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CHAPTER ONE

My geographic movements during the past year could be called “A Tale of Two Couches.” So as June draws to a close, I assume the position here again on Couch California. I am back in Hemet, the place the smug among us call Hemetucky--as if there was nothing a couple of Mint Juleps and a **** of Blue Grass wouldn’t cure. It is the year of our Lord, 2014: so far an interesting year for women. There was a woman who wore socks to bed. There was always my long-time, here today-gone tomorrow, long time companion, currently teaching somewhere remote on the Big Rez, a southwestern Navajo concentration camp near the 4 Corners.  Next, there’s my current object of affection, that fine and frisky lady from The Bronx by way of Bernalillo--currently at home in Laguna Beach, Orange County. Trixie: my main squeeze at the moment.

And now, completely out of the ******* blue this afternoon, my cell phone rings and it’s ******* Juanita--my all-time favorite woman, Juanita Mi Favorita de La Quinta--a Coachella Valley town and desert wadi, extending its lucrative winter tourist season to become a significant, year-round retirement venue and a robust service economy feeding off it.  Juanita arrived there in the late 80s, in middle of her early forties.  She was unemployed, homeless, just a suitcase to her name and a two-year old toddler in tow. Her parents were there, as was her Aunt Peggy.  Juanita was always Peggy’s favorite niece, her favorite child, actually, Peggy herself being childless, never married.  Aunt Peggy put her maternal instincts to work on Juanita Rodriguez, her Sister Rosalia’s second favorite twin daughter.

Maria, Rosalia’s first favorite daughter, Juanita’s twin sister—MARIA: lives in Newport Beach and acts as an extra in many commercial ads shot in southern California and elsewhere, an irony never without sting for Juanita. “Que lastima!” Poor Juanita: as her would-be Hollywood Movie star aspirations disintegrated over the years, along with her unrealized lower expectations to be TV star, and even those semi-glamorous modeling gigs at trade shows and fairs—the elephant’s graveyard of the acting profession—failed to materialize, and now her celebrity habitat shrunken even further, to that sporadic but consistent mockery of stardom, I refer to any would-be thespian’s ignominious one-celled visual protozoan: The Extra Call List.  And—*******-- what happens next? Juanita’s sister Maria starts getting these parts, starts getting hired by filling out a ******* postcard, starts getting paid to look good in the background. *******: no professional education or instruction, no agent, and no need to **** off both the producer, the producer’s cousin Morey, the director and the director’s wife’s huge Golden retriever, Genghis--actually a mighty handsome animal--or needing to spill $4K on that Derma-brasion, Juanita inflicted on herself last year.

Juanita, as you already know, was the second favorite daughter and the second favorite twin of the family. She became the third favorite child in her three-child family upon the arrival of her slick baby brother Nico-- the Golden Child, who grew up to be a glib Merrill-Lynch stockbroker, office and residence, Beverly Hills 90112.  (Enter forcefully into the narrative, His Nibs himself, Sir Nicodemus of Hollywood, Juanita and Maria’s baby brother Nico. He speaks: “Excuse me, stockbroker my ***, as it says in a 11 point Rockwell Boldfont, right here on my gold-leaf embossed business card: Senior Large Capital Investment Counselor.”)

No, Juanita had a hard time just treading water in that Cleveland shark tank. And though she lacked nothing in the cuteness department, she had this one fatal flaw, namely, the gift of ***** and sass and a reflex to speak truth to power. Juanita: rejected by Rosalia as a threat to her hegemony as Boss of the Girl’s Club, was cast adrift on a tempestuous childhood cruel Montserrat sea, out there on the briny deep . . .  
                

                                      



High Seas: where many a tuna has a Sorry Charlie moment: “Star-Kist don’t want no tuna with good taste; Star-Kist wants a tuna that tastes good.”

Finally, Juanita is rescued, taken aboard the Good/Soul Aunt Peggy—that wayward bark Elisabeta Rodriguez, home-ported in Southside, Chicago, Illinois—the rescue at sea performed in classy, rather low-key manner; no Andrea Doria drama, but understated:

{Camera One, Helicopter above, zooms over turbulent ocean surface. Peggy, an oasis of calm, aboard the raft Kon Tiki with Thor Heyerdahl and his crew, floats by, whispering, “Going my way, Honey? Climb aboard. Have a homemade oatmeal cookie and a small glass tumbler of Jack Daniels.” Okay, no, that’s not fair. Sure Aunt Peggy drank, but never got round to offering you a drink until you were well into your 30s. Let’s just say she offered you a warm glass of milk, the mother’s milk deprived you by your mother, her sister Rosalia. Dear Aunt Peggy: a seasoned survivor herself, flawed by early childhood deafness and grotesque speech.  Yet, she had refused to settle for life in an asylum. She made a go at life.  She learned; she prospered; she flourished. And when the time came, she was there for you in the Coachella Desert, there for her feisty niece Juanita Ann.  Aunt Peggy: a loving spirit personified, became Juanita’s special confidant and counselor, her personal cheer squad of one. Juanita, of course, a former cheerleader herself--an early hint of greatness to be sure, a highlight, perhaps the highlight of her life, shown off every Halloween, still celebrated at American high schools each Fall. She is the Principal’s secretary at a huge suburban high school in Indio. Each Halloween, if the date falls on a school day, Juanita arrives for work wearing that scrupulously preserved, vintage 1966 cheerleader uniform, looking real foxy still, snug now in all the right places. Eternal Truth: Juanita has always and will always be good looking. Life with Juanita is perpetual “ooh la-la.”

So, I am on the couch that afternoon, reading more of Gramsci’s prison notebooks, specifically the philosophy he calls “Praxis.”  Completely out of the ******* blue, Juanita calls me on a RESTRICTED phone, as I said, Juanita, a torch I’ve kept burning for years, flaring up like a refinery flame--oil still very much in the present energy mix--hope springing eternal as they say, and instantly my mission in life is rekindling our lost love. Juanita’s conceived her mission prior to her phone call:  using me to keep her son from being whacked by the local Eme--the Mexican Mafia—that ethnic-pride social club that the RICO-squad-- using family tree socio-grams and other expensively-printed graphics, the one RICO keeps trying to convince us is some sort of organized crime conspiracy. The Mexican Mafia: like everything else practical and utilitarian in this world: THAT’S ITALIAN! And, if you are starting to sense a bit of ethnic chauvinism on, between & below the lines, you are barking up the right tree.
                                                           ­     
      
                                                            
(AUTHOR’S POST-SCRIPT EDIT: And, an ad for dog food right here? Not the best choice of sponsors, perhaps, at the moment. Juanita was far off from the ****** ***** that start looking not half-bad at 2:30 in the glazy morning, not anywhere near those beasts you find lingering in the airport bars you usually frequent near closing time on Saturday nights. No, I remind you that Juanita was all “ooh la-la.” In my next printing—and my Lord, there have been so many, haven’t there, Paulie “Eat-a-Bag-of-****” Muldoon? I will change out the Alpo ad, plugging in a spot for Aunt Jemima pancake syrup or Betty Crocker whipped cream, you know, something more apropos.)

Juanita, I really must hand it to you. You showed the greatest staying power, year after year as I moved further and further away from La Quinta, California. Juanita: you embraced what was good in me, ignored my flaws and strengthened me with your love for so many years. As far as you and Peggy, I guess it was a case of the “apple not falling far from the tree” one of many endearing Midwestern metaphors you taught me.  Peggy taught you, taught you to be kind and then you taught me. No matter what bizarre venue I pulled out of my ***, you showed above-average staying power, continued to visit me wherever I went, Casa Grande & Buckeye, Arizona, Appalachia, West Virginia, and even Italy, when I thought I’d try Europe again after so many years.  With each move, each time, Juanita renewed her commitment to the relationship. Meanwhile, I continued to test her, quantifying her dedication, undermining her sense of mission to disprove my worldview on the expendability of women. Surely, you know that one: the unreliability of women, women who disappear without saying goodbye. That old deeply etched conviction to never get attached to a woman, any woman, based on the empirical fact that women have been known to suddenly die, a fact seared into my still tender metal by the surprise death of my mother on 11 January 1962.

1962. It was already an insecure world, to wit:  The Cuban Missile Crisis. Nikita Khrushchev, in his time both Dr. No and Dr. Evil, namely the Premier whom we Baby Boomers saw as Boogey Man of All Time (Although Putin is showing potential, lately)—the Kennedy ****** (what else could you call it?). All these events scary, whether or not I got the chronology right . . . I remained on high alert for any threat to my delicate adolescent psyche.  My mother-Rosa Teresa Sekaquaptewa-died at 2 o’clock in the morning, screaming in agony while apologizing to my father for not having his dinner on the table when he walked in from work that prior afternoon. She’d already been in bed since noon, attended by two of my aunts--both my father’s sisters--who loved their Hopi sister-in-law, Rosa.  Also present was Lafcadio Smirnoff, M.D.--last of the house call medicine men--a dapper, mustachioed, swarthy gentleman, misdiagnosing her abdominal pain as a 24-hour virus, while she bled out internally for at least eight more hours, her whimpers alternated with screams, well into the wee hours of the morning.

I was upstairs in that dormer bedroom listening to her die. An hour later, Father Numb-nuts of Our Lady of Lourdes Parish teleported in, beaming directly into my bedroom from the parish rectory.  Father Seamus Numb-nuts, an illuminated Burning Bush . . . not quite the bush I ‘d conjured at other times, so many times alone with Gwen Wong, ******* Playmate of the Year, 1961, one of Hefner’s hot centerfolds. No, give me a ******* break, you momo! Whacking off is the last thing on a libidinous, adolescent guinea’s brain when his mama is being tortured and killed by God. Even Alexander Portnoy, Philip Roth’s early avatar would have drawn the wanking line at that unforgettable moment.

No, perhaps what I’d had in mind was The Burning Bush Golf Course where so much of Fletcher Kneble’s political mischief and government shenanigans got cooked up. You remember his books, some of the Cold War’s finest: Seven Days in May, Vanished, etc.

Or better yet, perhaps the greatest political slogan of the 20th century: “STAY OUT THE BUSHES!” Thank you, Jesse. “Thank you, Reverend Jackson,” I slip into my Excellence in Broadcasting mode, my very own private Limbaugh. Announcing my on- air arrival is El Rushbo’s unmistakable, totally recognizable bass line bumper, courtesy of Chrissie Hynde’s Pretenders band mate, guitarist Tony Butler: Dum, dum, dum-dum, Da-dum, dum-dum-dum-dum-da-dum-dum. Single, “My City Was Gone” by The Pretenders
Rush Limbaugh Song– YouTube www.youtube.com/watch?v=SScW9r0y3c4

I become Reverend Jackson. I emerge from the vapors, an obscure abyss of deep family pangs and disappointments, ever-diminishing public relevance and fade to black (no pun intended) and media oblivion. The only thing left is that line:  “STAY OUT THE BUSHES!” You will always own that line, Jesse--true political genius (to wit: Rainbow Coalition) Jackson that you are, despite El Rush-Bo’s virulent anti-Black animus, his predilection to mock you, Al Sharpton, Corey Booker, Barack “Hussein” Obama, and any other professional ***** in America. Isn’t it time someone came right out and tagged Mr. Limbaugh as the Father Coughlin of our time.

Meanwhile back in The Bronx, enter another man of the cloth:  It’s Seamus Numb-nuts, making one of his many well-documented spectral visitations, his splendiferous miracles and wonders. How much longer will the Vatican ignore this humble Bronx priest, this epitome of Sainthood; this reverent man, lacking only the stigmata for a unanimous consent vote? Quote the Numb-nuts: “God Works in Mysterious Ways.” An old standard to be sure, but a lovely, all-purpose bromide for explaining why evil exists in our world. Needless to say, I was underwhelmed; I lost God at that moment, consequently shooting myself in the foot--metaphorically-speaking-condemning myself to an unshielded life, life OUT THE BUSHES!  I went forth into the world without God, without that handy divine crutch, that Andy Devine metaphor for when one’s legs grow weary: a puff of smoke, a reverb twang and a nasty frog croaking “Hi-ya, Kids. Hi-ya, Hi-ya. Hi-ya.”

   Andy's Gang - Pasta Fazooli vs. Froggy the Gremlin - YouTube
► 3:55► 3:55
www.youtube.com/watch?v=H35odPm7b3w Aug 8, 2012 - Uploaded by jmgilsinger
Froggy the Gremlin -Tuba ... Andy Devine (Aug 24, 1952)

Life for me became lonely and purposeless. And probably explains my susceptibility to military discipline and a subsequent career in clandestine government service. In 1968--the very day I turned nineteen, September 25th of that year—that fateful day when I should have shot myself in the foot—literally not metaphorically--earning that coveted 4-F physical rejection, a draft deferment to be desired, that 4-F classification of unfitness for duty, a necessary loophole in U.S. conscript service law.  The Draft: last used during that great commonwealth Cold War purge, that culling out of the unwashed, uneducated children of immigrants, that cut-rate, discount, lower socio-economic ***** bank—the only bank where after you make a deposit, you lose interest, to wit: most Black, Hispanic and Poor White Trash parents.  We were cannon fodder, many of us got to be planted at Arlington and other holy American shrines, still wrapped in black or olive drab leak-proof body bags, doing our generational bit to strengthen the gene pool left behind. A debt, some would say, we owed the country and, given the sorry state of the global wicket, increasingly an obligation to the species. And if I had to predict an outcome, Fascism in America will arrive riding the white horse of the environmental, anti-nuclear Bolsheviks. One could argue that Communism has moved so far left on the political spectrum that it’s now the far right.  Concoct a legislative policy goal, accomplish it legally as the bill becomes Law, signed by the President, endorsed and blessed by The U.S. Supreme Court, the highest court in the land.

To wit: “Three generations of imbeciles is enough?” declared Oliver Wendell Holmes, Jr., an Associate Supreme Court Justice at the time, buttressing a majority argument harnessing the power of U.S. law as a legal means of purifying the race.  When euthanasia failed to win over American hearts and mind, the Federal Government played the war card again and again. Vietnam: undeclared and therefore unconstitutional--except for that Gulf of Tonkin ******* resolution. Vietnam: a cost-plus eugenics project, if ever there was one, although responsive, of course, to the needs of the Military-Industrial Complex.  ******* Ike: he warned us against Fascism in America. As usual, we ignored the man in charge.

Eugenics? Why didn’t the government just put all the retards on the stand, as John Frankenheimer did in Judgment at Nuremberg, a crafty Maximilian Schell humiliating a feeble-minded Montgomery Clift?  Why not, make everyone face a public tribunal, forcing all of us to testify in court, exposing our many substandard and borderline substandard cerebral deficits?  Why not force everyone to demonstrate just how ******* dumb we are, using some clever intelligence test, something l
Carlo C Gomez Nov 2019
Have you been to the City of Eternal Sunshine's
navel academy?

Belly buttons in the sun, sparkling and shimmering:
crescent moons like deep wells dug by
the callus hands of Woodspur's
first settlers.

They belong to desert roses, Coachella girls,
where wearing a bikini is not a sin, but a means of survival.

Clothed in eensy triangles, they've walked
with farm workers, reveled with festivals,
and prized the glory of Pueblo Viejo.

One can now better understand how this place
was nearly called Land of the Little Shells.
To the city of Coachella.
Inspired by the poem "Give Me Pretty" by fellow Hello Poetry writer, Bella.
Xan Abyss  Apr 2015
Desert Rats
Xan Abyss Apr 2015
Out here in the wasteland
Our hidden world is small
Everybody knows disaster
But nobody cares at all
It's too much like paradise here
Or maybe we're just too high
But if you live where the burning sun
Kills the clouds in the sky

You know what they call us
You know what we are

Desert Rats,
we mingle with the homeless
Desert Rats
and party with the rich.
Desert Rats
We live for the moment,
Desert Rats
And we don't give a ****

We're a young town, rich with history
From PS to Coachella, and all stops in between
Like an acid trip in a fever dream
It's like nowhere else in the CV scene
It's too much like hell sometimes here
Or maybe we're just crashing
But if summer feels everlasting
And winter brings a wealth of disaster

You know about the Desert Rat life
You know what we are

Desert Rats,
we mingle with the homeless
Desert Rats
and party with the rich.
Desert Rats
We live for the moment,
Desert Rats
and we don't give a -- ****

Palm Springs
Rancho
Cat City
Indio
Sky Valley
LQ
Thousand Palms
Bermuda Dunes
Coachella
DHS
Palm Desert
...everywhere else
In the CV where the d-rats dwell,
It looks like heaven but it's hot as hell!

This is where we come from
This is where we belong
A song about home.
Indian Phoenix Oct 2012
The very first thing I learned about you was your ex-communication from Mormonism. Did you really try teaching a preschool class that Jesus was a Rastafarian? Or was that one of your many big fish tales told to me over the years?

This was when you were only a mischievous high-schooler. Not the cynic you are today, worn down after choosing the safest choices life can offer. When did a clever person like you acquiesce to such homogeneity? Somewhere between your Economist-reading days in undergrad and law school? I know you claim the reason was something about getting your heart broken one too many times. And yes, I know I whacked it around like a pinata... as you did mine. Because that's what reckless kids do. Will you ever accept this as an excuse? Or will you always use it as the reason to avoid my calls?

Back at the age of 15, though, you could do no wrong. A shy smile was all you'd see from me, but I'd go to bed dreaming of all of the clever things I wanted to say to you. My friends would later say you exploited your teaching role as my debate tutor... but me? I was totally, utterly, and blissfully enamored by your explanation of Foucault and FoPo. I'm convinced the reason you fell in love with me was because I wrote a letter to Crayola pretending to be 5 in hopes of getting a free pack of crayons. You liked that kind of smart *** behavior because it was the kind of stuff that made you come alive. Which reminds me... do you still have the "#1 bestseller" sign you swiped from the grocery store? You wore it in your back pocket while wearing your "I spoil my grandkids" t-shirt.

How appropriate that our first kiss was on the debate room couch. I'm glad kissing was, in fact, better for you with your braces removed. And how appropriate that my first date was you taking me to the high school musical, "Kiss Me Kate."

What is it about first loves that make even the most mundane so magical? I can't tell you the number of times I looked out the window in hopes of seeing your red Ford Escort pull up. It took my breath away more than any Mercedes could. Who knows what we'd do when you did come over--probably play Donkey Kong Country, or watch some ironic movie like Donnie Darko. If nobody was home we'd make out to the Disney "Fantasia" soundtrack.

Back then you were always intrigued with the whimsical. Nowadays it's 1940s classics, malt scotch and Coachella concerts. I think your career ***** you so dry of life that you overcompensate with your expensive tastes. The wildest you'd ever get was smoking a hookah. But the guy I remember? He liked pocket watches, Rufus Wainwright, and Harry Connick Jr. I know you're a responsible tax-paying adult now, but I still see you as the wild-eyed wholesome troublemaker you once were. I prefer you that way, even if it's mentally dishonest of me.

Since you, men have wined and dined me at world-renowned resorts and have taken me to presidential *****. But none of these dates have given me the same rush of euphoria as sneaking out and spending the night with you in the home you were house-sitting: That night, we were a pair of 16-year-old rebels. At least we didn't get caught by the cops making out in the high school's agriculture department parking lot. That would happen in a few months' time.

Then you left for college, to gain an education and have experiences that sounded overwhelming for my sheltered ears. It didn't matter that I left for Europe that year--you had left for college, which was a distance in my head that couldn't be measured geographically.

I could recall a thousand barbs exchanged from then until we both finished college: you dated her. I dated him! We made promises. We broke promises. You'd come home for summer. We relished in the relatively new-found art of *******, mostly perfected on each other in our youth. We'd hate each other. We'd love each other. Your friend would hate me; my sister would hate you. On it would go.

But there were such sweet times. We saw Harry Potter together and we sat on my roof, imagining that one night could stretch til forever as we looked up at the stars. It was then that you dedicated Coldplay's "Yellow" to me. And no expression of love was greater than seeing you in the back of the auditorium, waiting to drive me home after my 6th period drama class.

I honestly don't know the person you are today. Sure, you give me snippets. Usually when some girl breaks your heart and you need to vent. In truth, I know you saw me as your plan B. Always. Shame on me for playing that part so beautifully for so long. Could we have worked out, you and me? I smile, knowing that some things from the past should stay firmly rooted where they are. There would always be a part of me that would feel like that freshman trying to impress you, a senior. All the while I wouldn't feel funny enough, cool enough, witty enough by comparison. No, we simply wouldn't work.

You know the rule, about loving your family because they're the only one you've got? I think the same is true with first loves. When I reflect on our oh-so-ordinary relationship, you--I mean, US: we weren't so great. Nothing special.

But my heart sure seems to think you were... even after all of these years.
Bella  Jul 2018
Give me pretty
Bella Jul 2018
Give me pretty
give me sunflower dancing
and petals turning
give me
coachella girls

give me pretty
give me layers of long see through skirts
and dresses
and Shaw's

give me pretty
give me dancers without teachers give me dancer with the wind as their muse

give me pretty
give me bouncing
give me everything's spinning
and turning
and lifting
and flying

give me flying
give me eyes closed
head back
arms stretched
fingers reaching

give me pretty
give me white linen pretty
judy smith Feb 2017
In a few days, modernistas will flock to Palm Springs to ogle its healthy roster of mid-century gems.

There will be home tours, double-decker bus tours, fundraisers, art receptions and cocktail parties. At every turn, is an opportunity to embrace your inner modish self and dress the part.

Don’t worry, you won’t be alone. All the parties are rife with guests in fun retro apparel. Everything from caftans and A-line shift dresses to graphic prints and knee high boots.

“It's nostalgia for a bygone era and we dress up because it feels great when you are surrounded by stunning midcentury modern architecture and vintage cars. It makes me want to put on gloves and a pillbox hat and sip martinis - plus it makes for great photos,” said Lisa Vossler Smith, executive director of Modernism Week, who likes to dress the part as well. Modernism Week runs Feb. 16-26.

The mod-style which originated in London in the 1960s is all about sleek and simple silhouettes.

“Clean-tailored lines and lots of black and white define mod fashion for me,” Vossler Smith said.

Pegged ankle-length pants, colorful tights, Mary Jane heels and sweater twin sets also come to mind.

For inspiration, Vossler Smith turns to the likes of Twiggy, Edie Sedgwick and fashion designer Mary Quant, because of their iconic and forward-thinking mod style.

“But I also look to old movies and TV for inspiration. "James Bond," “Batman,” “Get Smart,” “Gidget,” and my favorite, “Breakfast at Tiffany's,” are great for inspiring new vintage looks from my daily wardrobe. Sometimes I even throwback to a little Rosalind Russell "Auntie Mame" or Grace Kelly influence - on a good hair day,” she said.

Her favorite vintage item is her 1960s leopard print, pointy-toe boots. “I wear them all the time,” she added.

Much like the classic, simple and timeless architecture of the homes and buildings that signify mid-century modern - mod fashion has had a lasting effect on popular culture and current design.

There are new, vintage inspired lines, such as the ones created by New York based Lisa Perry who led a discussion at last year’s Modernism Week on the mod looks that make up her collections.

Palm Springs’ own Trina Turk, who is known for her bold prints and vintage inspired designs , will present a “Trina Turk + Mr. Turk Fashion Show” poolside at the Modernism Week Show House on Feb. 21.

Palm Springs and the rest of the Coachella Valley is full of thrift shops and specialty boutiques teeming with outfits perfect for a mod party. You can go new – Turk’s flagship store is in Palm Springs – but it’s a lot of fun and rewarding to dig through thrift shop racks for that signature outfit.

“We really have great stores throughout the desert,” Vossler Smith said.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/****-formal-dresses
Sharifah Husna May 2016
You're a midnight texter,
I'm a conversation starter,
I never will ever stop talking,
As the silence scares me,
But not as much as it does to you,
Not as much as it does to the way your hands,
Shudder,
Whilst talking,
Am I that intimidating?

You tried avoiding eye contact,
Knowing that I'm amused,
Watching your words tremble,
Maybe you didn't notice,
Me,
Staring,
As if I'm like one of those,
Warning ads,
On your cigarette packaging,
That you don't even bother,
To take a glance at.

Hands,
Your hands fascinate me,
Maybe,
It's because you're not used to girls,
Being too fussy,
Too loud,
Too meticulous.

The second time we talked,
I realized that,
I was the only one,
Who's practically speaking,
I yelled at you,
In the fast food restaurant,
Apparently making fun of myself,
It's not that I'm acting dumb,
I'm acting clueless.

I know you well,
Not too well though,
Perhaps,
It's from my acquaintance,
They are acquainted,
Of your existence,
Well,
I do too.

Maybe it's because of your hair,
How it reminds me a lot of Amber,
Nor the depth of the ocean,
Or maybe it's because of your glasses,
Or the way you wear your trousers,
Above your ankles,
That the picture of it,
Makes me wonder if that is how,
You're going to dress,
If Coachella was a candle light dinner,
And they recall a nostalgic vibe from the 60s,
Though I wasn't even exist at that time.

You're soft,
A soft sinner people find you manipulative,
I find you an oncoming danger,
An expected wave,
Come running from the other side of,
"I could've loved you.",
To a new shore of,
"I've loved you.",
But the weight of the world,
Pulls you away from being loved,
So you figured how to love yourself,
By drowning each and every piece of you,
In the middle of,
"I won't fall in love again.',
But that's preposterous,
You did fall in love,
Again and again and again,
Each time you decided not to.

Remember,
That one night,
Your thumbs became tap dancers,
Tapping onto the keys,
Followed by a soft tempo,

You said,
"I love you,
If you don't feel the same way,
Please assume,
That this was for your poem."

So,
If you were to read this one day,
Here's a disclaimer,
I didn't write this poem for you,
I wrote this poem about you.
I don't like you though, but it was nice writing about you
Vii HunniD  Mar 2017
Shish...
Vii HunniD Mar 2017
This is that remarkable shish,
Extra ordinary type of writing,
That makes me feel some type away,
With my thoughts, solitary.

Befuddled by my own mindset conspiracy
Contradicting predicaments.
No Coachella for me,
My thoughts on parole,
Lost in a pandemonium with pious fiends
Blunted thinking of the known, unknown,
Unknown of the known, unknowns.
Things that we know we don't really know about.
At that time I felt like somebody chose me,
Feeling amorphous as a "POET"should be.

As it is written,
I am gifted,
I know it's fugazi
Come learn something...
Vii HunniD  Mar 2017
Shish...
Vii HunniD Mar 2017
This is that remarkable shish,
Extra ordinary type of writing,
That makes me feel some type away,
With my thoughts, solitary.

Befuddled by my own mindset conspiracy
Contradicting predicaments.
No Coachella for me,
My thoughts on parole,
Lost in a pandemonium with pious fiends
Blunted thinking of the known, unknown,
Unknown of the known, unknowns.
Things that we know we don't really know about.
At that time I felt like somebody chose me,
Feeling amorphous as a "POET" should be.

As it is written,
I am gifted,
I know it's fugazi
Come learn something...

— The End —