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jeffrey conyers Dec 2012
We hear so often about our rights.
But what rights we have is a priviledge, governed by laws.
We the people makes the rules.
We the people controls the rules.
And sometimes goes to the extreme to keep them too.

What's right for one?
Isn't totally right for society.
Those that feels brave with a gun.
Sprout about constitutional rights.
And intimidate others by fear.
A sign of times, we will never learn.

For, as guns can protect you.
We aware constantly, they can **** you.
And your constitutional rights share the blame.

When guidance of common sense isn't used.
We let fee based groups dictate the rules.
And, they share a percentage of the blame.

We hear guns don't ****.
That people do.
Which is complete true.
When they use their consitutional rights to do it.
All because, we live by the rights to bare arms.
Which is a priviledge.
Many people fails to see.
Of that sort of Dramatic Poem which is call’d Tragedy.


Tragedy, as it was antiently compos’d, hath been ever held the
gravest, moralest, and most profitable of all other Poems:
therefore said by Aristotle to be of power by raising pity and fear,
or terror, to purge the mind of those and such like passions, that is
to temper and reduce them to just measure with a kind of delight,
stirr’d up by reading or seeing those passions well imitated. Nor is
Nature wanting in her own effects to make good his assertion: for
so in Physic things of melancholic hue and quality are us’d against
melancholy, sowr against sowr, salt to remove salt humours.
Hence Philosophers and other gravest Writers, as Cicero, Plutarch
and others, frequently cite out of Tragic Poets, both to adorn and
illustrate thir discourse.  The Apostle Paul himself thought it not
unworthy to insert a verse of Euripides into the Text of Holy
Scripture, I Cor. 15. 33. and Paraeus commenting on the
Revelation, divides the whole Book as a Tragedy, into Acts
distinguisht each by a Chorus of Heavenly Harpings and Song
between.  Heretofore Men in highest dignity have labour’d not a
little to be thought able to compose a Tragedy.  Of that honour
Dionysius the elder was no less ambitious, then before of his
attaining to the Tyranny. Augustus Caesar also had begun his
Ajax, but unable to please his own judgment with what he had
begun. left it unfinisht.  Seneca the Philosopher is by some thought
the Author of those Tragedies (at lest the best of them) that go
under that name.  Gregory Nazianzen a Father of the Church,
thought it not unbeseeming the sanctity of his person to write a
Tragedy which he entitl’d, Christ suffering. This is mention’d to
vindicate Tragedy from the small esteem, or rather infamy, which
in the account of many it undergoes at this day with other common
Interludes; hap’ning through the Poets error of intermixing Comic
stuff with Tragic sadness and gravity; or introducing trivial and
****** persons, which by all judicious hath bin counted absurd; and
brought in without discretion, corruptly to gratifie the people. And
though antient Tragedy use no Prologue, yet using sometimes, in
case of self defence, or explanation, that which Martial calls an
Epistle; in behalf of this Tragedy coming forth after the antient
manner, much different from what among us passes for best, thus
much before-hand may be Epistl’d; that Chorus is here introduc’d
after the Greek manner, not antient only but modern, and still in
use among the Italians. In the modelling therefore of this Poem
with good reason, the Antients and Italians are rather follow’d, as
of much more authority and fame. The measure of Verse us’d in
the Chorus is of all sorts, call’d by the Greeks Monostrophic, or
rather Apolelymenon, without regard had to Strophe, Antistrophe
or Epod, which were a kind of Stanza’s fram’d only for the Music,
then us’d with the Chorus that sung; not essential to the Poem, and
therefore not material; or being divided into Stanza’s or Pauses
they may be call’d Allaeostropha.  Division into Act and Scene
referring chiefly to the Stage (to which this work never was
intended) is here omitted.

It suffices if the whole Drama be found not produc’t beyond the
fift Act, of the style and uniformitie, and that commonly call’d the
Plot, whether intricate or explicit, which is nothing indeed but such
oeconomy, or disposition of the fable as may stand best with
verisimilitude and decorum; they only will best judge who are not
unacquainted with Aeschulus, Sophocles, and Euripides, the three
Tragic Poets unequall’d yet by any, and the best rule to all who
endeavour to write Tragedy. The circumscription of time wherein
the whole Drama begins and ends, is according to antient rule, and
best example, within the space of 24 hours.



The ARGUMENT.


Samson made Captive, Blind, and now in the Prison at Gaza, there
to labour as in a common work-house, on a Festival day, in the
general cessation from labour, comes forth into the open Air, to a
place nigh, somewhat retir’d there to sit a while and bemoan his
condition. Where he happens at length to be visited by certain
friends and equals of his tribe, which make the Chorus, who seek
to comfort him what they can ; then by his old Father Manoa, who
endeavours the like, and withal tells him his purpose to procure his
liberty by ransom; lastly, that this Feast was proclaim’d by the
Philistins as a day of Thanksgiving for thir deliverance from the
hands of Samson, which yet more troubles him.  Manoa then
departs to prosecute his endeavour with the Philistian Lords for
Samson’s redemption; who in the mean while is visited by other
persons; and lastly by a publick Officer to require coming to the
Feast before the Lords and People, to play or shew his strength in
thir presence; he at first refuses, dismissing the publick officer with
absolute denyal to come; at length perswaded inwardly that this
was from God, he yields to go along with him, who came now the
second time with great threatnings to fetch him; the Chorus yet
remaining on the place, Manoa returns full of joyful hope, to
procure e’re long his Sons deliverance: in the midst of which
discourse an Ebrew comes in haste confusedly at first; and
afterward more distinctly relating the Catastrophe, what Samson
had done to the Philistins, and by accident to himself; wherewith
the Tragedy ends.


The Persons

Samson.
Manoa the father of Samson.
Dalila his wife.
Harapha of Gath.
Publick Officer.
Messenger.
Chorus of Danites


The Scene before the Prison in Gaza.

Sam:  A little onward lend thy guiding hand
To these dark steps, a little further on;
For yonder bank hath choice of Sun or shade,
There I am wont to sit, when any chance
Relieves me from my task of servile toyl,
Daily in the common Prison else enjoyn’d me,
Where I a Prisoner chain’d, scarce freely draw
The air imprison’d also, close and damp,
Unwholsom draught: but here I feel amends,
The breath of Heav’n fresh-blowing, pure and sweet,
With day-spring born; here leave me to respire.
This day a solemn Feast the people hold
To Dagon thir Sea-Idol, and forbid
Laborious works, unwillingly this rest
Thir Superstition yields me; hence with leave
Retiring from the popular noise, I seek
This unfrequented place to find some ease,
Ease to the body some, none to the mind
From restless thoughts, that like a deadly swarm
Of Hornets arm’d, no sooner found alone,
But rush upon me thronging, and present
Times past, what once I was, and what am now.
O wherefore was my birth from Heaven foretold
Twice by an Angel, who at last in sight
Of both my Parents all in flames ascended
From off the Altar, where an Off’ring burn’d,
As in a fiery column charioting
His Godlike presence, and from some great act
Or benefit reveal’d to Abraham’s race?
Why was my breeding order’d and prescrib’d
As of a person separate to God,
Design’d for great exploits; if I must dye
Betray’d, Captiv’d, and both my Eyes put out,
Made of my Enemies the scorn and gaze;
To grind in Brazen Fetters under task
With this Heav’n-gifted strength? O glorious strength
Put to the labour of a Beast, debas’t
Lower then bondslave! Promise was that I
Should Israel from Philistian yoke deliver;
Ask for this great Deliverer now, and find him
Eyeless in Gaza at the Mill with slaves,
Himself in bonds under Philistian yoke;
Yet stay, let me not rashly call in doubt
Divine Prediction; what if all foretold
Had been fulfilld but through mine own default,
Whom have I to complain of but my self?
Who this high gift of strength committed to me,
In what part lodg’d, how easily bereft me,
Under the Seal of silence could not keep,
But weakly to a woman must reveal it
O’recome with importunity and tears.
O impotence of mind, in body strong!
But what is strength without a double share
Of wisdom, vast, unwieldy, burdensom,
Proudly secure, yet liable to fall
By weakest suttleties, not made to rule,
But to subserve where wisdom bears command.
God, when he gave me strength, to shew withal
How slight the gift was, hung it in my Hair.
But peace, I must not quarrel with the will
Of highest dispensation, which herein
Happ’ly had ends above my reach to know:
Suffices that to me strength is my bane,
And proves the sourse of all my miseries;
So many, and so huge, that each apart
Would ask a life to wail, but chief of all,
O loss of sight, of thee I most complain!
Blind among enemies, O worse then chains,
Dungeon, or beggery, or decrepit age!
Light the prime work of God to me is extinct,
And all her various objects of delight
Annull’d, which might in part my grief have eas’d,
Inferiour to the vilest now become
Of man or worm; the vilest here excel me,
They creep, yet see, I dark in light expos’d
To daily fraud, contempt, abuse and wrong,
Within doors, or without, still as a fool,
In power of others, never in my own;
Scarce half I seem to live, dead more then half.
O dark, dark, dark, amid the blaze of noon,
Irrecoverably dark, total Eclipse
Without all hope of day!
O first created Beam, and thou great Word,
Let there be light, and light was over all;
Why am I thus bereav’d thy prime decree?
The Sun to me is dark
And silent as the Moon,
When she deserts the night
Hid in her vacant interlunar cave.
Since light so necessary is to life,
And almost life itself, if it be true
That light is in the Soul,
She all in every part; why was the sight
To such a tender ball as th’ eye confin’d?
So obvious and so easie to be quench’t,
And not as feeling through all parts diffus’d,
That she might look at will through every pore?
Then had I not been thus exil’d from light;
As in the land of darkness yet in light,
To live a life half dead, a living death,
And buried; but O yet more miserable!
My self, my Sepulcher, a moving Grave,
Buried, yet not exempt
By priviledge of death and burial
From worst of other evils, pains and wrongs,
But made hereby obnoxious more
To all the miseries of life,
Life in captivity
Among inhuman foes.
But who are these? for with joint pace I hear
The tread of many feet stearing this way;
Perhaps my enemies who come to stare
At my affliction, and perhaps to insult,
Thir daily practice to afflict me more.

Chor:  This, this is he; softly a while,
Let us not break in upon him;
O change beyond report, thought, or belief!
See how he lies at random, carelessly diffus’d,
With languish’t head unpropt,
As one past hope, abandon’d
And by himself given over;
In slavish habit, ill-fitted weeds
O’re worn and soild;
Or do my eyes misrepresent?  Can this be hee,
That Heroic, that Renown’d,
Irresistible Samson? whom unarm’d
No strength of man, or fiercest wild beast could withstand;
Who tore the Lion, as the Lion tears the Kid,
Ran on embattelld Armies clad in Iron,
And weaponless himself,
Made Arms ridiculous, useless the forgery
Of brazen shield and spear, the hammer’d Cuirass,
Chalybean temper’d steel, and frock of mail
Adamantean Proof;
But safest he who stood aloof,
When insupportably his foot advanc’t,
In scorn of thir proud arms and warlike tools,
Spurn’d them to death by Troops.  The bold Ascalonite
Fled from his Lion ramp, old Warriors turn’d
Thir plated backs under his heel;
Or grovling soild thir crested helmets in the dust.
Then with what trivial weapon came to Hand,
The Jaw of a dead ***, his sword of bone,
A thousand fore-skins fell, the flower of Palestin
In Ramath-lechi famous to this day:
Then by main force pull’d up, and on his shoulders bore
The Gates of Azza, Post, and massie Bar
Up to the Hill by Hebron, seat of Giants old,
No journey of a Sabbath day, and loaded so;
Like whom the Gentiles feign to bear up Heav’n.
Which shall I first bewail,
Thy ******* or lost Sight,
Prison within Prison
Inseparably dark?
Thou art become (O worst imprisonment!)
The Dungeon of thy self; thy Soul
(Which Men enjoying sight oft without cause complain)
Imprison’d now indeed,
In real darkness of the body dwells,
Shut up from outward light
To incorporate with gloomy night;
For inward light alas
Puts forth no visual beam.
O mirror of our fickle state,
Since man on earth unparallel’d!
The rarer thy example stands,
By how much from the top of wondrous glory,
Strongest of mortal men,
To lowest pitch of abject fortune thou art fall’n.
For him I reckon not in high estate
Whom long descent of birth
Or the sphear of fortune raises;
But thee whose strength, while vertue was her mate
Might have subdu’d the Earth,
Universally crown’d with highest praises.

Sam:  I hear the sound of words, thir sense the air
Dissolves unjointed e’re it reach my ear.

Chor:  Hee speaks, let us draw nigh.  Matchless in might,
The glory late of Israel, now the grief;
We come thy friends and neighbours not unknown
From Eshtaol and Zora’s fruitful Vale
To visit or bewail thee, or if better,
Counsel or Consolation we may bring,
Salve to thy Sores, apt words have power to swage
The tumors of a troubl’d mind,
And are as Balm to fester’d wounds.

Sam:  Your coming, Friends, revives me, for I learn
Now of my own experience, not by talk,
How counterfeit a coin they are who friends
Bear in their Superscription (of the most
I would be understood) in prosperous days
They swarm, but in adverse withdraw their head
Not to be found, though sought.  Wee see, O friends.
How many evils have enclos’d me round;
Yet that which was the worst now least afflicts me,
Blindness, for had I sight, confus’d with shame,
How could I once look up, or heave the head,
Who like a foolish Pilot have shipwrack’t,
My Vessel trusted to me from above,
Gloriously rigg’d; and for a word, a tear,
Fool, have divulg’d the secret gift of God
To a deceitful Woman : tell me Friends,
Am I not sung and proverbd for a Fool
In every street, do they not say, how well
Are come upon him his deserts? yet why?
Immeasurable strength they might behold
In me, of wisdom nothing more then mean;
This with the other should, at least, have paird,
These two proportiond ill drove me transverse.

Chor:  Tax not divine disposal, wisest Men
Have err’d, and by bad Women been deceiv’d;
And shall again, pretend they ne’re so wise.
Deject not then so overmuch thy self,
Who hast of sorrow thy full load besides;
Yet truth to say, I oft have heard men wonder
Why thou shouldst wed Philistian women rather
Then of thine own Tribe fairer, or as fair,
At least of thy own Nation, and as noble.

Sam:  The first I saw at Timna, and she pleas’d
Mee, not my Parents, that I sought to wed,
The daughter of an Infidel: they knew not
That what I motion’d was of God; I knew
From intimate impulse, and therefore urg’d
The Marriage on; that by occasion hence
I might begin Israel’s Deliverance,
The work to which I was divinely call’d;
She proving false, the next I took to Wife
(O that I never had! fond wish too late)
Was in the Vale of Sorec, Dalila,
That specious Monster, my accomplisht snare.
I thought it lawful from my former act,
And the same end; still watching to oppress
Israel’s oppressours: of what now I suffer
She was not the prime cause, but I my self,
Who vanquisht with a peal of words (O weakness!)
Gave up my fort of silence to a Woman.

Chor:  In seeking just occasion to provoke
The Philistine, thy Countries Enemy,
Thou never wast remiss, I hear thee witness:
Yet Israel still serves with all his Sons.

Sam:  That fault I take not on me, but transfer
On Israel’s Governours, and Heads of Tribes,
Who seeing those great acts which God had done
Singly by me against their Conquerours
Acknowledg’d not, or not at all consider’d
Deliverance offerd : I on th’ other side
Us’d no ambition to commend my deeds,
The deeds themselves, though mute, spoke loud the dooer;
But they persisted deaf, and would not seem
To count them things worth notice, till at length
Thir Lords the Philistines with gather’d powers
Enterd Judea seeking mee, who then
Safe to the rock of Etham was retir’d,
Not flying, but fore-casting in what place
To set upon them, what advantag’d best;
Mean while the men of Judah to prevent
The harrass of thir Land, beset me round;
I willingly on some conditions came
Into thir hands, and they as gladly yield me
To the uncircumcis’d a welcom prey,
Bound with two cords; but cords to me were threds
Toucht with the flame: on thi
jeffrey conyers Apr 2013
Slave to the name.
The priviledge child.

You attended the best school.
Might even had a chauffeur driving you there.
It could been any of the high price universities or prep schools.

You might wear some of the most expensive clothes.
Yes, you're priviledge.
This is the only world you know.
Many things you'll forever do in life is for show.

As a priviledged child you won't be offer the opportunity to grow.
You a slave to the name.

They on the estate of the family's grounds.
And upon the family's foundation.
And constantly mention in Forbes magazine.

But as a priviledge child, what had you achieved?

You will find someone to love.
And the odds are they will come from wealth.
Although some has married the family's help.
But rules were required of them too.
Things they can or can't do.

And friends that comes around.
Only stay around until your money is gone.
Then like others they soon say so long.

And they have known you as long as you've been a priviledged child.

Affairs will come to you.
They often seems to do when wealth is in your hand.
Money always attract others when they say it never played apart.
Many professed they were just following your the heart.

Divorce will soon hit you too.
Then this will spotlight the characteristics of you.
When your lawyers and you decides just how much to give.

Cause once love walks out the door.
In some cases the family's name.
Although you were the one to put it to shame.
It's your former spouse that you don't won't them to claim it.

After all, you was raised a priviledged child.
Born free.
Live wild.
These words are just a small example of a priviledged.........
Nora Agha Sep 2014
I was told to write down my identity
a neat sheet of paper
that would briefly explain me
I pondered a while
attempting to identify
a few key moments of my history
Do I tell of the immigrant?
or the miracle child?
do I speak of depression
and how I so rarely smiled?
Should I tell you about the language
I so rarely spoke
for fear of fitting a stereotype:
the terrorist trope.
Shall I explain hypomania?
and how I couldn't sleep?
and how the monsters I dreamt of
into my conscious peripheral would creep?
How I couldn't seek help
until I was almost twenty-one
because in my parents' culture
mental illness doesn't exist.
My parents were Palestenian refugees in Lebanon- but that's their story not mine, right? They were married for seventeen years before they had me. They tried to have children almost from day one- but that's their story not mine, right?
Finally they immigrated to Canada for a million procedures that would give them a baby. After six years of treatment, a random obscure procedure worked and I was a bun in the oven- but that's their story not mine, right?
nine months later I was born.

I was a miracle baby and the "light of their life." so they named me light: "Noor."
I was born at North York General with a priviledge my parents never dared dream: Canadian. Safe. Not a refugee. They had someplace that they'd send me for university.
With our new, safe nationality
at forty days old
I was taken to the UAE
I was raised on Western books
and Western TV
raised with ideas that just didn't fit
in a muslim family
(at least my family is liberal, unlike the UAE)
I haven't scratched the surface of who I am
and depending on the pieces I tell
I haven't scratched the surface of all that I could be
what I choose to write is how you will read me.
Brittany Jackson Jul 2013
Fear.
It haunts me in my most private moments.
To wonder and fight the thoughts of my un-honest parents.
The thoughts creep in and I ponder my brothers.
Will they know the things I've done for them? Or all the nights I've cried?
The fights I fought and lies I told, mommy is just fine.
The questions asked by young helpless hearts, as I soothed them through the night.
Daddy does love mommy and mommy is just fine.
They don't mean the things they yell, I stutter out of my mouth.
Hiding in their bedroom, with the TV turned to loud.
I run to stop the fighting, for the sake of helpless hearts.
Daddy won't end his life and mommy is just fine.
I ponder all the days where it was just me and them, I longed to leave that fortess, that god-forsaken hell.
I lay in bed at night, young helpless hearts sleeping sound.
They do not know the evil that lives in their lives.
It flows through their veins just like it does mine.
I swear daddy loves us and mommy is just fine.
I never tell them the stories that keep me up all night.
That daddy is not the same and mommy commits the crimes.

I prayed, dear Lord help us, but silence is all there was.
I sang in the choir and hoped some good would come.
I found nothing but hypocrisy, with a smile painted on my face.
The second we left the church corridor, they had everything but grace.
The torment and the lies, the woman I despised. The man I used to praise, now crying at his knees.
But when his eyes left the ground, a blackness filled his soul.
There's nothing left of daddy when his anger takes control.
I'm screaming in my head as I sit in the closet.
They send the children looking, thinking surely I've lost it.
How could I not? I've spent so many years protecting the young ones you turn against me.
Convincing them I'm the enemy.
I rocked them to sleep, I sang their lullabies, I took care of your sheep as our shepherd stood by.
You left us in the darkness, you didn't even care. Many days I just got by, with only enough for them to eat.
We had little to nothing as you walked on priviledge feet.
Home, was not home.
NicoleRuth Jun 2017
I think it's beautiful
The way your hands are sturdy and calloused
Not the gentle softness illustrators are known for
These hands have felt real art
Built from the ground up
Days of mixing, moulding and texturing
Breathing life into deathly white parchments

I think it's beautiful
The way your arms are slender yet firm
Dusky brown skin holding rippling strong muscles
Strengthened slowly
through years of bullying and soul searching
Their unsymmetrical realness known not
For their harshness
But for the gentle notes they strum
Weaving elegantly with the quiet moving pictures on screens

I think it's beautiful
The way your shoulders always stand strong
A declaration demanding the eyes of every being in sight
Their angled rigidity know to be surprisingly nimble
An immovable pillar for the melting of your body
A constant transformation into unknown characters

The hidden bumps of tired hands
The rough ridges of calloused skin
The angled sharpness of chiseled bones
Hidden works of art
Flitting secretively under the armor you wear
The priviledge of their appearance
But a few can bear
Ady Mar 2014
It is a priviledge to be loved by a poet,
to be embraced by the meter and the rhyme
and caressed by soft metaphors and sharp alliterations.
To be painted a universe with words and run-on sentences
that converge in a single thought expressed with
similes and repetitions of a single symbol.
It is an honor to be loved by a poet,
to be celebrated with odes, mourned with elegys
and elevated to a pedestal by a canticle.
It is a marvel to be loved by a poet,
to be the muse of long, weary nights of concentration
and be part of passionate lines in dramatic monologues
as each is recited with the intonation of rising ardour.
To be submerged in sizzling appreciation of one's quirks
and virtue.
To be loved and to love.
To provoke an inspiration and a sigh of ephemeral longing
and bring about a remedy to the mourning.
It is a misery and joy to be loved and be of unrequited
provocative inspiration to the riveting mind of a lone
and solitary poet.
So, who or what is your inspiration?
jeffrey conyers Jun 2012
Oh, you looked at my poem
And offered your opinion.
But, who asked you?

Or even care?
You have the same priviledge to create one.
Simply by pulling words out of the air.

You states that the grammar is wrong.
As if you wrote the poem,
Its like advising God.
To hold off on the thunder storm.

You're the poetry critic.
That judge of personal views.
That creates havoc, if we offer ours of you.

We all creates.
In our very own way.
Even editors of books.
Don't always gets their way.
What were you thinking yesterday?
I watched your gaze from across the room
It was settled on a point in space
A million miles from where we sat.

What will you say today?
How will your mind manifest its place
In our universe of morning light?
What will you think tomorrow?
What can I do to remove
The lingering of sorrow?

I lay next to you and hear your breathing
I held you while your tears came
I felt closer to you then
Than I have ever done. It was my
Priviledge and honour to bring
You the comfort then.

Open your hands and close your eyes
Listen, we’re breathing faster
Here are the words I will say to you
Here is the touch I lay on you
Here is the smile I give to you

Darkness is a fleeting thing
Transient is pain
Grief recedes and stays away
The memory of what was and is
Is the greater of the comforts I give

Nothing here is bound for long
Our lives are wrenched from the heart
Of stars and will end in them once more
Your pain is mine until the end of things
This is especially written for you.
Out there.
For the colored girls.

The girls that are insecure with their lovely brown tint
in between the deep chocolate and lemon yellows.
you'll never hear the term red or yellow bone
You don't know what color your bones possess

The girls whose hair used to naturally curl but couldn't hold the press and curl long enough to feel like its meant for you to look like that all the time. So you agreed when your mama offered to relax your hair so you could relax too. That way even if you couldn't be as light as the mixed girls and the red bones, at least your hair could be as laid as theirs…

I'm writing this to the girls that weren't blessed with the hips nor *** black women are forever praised for. Questioning why our figures aren't as exotic as society tries to generalize. We aren't fit to be the token when we lack the true characteristics that are associated with our ancestors, right? I'm writing this for the tokens that have lost themselves in the crowds they've tried to fit into. Don't lose yourself forgetting to be you.

I'm writing this for every colored girl that questioned if she was beautiful, as I used to do. Always assuming  everything bad that happened was because you simply weren't light enough for good things to happen to you. No light girl, white girl priviledge. I'm writing this to resurrect all the ill feelings i've ever thought about my blackness before I realized it was okay to be so, in hopes that maybe I can ease a colored girl's mind when she feels like she's too black for the world.

This is for her.
The beautiful colored girl.

— The End —