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ryn  Jan 2015
A Poet's Heart
ryn Jan 2015
.
A poet's heart isn't like any other...
It's the tears that trickle with radiance through words.
     It's a treasure trove that hides but longs to
     be found.
          It's a book shelved high that wants to
          be read.
               It's the freest of all birds caged but
               unbound...

A poet's heart isn't like any other...
It doesn't beat to the capable strokes of the artist.
     It doesn't pump in the most vibrant of
     colours.
          It doesn't wield a paintbrush to
          translate its thoughts.
               But it can see through the eyes of
               painters...

A poet's heart isn't like any other...
It doesn't conform to the conventional parameters of lyrics.
     It doesn't bind itself to the requirements
     of musical harmony.
          It doesn't follow the conventions of
          genres.
               But it sings its voice loud without
               restrictions of melody...

A poet's heart isn't like any other...
It's an open secret, that whispers in metaphoric codes.
     It's an exploding universe, that merges
     back into galaxies.
          It's a sought after painting, that boasts
          of unfathomable beauty.
               It's an everlasting song, that echoes
               within the poet that embodies...
.
Dedicated to all of you...

If you're reading this...
This is for you...
.
Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
Mateuš Conrad Aug 2016
now i know why i might engage with writing obscene
poems, chauvinism included, but still there
is no burning excuse in my mind with the way
western society actively desires censorship of certain
words, i already attributed censoring obscene
words as worse than what this tactic precipitates into:
the apathetic spread of *******, and violence
in general... it crosses my mind that sparring with violent
language cushions people from violet action...
to utilise violent language with that: pardon my French
attitude does more good than evil on the users...
how many road rage incidents could have been avoided
if people were unable to watch their tongue:
somehow we're making language sterile, by actively
pursuing this sort of censorship: which is not even
remotely politically related / motivated, we're bringing
an anaemic status quo in how fluidly we speak -
we desire to not hear the sometimes funny and the sometimes
awful... but we choose to see the god-fearing horrific...
ask any blind-man about music and he'd say:
well, i can dance to it in a nucleus position, centrally
gravitational pull - but ask the deaf man about
what he has to say when seeing **** written to counter
obscenity, as in cartoon-like: f&%£! it's just plain silly,
pocket-sized expression of psychotic behaviours,
rummaging through them i find only one source of inspiration:
the fact that we're in this blind-man's garden of innocence,
somehow dressed in the camouflage of censorship such
a tiny problem, that it does indeed require 23 mattresses
for the princess to not feel the frozen *** agitating her...
this sort of censorship in its application is under
a false sense of purpose, it really doesn't change people's
behaviour for the better, it doesn't pacify them, in does
the reverse: it infuriates, it makes violence more potent...
i'm still trying to figure out why such words
will make our perceptions saintly... unless of course
that's the reason behind them, as way of invoking an
anaesthetic placebo, a placebo that's actually active rather
than passive - presuming the anaesthetic placebo gives
way to an aesthetic active apathy-inducing ingredient...
meaning we can't bare to hear swear words, but we can
gladly watch 20 hours of 20 : 1 ****... censoring **** ****
**** **** will not escape Newtonian physics...
given our current scenario, Newtonian physics is far
more important than Einstein's relativity, i'd hate to be
in denial about cause & effect... as began with Socrates,
i too abhor moral relativism... of course Newton got
the gravity bit wrong, but i like the simpler version...
plus... there was no Romance with Einstein...
no apple, no tree, no Voltaire... meaning we don't necessarily
write history collectively, with all of us starting from
the big bang or the view from the Galapagos islands...
we don't... we continue writing history not from a
collective consciousness genesis... or from the collective
unconscious genesis - that's Jung with his archetypes
(devil, god, wise man, mother, father etc.) rather than
dreams (Freud) - we can chose were to write the future...
it's not so much ignorance as arm-chair intellectualism,
it's not about the safety of understanding something,
but the comfort of choosing to understand something...
which is pretty much to my excuse for my previous poems...
Heidegger... and that concept of Dasein -
i never bothered to understand it to the point of
reacting subjectively to it, by that i mean an interest
in writing about it, an interpolation of the subject with
alternative variations... i objectified it, i also countered it
when objectifying the concept turned out to be an
everyday object, shortening my quest.
the counter? hiersein, i.e. being here, here denoting a
solipsistic classification of awareness with / in the world -
which is basically me in my room, admiring my library,
my record collection, my torn sneakers, everything that
is classified exclusive to what dasein evolves into
when all its grammatical weaving only express a verb,
i.e. concern... so i thought, given this what can hiersein
(being here / nonchalance) actually show me as
my lack of interest in: "changing the world".
it became obvious yesterday, i had a hard time when i
didn't read the day's copy of the times (more on this later),
instead i had to suffice with construction site media,
you might have heard of this newspaper: the daily star,
at 20 pence a pop, you will see what £1.20 makes to
your psyche... but that's basically it, i objectified Heidegger's
concept and made it into an everyday object, in this
case and as the only case available: a newspaper -
and the trick is? well, with a newspaper like daily star
you don't actually experience dasein - it's completely
missing in this style of media, and that's worrying given
my barbaric poetry of yesterday... it's missing, not there,
such object-for-object chirality is what gives birth to
hiersein (being here); but today i returned to my usual
media diet, a flicked through the times and the natural
balance of personal objects and a fresh impersonal object
coexisted - the newspaper is truly the most adequate
compounded expression of Heidegger's dasein -
which i attribute to the constant need to emphasise an
empathy with others... empathising is a neutral form
of sympathising, since sympathy is sourced in shared
experiences: **** victims (e.g.) - therefore empathy is
something that in the ontological structuring of dasein,
which opposes the ontological structuring of hiersein,
which is structured by apathy; there is nothing else for
me to write, apart from the compendium proof
of the disparity of sources, i.e. headlines and subheadings:

- prior compendium -

i will never understand the point of autobiographies,
the majority of autobiographies are written
on a p.s. basis, after the facts / actions,
never immediately, concerning ideas /
solidified thoughts, thoughts condensed into idea
that allow thinking / cognitive narration to
continue regardless with what's being achieved...
i haven't anything autobiographical dissimilar
with something biographical...
Plato wrote that wonderful biography like
Shakespearean theatre, but i guess his critics felt
the claustrophobic tug & pull of mermaids...
still the problem ascends heights unparalleled -
even with ghost writers doing the leg-work...
cheap-buggers never learned to write, let alone read,
and here they are writing biographies...
ah, **** it... they're only sketches... whether biographic
or autobiographic... they're still mere sketches...
if this was the art world the revenue would come
posthumously, when it comes to literacy
nothing really distinguishes poets from
those prescribing pedestrian signs...
the Olympians can moan at the vacant stadium...
that there's a hierarchy in sports,
with the favoured monochrome idealisation
of where the bunny money is in the whirlpool
of the rabbit hole investment: football, volleyball...
but the literary events are the same...
people love to lie that they read the bestseller to
its full extent... but treat books like chairs and tables...
inertia prone half finished, sat on for 2 weeks of
the entire year... the Olympians are very much
like poets, and i care to distance myself from either
demand for more interest being invoked...
i like esoteric sports, i like esoteric writing...
but that's how it stand: poets are Olympians where
novelists are footballers, who retire at 30 and
then think about what to do with their wages
that are 10x higher than the everyday labourer...
start a restaurant, buy a strip of houses in Liverpool
like Michael Owen? good guess, here's to exploiting
youth disgracefully... that's what they're getting,
and these are the dilemma points to consider...
they're the equivalent gladiators of our time,
Rome was just a sleeper before it awoke once more...
but i'll never understand why these
people decided to exploit literature for gain...
all these academics with their pristine purity of discovery
are pacified when dictating print,
what poet, has a chance in hell, to appear gladly
excavated from Plato's cave of television?
about none.
i too was focusing on 20th century literature,
before 21st literature came about...
and i thought, oh god: they're really going to create
a totalitarian democracy, every artist will be
strip-searched for adding cinnamon and chilli to their
writing to bounce away from conformist
sober and sane extraction of alter wordings...
this 21st scene will become polarised...
we'll have the extinction of One Direction over a joint,
while the Rolling Stones drank a keg of whiskey
and pulled off a show... we'll have moralisation
of the fans to subdue the artists, which will mean
no artist will ably create a zeitgeist to rebel... everyone
will suddenly experience a weird sort of communism...
the worst kind... it will mean having
all the mental freedoms without the ability to
economise a coup... basically an inertia, an immediate
fatality... we can't economise a coup...
which boils down to why so many autobiographies
aren't really biographic, but rather consolidating,
by the meaning: autobiographic i intended to relate
the everyday... the most secretive account of life:
the everyday... this is stressing Proust,
even though i preferred Joyce over Proust i keep
the everyday the prime ideal: the only detail,
so that an autobiography can make sense,
automation of writing, like breathing or sneezing...
not some monetary-spinning device 20 years after
the facts... 20 years later you're pretty much writing
fiction... i am all for the biosphere of expanding
Alveoli... but when did you ever read an autobiography
that mentioned the taste of weak coffee
from the Friday of 20th of August 2016? never;
you read autobiographies
like you read self-help books...  waiting for
all that experience regurgitating motivational talk
about reaching a plateau of comparative success...
i can understand autobiographies written by the elders,
i understand biographies written about people
posthumously - but the tragedy is, given the spinning
wheel of money? we're getting "auto" biographies
written toward their 3rd volume renditions of
people aged 30... let alone 40... so much for
western society having the upper hand on political matters...
just saying: sort your own **** before trying
to sort other people's problems...
i could understand if these autobiographies were written
as described: automaton solo... but they're not...
before the compendium it's this everlasting presence
of a desired body of power being depicted:
prior the monopoly of knowledge, there was a monopoly
of literacy... given that 99% of us are literate, it
actually doesn't mean a third donkey's *******
whether we can read, or write, we got shelved in controlling
this once priestly vanity, we got taught bureaucracy alongside...
but the monopoly of literacy is way past us,
we're being convened in the ability to monopolise knowledge,
(oh please, don't let the paranoia seep in,
remember yourself when reading me, once in a while,
i don't drag you to phantasmagorical heights, even if i could,
i'd prefer you being agile in learning how to be bored
than letting your repel the same boredom i too share,
well... but **** me if you want to be the next Lenin) -
and the easiest way to monopolise knowledge? the media...
you basically need a lot of facts, and an evolved version
of dialectics, dialectics being the prime enemy of democracy
(it's not an alternative political model like despotism as
we are held to believe, it's actually dialectics,
suppressing other forms of collectivisation is the one
sure method of suppressing the attempt at dialectics
(individualism) - by making people overly opinionated,
ergo: the inability to engage with opinions, blind-alleys
throughout all plausible attempts to do so) -
so once you have enough facts to fiddle with the Rubik's cube
of juxtaposition, you end up with the ultra-scientific
form of dialectics... the matter of opinion in relation
to truth without a relative uniformity that prescribes
the status quo stasis is a debate about how accurate
we all are: i.e., is that true to the closest centimetre,
or the closest millimetre? it's a bit like watching a Zeno
paradox:
                 10.1                           and 10.01
      which one's tortoise and which is Achilles?
well, you know; ah ****! the compendium of the two
newspapers which got me slightly depressed...

- the compendium -

a. daily star

- B. BRO SAM'S SECRET 'NERVOUS BREAKDOWN'
- Laura & Jason's baby joy
- Robbie (Williams) £1.6M a night!
- BREXIT BOOST ON JOB FRONT
- ANGE DAD BACKS TRUMP
- JR'S wife Linda set to Holly
- Edd's no Beverly Hills flop
(Lana among cow *******)
- LAURA: OUR TINY TROTTS WILL BE WORLD-BEATERS
- FURY AT BAD LOSERS' SLURS
- 'Jealous sis' jibes
- MAKE YOUR KID AN OLYMPICS ACE
- Peaty: I want to be a rapper
- TV girl really ill
- **** SAM, 'ON THE BRINK OF BREAKDOWN'
- COSTA ***** HELL
- CAGING ANJEM WILL INSPIRE NEW JIHADIS
- POG'S LOADED AGENT BUYS CAPONE'S LAIR
- I'll make Kylie a pop star
- JEZ DOESN'T KNOW ANT FROM HIS DEC
- GUILTY OF DEMONIC SAVAGERY
- Great British Rake In
- Britain is *******
- BAYWATCH U.K.
- Va Va Vroom
- JUST JANE: My lover snubs plea to get wed
- HART: I'LL DECIDE WHEN TO GO.

b. the times

- Boy victim becomes a symbol of Assad's war
- US Olympics swimmers invented robbery tale, say Rio police
- Make us sell healthy food, supermarkets implore May (P.M.)
- Lost weekend of the lying best man
- fears over free speech delay law to silence hate preacher
- Met's 'commuter cops' live in France
- Husbands happiest when they earn half as much as wives
- Socialists plot to drive Britain left
- Fake human sacrifice filmed at European high altar of physics
- Officers investigated over ex-footballer's Taser death
- Number of pupils taking languages at record low
   (Mandarin @ 2,849 - % decrease of 8.1,
    alarmingly religious studies 27,032 up by 4.9%
    and psychology of status 59,469 up by 4.3%....
    meaning the mad will soon be diagnosing the sane
   as mad, just because the curriculum said so)
- Top grades add up to 100% at the school for maths prodigies
- Deprived sixth formers thrive on competition
- European students rush to get into British universities
- DVLA earns £10m selling driver's details
- Mystery over Kenyan death of aristocrat
- Journalist who voted twice reported to police for
  'fraud'
- Tomato tax threatens European trade war
- Love story of the Pantomime
- Homeless conmen fleeced widow, 81
- Brownlee brothers at the Olympics...
- Hopeful shoppers give sales a lift after Brexit vote
- MoD guard could be stood down despite terrot threat
- Owners spit mansion after failing to sell
- The job with international appeal: saving our hedgehogs
- Finch warns unborn chicks if weather gets warm
- Migrant violence rises after decline in policing around Jungle
- Longest road tunnel promises a relaxing ride under Pennines
- Mothers step up to drive Tube trains through night
(rowdy teens ageing exponentially on a Saturday night
when not getting a lift, ******...)
-MP's deal with bookmaker to be investigated
- Ebola nurse 'hid high temperature'
- Shoesmith's ex-huspand kept child *******
- Morpurgo war tale springs into life
- Supergran fights off teenage muggers
- IVF is more successful for white women
OPINION SECTION
- Great political fiction is good for democracy
- the BBC is leaving its audiences in the dark
- airline food? just pass me the gin and tonic
- Modern Olympics began on the fields of Rugby
/ greasy polls, holding firm, tongue tied,
  call for compulsory targets to tackle obesity,
second in line, mindfulness course, cost of planning,
puffins v. ship rats.... and all future letters to the editor /
- Moscow presses Turkey for access to US airbases
- Hundreds killed each month in Assad's jails
- Putin bans celebration of defeated KGB coup
(another James Bond movie on the cards,
i'm assured, and with a moral carte blanche) -
Hollande clams Carla Bruni spied concerning his
use of diapers...
- Euthanasia tourists flock Belgian A & E from France,
  where a revival of ****** made people dress shark-fin
  sharp on the catwalk...
- Mosquito pesticide linkage application = intersex /
   East German women
- Haiti cholera linked to Nepalese **** and ***** via
  the
Kyle Kulseth Sep 2014
Late night. Footsteps.
Crane necks and girders.
Fog lifts. The wind cries.
Steel bones in moonlight

                        I'm out
                      so late now
and it's Sunday night and Summer's ending
                         soon.
I'm aging
                                          with questions
fermenting in my mouth
ignored for years

Fenced off. Unfinished
project shelved and waiting
                     for next Spring.

Cool night eclipsing
years spent indexing,
answers mislaid and
blueprints unrolling

Components rusting,
crane necks and girders.
Steel bones in moonlight.
Tight lipped and staring.

                             Fall comes
                             construction
halts now and the walls stand half
                            complete
And outside
                                     the chain link
shrugging off the cold and
still wondering when

Step through unfinished
building. Get home. Shelved
                      until next Spring.
RAJ NANDY Sep 2015
RAJ NANDY
37 followers
AN INTRODUCTION TO THE ITALIAN RENAISSANCE IN VERSE
                                    By Raj Nandy
THE ITALIAN RENAISSANCE WAS A PERIOD OF TRANSITION
BETWEEN MEDIEVAL & THE MODERN  WORLD. I propose to
present in three installments my researched work for both the Art &
History lovers of this Site. Kindly take your time to read at leisure before commenting. Thanks, -Raj Nandy, New Delhi.

                   PART ONE: BACKGROUND
The Term Renaissance :
The word ‘Renaissance’ means ‘to be born again’ ,
Derives from French ‘renaistre’ and Latin ‘renascere’, -
both meaning the same !
Swiss historian Jacob Buckhardt by writing “The
Civilization of Renaissance in Italy”,
Helped to popularize this term during the 19th Century !
The Renaissance evolved out of ‘Christendom’ , which
was Medieval Europe ;
Ruled entirely by the Catholic Church and the Pope !
It formed a period of transition between the Medieval
and the Modern Age ,
And as a contrast to the preceding thousand years , -
Which the Latin scholar Petrarch christened as the
‘Dark Ages’ !
This era saw a revival of interest in classical learning
of Greek and Roman art and culture ;
Focused on individual’s life on earth , with a new spirit
of adventure !
Happiness was no longer shelved to an afterlife and
repentance for salvation ;
But it lay in the advancement of human beings on Earth , -
with secular contemplation !
Thus individualism , secularism , and humanism , were
chief characteristics of the Renaissance ;
With innovations in art, architecture , and a scientific
temper of thought !
Knowledge no longer remained confined within the cold
ecclesiastical walls ,
But it spread from Italy across Northern Europe , -
To distant English shores through France !
During the Renaissance era Humanism became its
dominant philosophy ;
And there begins our Renaissance Story, since knowledge
is no man’s monopoly !
Events leading up to the Renaissance were many ;
Let me now dwell upon some salient features which
shaped its History !

THE BLACK DEATH (Peaked between 1347-1352) :
It was brought by Genoese merchant ships from the Orient ,
The fatal bacillus of the bubonic plague carried in the blood
stream of rodents !
The plague from Sicily and Italy spread to Northern Europe ,
All medicines failed , and even the Church provided no hope !
After having raged for almost a decade it started to abate ;
But by then almost one-third of entire Europe’s population
lay dead !
This deadly plague which followed the Hundred Year’s War
between England and France ,
Created social , economic and political upheavals in Europe,
leaving little to chance !
People began to lose faith in the church and on sermons of
afterlife ,
Secular thoughts now prevailed in a world where only the
fittest could survive !
Shortages of labour brought an end to Medieval feudalism
and serfdom ,
And Europe gradually emerged out of those Dark Ages, -
to greet the rising Renaissance sun !
The meager labour force could now bargain for better
wages and individual rights ;
Later, merchant guilds protected specialized labour and
their human rights !
Cities got gradually built and a new social order began
to emerge ,
Historians say that Europe saw the rise of a new Middle
Class !
As Europe gradually begun to recover from the aftermath
of war , plague, and devastation ;
The City-States of Italy lit the torch of a new intellectual
emancipation !
But before moving onto the Italian city-states, I must
mention the Holy Crusades ;
Since the Crusades opened up the doors of knowledge
and trade ;
Helping this ‘New Learning’ of the Renaissance to spread !

THE HOLY CRUSADES (1095-1270) :
At the behest of Pope Urban II and his battle cry “God
Wills It! ” ;
The First Crusade was launched to recapture the Holy Land
from Muslim infidels !
Within a span of next two hundred years eight Crusades
were launched ,
The First one took Jerusalem , but the Second failed to make
Damascus fall !
The Third led by Richard the Lion Heart, made Saladin to
grant the rights , -
To Christian pilgrims to visit their Holy shrines in Palestine !
The Fourth Crusade had sacked Constantinople , - then a
commercial rival of the Italians !
Now cutting a long story short , let us see what History
has taught !
These Crusades helped in opening up the trade routes ,
For importing paper, spices, soap, silk and luxury goods !
Trade was carried out with the countries of Levant region ,
Which included the countries from Turkey to Egypt , -
Bordering the eastern seaboards of the Mediterranean !
These trade routes formed a major conduit of culture
and knowledge ,
And exchanges and interactions broadened the mental
horizon of the Italians !
From Constantinople, recently Christianized Spain , and
the Arab lands , -
The preserved ancient classical knowledge now reached
the Italian hands !
In their School of Salamanca the Arabs of  Spain ,
Had translated works of Aristotle and classical scholars
into Arabic , - thereby preserving the same !
Later scholars translated these precious works into Greek
and Italian ,
And thus the Ancient Classics saw a glorious revival !
The scientific, philosophical, and mathematical thoughts
of the Arabs had also entered Northern Italy ,
From Egypt and the Levant region , to enrich Pre-
Renaissance Italy !
And when Byzantine Empire fell to the Turks in 1453 ,
Its Greek scholars with their precious manuscripts flocked
into Italy !

THE CITY-STATES OF ITALY :
‘Italia’, once the epicenter of the mighty Roman Empire ,
Disintegrated into several small principalities breaking
up Italy entire !
Its mountainous rugged terrain was a barrier to effective
internal communication ;
And no strong unified monarchies emerged, as in other
parts of Europe !
Italy with its peninsula jutting out into the Mediterranean
Sea ,
Had begun to monopolize the trade routes, and also to
prosper economically !
During the time of the Renaissance , Italy had numerous
autonomous city-states and territories ;
Where a powerful leader called the Signore , ruled for
a fixed tenure initially ;
But later this post was declared as hereditary !
Kingdom of Naples controlled the south ;
Republic of Florence and the Papal States the center ;
Genoese and the Milanese the north and west respectively ;
And the Venetians the eastern part of Italy .
These Italian city-states prospered greatly from its growing
trade during the 14th century ;
Its cargo ships visiting Byzantine , and the cities bordering
the Mediterranean Sea !
It became a status symbol for rich families to patronize
art and culture ;
They vied with one another commissioning paintings
and architecture !
But the Italian city-state that had prospered the most ,
Was the city-state of Florence which became the host ;
And the ‘Cradle of European Renaissance’ !
...............................................................­­................................
* ALL COPY RIGHTS WITH THE AUTHOR -RAJ NANDY*
(My Part -II will contain the Story of Florence , - " Cradle of the
Italian Renaissance". Thanks for reading, do recommend this Verse to
your other poet friends!
Comments from Gita Ashok, an Educator, from ‘Poetfreak.com’:- A thoroughly researched erudite collection of historical facts presented in a very lucid and interesting manner. This write made me reminisce all those history lessons that I learnt in school many years ago - many of which I found boring as it was taught in an intimidating way. I feel like going back in time, becoming a student once again and learning history through such creatively written works of art. But I realize that we are all yet students of life and can still continue to learn and grow. I feel fortunate to have read this great piece of literary work and I look forward to reading the second part.-  by Gita Ashok | Reply
Edit poem

AN INTRODUCTION TO ITALIAN RENAISSANCE was added 21 hours ago.
Our town was to have a rail-line
Circa the mid eighteen nineties
This story has surprised my ears
A local amateur historian apprised me just recently
Documents to support this claim are archived in Sydney

Not far out of our town
On a well know property in the district
Two surveyor pegs are still in existence
Marking the route the rail-line was to track
Though the Forefather's rail-line was never bedded down

The powers that be government leaders of the day
Shelved these impressive plans
They never saw the light of day
Ribbons of steel not coming to fruition
Leading to our town

Other town went ahead rail-lines were established to them
Out town alas and alack missed out
Look where Tamworth and Armidale are to-day
Rail being in their favor
Our town was left to languish and to be dispirited
Going no-where no-where to go

Our Forefather's now lay in their graves
Not quite resting in peace
Their rail proposal for our town unrealized
Good ideas die along with good intentions
Hence their unsettled repose

Our town could have been a regional town
Industry and population dotting the landscape
Rail would have assured our place
The Forefather's rail proposal long since shelved
Consigned into the passing vapor of time
Annie Nov 2011
She never made it
To Morocco
Rode ’cross the desert
With her Bedouin lover
Shopped for bargains
In the Souks of Rabat
Sipped mint tea
From a frosted glass.

She never went sailing
In a catamaran
And on a moonlit beach
Made love in the sand
Or drank espresso
In a café in Lima
Or danced the flamenco
In Puerto Rico.

She married a man
Cause no one else offered
Had three kids
And moved to the suburbs
Wrapped up her dreams
In brown butcher paper
Tied them with twine
And shelved them for later .

She never made it
To Morocco
Her life was four walls
Plastered in stucco
And she sighed as she thought
Of the things that she lost
The dreams that she wrapped
And shelved in the past.
CK Baker  Jan 2017
Kill Shot
CK Baker Jan 2017
He filled his week bag
with quick picks from the commissary
cover blades and skull cap
canned goods and half stated pearl
liquor bills and bleeders
for the flight of weary

Into the ****** bunks
of the western front
past sivana and nurture sage
past the pomp and ceremony
out of robes and into jumpers
and casings
and masks of gas

Light infantry and yelling men
muscled and scorned
fly boys high in 3 wing flight
mounted gunners filling the night
in hawkers and packards
and scabbard chape

Tarrant tabers and camels
dodge the vicker gun
skeleton hands grease the mill trap
carnage makers mark the rhineland
(buried in bunkers and pile bags and earth pack)

Trench helmets and metal back
under machine fire
minefields burn in muzzle and coil
deep in the shadows
and shrapnel and spear
the razor wire
and dead cold despair

Slouch hats and burning rats
kerosene lamps and droopers
the soldier stares down
the broken lines and limbs
a ****** holds steady
(shelved at a distance)
on ripped and rolled pipe and beam

It was an all in end game
a grapple for the ages;
*** in the fokker pursuit
over rolling hills and fallen comrades
into the bishop bullet
(and sporadic cheer)
which sealed the deal
in an empty field
off the brae corbie road
Two Bulgarian poets entered “The Second Genesis” – Anthology of Contemporary World Poetry – India’2014
Poems of the Bulgarian poets Bozhidar Pangelov and Mira Dushkova are included in the Indian project “The Second Genesis: An Anthology of Contemporary World Poetry”. Bozhidar Pangelov’s poems are: “Time is an Idea” and “…I hear” translated by Vessislava Savova; as for Mira Dushkova’s poems – “Beyond”, “Sozopolis” and “The Girl”, they were translated by Petar Kadiyski.


For the authors:
Bozhidar Pangelov was born in the soft month of October in the city of the chestnut trees, Sofia, Bulgaria, where he lives and works. He likes joking that the only authorship which he acknowledges are his three children and the job-hobby in the sphere of the business services. His first book Four Cycles (2005) written entirely with an unknown author but in a complete synchronous on motifs of the Hellenic legends and mythos. The coauthor (Vanja Konstantinova) is an editor of his next book Delta (2005) and she is the woman whom “The Girl Who…” (2008) is dedicated to. His last (so far) book is “The Man Who…” (2009). In June 2013 a bi lingual poetry book A Feather of Fujiama is being published in Amazon.com as a Kindle edition. Some of his poems are translated in Italian, German, Polish, Russian, Chinese and English languages and are published on poetry sites as well as in anthologies and some periodicals all over the world. Bozhidar Pangelov is on of the German project Europe takes Europa ein Gedicht. “Castrop Rauxel ein Gedicht RUHR 2010” and the project “SPRING POETRY RAIN 2012”, Cyprus.
Mira Dushkova (1974) was born in in Veliko Tarnovo, the medieval capital of Bulgaria. She earned a MA degree from the University of Veliko Tarnovo, and later on a PhD in Modern Bulgarian Literature, from Ruse University Angel Kanchev, in 2010, where she is currently teaching literature courses.
Her writing includes poetry, essays, literary criticism and short stories. She has published several poetry books in Bulgarian: “I Try Histories As Clothes“ (1998), „Exercise On The Scarecrow” (2000), „Scents and Sights“ (2004), literary monograph “Semper Idem : Konstantin Konstantinov. Poetics of the late stories“ (2012, 2013) and the story collection „Invisible Things“ (2014).
Her poems have been published in literary editions in Bulgaria, USA, Sweden, Hungary, Croatia, Romania, Turkey and India. Some of her poems and essays have been first prize winners of different Bulgarian contests for literature.
She has attended poetry festivals in Bulgaria, Croatia (Zagreb) and Turkey (Istanbul and Ordu).
She lives in Ruse – Bulgaria.

For the Antology “The Second Genesis”:
In the anthology titled „The Second Genesis“ are published the poems of 150 poets from 57 countries. All poems are in English. The Antology consists of 546 pages. “The Second Genesis” includes authors’ and editors’ biographies and three indexes: of the authors; of the poem titles and an index based on the first verses. It is issued by “A.R.A.W.LII” (Academy of ‘raitɘ(s) And Word Literati) – an academy, which encourages literature and creative writing and realizes cultural connections between India and the other countries. Four times a year ARAWLII publishes in India the international magazine for poetry and creative writing „Prosopisia“. Its Chief Editor and President of A.R.A.W.LII is Prof. Anuraag Sharma. He is also author of Antology’s Introduction.
Participating Countries:
Albania, Argentina, Armenia, Australia, Belgium, Bosnia and Herzegovina, Brazil, Bulgaria, Albania, Great Britain, Germany, Greece, Denmark, Egypt, Estonia, India, Iran, Iraq, Ireland, Israel, Spain, Italy, Jordan, Canada, Cyprus, China, Kosovo, Cuba, Macao, Macedonia, Niger, Norway, Pakistan, Palestine, Poland, Puerto Rico, Romania, Russia, Saudi Arabia, USA, Singapore, Syria, Serbia, Taiwan, Tunis, Turkey, Fiji, Philippines, Finland, France, Holland, Croatia, Montenegro, Czech Republic, Chile, Sweden, Switzerland, Scotland, South Africa, Japan
For the editors:
Anuraag Sharma – editor and president of A.R.A.W.LII
Poet, critic, author of short stories, translator and playwrighter, Anuraag has to his credit the following publications: “Kiske Liye?”, “Punarbhava”, “Audhava”, Dimensions of the Angel: A Study of the poetry of Les Murray’s Poetry “Iswaswillbe” – a collection of short stories, “Setu” (“The Bridges”). He has also co-editor the volume of conference papers: ”Caring Cultures: Sharing Imaginations. Some of his recent publications include: “A Trilogy of plays”, “Mehraab” (“The Arch”) – translations of selected poems of four Canberra Poets, “Papa and Other Poems”, “Sau Baras Ka Sitara Eik” – translation of Andrew Parkin’s “A Star of Hundred Years”, “As if a wooden house I am”- translations of Surendra Chaturverdi, “Satish Verma: The Poet” and “Tere Jaane ke Baad Tere Aane as Pehle”. He is also editor-in-chief of two international journals – “Lemuria” and “Prosopisia”. Currently he is working as a Professor in English at Govt. College “Kekri” Ajmer, India.

Moizur Rehman Khan – co-redactor, project manager, secretary of A.R.A.W.LII
He studied Urdo and Persian Literature in college and later on competed his master degree in English literature from “Dayanand” College, Ajmer, India. He completed his research dissertation under the supervision of Anuraag Sharma on “Major themes in the poetry of Chris Wallas-Crabbe”. He is a creative writer. His poems and articles have been published in various magazines and journals. Currently he is teaching English at DMS, RIE, Ajmer, India.
References for the Antology:
“No middle no end, the poems in The Second Genesis have been speaking to you long before the beginning and will continue without you…don’t worry, its binding has long since unglued, its pages, worn and disheveled, will always be speaking to you, they’ve been compiled this way, to be read out of order, backwards, shelved or scattered in an attic between the coffee and greasy finger stains…The Second Genesis is the history of the Book where you become its words, ink and pulp.”
Craig Czury

“The Second Genesis is at the crossroads of a new poetic becoming. a poetry claiming its second beginning not only for art but the heart pulsating and feeding the entire body. This anthology is a successful fusion of unique, inimitable and polyphonic poetry, a well-organized improvisation with a solid and flexible structure.”

Dalia Staponkute

“The Second Genesis, a compendium of world poetry which is also a poetry of the world, suggests so much a new beginning as it does a recognition of the ongoing creation that continues to animate our collective existence. Our precarious era requires a global affirmation that we are all in this together. Poetry has always said as much, and here it says it again, in the idioms of our time.”
Paul Kane
**
“Visionary and international, The Second Genesis, introduced and edited by Anuraag Sharma, sparkles with poetry of insight, intelligence and feeling and is an indispensable reminder of our human aspirations and experience in the early 21st century. Poets from nearly sixty countries rub shoulders in this ambitious and wide-ranging collection, and their poems resonate and mingle in a multi-layered voice. It is the voice of our humanity.
In his Introduction, Dr. Sharma points to the invaluable importance of poetry in what he calls our destructive Lear era:
Beyond the Lear Century, across the 21st Century lies the island of Prospero and Ariel and Miranda and Ferdinand – the region of faith, hope and innocence, the land of virtue, and all forgiveness sans grievances, sans regrets, sans curses. The doleful shades lead to pastures new.
We must weigh our hopes. The Second Genesis is at hand….”
Diana Sampey
Charlie Chirico Oct 2012
“After hours of evaluations, our doctors came to the conclusion that he was paranoid, but speaking with family and friends, they stated that there were no obvious signs of mental distress. No one expected him to go through with the ******. He had a lot of faults, but most were thought to be harmless. His idiosyncrasies were overlaid with a well thought out patience and understanding. During the evaluation he spoke of compartmentalization, and his lack of emotional comprehension, which he explained should not be misconstrued as “apathetic behavior.”  His words were inveigled, and when he wasn’t applying his charming disposition, he was implementing a passive aggressiveness. This was a man who did not hide in the shadows, but he knew them very well. Darkness was shown through his eyes the longer we spoke, as his pupils grew larger, and his determined stare, a menacing stare, pierced people’s souls.” – Dr. Rebecca Altwater

Thursday

On the train. Not awake. It's not too crowded, around me at least. There is a group of black students, yes, I said black, because that is the color of their skin, and, well, I’m white, and I’m fine with being described as white. This is all factual. So the black, students, high school students, are creating a commotion. (I have always hated using the term “African American” because it has always made me feel prejudice. When I say it, I think of it as a label, and I’d rather not go further into what I mean by *labels
). The train smells like ****. The smell overpowers my coffee. The coffee is weak. My body is aching. I’m starting to develop a headache. (The students are now beat boxing). My head is mutating. Temples pulsating. Veins exposed. Eyes closed. The beat boxing continues.

I reach into my leather shoulder bag. I’m not looking for anything in particular, more or less trying to look busy. A woman three seats down is watching me intently. My eyes are fixated on my bag. I can feel her eyes examining me. It’s hard to rule out the theory of having a sixth sense, especially in situations as these. My fingers delicately brush over a novel, the novel I decided to read during the train ride for this work week, to which I haven’t started reading, and completely forgot I placed in my bag — (It was an impulsive purchase) it was now another item that would solidify the self-realization that I am a procrastinator, and considering that this novel was for the work week, and it is now Thursday, just proves my point further. The novel will be shelved, and another novel will take its place in my leather shoulder bag. Although I may not follow through with my intentions I am still a person who stays very consistent. I will swap novels. After work I will stop at Borders books. I’ll need a new novel for work week number thirty out of fifty-two. After a week it will be shelved, and I will start again: buy another novel, and continue to not read it. I’m a very consistent person.

Saturday

My alarm went off for thirty minutes this morning.

Sunday

Glenn, my brother, calls me early in the afternoon to invite me to dinner. A family dinner. And he informs me that our mother will be there. He graciously asks me if I can attend, but I know he only invites me because he is dreading our mother’s visit. Very seldom do I see or hear from my brother and his family, but when our immediate family is added to the equation I am the first person he calls. I am (and this is how he put it) his “emotional confidant” when he becomes too overwhelmed. The reason this is, is because it has always been a one way street. His perception of me is not the most desirable, but he trusts my word. The term that comes to mind, when him and I converse, is that I am self-destructive. It must be easy for him to give insight to this speculation when he is just as irrational as I am. Our only difference is that I have embraced the idea of negative and positive spontaneity, whereas his neurosis comes from self-induced pressure and stress. When I die, it would not be in vain if it happened without warning. I am reckless. If he died unexpectedly, it would be of great shock, but it will most likely be the cause of a brain aneurysm.  It’s funny how irony works. You know, us being brothers, and him seeing us as total opposites, when in reality our similarities outweigh the obtuse differentials.

Wednesday

It’s the halfway point of the work week. I have my new novel, untouched, in my leather shoulder bag. For the last three days (including today) I have arrived at the train station an hour earlier than usual. I made this decision Monday, and have found that it is a more logical time. Although I have an hour to **** before work, I avoid my headache (the black students) before sitting at my office desk. Thankfully, there weren't too many pros and cons that came with this decision. It was fairly easy. I could have continued to deal with an excruciating head pain, one that would stick with me throughout the day, or sacrifice an hour of sleep. The latter was the correct choice. When I came to this conclusion on Sunday I could not rest my brain. My mind was at ease, I felt relieved and content, but I was apprehensive nevertheless. Monday came and went, (slowly, because of minor sleep deprivation) along with all of my anxieties from the past week.

I never thought I’d say this, but seeing a therapist helps. There hasn't been much to articulate yet, concerning my listlessness, but my insomnia was discussed, and I was optimistic. My problems could be far worse, and when they are, maybe leaving an hour early is the answer. My next appointment is in two hours, at four, and I’m going to leave shortly. I don’t know what I will do for the extra hour I have allotted myself, but I do have a novel I won’t read and a newspaper that was left on my desk, with the headline reading, “Crime Rates Rise: How To Maintain Your Sanity During The Recession.”
CK Baker  Jan 2017
The Cellar
CK Baker Jan 2017
Under the old house
cast in conglomerate mix
the cataract window
and cracked sill
broken joists
and cross beams
wringer wash
and saddle set

A draw string light
brings life
to the corner bench
fowler toads
and fingerlings
jitter bugs
and dazzy vance
dirt planks filled
with mason
crown classics

Buggy whip
and whippletree
shelved on the
chopboard
tackle and mucks
stacked at the back
horseshoe and jack rod
bend the pike pole
a sawhorse placed
for the Martindale push

Gallon jars
and growlers
prepped
for the taking
ropes and reins
for transport
and fest
goggle eye
jumps the flyer
setting up nicely
for the
Haldimand town fair
Mateuš Conrad Mar 2021
beginning with a title... the transcendent bicycle...
because it really is just that...
if you have walked as much as i have:
a marathon from Romford
to St. Paul's and back...
a marathon from Romford to Epping
and back...
       i don't know but i do know that
i might have been aiming for: flesh of my flesh...
aged 34... but i'm still "trapped" inside
the dimension of the bicycle like
i'm ******* quicksilver / the flash...
i haven't ridden a bicycle in well over a decade...
today i found out i have ghost muscles...
the bicycle became the antithesis of
prosthetic limbs...
   it's hardly a Descartes contemplating
a desk and / or van Gogh's chair...
beauty in pickling... depths of thought in:
picking, juices...
how a second birth happens with
the advent of thought...
when... penetrating inanimate things...
to think about objects is to...
become more objective?
         it's not like i'll summon...
a Freudian complex...
using a bicycle... as a Deleuze
did when ushering in the bicycle from
a Beckett's perspective...
  beside the "village bicycle" i hardly
want to give sway to some ******* metaphor...

the bicycle is more than a chair
a chair is such a fermentation process
since you can sit on it...
but can hardly concern yourself
with making a ******* gallop on it...
but a bicycle is not a horse...
but a bicycle is not a horse...
writes the man that...
yes... i have ridden horses...
all the equestrian clubs in Essex can shy away
from the detail of...
i have allowed myself to ride a horse
to a gallop... neck, sore... entangled in:
want of massage... yes...
but a bicycle is not a horse!
it's a dog... at best... it goes where you want
it to go...
the leash of gears the muzzle of the breaks...

the **** i need a car for?
in London... even if it's outskirts /
kilt Loon'don?
     ha ha FARKER TARTAN WILLIAMSSON...
blah!
enriched with hidden energies of
newly discovered... otherwise plainly
shelved sensations of motion...
there's nothing new about a bicycle...
said the man who withheld a smirk
when attesting...
a gap... the same centre of gravity... though...
almost like the buoyancy arrived at
when swimming...

oh how my father tried to teach me...
how peer pressure taught me instead...
it's this exasperating O oh and ah...
that's not really becoming of adding any more
detail to a rekindled love for life...

notably concerning England...
and outer-suburbia...
- when you have been walking these
labyrinth streets for months...
to be suddenly injected with
a very new, but at the same time:
a very old concept... dimension: which sharpens
the genesis of thinking about the sentence...
a new dimension of... speed...
time, space are their own affairs...
invoked for a day by a day...
walking is merely movement...
cycling? that's not merely movement...
that's...             speed...
because... there's a whole chi focus
of X yes precisely X...
        only half an hour's worth of cycling
and i covered the whole peninsula of the area...
unbelievable the detail of acquiring
traffic coordination...
a shared responsibility that a mere
pedestrian might take for granted...
      
tomorrow's a Sunday and i'm supposing
come circa 7am the
traffic should be "slim"...
having tested the breaks and the gears
somewhat proper...

bicycle bicycle... where have you been
all my past decade...
bicycle: grandfather Joseph...
death toll murk... fill the bells!
let them not resound in the night
while i reclaim the wind for my own...

- that i sometimes drift in and out
of solipsism...
yes... that solipsism is
laboratory minded experimentation
with states of autism...
but you're given the excuse
of riding a bicycle...

i wonder what wings might feel like....
a bicycle is not a horse...
a bicycle is more or less a dog...
it's certainly not a cat... meow...
if there was an advent of wind to harness...
but there's me... merely pulverising forward...
the leash the muzzle
all that's frame and the breaks:
downhill...

the lullaby of emotions intrinsic in:
blocking all rancid thinking... all thinking
like so...
Zen by ***... it's not that i know more...
i know... different... but first you have to walk
said distances... before loopholes...
wormholes appear gesticulating the mind
with a provided for, otherwise...

i'm 34 and i feel like i've just...
accomplished more than
having shed feather of my virginity...
never make me feel so entrusting...
never make me feel so demanding "x"...
peddle ******* peddle...
tread-water.... in your pyjamas...
i do remember, like an elephant's cranium
might... details of a historical tattoo...

philosophy books are...
paupers of metaphor...
language is ever hardly elevated into
a bouquet...
i don't want to be in love again...
i don't want to be such an...
undemanding... lack of ambition...
lack of sacrifice...

take me into the woods
and shoot me in the back of the head...
but before you do...
i'll merely ask...
take me into the sort of woods
where the deed be done...
but appreciate walking me so far
off the well trodden path
that you might not remember
how to retrieve a safe-footing back...
take me into the woods of no known
horizon...

guarded by a strict wall of a mile of trees
that block out the otherwise pleasant
azure of the sky come hiding the sun
at sunset... or sunrise...
in that zenith of immobile grey
between the hours of commotion
when nothing is to be salvaged as one's
own... but... abhorred as it too must be...
somehow... shared...

some privy in on England... a land
of fertile imaginings...
when Descartes had his table, and chair...
to fist & fester on...
i'll lay clamour to the debris of alt...

yes: an overbearing load of sensation:
delusional.. let's put him in his "right"
place... let him believe the sole provided
the psychiatric source of angst
no purpose = no posit of transcendence...
no bicycle...
   custard... pie-load...
angst...
               jerking off from "excess" libido...
well... exercise the "excesses" of libido elsewhere...
exert well squid parallels
and more: firm grasp... "tentacles"...
see the same within the confines
of an "elsewhere"...

how ***** i became being so...
muscular abiding... simultaneously... docile... too...
it's not a Lamborghini it's not
a British T... triumph motorcycle...
it's a peddling ingenuity of
somewhat self-origin...

i could have eaten up a Solomon's share
of ****** and *******
that same of wisdom...
should i, could i, would i have
demanded less than was already left available
from the Tetragrammaton...

how did "we" ever learn to laugh...
how was HA... the hebrew definite article spawned
those biggest,
no... those grieving questions...
how a monotheistic deity might be all
good... yet somehow not all powerful...
yet all powerful but not all good...
bling alley... cul-de-sac view:

the algebra not solved: attempted by
numbers...
letters later sieved...
and more letters sieved...
played the party pooper with membrane knowledge
of katakana and Hangul...
because... Latin script does slip...

chi-focus?
the multiplication ascend of:
what was walked prior...
can now be cycled... shortened because no
"lost" time was ever to be grieved...
although... the front suspension is...
an unwelcome addition...
ha ha... privy me on details
like... excesses that are there...
21 gears and when there was a rigid frame
throughout and rising up from
a sitting position is not necessary...

no... i'm not gearing up for motorcycles...
i like the idea...
but also... subsequently... the experience...
of a double-decker... bus...
of a bus of being the transit mahjong skeleton...
pieces... mein alles!

mein alles!             gott, mit... uns!

yes... unbelievable... the demands for yachts...
for ******... diminished into a fizzle....
when a Beijing demand for bicycles
skyrocketed... and all that was left to salvage
was... promises of a Sunday,
circa 7am...

hidden gems of plied-play-dough-esque:
sort of truths...
sort of beefing up... doubting pork...
within the confines of chops...
between me and a prisoner...
between me an a prisoner...
it's hardly the yacht...
the hardly any nuance of bother...
believe the existence of hierarchy...
because the Bolsheviks didn't
come about the first time around...
second try...
escape the English cwown they said...
escape the litany of squares
they-void-thought... "said"...
herr omar bin sa-id...
conquest of the Hey-Brews... "said"...

don't undermine the intricate
tribal workings of...
half-possessed...
half truant... thereby almost totally... true...
associates of Casimir the Great...
there be a god of wisdom
and there be a god of fire...
there be a god of letters...
if so...

the same god will be inclined
to mind...
an apostrophe as much as a surd (letter)
in Ęgli-sh...
when not minding... "it"..
lay an Ę to the side to wreck havoc with...
ha ha!    Щ...

  Ę / Щ... the **** are you looking
at me... like i were the one
who killed your mother with a *******
harmonica / what have these galoshes to do with
"these" galoshes...
what has this pumpernickel to do with
this windmill... "this" is an obstruction...
the proverb states...
what has a pumpernickel to do with
a windmill?

exactly... ****-all!

two-riddle *******' worth... worth of...
newly ******* jargon... and crust of...
for the load that might be minded
invigorating life... as life in prospect...
re-orientating man toward the clamour
of detailing sky...
not on foot...
not on horse...
not via car... will you...
to hell with running down...
a stampede of perspective...

planet... luancy? is that where we are all,
from?
i am born of madness...
i am this salty precursor of i think...
clearly i first arrived...
later... i somehow managed to "think"...
i didn't think first
but i certainly didn't either:
i think therefore i am therefore i think...

i was more on the lines of...
from the lineage of:
trouble...
i am therefore i think therefore i am...
i am not a spider i'm not all emptying and detailing
the filling of gob-***** with
i am hungry i am vector...
i am therefore i think therefore i am...
but this... ****** of french...
premature *******....
of i think therefore i am... therefore i think:

honestly? thinking is sometimes not...
necessary...
sometimes water needs no... glue, metaphor...

Amsterdam's open mouth darkseid
apocalypse abode...
le trio joubran - masar.... a finite quest...
primo.... detailing conquest...
handling crux....

            the cat's in the riddle...
the yard is in a mile...
scrutiny of the Levant...
           leverage of hark... -ing
denote: closure... of "ambition":
this lesser "king"...
brow of the most dignified...

                   keeping with allowance
(an)
  justly, met...
  
give me wind:
   give me... air...
not... hair... i laugh... i laugh too little...
i chisel my teeth...
i scream: nothing primo!
my life but q.
there are more lived importances
that matter, thus...
cradle... diamonds...

"the end".
--To Elizabeth Robins Pennell


'O mes cheres Mille et Une Nuits!'--Fantasio.

Once on a time
There was a little boy:  a master-mage
By virtue of a Book
Of magic--O, so magical it filled
His life with visionary pomps
Processional!  And Powers
Passed with him where he passed.  And Thrones
And Dominations, glaived and plumed and mailed,
Thronged in the criss-cross streets,
The palaces pell-mell with playing-fields,
Domes, cloisters, dungeons, caverns, tents, arcades,
Of the unseen, silent City, in his soul
Pavilioned jealously, and hid
As in the dusk, profound,
Green stillnesses of some enchanted mere.--

I shut mine eyes . . . And lo!
A flickering ****** of memory that floats
Upon the face of a pool of darkness five
And thirty dead years deep,
Antic in girlish broideries
And skirts and silly shoes with straps
And a broad-ribanded leghorn, he walks
Plain in the shadow of a church
(St. Michael's:  in whose brazen call
To curfew his first wails of wrath were whelmed),
Sedate for all his haste
To be at home; and, nestled in his arm,
Inciting still to quiet and solitude,
Boarded in sober drab,
With small, square, agitating cuts
Let in a-top of the double-columned, close,
Quakerlike print, a Book! . . .
What but that blessed brief
Of what is gallantest and best
In all the full-shelved Libraries of Romance?
The Book of rocs,
Sandalwood, ivory, turbans, ambergris,
Cream-tarts, and lettered apes, and calendars,
And ghouls, and genies--O, so huge
They might have overed the tall Minster Tower
Hands down, as schoolboys take a post!
In truth, the Book of Camaralzaman,
Schemselnihar and Sindbad, Scheherezade
The peerless, Bedreddin, Badroulbadour,
Cairo and Serendib and Candahar,
And Caspian, and the dim, terrific bulk--
Ice-ribbed, fiend-visited, isled in spells and storms--
Of Kaf! . . . That centre of miracles,
The sole, unparalleled Arabian Nights!

Old friends I had a-many--kindly and grim
Familiars, cronies quaint
And goblin!  Never a Wood but housed
Some morrice of dainty dapperlings.  No Brook
But had his nunnery
Of green-haired, silvry-curving sprites,
To cabin in his grots, and pace
His lilied margents.  Every lone Hillside
Might open upon Elf-Land.  Every Stalk
That curled about a Bean-stick was of the breed
Of that live ladder by whose delicate rungs
You climbed beyond the clouds, and found
The Farm-House where the Ogre, gorged
And drowsy, from his great oak chair,
Among the flitches and pewters at the fire,
Called for his Faery Harp.  And in it flew,
And, perching on the kitchen table, sang
Jocund and jubilant, with a sound
Of those gay, golden-vowered madrigals
The shy thrush at mid-May
Flutes from wet orchards flushed with the triumphing dawn;
Or blackbirds rioting as they listened still,
In old-world woodlands rapt with an old-world spring,
For Pan's own whistle, savage and rich and lewd,
And mocked him call for call!

I could not pass
The half-door where the cobbler sat in view
Nor figure me the wizen Leprechaun,
In square-cut, faded reds and buckle-shoes,
Bent at his work in the hedge-side, and know
Just how he tapped his brogue, and twitched
His wax-end this and that way, both with wrists
And elbows.  In the rich June fields,
Where the ripe clover drew the bees,
And the tall quakers trembled, and the West Wind
Lolled his half-holiday away
Beside me lolling and lounging through my own,
'Twas good to follow the Miller's Youngest Son
On his white horse along the leafy lanes;
For at his stirrup linked and ran,
Not cynical and trapesing, as he loped
From wall to wall above the espaliers,
But in the bravest tops
That market-town, a town of tops, could show:
Bold, subtle, adventurous, his tail
A banner flaunted in disdain
Of human stratagems and shifts:
King over All the Catlands, present and past
And future, that moustached
Artificer of fortunes, ****-in-Boots!
Or Bluebeard's Closet, with its plenishing
Of meat-hooks, sawdust, blood,
And wives that hung like fresh-dressed carcases--
Odd-fangled, most a butcher's, part
A faery chamber hazily seen
And hazily figured--on dark afternoons
And windy nights was visiting of the best.
Then, too, the pelt of hoofs
Out in the roaring darkness told
Of Herne the Hunter in his antlered helm
Galloping, as with despatches from the Pit,
Between his hell-born Hounds.
And Rip Van Winkle . . . often I lurked to hear,
Outside the long, low timbered, tarry wall,
The mutter and rumble of the trolling bowls
Down the lean plank, before they fluttered the pins;
For, listening, I could help him play
His wonderful game,
In those blue, booming hills, with Mariners
Refreshed from kegs not coopered in this our world.

But what were these so near,
So neighbourly fancies to the spell that brought
The run of Ali Baba's Cave
Just for the saying 'Open Sesame,'
With gold to measure, peck by peck,
In round, brown wooden stoups
You borrowed at the chandler's? . . . Or one time
Made you Aladdin's friend at school,
Free of his Garden of Jewels, Ring and Lamp
In perfect trim? . . . Or Ladies, fair
For all the embrowning scars in their white *******
Went labouring under some dread ordinance,
Which made them whip, and bitterly cry the while,
Strange Curs that cried as they,
Till there was never a Black ***** of all
Your consorting but might have gone
Spell-driven miserably for crimes
Done in the pride of womanhood and desire . . .
Or at the ghostliest altitudes of night,
While you lay wondering and acold,
Your sense was fearfully purged; and soon
Queen Labe, abominable and dear,
Rose from your side, opened the Box of Doom,
Scattered the yellow powder (which I saw
Like sulphur at the Docks in bulk),
And muttered certain words you could not hear;
And there! a living stream,
The brook you bathed in, with its weeds and flags
And cresses, glittered and sang
Out of the hearthrug over the nakedness,
Fair-scrubbed and decent, of your bedroom floor! . . .

I was--how many a time!--
That Second Calendar, Son of a King,
On whom 'twas vehemently enjoined,
Pausing at one mysterious door,
To pry no closer, but content his soul
With his kind Forty.  Yet I could not rest
For idleness and ungovernable Fate.
And the Black Horse, which fed on sesame
(That wonder-working word!),
Vouchsafed his back to me, and spread his vans,
And soaring, soaring on
From air to air, came charging to the ground
Sheer, like a lark from the midsummer clouds,
And, shaking me out of the saddle, where I sprawled
Flicked at me with his tail,
And left me blinded, miserable, distraught
(Even as I was in deed,
When doctors came, and odious things were done
On my poor tortured eyes
With lancets; or some evil acid stung
And wrung them like hot sand,
And desperately from room to room
Fumble I must my dark, disconsolate way),
To get to Bagdad how I might.  But there
I met with Merry Ladies.  O you three--
Safie, Amine, Zobeide--when my heart
Forgets you all shall be forgot!
And so we supped, we and the rest,
On wine and roasted lamb, rose-water, dates,
Almonds, pistachios, citrons.  And Haroun
Laughed out of his lordly beard
On Giaffar and Mesrour (I knew the Three
For all their Mossoul habits).  And outside
The Tigris, flowing swift
Like Severn bend for bend, twinkled and gleamed
With broken and wavering shapes of stranger stars;
The vast, blue night
Was murmurous with peris' plumes
And the leathern wings of genies; words of power
Were whispering; and old fishermen,
Casting their nets with prayer, might draw to shore
Dead loveliness:  or a prodigy in scales
Worth in the Caliph's Kitchen pieces of gold:
Or copper vessels, stopped with lead,
Wherein some Squire of Eblis watched and railed,
In durance under potent charactry
Graven by the seal of Solomon the King . . .

Then, as the Book was glassed
In Life as in some olden mirror's quaint,
Bewildering angles, so would Life
Flash light on light back on the Book; and both
Were changed.  Once in a house decayed
From better days, harbouring an errant show
(For all its stories of dry-rot
Were filled with gruesome visitants in wax,
Inhuman, hushed, ghastly with Painted Eyes),
I wandered; and no living soul
Was nearer than the pay-box; and I stared
Upon them staring--staring.  Till at last,
Three sets of rafters from the streets,
I strayed upon a mildewed, rat-run room,
With the two Dancers, horrible and obscene,
Guarding the door:  and there, in a bedroom-set,
Behind a fence of faded crimson cords,
With an aspect of frills
And dimities and dishonoured privacy
That made you hanker and hesitate to look,
A Woman with her litter of Babes--all slain,
All in their nightgowns, all with Painted Eyes
Staring--still staring; so that I turned and ran
As for my neck, but in the street
Took breath.  The same, it seemed,
And yet not all the same, I was to find,
As I went up!  For afterwards,
Whenas I went my round alone--
All day alone--in long, stern, silent streets,
Where I might stretch my hand and take
Whatever I would:  still there were Shapes of Stone,
Motionless, lifelike, frightening--for the Wrath
Had smitten them; but they watched,
This by her melons and figs, that by his rings
And chains and watches, with the hideous gaze,
The Painted Eyes insufferable,
Now, of those grisly images; and I
Pursued my best-beloved quest,
Thrilled with a novel and delicious fear.
So the night fell--with never a lamplighter;
And through the Palace of the King
I groped among the echoes, and I felt
That they were there,
Dreadfully there, the Painted staring Eyes,
Hall after hall . . . Till lo! from far
A Voice!  And in a little while
Two tapers burning!  And the Voice,
Heard in the wondrous Word of God, was--whose?
Whose but Zobeide's,
The lady of my heart, like me
A True Believer, and like me
An outcast thousands of leagues beyond the pale! . . .

Or, sailing to the Isles
Of Khaledan, I spied one evenfall
A black blotch in the sunset; and it grew
Swiftly . . . and grew.  Tearing their beards,
The sailors wept and prayed; but the grave ship,
Deep laden with spiceries and pearls, went mad,
Wrenched the long tiller out of the steersman's hand,
And, turning broadside on,
As the most iron would, was haled and ******
Nearer, and nearer yet;
And, all awash, with horrible lurching leaps
Rushed at that Portent, casting a shadow now
That swallowed sea and sky; and then,
Anchors and nails and bolts
Flew screaming out of her, and with clang on clang,
A noise of fifty stithies, caught at the sides
Of the Magnetic Mountain; and she lay,
A broken bundle of firewood, strown piecemeal
About the waters; and her crew
Passed shrieking, one by one; and I was left
To drown.  All the long night I swam;
But in the morning, O, the smiling coast
Tufted with date-trees, meadowlike,
Skirted with shelving sands!  And a great wave
Cast me ashore; and I was saved alive.
So, giving thanks to God, I dried my clothes,
And, faring inland, in a desert place
I stumbled on an iron ring--
The fellow of fifty built into the Quays:
When, scenting a trap-door,
I dug, and dug; until my biggest blade
Stuck into wood.  And then,
The flight of smooth-hewn, easy-falling stairs,
Sunk in the naked rock!  The cool, clean vault,
So neat with niche on niche it might have been
Our beer-cellar but for the rows
Of brazen urns (like monstrous chemist's jars)
Full to the wide, squat throats
With gold-dust, but a-top
A layer of pickled-walnut-looking things
I knew for olives!  And far, O, far away,
The Princess of China languished!  Far away
Was marriage, with a Vizier and a Chief
Of Eunuchs and the privilege
Of going out at night
To play--unkenned, majestical, secure--
Where the old, brown, friendly river shaped
Like Tigris shore for shore!  Haply a Ghoul
Sat in the churchyard under a frightened moon,
A thighbone in his fist, and glared
At supper with a Lady:  she who took
Her rice with tweezers grain by grain.
Or you might stumble--there by the iron gates
Of the Pump Room--underneath the limes--
Upon Bedreddin in his shirt and drawers,
Just as the civil Genie laid him down.
Or those red-curtained panes,
Whence a tame cornet tenored it throatily
Of beer-pots and spittoons and new long pipes,
Might turn a caravansery's, wherein
You found Noureddin Ali, loftily drunk,
And that fair Persian, bathed in tears,
You'd not have given away
For all the diamonds in the Vale Perilous
You had that dark and disleaved afternoon
Escaped on a roc's claw,
Disguised like Sindbad--but in Christmas beef!
And all the blissful while
The schoolboy satchel at your hip
Was such a bulse of gems as should amaze
Grey-whiskered chapmen drawn
From over Caspian:  yea, the Chief Jewellers
Of Tartary and the bazaars,
Seething with traffic, of enormous Ind.--

Thus cried, thus called aloud, to the child heart
The magian East:  thus the child eyes
Spelled out the wizard message by the light
Of the sober, workaday hours
They saw, week in week out, pass, and still pass
In the sleepy Minster City, folded kind
In ancient Severn's arm,
Amongst her water-meadows and her docks,
Whose floating populace of ships--
Galliots and luggers, light-heeled brigantines,
Bluff barques and rake-hell fore-and-afters--brought
To her very doorsteps and geraniums
The scents of the World's End; the calls
That may not be gainsaid to rise and ride
Like fire on some high errand of the race;
The irresistible appeals
For comradeship that sound
Steadily from the irresistible sea.
Thus the East laughed and whispered, and the tale,
Telling itself anew
In terms of living, labouring life,
Took on the colours, busked it in the wear
Of life that lived and laboured; and Romance,
The Angel-Playmate, raining down
His golden influences
On all I saw, and all I dreamed and did,
Walked with me arm in arm,
Or left me, as one bediademed with straws
And bits of glass, to gladden at my heart
Who had the gift to seek and feel and find
His fiery-hearted presence everywhere.
Even so dear Hesper, bringer of all good things,
Sends the same silver dews
Of happiness down her dim, delighted skies
On some poor collier-hamlet--(mound on mound
Of sifted squalor; here a soot-throated stalk
Sullenly smoking over a row
Of flat-faced hovels; black in the gritty air
A web of rails and wheels and beams; with strings
Of hurtling, tipping trams)--
As on the amorous nightingales
And roses of Shiraz, or the walls and towers
Of Samarcand--the Ineffable--whence you espy
The splendour of Ginnistan's embattled spears,
Like listed lightnings.
Samarcand!
That name of names!  That star-vaned belvedere
Builded against the Chambers of the South!
That outpost on the Infinite!
And behold!
Questing therefrom, you knew not what wild tide
Might overtake you:  for one fringe,
One suburb, is stablished on firm earth; but one
Floats founded vague
In lubberlands delectable--isles of palm
And lotus, fortunate mains, far-shimmering seas,
The promise of wistful hills--
The shining, shifting Sovranties of Dream.

— The End —