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Brittany Hesse Mar 2015
With the wind under my wings I soar
I see the west Canadian shore
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Nuu-chan-nulth – A caring and nurturing people are thee
Small families among the mountains, rivers, and sea
Vancouver Island’s west coast is where you reside
Awaiting your canoes on evenings incoming tide

Your men are fishing in the ocean’s secret places
Worry and hope etched in their weathered faces
Each man knowing the days hunting success must provide
For many wives, children, and elders the spoils they must divide

Your rhythm and harmony with the ocean is strong
Whale hunts and oceans spirits intertwined through your song
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I hear the east call, and open my wings to take flight
The distant drum’s heartbeat calls from the suns rising light
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Coast Salish – You know how the sea dances and quivers
As you watch the expanse from your inlets, and rivers
Vigilance is needed in case a Storm approaches
To mount a defence if an enemy encroaches.

Your wise headmen lead with such divine humility
Your family life embodies true equality
Your features are defined by a broad face and flat brow
Your girls with plucked brows, braided hair prepare for their vow

You seasonally harvest your rivers resources
Spawning Eulachon and sturgeon complete their courses
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your forests of tall cedars and aged fir
The drumming beckons me up the wild Fraser River
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Okanagan – You survive in the Valley and slopes
In a legend of a coyote you set your hopes
He educated you how to live off the hard land
Your very own lives you bestowed in his paw like hand

Your offspring, your joy, your future you know must be taught
So at an early age, to the elders they were brought
Your youths are handpicked and taught the roll they shall assume
If a warrior shall fall another shall resume

Your seasonal harvest of forest meadows and marsh
Will insure you survival when the winters are harsh
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
With the updrafts I glide over the dry desert plains
I hear the drum call from a land where it hardly rains
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
Secwépemc – your men come out through the eastern sunrise’s door
Your women’s entrance faces the stream to ease her chore
In seasonal cozy houses built into the ground
In a secret place your spoils and possessions are found

Your request for spawning salmon grows louder each day
The messenger crickets announce salmons on their way
You hunt with arrows and spears you crafted from strong stone
Needles and jewelry you made from animal bone

You patiently, wait in the winter’s silent brisk eve  
For the deer’s stealthy approach from the snow covered trees  
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drum it beckons from the land of river crossroads
The land where men come to bring and trade their canoes loads
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war


Dakelh – You are the people who learned how to barter
You are known as the people who travel on water
With gathered roots you weave fish weirs in the evening air
And you set your high hopes in the chanted salmon prayer

Your children learn from the oral traditions you tell
Chinlac massacres, caves where dwarves shooting arrows dwell
Your widows carry ashes of the husband they held dear
Their Mourning and sadness that will last over a year

The respect for the land for everything you have gain
Though much, and bountiful your harvest some shall remain
The drum it echoes, echoes, echoess, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
A plume of smoke and drum beat come from the distant Northwest
Echoing from the place where the Skeena River rests
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Gitxsan –Your Home is surrounded by snow tipped glaciers
Forests of spruce, hemlock, cedars, and subalpine firs
Your chieftain name and duties you hold for a short time
Other Wilp members are only ‘children’ in their prime

Like the rivers your families closely intertwine
Each account told is a lesson that is sublime
Each Wilp has your story told by a tall totem pole
Your History affects and moves you deep in your soul

Deer, Moose, and small mammal in the wild woodlands you stalk
You pursue the Mountain goat through rugged peaks of rock
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The drums incessantly pounds as I take to the sky
Urgently calling from remote islands of Haida Gwaii
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Haida - You live in the pacific northern islands
Your fam’lies Belong to the eagle or raven clans
You watch the tide rise and fall over the rocks and sand
Great mighty sculptures you have created with your hand

With strong healthy cedar trees you made your long dwellings
The entrance way totem your history is telling
Your warrior canoes glide through the rolling waves
Through victories and battles you have prisoner slaves


The sound of the drum beat is mixed in saltwater spray
To Vancouver Island’s west shore I must fine my way
The drum it echo, echo, echo’s, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
As I leave your vast, and memorable territory
In the soft twilight air I watch the sunset’s glory
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war

Kwakwakawakw- So proud you are of your mother tongue
Born in this beautiful land your ancestors came from
Noblemen, Aristocrats, commoners and your slaves
Your narrative exists among your forefathers graves

Your canoes bow is carved into animal features
The whale, otter, salmon and other sea creatures
You hunt with such heroic assurance all year round
In the shapes of well carved masks their likeness will abound

Your long homes are protected by the oceans embrace
First nations, my people, you are a amazing race
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
I leave your land of legends in a misty gray veil
And on the horizons comes change’s white sail
The drum it echoes, echoes, echoes, the drum it echoes through my core
Whispering a haunting rhythm of time, change, and war
The Europeans came into your isolated lands
Dividing your people into tribes, reserves, and bands
Before their arrival you lived mighty, strong, and free
Now your children fight to reclaim their identity

The drum will echo, echo, echo through time’s core
It will whisper a rhythm of time, change, and war
The drum will echo, echo, echo through your core
It will whisper a rhythm of time, change, and war
Jackie Mead  Sep 2018
Steel Drums
Jackie Mead Sep 2018
Drum, drum, drum, drum beats the Steel Drum.
Drum, drum, drum, drum beats the Steel Drum in the Carribean Sun.

Steel Drums beat out the rhthym,
Steel Drums strike up the beat,
Steel drums ring out loud in the Carribean heat.

Steel drums fast and strong,
Steel drums create a vibrant song.

Steel Drums beat out the rhthym,
Steel Drums strike up the beat
Steel drums ring out loud in the Carribean heat.

Steel drums beating loud,
Steel drums, skills the locals play proud.

Steel Drums beat out the rhthym,
Steel Drums strike up the beat
Steel drums ring out loud in the Carribean heat.

Steel drums vibrant rhthym,
Steel drums send you to heaven.

Steel Drums beat out the rhthym
Steel Drums strike up the beat
Steel drums ring out loud in the Carribean heat.

Steel drums make you sing
Steel drums let you know your feeling.

Steel Drums beat out the rhthym,
Steel Drums strike up the beat
Steel drums ring out loud in the Carribean heat.

Steel drums stir up the heat,
Steel drums make you feel alive in the Carribean heat.

Drum, drum, drum, drum beats the Steel Drum,
Drum, drum, drum, drum beats the Steel Drum in the Carribean Sun.
Aruba
Katherine Fuguet Jul 2011
Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.
Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.

Little boy, Says the mother,
Play on your drum.
For your father follows its sound,
Wherever it goes.
Play on your drum.
Lead him to victory,
And lead your father home.

Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.
Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.

Son, Says the father,
Play on your drum.
For I once followed its sound,
Wherever it went.
Play on your drum.
Play on to victory,
And always come home.

Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.
Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.

Man, Says the Soldier,
Don’t play on your drum.
For I once followed its sound,
Wherever it went.
Well, play on your drum.
Play on to victory,
But you might not come home.

Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.
Barum, Pum.
Barum, Pum.
Barum, Barum, Barum.

Soldier, Says the colonel,
Play on your drum!
And we will follow its sound,
Wherever you go.
Play on your drum!
Lead on to victory,
And Lead us all home.

Barum, Pum!
Barum, Pum!
BaRUM, BaRUM, BaRUM!
Barum, Pum!
Barum, Pum!
BaRUM, BaRUM, BaRUM!

Friend, says the boy,
Don’t play on my drum.
Don’t follow its sound,
Where I have to go.
Don’t Play on this Drum.
Fall back from victory,
But at least you’ll go home.
Mateuš Conrad Jan 2017
thankfully my nostalgia concerning the late
20the century, coincides with my youth,
i mean youth, and that i also mean
****** idealism, when women were phantoms
and could never be girlfriends or
widows, or tears shed at the grave,
or nothing needy, nothing clinging,
nothing resembling mussels...
         i have to admit, i got ***** the moment
i detached myself from thinking about god...
the third partisan of the a priori
implant dictated by time & space...
            i didn't only shove my genitals into
her genitals, i shoved my ego into her
concept of god... and i subsequently became
a dimmed version of st. augustine...
              because that part of me didn't exactly
make confetti from her reasoning....
shoom!
          scalped me and dragged about 1000
tumbleweeds in its travels...
             the grand point? i didn't see
   a hairdresser, for the next never ever...
unless they do trim ***** to coincide with
      funny tattoos...
                     i don't know... maybe i was really
ultra-idealistic about women before i lost
my virginity, that after i lost it, after i lost
the foremost grace, i didn't learn the gorilla
impetus to keep one... let alone a harem...
   women really were fun and beautiful and
mysterious when i had them in my head...
      after the fact that i learned too late that they
also took a ****, i couldn't believe it!
        me, adapting to this? this fog-smeared
creature? yes, i can see my nihilism,
                    i''ve been burning that amber light
of a litre of whiskey per night for quiet some time,
drop by Collier Row's Tesco and look at the c.c.t.v.,
but then i put on some creedance clearwater revival
(not cool, aha, used the whole name, right?
cooler me saying c.c.r.? bukowski, lebowski...
same ****, different cover) -
   but i really did experience love... i know... huh ha...
did i recover from it? i'd probably have
recovered from 20 ****** over-doses...
        she got married, obviously...
  because women, don't idealise men...
  unless they meet the criteria of what men are supposed
to own... man idealising woman is a woman per se...
woman idealising man is a man contra per se...
                     after all, a man idealises
thinking about a temp. storage space for his
*******...
              which later turns into offspring...
   any woman could agree to being part of that phlegm
and being content at housing those "lucky" offshoots
in her kangaroo rucksack...
           it's as ugly as European thinking is going
to get, it can't get more scientific than this...
   i really do need a square on a rectangular canvas
to prompt a generous conversation about redifing
the point: we're not going back to the Milan school of
oil on canvas... or Rembrandt...
      it's not happening.
so creedance clearwater revival and graveyard train...
how we have bass guitar, and it's nibbling,
just nibbling... just grooving...
                  more like stalking but keep in mind
nibbling... and the there's no rhythm guitar,
because the guitar is just making accents,
the guitar is just twitching... i can't believe how
un-jazz comprehensive modern music is...
                   rhythm doesn't belong to the guitar,
there shouldn't be a rhythm guitar...
rhythm is all bass and drums...
          and i say that: because i hate metallica and how
i can never hear the bass guitar when i listen to them...
no wonder the original bassist got scribbled off...
   i love bass, don't you love bass?
something has to overpower the strength of drums
in modern music, something has to restrain
drums... needs to set the soothing rhythm,
rhythm guitar can't do that, you need the bass
guitar... bass guitar is, quiet frankly,
the most underrated instrument in modern composition...
techno techno! bongo bongo parties of
               berlusconi... bongo bongo... hatchet plus!
yes... silvio... we have the guillotine around here
too... choppy waters... plenty of sharks...
   enough to take a bite, though.
   and i thought naked lunch was bad...
well, i didn't, i didn't even want to plagiarise the Tristian
Tzara bound to it, reminiscent of cabaret voltaire.
huh?   ah yes... creedence clearwater revival,
and the bass on graveyard train, like water coming
down from a leaking tap...
  tum dum doom ta dollop... and it sounds nothing
like that... but something to allow the guitar what
it does best, sure, it joins in the rhythm section at
the beginning of the track... but then the guitar
sets up a momentum of creating accents,
  no rhythm = no solo... accents...
   little licks of being there... very ******* jazzy...
my my, so jazzy... and that's the safe ground to have
in music, retaining the jazz...
             otherwise you get into territory akin to
classical music's anithesis... the opposite of classical
music is... earthquakes... techno techno... drum drum...
drum drum... drum, drum... drum drum drum...
classical music was all about breathing...
  césar franck's les éolides (the breezes) -
and the antithesis? techno techno... muffed up techno:
ambient music... refrigerator sounds...
muffer up drums...
               don't get me wrong, i do listen to
e.g. man with no name...
         but it's rare to hear the jazzy side of things...
  it's just such a waste to see the bass guitar
not used as it should be, i.e. being over-powered
by drums... and using so much rhythm with
a guitar... having the rhythm and the solo...
  like squeezing a pair of testicles of a celibate monk...
god, that hush hush: tone down, tone, tone down,
tone, down... down... down...
             pst... kaput....
                                      i really did start talking
about something else, didn't i?
                this is new... digression as a column of
rhetorical perfection... fair enough having the rhetorical
skills, talking persuasively (well, just lying)
    about the same topic... but find me the rhetorician
than utilises digression, and forgets his talking
because he's changing subjects without really
    categorising them as being different....
    it's a trance state akin to eastern meditative practices...
digression as the most pleasing form of rhetoric,
teachers' oratory technique... not politicians' oratory...
   i never understood why digression was
not the foremost element of rhetoric...
                    political rhetoric is always about
ensuring people remember something,
they never do...
                        politicians drill in the points...
   and for some reason, they never talk to rhetorical
perfection, i.e. being able to digress...
                the most persuasive rhetoric is the rhetoric
with digression at its core...
                       or at least that's how i learned
english from a scotsman...
                                just blah blah blah blah
and at some point, there always will come an aha!
which is the next best thing to an eureka.
Gary Kline Dec 2013
On the corner of 8th and Fleet
A man plays a drum with a funky beat
He uses two thigh bones as sticks in his hands
And aspires to play in the coolest bands.

He beats on a drum made of flesh and bone
And boy, let me tell you, I swear it moans
It cries out to other goblins and ghouls
And pleases the zombies leaving their schools.

This man is a mummy, no pun intended
Through all of his bindings he smiles so splendid
And plays until morning without any sleep
And he never seems to miss a beat.

Rad-a-tat-tat-rada-tat-rada-tat
The coolings of music and things such as that
Then out of the blue walked a single vampire
“You, my good pharaoh, are up for hire.”

He picked up his drum and his sticks and his hope
And followed the man to a bar called The Rope
And walked into chaos and fire and soul
Except for the dull and dumb-witted trolls

“Get on that stage and give us a beat
On top of all this, I'll give you a treat.
Instead of this run down and ***** old drum
Sit down to MY drum set and have some fun!”

The mummy was shocked and slightly unrest
But he promised and hoped that he'd do his best
He got on the stage and the lights came down
And he thought, with his talent, he'd go to town.

Rab-a-dab-y-splat-da-boom
All he could see was his certain doom
The crowd was mad, a troll threw a bottle
The mummy high-tailed it out at full-throttle



What was he thinking, he abandoned his heart
And lost his drum made with his own body parts
And alone he was, no hope and no drive
He had to find something more fun to survive.

He tried to become a family physician
But he knew this wasn't the right position
He refused and argued he'd never give up...
His bandages for anyone's nasty cuts.

He joined the circus for almost a day
But again, he knew, this wasn't the way
They unbound his bindings but he never spoke
Until they used him as the tight-rope.

So alone he walked, bitter and sour
Back to his home in the Haunted Tower
The town turned gray from the lack of spice
With nothing to do this would have to suffice.

“Poor drumming mummy, he offered such joy
When he banged and played on his favorite toy.”
“If only I knew where this mummy would be
I'd give him my bones and my flesh for free!”

Surprisingly this conversation transpired
Outside the place that the mummy retired
He heard everything that was said by the man
And he carefully formulated a plan.

He distracted the other and grabbed a big knife
He decided he'd end this wise man's life
He crept up behind him and whispered a, “Thank you
I hope you don't mind 'cause I'm going to shank you.”

The knife plunged deep with a raging fire
And to his surprise he just killed that vampire!
He laughed with a howl that scared the beast
That was running away down the street.



“Irony tastes like the finest wine.”
The mummy had very little time
He carved up the vamp and took what he needed
And to the heavens he calmly pleaded.

“My torment has turned me completely numb
But I promise I'll make a better drum!”
It only took minutes and was finally done
When, behind the horizon, fell the sun.

He set-up his station at his usual spot
Right next to an empty parking lot
He closed his eyes and picked up his sticks
And pleased the masses with his tricks.

The sound was as cold as the soulless vampire
But raged with a hot and terrible fire
Everyone cheered and screamed and howled
The mummy has bared a magnificent child

“Your drum, however, seems not the same
Does this new drum even have a name?”
“You better believe it,” said the pharaoh
“I think I'll call it the Ugly Sparrow.”

And with that he played for days and days
And played the music the people crazed
And forever and more he sat with his thought
And never again left this spot.

He turned down all offers and turned away work
And people called him a mindless ****
“That's just the thing, to have all the fun
You can't have a brain while playing the drums.”
Katie Nelson Dec 2012
hum drum, hum drum,
the voices and the noise,
hum drum, hum drum,
the worries and the crowds,
hum drum hum drum,
monotony and routine
hum drum hum drum
dulling my senses
hum drum humdrum
making me placid
humdrum humdrum
weakens my voice
humdrumhumdrum

who is that?
it is me. i am you.
but how did you come to be so!
but surely you know; don't you remember yesterday?
that it happened, but little more than that.
Stu Harley Feb 2016
somewhere out there
over the rainbow
exist
the
divine expression
to possess
the
drum major's instinct
where
the
drumbeat of hope
spread with
distinction
thus
become
the
drum major
make the final destination
called the
drumbeat of freedom
make the drumbeat of
equality and justice
but
more
then that
the
drum major
make the
drumbeat of life
while
the
drum major
plays all of the
unselfish
dissonant chords of life
drumbeat the patterns of
day and night
then
who wants
to be
a drum major
that
wants to
carry the
baton of world
that  
gives service and dedication
to humanity
to know self
and
to know
God
be able to
look over
the
horizon of significant
and
transform us
into peace warriors
where
i have
the heart and the courage
to love
all of my brothers
i become the
drum major for life
Roberta Frosty Apr 2018
“Happy birthday, kiddo!
We got you this drum!”
Were the last words heard in my home.

Now it’s:
Bang bang bang.
Boom boom boom.
Bang boom. Bang boom.
Boom bang. Boom bang.
How fun.

What a fun fun fun toy.
So much **** fun.
He bangs the drum.
We hear the drum.
The neighbors hear the drum.
Strangers walking past our house hear the drum.
People who live down the street, around the corner, across the highway, right next to the construction zone hear the drum.

You can’t not hear this drum.
It’s. So. Fun.
So so so much ****
          -- BOOM BANG BOOM BANG BOOM --
                    Fun.

“Happy day-after-your-birthday, kiddo!
We got you this very soft and incredibly silent stuffed hippo!”

Let us never speak of the drum again.
Raul M Murray Jun 2021
I play drums until my drum sticks break
Hitting the melody on every beat that breaks
starting a rhythm of revellers in Harlem shake
Like Kelis, I bring the girls to my yard after a date and a twerk
We flossing to a drum roll, and we clap
kick drum cues the end with a tap of a hi-hat
Wake up in the morning in bed
Wearing a Bugs Bunny onesie and a top hat
Did this really happen?
I don't know?!
Wondering about my pillow
With splinters and the broken drum sticks
Chioma Ajawara May 2014
Bam, bam, bam goes the rhythm of the goat skin drum;
My calling card to where I'm from.
And where I'm from,
Is Nigeria.
Imo State, Nigeria,
Umuowa, Imo State Nigeria.
I carry that bam-bam rhythm on my breast,
Upon my lips,
In my mind,
It is within me!
It is me!
And I am it.
Because the bam-bam rhythm of the goat skin drum is my pride;
The pride of knowing where I belong;
The pride of knowing to whom I belong.
Because the bam-bam rhythm of the goat skin drum is my history.
It is my family and my legacy.
Bam, bam, bam goes the rhythm of the goat skin drum.
And, to its beat, I march.
Diana May 2012
Beat,beat,beat goes the drum
The heart quietly lerking in the shadows
Time paces and the day will come
Siting waiting listening to the echos
Beat, beat,beat goes the drum
How does it feel the drummer boy says
Soundly and coldly you feel  destroyed
Listening as the drum plays
Left feeling empty and broken hearted
Beat, beat, beat goes the drum
'Tis not with gilded sabres
  That gleam in baldricks blue,
Nor nodding plumes in caps of Fez,
  Of gay and gaudy hue--
But, habited in mourning weeds,
  Come marching from afar,
By four and four, the valiant men
  Who fought with Aliatar.
All mournfully and slowly
  The afflicted warriors come,
To the deep wail of the trumpet,
  And beat of muffled drum.

The banner of the Phenix,
  The flag that loved the sky,
That scarce the wind dared wanton with,
  It flew so proud and high--
Now leaves its place in battle-field,
  And sweeps the ground in grief,
The bearer drags its glorious folds
  Behind the fallen chief,
As mournfully and slowly
  The afflicted warriors come,
To the deep wail of the trumpet,
  And beat of muffled drum.

Brave Aliatar led forward
  A hundred Moors to go
To where his brother held Motril
  Against the leaguering foe.
On horseback went the gallant Moor,
  That gallant band to lead;
And now his bier is at the gate,
  From whence he pricked his steed.
While mournfully and slowly
  The afflicted warriors come,
To the deep wail of the trumpet,
  And beat of muffled drum.

The knights of the Grand Master
  In crowded ambush lay;
They rushed upon him where the reeds
  Were thick beside the way;
They smote the valiant Aliatar,
  They smote the warrior dead,
And broken, but not beaten, were
  The gallant ranks he led.
Now mournfully and slowly
  The afflicted warriors come,
To the deep wail of the trumpet,
  And beat of muffled drum.

Oh! what was Zayda's sorrow,
  How passionate her cries!
Her lover's wounds streamed not more free
  Than that poor maiden's eyes.
Say, Love--for didst thou see her tears:
  Oh, no! he drew more tight
The blinding fillet o'er his lids
  To spare his eyes the sight.
While mournfully and slowly
  The afflicted warriors come,
To the deep wail of the trumpet,
  And beat of muffled drum.

Nor Zayda weeps him only,
  But all that dwell between
The great Alhambra's palace walls
  And springs of Albaicin.
The ladies weep the flower of knights,
  The brave the bravest here;
The people weep a champion,
  The Alcaydes a noble peer.
While mournfully and slowly
  The afflicted warriors come,
To the deep wail of the trumpet,
  And beat of muffled drum.

— The End —