Submit your work, meet writers and drop the ads. Become a member
 
Akemi Mar 2016
the fog rolls in
a putrid headless thing
trailing its jaw on string

where is the edge of the forest?
mother’s grave
[i am i am i am]

severed at the neck
dragging the head of a dead deer
screaming

[summer flesh ripe rotting pores in the sun pour water quench the throat fill the rot run the flesh higher stretched pale hollow translucent breath on water lake swings rope frayed death soak the dirt autumn hair twisted wind swept leaves cracked skin cold lips bitter blood burn the sheets burn the sheets burn the sheets burn the sheets]

1:20pm, March 15th 2016

There's a lot of fog.
Akemi Mar 2016
Black mouths
Running down the walls
They gather here
But no one cares to see them

A dead worm sinks through the crust
And blood wells in

Where? Where? Where?
Shrinking to the bone
Where? Where? Where?
Kafka on the shore
A needle through ego flesh; it escapes like air from a balloon; a pathetic apparition; torn in an Autumn draught

11:05am, March 13th 2016
Akemi Mar 2016
You were always rotting
I never noticed
They remind me of you
Skin wrapped around ankle bones
Wearing through their soles
It’s different here
Guess some just rot faster
I peeled back the covers and found only the lacuna
The blue orange fuzz
Delineating the shadow from the concrete
You grew apart and dissipated
Smoke settling into cloth
The back of my sleeve
How come?
How come?
Everyone is always leaving
Warping through their bodies
Did you ever finish your story?
Soft knuckles rapping on your door
Knobbly knees
I know it’s selfish
Perpetuating the fabric of your existence
Like a categorical imperative
A crumpled head filled with spirits
Is carried to the tip
It happens every Monday morning
Hollow men run the streets
But they leave the rot
They always leave the rot
12:28pm, March 7th 2016

I'm no different.
Akemi Feb 2016
I think we buried him here.
No, no. Don’t dig him up.
Sometimes when it rains the earth opens up and blood pours out.
It’s like flesh, you know?
It’s getting harder to breathe so the pores have to open wider every fall
and more and more blood rises.
The other day the electricity in the city died.
No, not just the lines.
It was like a pulse.
Every electronic device failed
and suddenly we all saw ourselves reflected in our screens;
cellphones, televisions, laptops.
Everyone was so scared.
I remember a child gripping his knees.
Mum, mum, he repeated, but she didn’t reply.
I listened for a minute
and did nothing.
Hey, cheer up.
Some say at the end of every year, all the dead skin we’d shed to that point forms back into itself.
Living, breathing beings indistinguishable from their hosts.
No one knows if they remember their pasts,
if they are born as blank slates or prefigured individuals
destined to repeat the same mistakes,
over, and over, and over.
One day they’ll take over the city and we’ll be out of jobs.
They’ll forget everything we spoke of today and drill deep into the earth.
The flesh will split so cruelly it won’t ever knit back together again,
and blackened blood will carry skyscrapers into the earth.
Don’t be sad. It’s inevitable.
Think of it as returning to the womb.
A pure
unending
nothing.
1:13am, February 27th 2016

nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil nihil
Akemi Feb 2016
Dead bee
The moss grows round it
Water spray
Purify it
Pest is relative
Coming from where?
The cat stretches
Common sense
Rock bottom
Delve deeper, come on
There’s no soul here
Empty it out
Start again
Transcend yourself
Transcend transcendence
So yeah, there was a gardener
Wielding a pressure blaster
Which ripped the moss from its roots
The sun peaked
And the moss turned dust
Because the aesthetics of the pavement
Supersede existence
Who the **** cares?
Dead bee on the pavement
Blast it into the bushes
It depresses the school children
A hedgehog rots in the gutter
Flies lay eggs in its flesh
And create a home
Isn’t that beautiful?
What the **** did the moss get?
“China would have done this in a day”
My father says
Watching road workers rip apart asphalt
“It’s quite nice, though”
Looking into the concrete river
As mayflies hatch deformed
Due to the heat from the channel
Half the students stare at their toes
Wishing they were cuter
Stronger
Smarter
Because narcissism has become the new desire
Things are rotting everywhere
But we pretend they’re normal
**** man, rock bottom
The children pick up the bees
And stick them in their mouths
Until the moss completely coats their hearts
5:10pm, February 26th 2016

some philosophers believe utopia to be a place without suffering
all beings severed from pain
it sounds awful
Akemi Feb 2016
I wonder what it’d be like to stand on a human face
Would my foot sink right through their flesh
Leave a hole circled with broken teeth
Gnawing the empty air?
Seems no different
Someone writhes on the floor in a club
Is pronounced dead the next day
Exorcised *******
It’s where they go to get ****** up right?
Tequila and lime
Body shot
Set it on fire
A worm died so some middle-aged manager
Could fail at recapturing her youth
****** up, let’s get ****** up
Bones bleeding through the sleeves
Stuffing flesh into mouths
The river overflows with fast food wrappers
And rotting couches
Sit on the pavement and ***** in your lap
It’s what you came here for
Is she going to jump?
Take a picture
Hope the whole roof collapses
We’re trying to ******* sleep, a neighbour yells before slamming the door
Feels awkward and steps off the roof
Lies on the floor of her room
Slits her wrists instead
He’d been angry since he moved in
Kept finding apple cores in his yard
Sometimes it’s Christmas here
And the entire city decides to take part in a ritual
Where the vacuity of existence is concentrated in the shopping districts, so everyone can feel awful together
It’s really something
A black heat descends on Dunedin
And smothers all the children in their cribs
Teenagers light up and skate through the throngs of blank-faced adults
Too deeply enamoured with percentage discounts to even notice their bags filling with the blood of foreigners
Did you know one million Chinese children die a year from vitamin A deficiency?
Good thing we’re buying all these Chinese made goods
Sometimes the smog is so strong
And the water so red
That everyone begins to think the clear days are the strange ones
Sometimes the power poles collapse and generations of children are born sterile and genderless
The fathers all choke their wives with plastic bags
And no one questions them
This existence is nauseating
No wonder your mother hung herself
No wonder your uncle ***** your sister then hacked his own head off
None of this is real
A guy was hospitalised because someone mistook him for a child molester
Smashed his face up so much he lost seven teeth and got brain damage
He’d been a famous writer before
And now he can’t speak
Isn’t that the funniest thing you’ve ever heard?
Doesn’t this existence make you want to breakdown into laughter and throw your head against the wall until there’s nothing left?
10:26pm, January 18th 2016

Swans is a bad influence.
Akemi Feb 2016
His arm circling round her waist. Maybe . . .

A blare. Sweat of traffic. Muggy afternoon. The sun bounces off every surface, paints the surroundings white. I stand at the corner of the street, feel the pavement seep through my soles. Sesame drifts from the marketplace; cheap soba, oil and soy.

A cat stretches on the neighbour’s roof, white fur wafting.

Muffled speech. Hiss, hiss. A bus.

I kneel and pick up an empty bottle. Face merges into its sides.

“Ain.”

Someone, somewhere calls my name.

“Ain.”

Up there.

The school is closed for the summer. Walking towards it gives me a sense of unease. Obligation turned quiet tension. The summer won’t last forever.

Drip.

I’ve been holding the bottle upside down. Liquid sinks into the dirt. Almost looks like skin, all dry and creased.

It’s a precipice, right? The separation between the street and the institute. Like stepping over a grave. There’s a ******* bin, but I feel strange.

The reception is all glass. Sunstruck and bleeding at the edges—I catch a glimpse of something—is it me?

Lenin catches another raven in his hands. It sits still, head cocked calmly to the side. He lets it go, but it simply falls onto the ground, rights itself, then walks off.

He looks disappointed.

“It’s the same everywhere,” he says with his back turned. “Try it.”

I find a different one, cradle it against my chest. The bird looks vaguely annoyed. Following Lenin, I drop the bird. It falls and sinks into the ground about three inches.

Caw.

“Ain! How’d you do that? That’s wicked!”

Lenin tilts his head and goggles at the bird for a few seconds before running off to find another.

It’s really hot. I throw some sesame seeds at the bird, but it just glares at me. Sorry.

The bottle is still gripped in my hand. Why did I pick this up?

Lenin is running on the side of the school. His small feet tap out a regular pattern, like rain on a quiet night.

I really miss this.

I push the bottle into the dirt. Lenin leaps off the school. A running kick sends the bottle flying into the reception. Glass shatters and the summer unfurls into a kaleidoscope of light.

The raven rises out of the ground.

The reception reforms itself.

Lenin is running on the side of the school. His small feet tap on each window, sending small ripples of energy through them, distorting the reflection of the surrounding buildings and streets.

A cat stretches itself on the reception roof.

I kneel and pick up an empty bottle.

“Ain!”

Lenin catches a raven in mid-flight. Sees himself reflected in a window. Gravity pulls him down.

I’m sitting in the corner, waiting for school to finish. Waiting for my life to pass itself by. It’s the last day of school and everyone is leaving. I don’t know what I’m doing with my life. I don’t know where I’m going. I feel sick, weak and pathetic. I look out the window and see my own face, Lenin falling through the air, sinking into the ground, a raven flying out of his outstretched hand.

There is a train and I am waiting. It is Autumn and the cherry blossoms will be bare for another half year, maybe more. There are golden leaves dancing through the station, trampled under the soles of rushed commuters and children.

Someone laughs with their friends, eating beef udon, yolk running into the broth, flesh filling his cavity. A mouth chews, but laughter still comes. I feel disgusted. I eat my tofu bento, but it only worsens.

Father visits, but I have no words for him. We sit awkwardly and he mentions work, but doesn’t elaborate. I pretend I’m busy and he eventually leaves.

where am i going where am i going where am i going where am i going where am i going where am i going where am i going where am i going where am i

“Ain!”

Lenin is kneeling over me. There are tears in my eyes and the sun hurts to look at. I try to brush them away but rub dirt in instead. Sleeves run softly across my cheeks. Lenin is hugging me from behind.

“It’s okay, Ain. It’s just play,” he says, nuzzling the back of my head. I don’t understand and cry harder.

The ravens have left the school.

A bottle lies on the roof.

A cat rolls in the dirt.

“Life is just a bad dream,” Lenin mumbles into my hair. “You’ve been waking every night, but it hasn’t helped.”

The sun is setting. Red strokes rise out of the ether and stain the sky. Streetlights turn and the quiet hum of night settles over the dying sounds of day.

“Isn’t this just so boring?”

A bus drives by, vibrating the ground beneath me. A mother and child walk past singing an old nursery rhyme.

“Ain?”

I sink into my lap and shut out the world.

“You don’t have to open your eyes. Not now, not ever.”

But I never closed them.

Hugs the ground. Flies through the evening. Do I eat a worm? Is that what I do?

I grip the pink flesh. The thing squirms, digging itself deeper into me.

A human female is laughing, or maybe crying. It’s hard to tell the difference.

Do they touch when they’re confused?

A small male soars down the side of a building. Why is he kicking his own head? The female splinters, but doesn’t shatter.

I’ve heard bones that don’t break cleanly are the worst to mend.

I reach out, hand brushing the feathers of a bird.

My head is an anchor, drags along the ground, grinds pavement to dust.

It’s so hot. Tar tickles my nostrils.

I’m alone, standing in front of a camera with all my classmates.

Lenin’s head is buried in the dirt behind me.

I raise my hand against the piercing sun, but really it’s an excuse to hide myself.

A raven hops onto the camera, unaware of the ceremony taking place. It shatters the façade, reduces the action to an absurdity, but no one notices. No one cares.

I pick at a rice ball. It’s cold, bland and under-filled. I stare at the shops around me and feel a deepening, crushing alienation. Perhaps, I have always felt this way, and it has taken me two decades to come to terms with it.

“There was a storm once,” Lenin mutters into the dirt, “the worst storm of the century.”

I remember. He held my hand all through it.

“But it wasn’t a storm, Ain.” Lenin finally turns to look at me. Meets my eyes through the dust and the tears and the sun. “It was existence trying to wake up.”

He didn’t let it.

“If it ever does, we will all die.”

It’s dark now. Lenin’s eyes glow the colour of warm honey. The last day of Summer rides away.

“Mum’ll be worried,” Lenin says, abruptly, “We should head home, Ain.”

We walk through the muted streets. This is my favourite time, when everyone is tucked into their homes and I can exist without others’ expectations projected onto my existence. I love the soft blue noise that fuzzes my vision. I love how ordinary objects are turned mysterious; the indistinct edges, the wistful gloom.

Lenin skips beside me, turning his head often to glance at the small pieces of art people leave behind through the process of living. A bicycle missing its rubber grips. A television set atop a toy wagon. A plushie stuffed between the ‘A’ and ‘I’ of a neon sign.

I buy two tea drinks and hand one to Lenin. We sit on the roof of an empty bus stop and stare into the harbour. Home feels further away than ever. The lights beneath the water reach the surface beautifully. They ripple and bleed, like phosphorescent dyes twining towards the sky. I sink beneath myself.

“Ain, don’t!”

I throw the empty bottle into the reception. I see my face shatter into infinity. I hear Lenin break into laughter. The cat leaps up. The ravens bury their wings. The worm writhes until it splits in two.

Blood runs down the side of my mouth. Twenty six dead in a hotel, bones melted like steel.

There is a gap I cannot fill because it is the platonic ideal of absence. An oak, weighed down so strongly by dreams that its branches have sunk deeper into the soil than its roots.

Sheets on the floor. I sink through the earth, head so heavy it compresses into a void and ***** the universe into itself; mangling, stretching, tearing.

My flesh writhes but there is no end. A pulsating womb. Flowers.

Everything is so bright.

I close my eyes.

Where am I?

Who am I?

A part of me is disappearing. I’m scared. I’m—

I can hear Lenin. He is screaming, but he sounds so very far away.

Oh. Oh.

I have been unfurling for a long time, haven’t I?

Guess she finally fled her body. Abandoned that vessel in the lacuna between. The tea! The tea must have reminded her. I must remember to pick up some mints. She’ll either laugh or breakdown into tears.

Whoops, I’m repeating myself.

It sure feels good to stretch my limbs again. Feels like it’s been an age.

Oh, a child boy is beside me. I better deposit him back home before I start.

Ain! Ain! Ain! Is this all this stupid child can say?

Everyone is moving so fast. Ugh. It’s lethargic. It’s absolutely stupid. What, do they think they’ll sink into the earth if they stop?

Ain! Ain! Ain! Oh fine, whatever, have her for a bit longer.

“Ain!”

Lenin? He’s pulling at my sleeves. Tears break, stream down his cheeks. It’s dark, so dark.

“I don’t want you to leave, Ain. Not like last time.”

It—it feels like I’m submerged. The harbour lights have dimmed. Soon dawn will come and wipe their existence from the world. It will be as if they never existed at all.

“Please Ain.”

I hug Lenin. He keeps repeating ‘please’ over and over. I have an inexplicable feeling that I’m leaving for a long time. That I won’t see Lenin again, and that I have to—

Have you stolen my body?

Yup!

Why?

Because you were scared and lonely and living a pointless existence.

I—

Don’t worry, there are a lot like you!

Will—will I ever see Lenin again?

Hmm, probably not. To be honest, I’m not really sure how all this works myself.

Please. Please don’t do this. I—

Ughhhhhh. Look kid, I’ve got places to be. Sayonara.

The market. The raven. The market.

A child petting a cat. A woman drinking a cola. Filling and filling and—

Postman runs past, knocks her arm. Bottle falls to the ground. Splash, crack.

Howling dog. It’s black, you know.

Lenin running on the rooftops. Ain asleep with her window open. He leaps in and wakes her with a grin.

“Ain! Ain! Ain!”

She throw a pillow at him angrily and rolls back into the bed, wrapping herself up like a caterpillar.

A lawman runs over to help the fallen woman. Hands her a mint.

Oh, isn’t it beautiful?

Don’t they all live beautiful lives now?

*Isn’t this what you wanted?
February 2016

Contrary to popular opinion, this is not a fanfic about Vladimir Lenin.

A continuation of the narratives in Lacuna and Child; Bright, with metauniversal references to Death Passing a Mirror, A Schizophrenic Laugh Track and Her Haunt.

Reading the others will likely not elucidate the story.

Lacuna: hellopoetry.com/poem/1428626/lacuna
Child; Bright: hellopoetry.com/poem/1497271/child-bright
Death Passing a Mirror: hellopoetry.com/poem/1537036/death-passing-a-mirror
Next page