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  Jun 2019 Nat Lipstadt
Dennis Willis
We sell the edge of things
to each other
to gather strength

We buy the edge of things
to ease our *******
of time

To moderate time's friction
on our hearts
and sense

We are a constant pitch
and changing curve
at no matter what

We imagine is out there while
Only what we imagine
is out there
Nat Lipstadt Jun 2019
strangely, I think that this
ought be, must be, responsibly,
be the best poem I’ve ever writ,
(though unlikely, as the best will always be the next)
that mine own eyes commissioned,
better be,
just got to be,
this holy-moly notion jeepers weepers,
conceptual rocks me deepest,
an awesome responsibility
to find away of saying
that this beyond conceptual,
coring, especially special sample

If there was to be a but one,
a singularity, a distinguishing feature
of what the human definition
innate contains,
how choice that we animals,
elevate ourselves to being human beings,
the only ones capable of wonderfully weeping

the implications are an astounding!

what a glorious burden,
what a wonderful decision,
the designer slipped in this microscopic checkmark,
somewhere in our cellular DNA perma-dynasty,
runs a common thread, these saltwater fears,
a residual global amniotic fluid hint,
from where we humans out-of-crawled

that empathy,
the signal of an elongated journey of eons,
the marker that says
show the caring,
a trait-ed statement,
us, unique

so often do I weep,
sometimes visible - in my poems listed, oft indicated -
so you could know its sharing was an absolution
that I granted myself,
that that particular  poem was a costly one,

womb bloomed, tongue taken, eye written

sometimes invisible  - even more, do they,
(nobody knows, nobody sees)
just well up, eye cornered kept, secreted,
only skin-staining the underneath-my-eyes
one more shade darker,
a reminder to all, to mirrored me,
that to forgive myself doesn’t
forgive forgetting

is this then my best?

sufficient to breech your
reserves of pseudo-cool,
that correct boundary pretense that keeps us as
mismatched separates?

you be the judge, you be the jury,
you be the prosecutor and the defender,
for it is all of us
standing in the dock,
on trial,

for in our lifetime
guilty of the inhuman crime,
of not crying enough
https://www.abc.net.au/radionational/programs/archived/bodysphere/features/4837824
  Jun 2019 Nat Lipstadt
no truth login
lesson #1: in the beginning, all poems on Earth were formless

on blended knee, the approaching, humility, raging, barely  
tempered by a gale force need, the forthcoming yoga pose of compose

you have urgings, mostly in a blink of an eye,
then going, gone notions, the writing is so a losing effort,
you turn the paper’s aperture sideways hoping to get an
inside straight insight,
but the poem refuses to come, the creation ******
delayed is torturous and the poem birthing, even worse

so you revert to basics to give the formless a shape,
recalling  a child’s learning that in the beginning:

“the earth was formless and void,
darkness was over the surface of the deep,
and the Spirit of God was hovering
over the surface of the waters.…”

so you insert a single sheet of 20Lb bond paper,
sliding the typewriters carriage smooth swift  
over to the starting gate hell’s bell, typewriter machine smell erotically exciting creative fluids boiling,
typing, laughing out loud, forming entree to the hinted hallway
of a womb opening to a crafting with three words:

                               in the beginning
Nat Lipstadt Jun 2019
“I am a warrior, so that my son may be a merchant, so that his son may be a poet.”

John Quincy Adams, 6th President of the United States
<>
a bad weakness, mine, mess with the perfect of others,
unsure what to add that will addictive illuminate further,
but as homage, a tribute, a salute
got to
got too,
no middle class delayed gratification for me, none, whatsoever,
read the words and my own hands choke me
as if to pull out, to free
the upsurging words in my chest-forming,
to uplift me up, from the floor where I am roiling in
wonderful wonderment at a prophecy come true

my recent family history,
about 400 years worth, got it written down someplace,
escapees from a Spanish Inquisition,
a Roman one before that,
meandering Jews who found a respite, a small welcome
in a small village in Germany

(the irony does not go unnoticed)

from villager to merchant, from tiny town to big city folk,
we went, warriors if any, kept secret, best unheard,
attract no attention, but do what survival doesn’t
always politely request

here I am child of the proverbial wandering jew,
fancy me a poet with, at best, a very small p,
one of three children, historians, book writers, scholars and even
poet~traders,
and so a President’s words, hammer my cells
upon an anvil for human skins,
the future shape of me foreseen
and I think to myself,
alone and out loud:

This, This!

is what makes America great, 
welcoming the stranger,
even predicting their
possible pathway to a peaceful existence,
giving their descendant’s generations liberty,
liberty to become poets,
free, who can stand upright
Nat Lipstadt Jun 2019
poems are cheap they say, the supply exceeds the demand,
all are product of criminal mischief, and Lord, I know,
I’m one of the most thieving, most mischiefing ones

when no one was about, I scribbled many notes,
transplanted from my eyes, for a bottled voyage
to fallow beaches for sandy seeding

no matter IF these poems are from your womb ripped,
****** red concoctions of life’s cute cutting edge inscriptions,
no one cares re your titanic love’s labors, your children’s betrayal

no one cares from whence and wherefore they birthed,
all words, low class and progeny, not prodigy, of demeaning circumstances, best tossed back without much foolish hesitation

writ with pen tip of broken green glass from a parking lot,
the point I broke once more before my commencement,
inked from a wicked witch’s melted green spittle pooling alongside

poets of no way, falsely prophesying falsehoods most singularly bad,
waste not-want not, time better spent than reading rhymes of stolen disrepute and cloudy ownership and ignoble authorship

unless you among a blessed few, who see a full blown poem in glassine clarity, birthed fully formed Elton songs in a mouth full of amniotic fund, you, put down thy laboring eleven instruments

if words you claim of new parentage, you as the mother dear,
know there is nothing new under the sun, even these very words,
scripted by Israelite king whose tomb gone, he, too, poet forgotten

join me in a needle park of junkies who tried and failed, nickel bag
smoking budget dope words, in cigarettes of mostly discarded seeds and twigs, hallucinatory inhaling the same vision again & again

you refuse, naturally, glamming in notional newness, your arrogance, a plentiful commodity of wood-be writers by thousands buried in wooden caskets, under wooden inscription-less crosses

and of the trillion readers possible, to coloring picture books and instant grams, all have gone to the labor-free glancing look-see
of a seconds-short, lengthy meme, 10 second videos, 140 limitations

of the greatest, of Shakespeare and Coleridge, reader’s fast-dying, sunburned neurons reply; “free ***** of his Love’s Labour’s Lost, and the Ancient Mariner, overdue, free him too!”

ancients mock you aware that there be no verbal combination yet to foretell, what Lear said, that’s the the idea, “When we are born, we cry, that we are come to this great stage of fools.”^

fools we are, for there be no fore, the tale already told, once before & more, vaingloriously does this poet’s false vanity speak, so, so boisterously,
  
“why my tale, why my tail, is as new as the oldest fossil”
^ King Lear, Shakespeare
  Jun 2019 Nat Lipstadt
Stephen E Yocum
The Island Moorea,
backpacking Tahiti,
In the heat, the sun,
The rhythm of my footfalls
crunching loose gravel road,
The swish of pack swaying
in conert to my measured pace.

Breeze pushing branches of Palm,
Ocean waves breaching shoreline long.
Occasional Island vehicles passing, occupant's
laughing, at a man laboring under large pack,
alone walking, who could have been freely riding,
Unthinkable to Island Folk, in hot tropical places.

Some humble homes passed along the way.
Greetings exchanged with smiling faces there.
Not long afterward a new sound approaching,
crunching gravel, rolling up behind me.

A lovely young girl, perhaps nineteen,
long brown naked legs bike a peddling.
Hair jet black, long to her waist, wearing
a sarong, split up the side,
Shoulders bare and brown.
Dark eyes of wonder, sparkling of youth.
A radiant smile adorning a splendid face.

We went for a time at my even pace,
looking and smiling each in our place.
"Hello there," I said, she giggled, beamed
even bigger. Perfect teeth displayed.

"Why you walk?" She asked in heavily
accented puzzlement.

"To get to where I'm going". I replied
This response producing a pleasant laugh
from the girl. In which I too joined in.

"You go One Chicken?" She asked
I stopped then and turned to her.
"Where is One Chicken?" I questioned
with a grin.

She raised her graceful arm,
one finger pointing up the road.
"One Chicken there," she informed.

It was a store/bar, sort of place,
In the very midst of nowhere.
Indeed, more than one chicken roamed,
Many chickens did and a pig or two,
mingling free and doing their thing.

We entered out of the bright daylight,
into the deepest of darks,
Like in a movie theater, when arriving late.
Eyes adjusting slowly to what lay ahead.

A few Island Beers later,
I had acquired several new friends,
The girl my invitation to the party of
already happy people a little drunk on beer.
The Music was mostly of French persuasion,
With a bit of Bob Dylan thrown in.
The Beatles also had a tune or two.
The Liverpool beat resounding down Tahiti way.

Before the light did fail, I shouldered my pack
and walked some distance from Chickens and Pigs.
Found the beach, hung my Hammock for the night.
Built a small fire and opened a can of Spam delight.

She appeared again about ten,
looking beautiful in the new moonlight.
Newly washed hair, still damp and
smelling fresh of Lilacs,
Or some such aromatic scent.
We did not speak, no words were needed,

Made love on the sand, 'till the retreat of the
tide and sand ***** did come out, in their
eerie numbers, to eat what was at hand.
I suppose even us if we were still and let
them.

We retired then both to my hammock,
A pretty neat trick if you can swing it.
And we did.

She was so childlike and yet,
very much a woman grown.
There was no pretense shown,
no false inhibitions rendered.
These were not limitations of her culture.
people that respond to their emotional
impulses. An open and free spirited
people living passionately within each
minute shared.

It all felt more akin to a dream than real,
All around me there was beauty,
Loving and being loved without hurry,
Free of guilt or even a single expectation.
Living in that wondrous moment,
of uncomplicated human splendor.
Like some Garden of Eden surrender.
A real-life Gauguin painting.

In the morning, we swam naked in the sea,
frolicked like kids having a day at the beach.
Made love in the sand, I dozed in the sun.
Upon awaking she was gone.

I waited an hour or two, packed up my camp,
shouldered my load and returned to the road.
A few minutes later, again I heard the now
familiar crunch of rubber tires, rolling road
surface and there she was, a straw basket in
her Bike's basket, a huge smile on her
unforgettable, beautiful face.

We sat in a grove of trees, among birds singing,
in sight of the sea, upon a Palm log and ate fresh
bread and fruit. Drank strong black coffee
(French Roast I presume,) nibbling some
marvelous cheese.

We tried to talk, but she understood little of
what I tried to say, my French was nearly
nonexistent, only adding to confusions sake.

She leaned her head on my shoulder,
the way lovers do and tenderly held
my hand within her two,
As if not wanting to let go,
Those gestures said all there was to say,
And we savored each silent moment.

We parted there, she on blue, rusty bike
and me on "shanks mare",
Off in two different directions,
Each out into the depths of our own lives,
Gone just like that. . . And yet,
Indelible, never to be forgotten or replaced.
Some days and nights, that young maiden of
Moorea does still visit me, in dreams as real
as can be. She never grows old, nor does the
beauty we shared for that one brief moment in
time immortal.

Someplace among the Islands of Tahiti
there is a woman in her sixties, most likely
a Mother, even a Grandmother yet living.
I hope she recalls as fondly the American blond
man with the big Orange Backpack, that in 1972
she met upon the road, near "One Chicken" and
loved freely and completely for two days and a
night, as that man does so fondly remember her.
  Jun 2019 Nat Lipstadt
Where Shelter
my second fight today with god

the first involves gods correctable errors of judgement

the second,
am asked to deliver a eulogy for someone
I never met and no is not in the range of acceptable answers

alone and misperceived as forsaken, despite calls and poems
glorious and galore, I was slow to realize, now fast,
was I meant to be
her here,
where shelter,
the first, will always now be
too late

you break off pieces for the needy, forlorn,
the ones you might of loved, it’s costly for
both the giver and the forgiven, but I am the unforgiven in giver,
a redeemer failure, the question mark and the short dotted flat line,
uniquely marked human,
the Cain marker forehead now forever a
carved minus sign, meaning I am lessened, lesser and
insufficient was

read out loud, an old soft tender, inspired by hers,
a missive sweetness tinged with affection, writ by a human savior who did not
do a good enough job, nonetheless,
everyone slaps my back later saying beautiful bespoke,
and when you going home, stay a few days, she’d appreciate

a thank you smile but can’t, though the dead will follow you,
that goes unsaid, but you will know
grander grief yet, as guilt continue-us,
and the tune playing non-stop stop isn’t yours,
but you spoke it  to her once as a justification explanation,

it was true but a nile river-red-colored plague
that added to her dissatisfaction, come disastrous for one  
who didn’t ever get to leave egypt

guess i’m admitting its my fault
not gods;
so I let the  ******* off the hook on this one,
but I’ll get even I swear, it/he, nah,
SOB
just laughs,
but this will be one of life’s allusions
I will recall and wonder when will that tune cease,
but get no answer from nobody


that tune?

<>

Go 'way from my window
Leave at your own chosen speed
I'm not the one you want, babe
I'm not the one you need
You say you're lookin' for someone
Who's never weak but always strong
To protect you an' defend you
Whether you are right or wrong
Someone to open each and every door
But it ain't me, babe
No, no, no, it ain't me babe
It ain't me you're lookin' for, babe

Go lightly from the ledge, babe
Go lightly on the ground
I'm not the one you want, babe
I will only let you down
You say you're lookin' for someone
Who will promise never to part
Someone to close his eyes for you
Someone to close his heart
Someone who will die for you an' more
But it ain't me, babe
No, no, no, it ain't me babe
It ain't me you're lookin' for, babe

Go melt back in the night
Everything inside is made of stone
There's nothing in here moving
An' anyway I'm not alone
You say you're looking for someone
Who'll pick you up each time you fall
To gather flowers constantly
An' to come each time you call
A lover for your life an' nothing more
But it ain't me, babe
No, no, no, it ain't me, babe
It ain't me you're lookin' for, babe


by Bob Dylan
farewell babe

12:48 pm a blustery Saturday
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