Fade to scene--pallet: blue and green--wide shot; mood: serene.
Establish view; a stock or few; pan right to view a distant two.
A hazy rim; we cut to *HIM--so *clean and prim--just as we hear the hymn...
A tear rolls down his chin. The brightness dims; music shifts to grim.

Cue the screams; cut the scene.
We're back in the now and the mood is mean.

HE'S back in a view--pallet: black and blue--the shot askew.
The mood's muted; sounds of shooting. Cue dialog:
"Look what you did..."
Camera jerks; extreme closeup: a smirk; let the ANTAGONIST work.
The wire crew's here. HERO sheds a tear. Signal stuntman on the tier.

Orchestra on my mark...
Deliver line then cut to dark.

Light's back to reality. The view won't change, you see.
There's no crew or doubles. Just a wide sea of troubles.
No second shots; no calling "CUT"; it's all open-shut.
It's not like a filmmaker's lens; it's not just pretend.

Let me script this out what you're all about:
An overconfident lout, but backlit with doubt.
All part of a cast, direct you like I did the last.
I see that you're furious, but you're hardly fast.
Now I'll produce the fear as the shoot draws near--
I've got the schedule set; we're not finished here!--
You're calling "cut," but I'm just cutting you more,
And then I'll edit you out on the cutting room floor.

I appreciate that you feel you've come so far,
But never forget this is MY movie, and I'm the STAR!

like water filtering through my fingers,
you escaped my memories.
i can't quite remember the sound of your
voice whispering my name,
or the sound of your laugh over the roar
of the wheezing car engine.
i can't quite remember the color of your eyes
and on good days, i don't feel your touch
linger longingly on my skin.

but at night, when i'm laying in bed
running my fingers over the your old spot,
i feel it all rush back to me in sporadic bursts.
the scent, the sound, the touch, the very essence of you
fills me to the brim and i can't hold myself together.

i figure it's just as hard to forget
as it is to remember.