painting when being bilingual, the naked phonetics of the english alphabet, and the diacritics on the polish one, for example -sh- of the former and -sz- of the latter, but the painting is still entitled: trying to capture what was being said without lip-reading but by optics encoding the sounds, so that someone bilingual might decipher; and yes, dependent of aesthetics / orthography the -rz- versus the ż.

azog
szak gaum'dasz!

blog
kruto, goniś... gunwondersmargen'ś.

azog
mor'rzyrljisz?

blog
golumdo, sza zu lisz sza za duh.

azog*
jam dysz! *** da kurz nak krza rzuk;
arz ga bejark gundabadul,
mar kam narm karszrz.
mulgaj! a'naj! ursdraj! tu pu nam - ah me c!

some nights I cry
others I shake
more often then so I yearn
I yearn to feel to for I only exist these days wandering through life admiring strange faces and emotions I once felt myself but I crossed paths with the devil who took any life I had left within me now he watches amused at the life he's subjected my soul too a life of forced emotion and smiles a life of laughter drowned out by reality

They say girls who listen to Jhené Aiko are toxic
And girls who listen to Summer Walker are dramatic
The ones who listen to SZA are eccentric
And the ones who belt out all three are chaotic
But why is it that female emotion is a threat?
Why does female expression make you upset?
Is it because you’re afraid of what’s next?
Of a woman realizing that what she feels towards you is regret?
Of a woman coming to terms with the hell you tried to make her forget?
Of her understanding that you’ll be forever in her debt?
As she grieves her heartache away with Jhené,
Misses you more with Summer,
And realizes her power with SZA,
She becomes an improved version of the woman you never deserved