saying a word.

And speaking of “not speaking,”
You know what really takes the cake?
You didn’t even have the mother-******* *****
To tell me yourself.
I had to find out from someone else.

Some say more shall be revealed.
Boy, were my eyes opened to the fact
That sometimes a knight in shinign armor
Is sometimes just a ****** wrapped in tinfoil.

So, to all those would-be knights in shining armore:
Make sure you have a goodly supply of silver polish on your person
Because this woman is sick and tired
Of all the tarnish she keeps running into.

Really.

Fakeness gets real old, real quick.


IV. Press Seven**

Seven.
Seven is my lucky number.
It helped me to slam the door on your sorry ***
And a chapter in my life I don’t care to re-read.

How dare you
Call up one day out of the blue
And drop a message on my voicemail.
The second I heard “Hi,  it’s (insert name here)”
DELETE!
Seven dumped your *** faster than you dumped mine
Through a third-party representative.

I don’t want to hear any “Hi, How ya doin’s”
I don’t want to hear any reasons
Or excuses
Or glossing-overs of what you did.

I wasn’t kidding when I said
Fakeness gets real old, real quick,
And that goes for ***** like you.
I may be a big woman,
But I’m not the Big Easy.
I’m a woman of respect
And dignity.

So don’t bother e-mailing me.
Don’t bother calling me.
Delete me out of your rolodex
And go trolling down Fourth Street
If you want nothing but ***.

****!
Never did pressing 7 to delete you
Feel so ****** good.
© 8/23/2010
(rev. 5/26/2011, added part 4)
Ottar  Jan 2014
First Glance
Ottar Jan 2014
walking from A to B,
no this is not geometry,
but it might as well be,
as with your eyes, see,
well what do you see,
unless you live in BC,
you won't see me and
I in turn won't be free,
to see you.

with your eyes, that first glance,
take a risk that is hazard's chance,
don't step closer or bend down,
log it away in your card file brain,
before it is washed away to the drain
or picked up as treasured claim.

use your eyes, with that first glance,
no glossing over, might miss romance,
call it flirtation, or orchestration, you
are the maestro and the other, the ensemble,
well, conduct yourself accordingly but tumble
safely.  

those eyes so beautiful you have, can find words,
to clear the tears off your cheeks with the
new merino wool sweater sleeve and
that intense emotion that has
you locked and loaded as
someone goaded you
again,
and again,
and again, if this was *** that would be fine,
but it is not and your vexed
at how poetry rocks
your world but
also rocks the boat,
whenever you take
the time not to memorize by rote (that would be too staight forward)
take the technology out for a walk,
instgram your photo of your poem and share it on facebook, and
twitter while showing your interest on pinsterest, how is that *******
working out for you?,
or dot those eyes and cross your teas,
take ink or graphite, and write about
your sorrows, your joys, your day, your dreams,
what you saw,what you thought saw, like a puddy cat,
you did, you did and that Bugs me I forgot the color or was
                 it just me and invisible over there?
You get conflict, at that first glance at your notepad,
or keyboard or mumble "I need to write this down,
before I forget".  That first glance you take, all else fades to black,
                                                          ­                 until you write.



©DWE012014
Won't call it a rant, won't call it a chant,
well then "observations from a bystander"
Seán Mac Falls Nov 2012
Newly painted house,
Clouded windows between us,
  .  .  .  Flowers in glass vase.
Edward Coles  Jun 2014
Dues
Edward Coles Jun 2014
The waitress sends signals in neon code,
through Christmas illuminations stretching across
the car-park, and straight into my ***** orange.

She laughs through awkward platitudes,
and all the beards that comment on her skirt.
She's working to make a living,
somewhere down the line.

I watch as she scribbles poetry on old receipts,
eyes glossing over the ketchup stains,
and into the passing of the moment.

I hope that she is writing of escape;
of better times and better sleep.
She will smash the glass ceiling,
and save us from the greenhouse effect.

Baritone singers lure her into art,
into the promise of soft-hearted men
with a resilient chest.

The waitress waits for a signal
to restart her life. There will be flares
on the horizon, there will be new lovers
leaning on their cars in the sun.

She will finally get to sit.
She will thank the waiter for her drink.
c
Max Neumann Nov 2019
final option: exit in sight
shall i walk this way?

rachel, eva and samuel being in the room
my tribewords for what i consider family

final option: exit in sight
shall i walk this way?

while you are remaining in this room of memories
while samuel is crying
while eva is sobbing
rachel - dem kid's mother - being desperate

you know what rachel?
we are akin to each other
like characters in sentences:
dots

unlike the undertones of
exclamation marks and exclamation points

samuel is crying
eva is sobbing
cause you guys are in another city
far away

you sent me a message:
"i have to protect the children"

tell me:

from whom?
from what?

estimate: how many fathers does a child have?
spell out how
man and woman
wife and husband

become able to defend and favor their
shadows lips and wishes

is there any meaning?
am i flaying my skin daily?
i am not a snake
i am darkness and light
like the rest of us
bizarre billions made of
languages moral values religions

do i have to skin myself daily?
does this have to mean even a bit?

i don't know bambina
but i am sensing that we are ONE:

blood boomerangs bound
boomerangs bound blood
blood bound and boomerangs

the devil cracked our bound
he grinned and said:
"my lost son i am
looking at you: a man full of doubts

ain't no thang though
i am confirming on oath:
i will be getting rid of your doubts
colorfully
they will be gone

we just need a gimmick

hereby i am passing on the golden goblet to you
there is some stuff in it
to be found in lies and magic"


young jeezy (me ok)

harold hunter (kids, larry clark)

falco (rock me amadeus)

ali (mobster)

dmx (my ******)

fassbender (angst essen seele auf, in englisch: fear eats up your soul)

robin williams (comedian?)

benjamin von stuckrad-barre (writer and addict)

whitney houston (who was really crying?)

angelina jolie (in the land of milk and honey)

sigmund freud (will you lead me to the origins of golem?)


they daily drank from the goblet
the list of my friends is long and enduring

some of 'em died
some continued to live
some decayed with numb limbs
in musty chambers
closed curtains

glossing ghosts above the head of
west indian archie
once a powerful gangster now a broke burnout

but this is one of many countless chapters
my son
ain't we good together boy?

i am confirming on oath:
i will be getting rid of your doubts
colorfully
they will be gone

successful people drink from the goblet;
they are in charge of their lifes
my son

the golden goblet is like heat in the coldness
the golden goblet is like cooling down in the heat of the desert

water
purity
nature and leaves
chemistry and magic

my friends are global
my friends are cosmopolits
by the time some lose the "r" on their path:
they become fiends

but this is one of many countless chapters
my son
ain't we good together boy?

all cultures
all religions
all languages

all my friends love the golden goblet
more than themselves
cause the golden goblet procures them

dear deception

all my friends don't love themselves anymore
but the golden goblet
all my friends don't love themselves anymore
but the golden goblet

devils hang out beyond rehab centres
they listen to the
conversations of addicts
they want to figure out their weaknesses
analyze and exploit them

devil flapped his arms
high up in the skies
cheating god's position
between trees and snowwhite castles in bavaria a state of germany

while the devil was listening to the addicts he held
the golden goblet under the moon's reflections thereupon

the golden goblet was ablazed with light
like a constellation superior to the earthly ghosts of weakness
the golden goblet sparkled

the addicts perceived it
as children perceive candy
as teenagers perceive the defeatable supremacy of grown-ups

they perceived the sparkling
as if you were listening to your favourite song

addiction is emotional
addiction is the blind quest for meaning

the golden goblet twinkled over the roofs of the bavarian rehab centre
and one of the addicts a young woman
looked up into the blackness of heaven
frankly speaking it was sparkling everywhere

the woman suddenly thought:
i have twins
i worked as a *******
i am not permitted to see my kids

in deliverances she spoke:
"i was a *****"
"i have twins"
"i order 'em precious clothes"

a sheen coming from the devil's
pupil
as she expressed her fate

she sighed and said:
"nut doc give me prescription... first i
don't wanna take 'em ***** though
they called (...)
and (...)
and (...)
and (...)

after slinging though" she proceeded with a shivering voice
" my feeling like gold"

her mouth opened widely as if she was hungry
golden sheen

a darkred eyebrow
vibrating ******
bald head full of

holes scars blood

since the beginning of memorizing
devil has been breeding horror:

not to mention the death of g.t.
leaving parents in a daze

not to mention the death of a.k.
leaving siblings in a daze

not to mention when a mother passed away: t.z.
leaving children in a daze

since day one devil has been embroiled in torment
born from the fight of brightness and night
the creature awoke

only in darkness
hidden by the star's twilight
beyond distances
we recognize him

when he is far away from us
like glorified past
on earth though
he embodies the shape of human beings
to be between us
to expose our weaknesses
that's his guzzling his brew and his - blessing

our failing strenghtens him
he be muscle

our illness strenghtens him
he be tizzop
Today is a good day.
We are all selfish creatures

shellfish lurking in the depths of the sea

wanting what we know is wrong

lying about the shallow depths of our emotions

signing forged signatures and forged lies

forging these words that come out of our glossy covered up lips

glossing our covered up stories

our tall tales of princesses and fairies

in fantasy land, these are whimsical creatures

in reality land, we are nothing but human beings

that forged signatures say are whimsical.
The sweet smell of
         smoke rising
            eyes glossing
              mood swinging
          focus weaving
       attendance falling
development arresting
   high school dropping
in our country's acquiring
teenage wasteland.
I'm sure I'm in the minority on this one, but I see it every day. One of the hardest parts of being a teacher.
Elaenor Aisling Jan 2014
A sadness haunts that town.
stuffed between the cracks
of dilapidated matchbox houses,
and in the grit of rusty trailers.
Even below the green carpet of government buildings,
And the marble courthouse floor.

Poverty stares Wealth in the face from across the street,
his haunted, empty eyes
lit by the embers of discarded cigarettes.
Wealth is good at glossing over the cracks,
setting up the chain link fences and rail road tracks.
Iron curtains that could be stepped over,
if anyone knew they were there.

But no matter how many fences,
there's still that nameless sadness in the soil.
A potent concoction
of dead dreams, harsh realities, and broken hearts.
With a dash of Cherokee tears and lead from the War.
All stirred by Monotony,
who lights her cauldron fire
with electric bills and dollar store receipts.

Like a curse, it spares none.
Though they've learned how to smile
with tears in their eyes,
above moth eaten scarves or pearls.
It's permeated everything, down to the roots.

But not to leave the glass half empty;
Some still find happiness,
some are still sad.
That's just how it goes.
Hope and despair are but two notes in the same tune.

— The End —