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If you would create something,
you must be something.


The poet sits at his desk, his head empty of stories,
the inkwell running dry and the quill motionless.
He used to write about heroes on deadly quests,
rescuing stranded maidens from castles and forests,
always slaying a dragon or two along the way,
but heroes are surprisingly hard to come by these days.
He must adapt to the shifting paradigms in his culture,
all the heroic stories have been lapped up and forgotten,
now people demand some originality in their reading.

He scratches his head and muses on a dream he had,
an actor in a play suddenly consumed by stage fright,
freezes mid-performance as the crowd grows confused.
The audience mutter amongst themselves if this is part of the performance
but those who have been before assure them this is something new.
The actor is covered in flop sweat and his mouth quivers,
anticipating his next line but time is escaping him.
As audience members begin to stand up and shout at the actor,
the memory of the dream fades away and the story goes unfinished.

The poet slams his hand on his desk, knocking the quill to the floor.
He slams his hand down again and the blank piece of paper
sticks to his hand and he cannot shake the thing off.
A moth flies in through the window and attacks the candle flame,
burning its wings and shedding its dust upon his desk.
He thinks maybe he should write about this evening,
the lack of inspiration and a fight with a leaf of paper,
but no one wants to hear a story about that,
the readers demand action and intrigue and mystery,
all of which is lacking for this poet at his desk.

Men’s best successes
come after their disappointments.

There is a little songbird in my heart,
waiting for release.
It sings a song for a woman I love
so very dear.
Trapped in silence behind those bars
blind in the dark.
It sits alone on its perch of stone
pining for your love.
I wish to free it for all to see
the beauty I hide within,
but you’re too far away to hear
the song it sings for you.

Paper memories crumbled up on the floor
within my mind.
The dust of time, piled up high,
lullabies at dusk.
My heart, it aches, for sweet release
of that pretty bird.
My mind, it burns, for satisfaction
of a love returned.
Keeps dreaming up these fantasies
never to be fulfilled.
That songbird hiding in my heart
needs more room to grow.
There is a man with a grave in his head
and he wanders from town to town,
singing songs of crows and death and God.
Some say he is an undertaker,
some say he is a vessel of the devil,
but they all agree that he means them harm.
There is a man with blood on his name.

A child of six finds him by the mercat cross
with a stare that chills his brittle bones.
The sun rises up with a limp
and casts his shadow long and gaunt
and fragile and black.
He offers out a smile
but it grimaces
and forms a dark, crooked sneer.
There will be death here by noon.

Church bells and raised voices
gather above the rooftops
and descend as black rain,
like tar, sticky and oily.
They have made their choice.
Weapons are gathered
and war songs penned
and faces painted blue and red.
There will be death within the hour.

A confrontation of silence and conflagration.
He sits there, still, momentarily lost
in the warning call of a fantasist
with a pen too small for his ideas.
The crowd before him swells even further,
nervous anger and shaking knives.
He stands up quick,
and the villagers twitch as a single entity.
He holds up one bony finger.
One body.
One is all he needs.
There is a bloodbath.

He sits alone surrounded by people,
blood forming patterns in the grass and gravel,
like Point de Venise.
He clicks an impressed tut
and takes his belongings off his cart.
It is too small today.
He will have to make several trips.
And all the while,
hour after hour,
day after day,
that smile will never leave his scarred face.
I live alone in the spaces between other peoples’ lives,
where the light that does filter through looks dark,
like looking through a window in a building long abandoned,
where the hallways have gathered centuries of dust.
That’s where I reside, in the filaments of broken bulbs,
thrown away and forgotten as if I had never been.
Sometimes I crawl on hands and knees into view,
but I’m quickly glossed over by eyes that focus elsewhere.
I am a monster bricked up in a hidden room in a castle,
a beast that has been ostracised by those who never cared,
the fairy-tale where the beauty turned out to be an ogre,
and tried to drag me back to the hell from whence they came.
The scars I wear have been painted over by someone else’s pain,
and the hatred festered by someone who I thought had loved me
pushes me back into the spaces between other peoples’ lives.
The bass fades in, nice and slow,
fading out again for a moment of silence.
The flash of a flute in the distance,
a slow cymbal shaking into existence,
cellos driving out a deep and quiet rhythm.
The tin whistles of frightened seabirds
fly for shelter from the rising and falling
of bassoons floating in the dark sky.
The conductor unleashes a mighty roar
from his orchestra and gone again,
the violins with their staccato
carrying on for a bit longer
before the orchestra erupts again,
playing a few more notes than before,
the oboes constantly playing.
Drumsticks beat down steadily
on a cymbal held in a gloved hand,
rising up in crescendo and accelerando,
harder and faster they fall,
harder and faster they strike,
the orchestra blares again
as we in the wings start to get unnerved
but the storm has used all its power,
the players are tired tonight
and all that is left
is the tambourine man
shaking his hand as he walks off stage.
After days in the jungle, I came upon a tower,
black as darkness, ivy creeping up its walls.
It smelled of thousands of years-worth of death
and turned my stomach in knots from the energy it gave off.
Someone stood by the door, wearing a brown gown,
hooded so I couldn’t see his face for the shadow.
He held a staff carved from ebony wood,
the handle crafted from gold bought in the Orient,
the foot covered in rubber from the Malay lands.

I approached with caution knowing this man meant no good,
an ill omen for sure, the only kind that dwells in these places.
The wind gusted at my back, forcing my march to quicken,
growling at me for delaying what seemed inevitable.
This is a land of horror; I knew before I left home,
but the promise of riches and freedom consumed me,
my all-too-human greed getting the better of me.
There was nothing here for me, but I was too far gone.

That horrific creature never took chase when I fled the ship,
instead, he stayed aboard, dining on my friends.
I looked back now and again, making sure he stayed,
and I wished I had not, seeing the flesh fly, bouncing off the sails,
the arm of my neighbour entwined by one of the ropes.
The man in the gown grabbed my shoulders hard,
pulling me out of my memories and back to the tower,
rising like a monolith to some old forgotten gods.

I followed him inside, the base of the tower as dark as death,
the flame on the wall doing little to combat the slimy black,
but doing just enough to illuminate the first few steps
of a spiralling staircase ascending into god-knows-where.
The man in the gown draped a wet cloth on the top of his staff
and lit it on the fire on the wall and gave it to me.
As I took it, he told me to climb in a voice I had heard before,
the voice of the creature that attacked and killed my friends.

Up I climbed, the man in the robe close behind me,
whispering incantations to a god that hid in darkness,
a god that lay in wait at the denouement of these stairs,
a god that chose me for something I could not fathom.
The shadows the fire cast kept me on edge,
sometimes I would gasp for breath when one moved too quick,
too unnatural to be caused just by my dancing fire.

The stairs ended in a rotten oak door with iron brackets,
a handle of brass and a peephole like an old man’s eye,
a cloud of cataracts caused by years of neglect,
like that eye had seen too much and was better off unseeing.
The door opened slowly without any interaction from me,
a blast of wind blowing out the flame on the staff.
The man in the robe grabbed it from my hands
and with a swift kick to my backside, I stumbled through the doorway.
I could hear his footsteps rush back down as the door closed,
creaking a presage until my only exit had shut.
The smell of its breath invading my nostrils and clung to my eyes,
as its own eyes blinked out from the dark like fiery orbs,
its teeth blinding white with speckled blood by the gum line.
It laughed at me, and I knew I was just a game to it,
for it spoke only four words and those words followed me,
from the ship, along the beach and through this jungle deep.
It looked me straight in the eyes and once again those words,
Run, it said.
I am hungry, it said.
In a castle constructed of bones on a mountain high,
our hero sits alone on an ivory throne,
waiting for his current state of jejune to pass.
Whisperings of a voice, mellifluous air,
a singing so beautiful his heart skips a beat
at the gentle murmurings of such an ethereal voice.

And so he vacates his ivory throne
in search of this songbird that has invaded his walls,
the voice instils a certain hiraeth in his mind,
that village once so dear to him that now lies in ruins
due to his incandescent bursts of magical madness.

The owner of this voice, the eloquence, the elegance,
the image in his head that of a maiden on a rock,
as naked as the day she was born
and bathed in an iridescent sunrise.
A scintilla of a break in her voice
and she begins to sob at the meaning of her words.

He finds the source of this angelic sound,
a woebegone but comely creature supine on a table,
her eyes staring into heavenly mountains of madness.
She does not look to meet his wild-eyed gaze,
instead melting away until she is nothing at all,
leaving only dancing embers and phosphenes where she had lain.

He hears this burst of angelic quavers every day
but his madness permits no memory of each
to reside in his brain, comfortable and snug.
Instead, he suffers this delusion every morning,
when his head his quiet and thoughts are oblivion.

This siren swansong has no source in reality,
it is the last vestige of a mind damaged by time and solitude,
where the dawn chorus each morn’s twilight goes unheard,
but the ghostly choral vocalisations of a bitter memory
break his trance and he searches for the only sound not real.
There is a well in the middle of Tuscany
Where people travel to from all over the world
To throw in pennies for their wishes to come true.
Some folks throw in rocks and bullets and bodies
Because they are human and humans don’t play well with others.
The water’s about to overflow and all their desires
And horrors and fantasies will rise to the surface
And cover the ground with fallacious sadness.
Where will the fingers of blame be pointed?
Is there hope for a species that kills without prejudice?

There is a well in the middle of Tuscany
That knows all your wrongs but doesn’t judge.
It watches everything with its solitary watery eye
And as it begins to cry, so do the folks watching,
Seeing all that they have done come to surface.
There is no love here, not anymore.
There is a well in the middle of Tuscany.
It bleeds something awful.
It bleeds something wicked.
These dark woods are mine alone.
The trails that snake between the trunks
travel in circles and meet up with themselves again.
There’s no way out of these woods of mine,
no friend nor foe to aide my quest,
no fair maiden in a castle keep,
just my lonely old heart begging to die.

These deep woods are mine alone.
The night air is cold and full of water,
its thick blanket allowing me no sleep any more.
There’s no rest in these woods of mine,
no bed nor couch to lay upon,
no young belle to kiss goodnight,
just my tired old head begging to die.

Lord help me, I fell in love,
now I own these deep dark woods.
Lord above, I fell in love,
all alone in these deep dark woods.
This is my room, these are my four barren walls.
This is where anxiety keeps me in chains,
this is where I shield myself from the hurt.
Here I’m alone, nothing will rip my soul in twain.
This is where I wear my heart on my sleeve,
this is where darkness will find no home.
Here is my life, like superfluidity,
flowing free as a waterfall with an infinite drop.
This is my room, these shadows are mine alone.
More of these celebrities
cascading through the TV screen
selling me **** I don’t want
telling me how to live
how to donate for starving kids
in a country they’d never heard of.
Look at their eyes,
nothing. Nothing there.
Vapid curiosities
the lot of them.
They fascinate me,
in the way a kitten
is fascinated by a bug.

Look at those eyes,
nothing there.
Death in a fur coat
and high heels.
Mascaraed with hairbrushes.
I can’t see myself
bedding someone like that.
For once,
I don’t hate myself enough.
Maybe I’m addicted to the pain of waking up,
having the light burn my eyes after so many hours of darkness
where I find a home each night in the emptiness of a bed
I share with memories of the lives I’ve wasted to get where I am now.
What I could have been by now had I not ****** up so many times,
a doctor curing people with medicine, a writer curing people with words,
a teacher curing people with knowledge, a politician.
Here I sit with loneliness by my side as I think
of all the things I could have been and the time I spent dreaming.
A woman by my side, good as gold, heart of light,
a mind curated by the wisest of voices, all I need right now,
the only thing I dream of these days when everything else has gone,
reduced to rubble by the heavy-footed nature of time unforgiving.
The worst of it is that I know there will be worse to come
and I don’t know if I am strong enough to face it all on my own.
I like watching you dream.
I create stories in my head
Based on the subtlety of your movements,
Your lips lifting at the corners,
Your toes curling ever so slightly.
I imagine you sliding down a rainbow,
With me following close behind,
Screaming for joy as we near the bottom,
And when we get there,
We cuddle, climb back up,
And freefall back down.

Then, your eyes flicker open slightly,
Your fist clenches and beads of sweat
Form on your forehead.
You look upset and I lay my hand
On the top of your head
And whisper that it’ll be alright,
Let the dream run its course
And I’ll be here in the morning
Waiting for you to talk.

I cradle you like a child sometimes,
Though I’d never admit it to you.
You look so fragile when you sleep,
As if a bad dream will crack your skin
And you’ll fall to pieces in the bed
And no matter how hard I try,
I’d never be able to put you back together again.
That feeling of helplessness terrifies me,
But you wake up every morning
As whole as you were when you fell asleep.

I wonder how often you dream of me,
But I’m too shy to ask.
I know it’s none of my business
But I dream of you every night
And I’m sure you do the same about me.
Do you dream about the time
We raced each other on haybales
And I fell off and kicked the back of my own head?
You laugh when you sleep sometimes,
And I think you dream of that,
The laugh is the same.

I put my hand on yours sometimes
And your instincts twine your fingers with mine.
You roll towards me and your arms goes across my chest.
I watch it swell and fall with the tide of my breathing
And it’s there I know that I found my soulmate
And you found yours.
Here I stand, a monument to my own destruction,
carrying on the work of an ancient construction.
Hands made of callouses designed for moving rocks,
seconds pass to minutes to hours on the clocks,
and life flows downhill through the roots of a Viking tree,
to the garden, to the sea.

Yggdrasil weaves its trunk through my history,
how it knows my life is its greatest mystery.
Its leaves reach to the heavens and caress the clouds,
through its xylems and phloems travels the worlds crowds,
and life flows downhill between the roots of this Viking tree,
to the garden, to the sea.

The gods of dark places fight their battles in the light,
and all the eyes of all the folks turn from the murky night.
Yggdrasil stands tall like a black tower ‘tween land and sky,
where the hearts of the bravest men climb towards a lie,
and life flows downhill by the roots of the Viking tree,
to the garden, to the sea.
Two starlings in love, flying between the raindrops,
swooping down from the clouds into the mist
of the downpour but they don’t feel the rain,
too caught up in the fleeting moment of the dance,
lost forever in an eternity that never lasts long,
the expectation of the suspension of time gone
in the wreckage of tomorrow’s memories.

But today they fly and dance and sing and twirl,
with no thought of tomorrow and the loss that may come,
living in a singularity, a lifetime in a few minutes.
Rain washes away any residue of what used to be,
but how beautiful it is to watch the process unfold.
I am not the
product of my
yesterdays, I am
the seeds of
my tomorrows.
My heart
stopped
for the
briefest
moment,
when I saw
my future
in the
curve
of your
lips
I’m not sure exactly where I found you,
but you carried the pieces of you you still had.
You never told me what happened to you,
never said a word in response to the questions,
too busy cradling all the things you had lost.

Maybe I found you in the wreckage of a previous disaster,
a 747 with the engines blown, coming down like heavy clouds,
streaking the sky like a meteorite, shooting star inbound,
make a wish, and I did, and here you showed up,
walking through the smoke on the night the world went up in flames.

You couldn’t tell the difference between heaven and hell,
synonyms for the same kind of pain that comes
when you’ve lost all hope you had in this world.
I think deep down it was you piloting that plane,
and you just happened to crash land on the path I was taking.

I don’t know what caused you to nosedive,
but I know that I tried to catch you and, in the destruction,
the strange blood in your veins added more layers to my skin.
The impact you made caused the world to stop spinning,
picking up the pieces on the night the world went up in flames.
Whenever I walk across a bridge,
I get the urge to jump.
It isn’t a strong urge,
I always overcome it easily,
but it still worries me
that the urge turns up at all.
What if one day I can’t stop the urge,
if I lean against the railing,
hop over it, stand on the ledge,
eyes closed, the invisible road beneath
reaching up to pull me down?
I’d never jump, I know,
that requires an action,
legs bent at the knees,
straightening legs as I push my feet down
and leap into the air.
But falling…just lean forward
a little bit too far,
convince myself on the descent
that it was an accident.
I might be able to do that.
A dream took shape, defined by the contours of the hole
you cut into the fog when you left that night.
You were walking on a dark cobbled street,
the drizzle coming down like sheets of silk,
the pale streetlight reflecting in the sheen
of the cobbles your gentle footfalls fell upon.
A man in a flatcap holding a skull-handled cane
smoking a cigarette with strong, yellow-tipped fingers,
watched as you ambled past his eyeline and down the hill.
He looked up to me, threw me a wink across the distance
and turned to follow you, his slippers sliding on the cobbles.

He disappeared from view and soon I heard the shrill
call for help come from your hastily muffled mouth,
but I just stood there and waited for the cries to die,
becoming drowned out by the drizzle pitter-pattering
upon the old cobbles and the stone wall lining the street.
The man came back up the hill, breathing heavily,
a line of blood trickling down from the corner of his mouth,
and he stood back under his solitary streetlight,
lit another cigarette and threw me another wink,
licking his lips and giving me a secret freemasonlike nod.
I picked up the shovel resting against my thigh…

When I woke, I thought of vampyres from the near east,
Transylvanian midnight hunters longing for the blood of virgins
to soothe the burning pain flowing in their centuries-old veins.
Still wearing my overcoat, I stood up and looked out the window,
overlooking the gaslighted cobble street enshrouded in fog,
the cemetery across the street, the stone wall doused in drizzle,
and I swear I could see the hole you left behind your body
as it vacated by world to find a new life to forage from.
I tapped out the dottle in my pipe, stuffed in fresh tobacco,
and lit the pipe, creating a large plume of smoke that quickly filled the room,
indistinguishable from the world-weary fog crawling beyond my window.

And then I saw the man in the flatcap, the cigarette hanging from his lips,
bent down from the rain, surely much too hard to gain anything from it,
but the smoke did indeed snake its way up into the air from the end,
like snakes of blue that decided gravity was far too cumbersome to believe in,
ready to escape the atmosphere and find a better way of living.
I began to feel empathetic for the smoke when I noticed the focus of the man’s gaze;
the window I was now standing at, where I too was smoking and gazing,
and he threw me a wink across the distance followed by an almost imperceptible nod.
I dropped my pipe, the wood splitting upwards along the shank,
almost shearing the tenon, but none of this I noticed as I stepped away from the window
that allowed the figment of a dream to gaze upon me and for I to gaze upon him.

I sat on my bed for an indescribable length of time, planning to stand up,
find the courage to step towards the window again to lay me hallucination to rest,
but the smoke must have still been stirring in my eyes because tears flowed,
and all I could think of was that figure of you disappearing into the fog
and how I let you disappear without saying but a word, without so much as a fight,
to try to convince you that I could change and that I was ready to change for you.
I may as well have picked up a shovel and started digging your grave,
or would that hole in the ground have my name upon the headstone?
Whatever recourse led me to this situation, I was surely now stuck
with no mode of transport available to allow me to venture to other pastures,
to view upon other cobbles, ones not lined by a cemetery,
ones not housing an hallucination that smokes snakes and winks and nods.
But here I am, wearing an overcoat in my bedchambers, dreaming of you,
because that is all you are now, walking away into the fog of a memory.
I need you, I want you, I must have you,
every which way I truly must.
To have your naked flesh on mine,
succumbing to my inhibited lust.

I browse the selections on dark street corners,
hoping to find one that looks like you,
but it doesn’t feel the same, with the wrong name,
this lust is false, this vice is true.

I dream every night of you moaning my name
as the sheets get heavy with midnight dew.
The art of ******* makes way for silence
as I realise I may never get to meet you.

Are you as real as you are in my head?
I seem to know your most intimate curves.
I know all your hopes, your kinks and your heat,
the way your ****** energy electrifies your nerves.

I need you tonight, make love in the moonlight,
make you howl at the sky like a wolf in heat.
The wind on your breath fanning the fire in your eyes,
leave you so breathless you need to take a seat.

Come and be mine, I call your name now,
land on me gently, we can be rough in a while.
Lie in my arms so I can savour your scent,
your *** is a bonfire, my lust a woodpile.
I’m still writing villanelles for the dead,
for the people with useless eyes.
If only I could write for you instead.

I let them live inside my head
and somehow they speak of my demise.
I’m still writing villanelles for the dead.

As I lay with the weight of lead,
on stormy waters I don’t capsize.
If only I could write for you instead.

I feel this rising sense of dread,
I fear I know what this implies.
I’m still writing villanelles for the dead.

Do you dream of a warm, safe bed?
Only you with the countless lies,
if only I could write for you instead.

I should have listened to what you said
when your goodbye came as no surprise.
I’m still writing villanelles for the dead;
if only I could write for you instead.
I want to feel love, if only for a little while,
experience all its consequences,
night-time paranoia and daytime dances.
I want to feel real love for a moment or two,
the breath of her words,
hot and heavy on my burning worlds.
I want to feel something different for a change,
a love that never goes too soon,
a broken laugh not blamed on a violent moon.
I want to live like a king for a day,
good morning my people,
no apologies for thinking of evil.
I want to feel love, that rarest of things,
so I can sleep well tonight,
and welcome in the coming daylight.
If only for a little while.
If only for a little while.
Creeping, visceral tides of dark
like the vines of black ivy
slithering over his body,
covering him in black,
the darkness his comfort,
the silence his mistress.

He gazed into the abyss
and the abyss gazed back,
the curvaceous jaws
with teeth like scimitars
bit him in half, swallowed,
took the rest of him
into that warm, inviting mouth.
Dear mother, it’s hell here.
The trenches are full of mud and rats,
bullets whistle above our heads constantly,
and they keep dropping the bombs,
we can hardly get any sleep.
This is not war, it’s a game
rigged for both sides to lose
and no one seems to realise.

Jimmy died a couple of weeks ago,
out in no man’s land scouting the German trenches,
he got too close, they saw him,
machine-gunned him down.
Took his legs clean off above each knee.
A couple of other guys dragged him back
and when I saw him, he was still alive,
loose skin and tendons sliding through the mud.
He didn’t recognise me, too delirious.
They left in on the ground by the medical tent,
the rats taking the meat from his legs.

I miss you, mother, I miss father, too.
The farm in the valley, green fields,
the brook babbling away at the foot of the garden.
Millie singing songs about those faeries.
Nothing I miss more than the Sunday roast, though!
Fresh-cut beef, three Yorkshire puddings, thick gravy,
carrots on the side if they grew well.
They don’t have any of that here,
enough bread for a couple of sandwiches a day,
just enough cheese, butter, jam and pepper.
How can we fight when we’re all this hungry?

I have to finish up, it’s my turn in no man’s land.
Don’t know if I’ll make it back,
to the trench, never mind the farm.
I love you, mother.
I will see you soon.
I just want to come home.
Every dark thing, a turbulent mass of nothing;
every forgotten hope, a sanctimonious silence;
every lost dream, a memory of ******;
meet me by the tree growing in the echoes of violence.

These old woes, heavy in your beaten head;
these philharmonic nightmares, blessed with ultraviolet light;
these sorry worries, pontificating to the ignorant;
meet me by the tree with leaves that shimmer out of sight.

Too many ugly voices, stretched thin in your clothing;
too many stranded friends, veiled in your weathered face;
too many judges, stealing notes from the executioners;
meet me by the tree that holds it all in place.

And you, lonely little girl,
far from the envy of a century,
sing the quiet war songs of your ancestry.

~~

o brokenhearted girl


why do you
cry yourself
to sleep
at night


you're already dead


let go

~~
look to your left



                                                                                            look to your right





                                            looks like you’re
                                        on your own tonight
Every evening offers
me three
choices; get drunk,
watch old westerns,
or get drunk
and watch
old westerns.

I always
choose the
best
of
both worlds.

Eastwood narrating
my world,
Morricone
supplying my
soundtrack
as I travel
from Nowhere A
to Nowhere B
on a palomino
that just
runs
runs
runs
through desert
heat and raging
rapids, imagining
the Indians behind us
and having to duck
their arrows as we
try to reach
the hills and
safety.

All from
the comfort
of
my
sofa.

It’s snowing
outside, but
not
in my
world.
In my world,
there is sunlight
and kisses
and beautiful women
who just so happen
not to be
******* gals
spreading their legs
for a coupla bucks.
These are refined
ladies, champagne
drinkers in cocktail
dresses that hug their
***** and hips.
They wear high heels,
elegant ones,
all black, none
of that garish red.

All from
the comfort
of
my
sofa.

I fall asleep,
drunk,
dreaming of revolving
circles where
parallel universes
collide and mix
together to form
a brand new
state of
consciousness.
Don’t know how
many times
I’ve been on
this Greyhound
to run away from
all my problems,
but I’m on it again,
chasing down a
dream that was
never mine.

I pass by the
old pond where
we used to play
as kids, ghosts
by the waterside
splashing around,
unconcerned about
futures and money
and women
and being old and
miserable
and alone.

Do you remember
the time the
pack of wolves
emerged from the trees
and watched us
with those
hungry round
eyes?
We didn’t know
it at the
time
but we sure ended
up a lot like them,
chasing after
lambs and turning
them feral,
once so innocent,
now full of
*** and drugs
and every
******* STD
there is possible
to catch.
Do you ever
regret any
of it?
I sure as hell
do, I think.

I lean my
head back
into my seat and
listen to the
rickety rack of
the tired
suspension
and the chugging of
the dying diesel
engine, and
in my drunken state
I howl
howl
howl
at the wolves
hiding in the
timber.
I’m not a millennial so why have I started writing like one?
I asked myself that last night and now I realise;
every poem I seem to read is whining *******
about how the world seems to be out to get me,
please listen to me as I complain about being human!

Everywhere I look, existential angst riding high,
held above all else like some messianic dictatorship
demanding to be loved obediently without discrimination.
All you write is the same everyone else writes,
just fancier words, slight change in diction and emphasis,
but all the same pseudo-philosophical *******
peddled three centuries ago by a philosopher
whose name you could never quite remember.
When did originality make way for contrived nonsense?
No, no more. Ask yourself if writing helps
and answer with complete honesty as if no one can hear you.
It gave me the illusion that it helped, a friendly placebo
to place under my tongue to slowly dissolve.
If it helps, why do you keep writing, spewing trivialities
and wording them in a way to fool people into empathy?
Why don’t you write the story you always wanted to write
instead of writing for the notifications on your screen?
Why be a populist when you can be a fabulist?
Do not think for one second that you write for other people,
they don’t care about what you write,
they want to cling to a belief that what they feel is not human,
something far too profound to contemplate fully,
so they lap up every little word that conforms to their delusion.
Wake up, people. You are human, not sick.
The captain’s ill and we’re heading for rocks,
who the **** let the cabin boy take the helm?

We’re all in a panic and we’re rattling the locks,
who the **** let the cabin boy take the helm?

My god, man, we’re all going to sink,
who the **** let the cabin boy take the helm?

Davy Jones’s locker, we’re all for the drink,
who the **** let the cabin boy take the helm?

The sails are torn and the ropes are all knotted,
who the **** let the cabin boy take the helm?

The boards on the deck are all wet and rotted,
who the **** let the cabin boy take the helm?

We’re going down now, swim for the shore,
who the **** let the cabin boy take the helm?

Soaked on the beach, we’re ready for war,
who the **** let the cabin boy take the helm?
Singing songs in the car with the roof down,
hands up in the air pushing against the wind,
Bon Jovi on the radio and you don’t care anymore,
lost in the moment as your brain creates another memory,
one you’ll remember for years to come.
You will smile like you are just now,
not a care in the world, enjoying life as it is,
going nowhere fast with your heart calling shotgun.
The wind dances in your hair and you look wild
and that is why I love you,
because you will never be tamed and I never want you to be,
in this fleeting moment you are perfect
and our memories of this day will be the same,
we were happy and content and we still are,
living forever like the stars that align in your eyes.
I hopped into a
boxcar and ended
up somewhere
in Wisconsin,
mid-winter froze
in the air
and my breath
crystallized into
dead angels
that hung like
gargoyle icicles
hanging from the
gutters of cathedrals
of fog.

I found a bar
with bikes outside,
the lights inside
too dim to lighten
the sidewalk.
There was swearing
and the sounds
of poker chips
sliding on wooden tables
full of scratches
and gouges and
knife marks.

It was ***** inside,
dust clung to every
available surface
and none of the clientele
had had a shower
in weeks.
I ordered a whisky
and found myself
a dark corner
to watch the locals.
I was as happy
as a spider
in a cauldron of
dead flies.

There is something
magical about places
like this,
seeing the real
side of humanity,
the dirt and the
grime, the fights
and the blood
and the camaraderie
of like-minded souls
not fit for
public consumption.
These places were
perfect and I never
wanted to leave
any of them,
but tabs build up,
money runs dry,
glasses get smashed
and I get my
*** handed to me
by some ****
barmaid wearing
leathers and chains.

I think I’ll be good
tonight, a long
journey just behind
me and I need
a few drinks
to forget who
I am and where
I live in the universe.
Give myself the
company of a
different mind
for a while.

I think I’ll like it
here, in the snow
and the warming
whisky
that flows through
my veins like
hell’s blood.
A wise man once said nothing
and all the idiots in the world
spent lifetimes decoding his message.

A wise man only ever says
what he needs to say.
Nothing more.
Nothing less.
I’m lost in my thoughts, utterly alone,
staring at those huge peaks clawing at the heavens.
This little homestead dwarfed by those mountains.
I feel small here, this country is vast
and there’s no one here, another planet
victorious in making a more beautiful Earth
without vile creatures poisoning it.
The air is fresh and smells of primroses
and ozone from a distant thunderstorm
behind me across the plains.
This must be a dream, I think to myself,
but I’m too afraid to pinch my arm,
just in case I’m right.

At the Jenny Lake overlook, the mountains looming
as I sit by the water so still,
reflecting the mountains so well
that I can’t tell up from down.
The smell of the pines overwhelms me
and I wade into that cool water
as an eagle whistles into a valley,
the mountains whistling back
and I whistle too, caught in the moment.
The others on the shore whistle too,
and I swear the dozen of us were infinite.
Here I stand,
shouting at the sky,
waiting for an answer,
nothing, not even an echo
echo of my anger.
Oh whywhywhyWyoming
do I still sing
at the sky?
Juniper falling, they’re all bent crooked,
hat stands melting in the wind, night-time,
starlight, firelight, moonlight, candlelight.
She’s grazing sunsets flecked with gold,
he’s hurling rocks at the great untold,
writing words sparkling with ink, bold,
selling his soul, what’s that?, already sold?
Well **** it, sell it again, highest bidder,
canopies never quite reach the sky.

No cracks in the glass ceiling, this is it,
end of the road, can’t get higher, boy,
and that girl is gone, so long, farewell,
cracking her cosmic whip, speed of sound,
sonic boom, punctured eardrums, scream!
Still can’t hear you, give it all you got,
inhale, keep going, like it’s all a bad dream,
**** in the air, grit your teeth, open your throat,
let it all out, **** it, make the ground quake.

The dead don’t rise, zombieless landscape,
all alone, boy, talk high, act tough,
you’re just a kid, son, just a **** child.
She wasn’t yours, sunsets, horses wild,
password required, verification, access denied.
Glitter had her like stardust, gathered up,
lining your pockets, fingers lingering inside,
feeling the sharpness, the smoothness,
keep ******* up, stars still shine, right?

Even they die too, false hope, eternity wrong,
an illusion in the confusion, beautiful delusion,
twist in the contortions, moon rocks soft.
Skip them across the lake, the other side,
out of reach, always sink halfway there,
but keep dreaming, dream big, all that’s left,
waste of an ocean, too big, too ******* blue.
Same as the sky, reflection, reflect yourself,
look inside and find that little piece of heaven
trailing her sunsets, golden evenings, perfection,
but your cancer is her absolute dejection.

Chin up, kid, got a long way left to go,
the sign reads thirty, put your foot down,
flat out, heading for the hairpin turn,
fly off the curve, look down, kid, you’re flying.
escaped your labyrinth, lucky little minotaur.
But that’s just it, ******* with string,
trees bending in dead winds, lost all hope,
come crashing down, gravity your enemy.
Another lost soul, pick up the pieces,
dead shards of nothing, atoms splitting.

Marble heads carved grotesquely,
kissing their mouths with a **** in hers,
oh boy, didn’t you know?, she’s a ****,
looking for something to stop her dam bursting.
Oh poor thing, silly little creature,
that sunset wasn’t yours, you don’t do gold,
too many whisperings, murmurings, memories,
holding on, gotta let go, fingers whitening,
but she sounded so beautiful, ******* siren,
lorelei, songs painted poison on the air.

What you gonna do, kid? Run away again?
Cry in your corner, stupid little *****,
no highways passing the moon, it’s new,
no light in your dark, forget about her.
Moving ahead, skirting stars, black holes,
vacuuming your light, just slip in,
so easy, so easy, so ******* easy,
and all that pain will be gone from here,
say goodbye to it all, what use is light
to the blind who pray to gods of colour?

Gardens with roses, pansies, hemlock,
creeping over it all, eat the berries,
chew the toadstools, you’re too low,
get high!, but you aren’t like that,
too busy chasing dreams, guess what,
THAT’S ALL THEY ******* ARE!
When you gonna learn the truth, boy?
Your head lies, your heart lies,
everything and everyone, all they do is lie.
Silence, forever slumbering, dead monsters,
hunting a condition, your rotten addictions.

Angels on horses, swords made of clouds,
cathedrals, campaniles, made of red brick,
and they droop, rushed by weight, heavy skies,
bleeding their rain like a shark attack victim.
She dances with raindrops, flecked with a spectrum,
revolving as the world, her feet, the ground beneath,
and you, yes you, still dreaming, aren’t you?
It’s cheap and easy, doesn’t hurt,
unless you end up believing them.
Nothing comes true, other lies told in the dark,
when she thinks you’re asleep, I love you.
You might act like you own the world,
stick that nose up in the air
and force a wry smile speaking
to the lower classes,
but you will die one day,
hopefully really very soon indeed
and I will dig your grave,
lower your coffin into the ground
and jump on it a few times.
Open it up and jump on you a couple times,
just to make sure.

You were born into the working classes
and just look at you now.
You have forgotten where you came from
and where you will end up.
There is no god waiting for you, darling.
You’ll be with the brimstone
and the fire and the sulphur and the devils.
You traipse through your ******* existence like a princess
but you will rot like everyone else.

— The End —