All the world's a *******,
And all the lads and ladettes mere defecators,
Gratifying oozing exits and entrances;
And one man perforce enacts too many roles,
His acts being seven deaths. D'abord, the baby,
******* and ******* on his mummy's frock.
Then, the errant truant with his rucksack
And pock-marked ******'s face, creeping like death
Foul-trouser'dly to school. Next a teenager,
Panting like mad dog, with an oozing pustule
Dripping oe'r his girlfriend's pubics. Then a hoodie,
Full of strange oaths, and dressed up like a freak,
Lacking in honour, decency, and up for aggro,
Seeking the respect of loathsome peers
Even on the street corner. And then the adult
With bulging beer belly, and ample burgers stuff'd,
With eyes dulled by unfulfilled promises,
Mortgaged to the hilt, and indebted to Visa,
And so he wastes his life. The sixth age dawns
Before he knows it, bald futility,
With ****** in pocket, five quid a pill,
His youthful hopes well ****'d, the world too much
For his ignorance, and his vain butch rantings
Reverting soon to teenage curses, coughs
And tobacco'd wheezings. Last we see him,
Ending a pointless and useless existence,
Clutching to his ****-stained Zimmer frame,
Sans teeth, sans eyes, sans taste, sans pension fund.
Yes! It's the melancholy Jaques' speech from "As You Like It" as re-imagined by me, the ****** Edna.