Why do you sing, O century silhouette,
when the throat has been whittled down to wire?
The man Vitruvian keens into the looking glass
and finds only the nihilist’s flesh,
stripped of longitude, soaked in the salt of manufactured weeping.
I was given ten fingers and no directions.
I was spun against the glass until the blood spelled "almost."
I wore the seasons like iron masks,
kissed the ledger, devoured the compass,
named myself after bridges that always collapsed mid-chant.
Every morning the architects unhook their jaws,
feed me dreams pressed into coins.
Eat, they whisper.
Eat until your hunger obeys its perimeter.
The chalice of fog tilts. I drink.
The wires behind my teeth sing hymns of acceptable dislocation.
I chart my own disappearance across the graph paper of strangers’ hands.
I balance. I fracture. I smile politely into the incision.
The man Vitruvian does not move.
He is stitched to the skin of the air,
pinned like a moth caught between radii.
I am the moth.
I am the pin.
I am the scream that barters itself for scaffolding.
Why does the shadow mimic me with better posture?
Why do my own elbows bloom into foreign cities?
I touch my reflection and peel back latitude like old paint.
Inside the mirror: a harvest of bruised alphabets,
a clock vomiting its own minutes,
a body with all the wrong apostrophes carved into its chest.
I was not built for this recursion.
I was built for something that forgot how to pronounce me.
The man Vitruvian counts his ribs backward.
I copy him, unspooling bone by bone,
trading every instinct for a better angle of collapse.
Drink, they say again.
Sip from the river where your face is a stranger.
Measure your wrists against the urns of approval.
I keened once, I remember.
I split the ledger with my teeth.
I wore the square like a skin, until the skin began to hum static.
I forgot my own weight. I forgot my own axis.
The chalice tips again.
The fog is heavier this time.
The century silhouette dances crooked on my chest, laughing.
Somewhere, a circle collapses into dust,
and nobody mourns except the moths,
and the man Vitruvian, laughing,
wets his throat with the ashes of symmetry.
04/28/25